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New England Folk Song
Non classifié
9
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--INSTRUMENTS--
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FORMATION MUSI…
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MANDOLINE
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Vous avez sélectionné:
New England Folk Song
Partitions à imprimer
70 partitions trouvées
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Gustav Holst - Folksongs of Hampshire set for Flute Choir
Gustav Holst - Folksongs of Hampshire set for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. ...
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Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. Score, Set of Parts. 53 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.
$17.50
Holst - Folksongs of Hampshire set for Woodwind Choir
Holst - Folksongs of Hampshire set for Woodwind Choir
#
Ensemble à vent
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Gustav Holst
#
John Gibson
#
Holst - Folksongs of Hampshire
#
JB Linear
#
SheetMusicPlus
Woodwind Choir or Ensemble - Advanced Intermediate - Composed by Gustav Holst (1874-1934). Arranged by John Gibson. 20th Century, Folk. Score, Set o...
(+)
Woodwind Choir or Ensemble - Advanced Intermediate - Composed by Gustav Holst (1874-1934). Arranged by John Gibson. 20th Century, Folk. Score, Set of Parts. 90 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.
$24.25
Gustav Holst - Folksongs of Hampshire set for Clarinet Choir
Gustav Holst - Folksongs of Hampshire set for Clarinet Choir
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
Clarinet, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk,...
(+)
Clarinet, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. Score, Set of Parts. 62 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.
$17.50
Gustav Holst - Folksongs of Hampshire set for Flute Quartet
Gustav Holst - Folksongs of Hampshire set for Flute Quartet
#
Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Folklorique/Traditionel
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
Flute, Woodwind Quartet - Advanced Intermediate - Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk. 38 pages. Published by JB Li...
(+)
Flute, Woodwind Quartet - Advanced Intermediate - Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk. 38 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute quartet by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Flute 1 - 3, and alto with an alternate 4th flute for the alto.
$17.25
Gustav Holst - Folksongs of Hampshire set for String Orchestra
Gustav Holst - Folksongs of Hampshire set for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.582031 Composed by Traditional. Arranged by Gustav Holst, John Gibson. 20th Century,Celtic,Folk,Irish. Score and pa...
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String Orchestra - Level 4 - SKU: A0.582031 Composed by Traditional. Arranged by Gustav Holst, John Gibson. 20th Century,Celtic,Folk,Irish. Score and parts. 48 pages. JB Linear #4364530. Published by JB Linear (A0.582031). Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs. This group of four songs was arranged for voice and piano by Holst and set for string orchestra by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly.
$19.75
New England time Capsules - 1770’s Birth of a Nation
New England time Capsules - 1770’s Birth of a Nation
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Contemporain
#
Sy Brandon
#
New England time Capsules - 17
#
Sy Brandon
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.755150 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 12 pages. Sy Brandon #3407997. P...
(+)
String Orchestra - Level 3 - SKU: A0.755150 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 12 pages. Sy Brandon #3407997. Published by Sy Brandon (A0.755150). This composition won first prize in the New England String Ensemble Composition Contest. There are five movements based upon New England history. The first movement is 1560 - Amerindian Harvest Dance and is a reworking of the composers Celebration Dance. The second movement 1620-The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement 1770 - Birth of a Nation uses adaptations of Chester and Yankee Doodle. The fourth movement, 1850’s - Irish and Scottish Immigration uses reels and jigs. The last movement 1990’s - Convergence uses pieces of the earlier movements with Brazilian, Asian, and West Indies folk songs.
$9.99
New England Time Capsules - 1620 The Pilgrims
New England Time Capsules - 1620 The Pilgrims
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Contemporain
#
Sy Brandon
#
New England Time Capsules - 16
#
Sy Brandon
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.755149 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 23 pages. Sy Brandon #3407995. P...
(+)
String Orchestra - Level 3 - SKU: A0.755149 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 23 pages. Sy Brandon #3407995. Published by Sy Brandon (A0.755149). This composition won first prize in the New England String Ensemble Composition Contest. There are five movements based upon New England history. The first movement is 1560 - Amerindian Harvest Dance and is a reworking of the composers Celebration Dance. The second movement 1620-The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement 1770 - Birth of a Nation uses adaptations of Chester and Yankee Doodle. The fourth movement, 1850’s - Irish and Scottish Immigration uses reels and jigs. The last movement 1990’s - Convergence uses pieces of the earlier movements with Brazilian, Asian, and West Indies folk songs.
$9.99
New England Time Capsules - 1990’s Convergence
New England Time Capsules - 1990’s Convergence
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sy Brandon
#
New England Time Capsules - 19
#
Sy Brandon
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.755153 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 32 pages. Sy Brandon #3408001. P...
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String Orchestra - Level 4 - SKU: A0.755153 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 32 pages. Sy Brandon #3408001. Published by Sy Brandon (A0.755153). This composition won first prize in the New England String Ensemble Composition Contest. There are five movements based upon New England history. The first movement is 1560 - Amerindian Harvest Dance and is a reworking of the composers Celebration Dance. The second movement 1620-The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement 1770 - Birth of a Nation uses adaptations of Chester and Yankee Doodle. The fourth movement, 1850’s - Irish and Scottish Immigration uses reels and jigs. The last movement 1990’s - Convergence uses pieces of the earlier movements with Brazilian, Asian, and West Indies folk songs.
$9.99
New England Time Capsules - 1850’s Irish and Scottish Immigration
New England Time Capsules - 1850’s Irish and Scottish Immigration
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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New England Time Capsules - 18
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Sy Brandon
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.755151 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 25 pages. Sy Brandon #3407999. P...
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String Orchestra - Level 4 - SKU: A0.755151 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 25 pages. Sy Brandon #3407999. Published by Sy Brandon (A0.755151). This composition won first prize in the New England String Ensemble Composition Contest. There are five movements based upon New England history. The first movement is 1560 - Amerindian Harvest Dance and is a reworking of the composers Celebration Dance. The second movement 1620-The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement 1770 - Birth of a Nation uses adaptations of Chester and Yankee Doodle. The fourth movement, 1850’s - Irish and Scottish Immigration uses reels and jigs. The last movement 1990’s - Convergence uses pieces of the earlier movements with Brazilian, Asian, and West Indies folk songs.
$9.99
New England Time Capsules - 1560 Amerindian Harvest Dance
New England Time Capsules - 1560 Amerindian Harvest Dance
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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New England Time Capsules - 15
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Sy Brandon
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.755148 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 31 pages. Sy Brandon #3407993. P...
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String Orchestra - Level 4 - SKU: A0.755148 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 31 pages. Sy Brandon #3407993. Published by Sy Brandon (A0.755148). This composition won first prize in the New England String Ensemble Composition Contest. There are five movements based upon New England history. The first movement is 1560 - Amerindian Harvest Dance and is a reworking of the composers Celebration Dance. The second movement 1620-The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement 1770 - Birth of a Nation uses adaptations of Chester and Yankee Doodle. The fourth movement, 1850’s - Irish and Scottish Immigration uses reels and jigs. The last movement 1990’s - Convergence uses pieces of the earlier movements with Brazilian, Asian, and West Indies folk songs.
$9.95
Morning Song for School Choir, Piano, Flute (or Recorder), and Percussion
Morning Song for School Choir, Piano, Flute (or Recorder), and Percussion
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Chorale 2 parties
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DÉBUTANT
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Andrew Orgee
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Morning Song for School Choir,
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Andrew Orgee
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1471884 Composed by Andrew Orgee. Christian,Folk,Multicultural,World. 12 pages. Andrew Orgee #1049...
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Choral 2-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1471884 Composed by Andrew Orgee. Christian,Folk,Multicultural,World. 12 pages. Andrew Orgee #1049507. Published by Andrew Orgee (A0.1471884). This is a setting of a hymn called Morning from the English Book of Common Prayer by W. Canton, which is giving thanks to our Lord for the beginning of a new day. I have scored this hymn to be sung by a primary school choir at the beginning of the school day with the music teacher playing piano and other children playing simple, supportive percussive rhythms.The hymn combines a gentle habanera rythmn together with an English folk song called The Dark Eyed Sailor. The folk song was collected in the early 20th centuary by Ralph Vaughan Williams in the East Anglia region of England. I used this folk song as a tribute to the school for whom this hymn was originally composed.
$1.99
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
A Song of Enchantment - Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Ke
A Song of Enchantment - Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Ke
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Dennis McCorkle, Adele Paxton
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A Song of Enchantment - Origin
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.784923 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Ag...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.784923 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. Score and parts. 8 pages. DF McCorkle Music and eBook Publications #6111477. Published by DF McCorkle Music and eBook Publications (A0.784923). Key: Am, Range: E3 to B4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
A Song of Enchantment - Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Ke
A Song of Enchantment - Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Ke
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Dennis McCorkle, Adele Paxton
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A Song of Enchantment - Origin
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.784922 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Ag...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.784922 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. Score and parts. 8 pages. DF McCorkle Music and eBook Publications #6111461. Published by DF McCorkle Music and eBook Publications (A0.784922). Key: G#m, Range: D#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com.
$7.95
A Song of Enchantment - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key
A Song of Enchantment - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key
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Piano seul
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INTERMÉDIAIRE
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Dennis McCorkle, Adele Paxton
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A Song of Enchantment - Origin
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.784921 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. Score. 10 pages. DF McCorkle Music ...
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Piano Solo - Level 3 - SKU: A0.784921 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. Score. 10 pages. DF McCorkle Music and eBook Publications #6111443. Published by DF McCorkle Music and eBook Publications (A0.784921). Key: G#m, Range: D#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com.
$7.95
The Window - Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Key Bbm
The Window - Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Key Bbm
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Dennis McCorkle, Adele Paxton
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The Window - Original Song Set
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.784924 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Ag...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.784924 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. Score and parts. 8 pages. DF McCorkle Music and eBook Publications #6112315. Published by DF McCorkle Music and eBook Publications (A0.784924). Key: Bbm, Range: F3 to Db5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
The Window - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key Bbm
The Window - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key Bbm
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Voix duo, Piano
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FACILE
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Dennis McCorkle, Adele Paxton
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The Window - Original Song Set
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.784920 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. 8 pages. DF McCor...
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Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.784920 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. 8 pages. DF McCorkle Music and eBook Publications #6110747. Published by DF McCorkle Music and eBook Publications (A0.784920). Key: Bbm, Range: F3 to Db5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com.
$7.95
Old French
Old French
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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New England Folk Song
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Sandy McIntire
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Old French
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Sandy McIntire
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1457216 Composed by New England Folk Song. Arranged by Sandy McIntire. Classical,Contest,Festival,Folk,Inst...
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String Trio Cello,Violin - Level 3 - SKU: A0.1457216 Composed by New England Folk Song. Arranged by Sandy McIntire. Classical,Contest,Festival,Folk,Instructional,Traditional. 22 pages. Sandy McIntire #1036263. Published by Sandy McIntire (A0.1457216). Old French is a New England folk tune and a popular reel at contra dances. It is arranged here for Intermediate String Trio (two violins and cello). Play it just for fun, at jams, or enter a fiddle contest. All parts are of equal interest and difficulty and great for building technique and rhythm. Separate sheets are provided for each instrument along with the score.
$7.99
Old French
Old French
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2 Violons (duo)
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FACILE
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New England Folk Song
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Sandy McIntire
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Old French
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Sandy McIntire
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.697728 Composed by New England Folk Song. Arranged by Sandy McIntire. Contest,Festival,Folk,Holiday,Instructional...
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Violin Duet Violin - Level 2 - SKU: A0.697728 Composed by New England Folk Song. Arranged by Sandy McIntire. Contest,Festival,Folk,Holiday,Instructional,Standards. 15 pages. Sandy McIntire #6534059. Published by Sandy McIntire (A0.697728). Old French is a traditional New England folk tune popular as a reel played on the fiddle for contra dances. This arrangement is for two Early Intermediate violins and provides an interesting and melodic etude or performance piece for student players.The tune starts in D major for the A part then goes to A Mixolydian for the B part. The arrangement then moves through A Major and D Mixolydian to C Minor ending in C Major providing interesting variations on the original theme. A score and a single sheet for each instrument is provided here. The score includes chords for accompanying instruments. Other violin duets by McIntire include Bolero, Mexican Hat Dance (Jarabe Tapotio), Ash Grove and Yes! We Have No Bananas all available on sheetmusicplus.
$5.99
Gallopede
Gallopede
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Mandoline
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FACILE
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Fennig's All-Star String Band
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Sandy McIntire
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Gallopede
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Sandy McIntire
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SheetMusicPlus
Fiddle,Instrumental Solo,Mandolin - Level 2 - SKU: A0.1366012 By Fennig's All-Star String Band. By New England Folk Song. Arranged by Sandy McIntire. Ce...
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Fiddle,Instrumental Solo,Mandolin - Level 2 - SKU: A0.1366012 By Fennig's All-Star String Band. By New England Folk Song. Arranged by Sandy McIntire. Celtic,Contest,Festival,Folk,Instructional,Irish,Multicultural,World. Individual part. 2 pages. Sandy McIntire #950367. Published by Sandy McIntire (A0.1366012). Gallopede is a New England Reel in the Scottish and Irish tradition arranged here for Easy Intermediate Violin, Fiddle or Mandolin. It is a well-known old time fiddle and dance tune recorded in the 1970s by Fennig's All-Star String Band and continuing in popularity with dancers and fiddlers in the 21st Century. This arrangement contains the basic tune and a variation with chords and bowing suggestions included. It is an excellent choice for contests, festivals and recitals.
$3.99
The Roast Beef of Old England
The Roast Beef of Old England
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Henry Fielding
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Jonathan Spencer
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The Roast Beef of Old England
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Jonathan Spencer
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.1351329 Composed by Henry Fielding. Arranged by Jonathan Spencer. Folk,Patriotic. 6 pages. Jonathan Spencer #936181. P...
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Brass Quintet - Level 2 - SKU: A0.1351329 Composed by Henry Fielding. Arranged by Jonathan Spencer. Folk,Patriotic. 6 pages. Jonathan Spencer #936181. Published by Jonathan Spencer (A0.1351329). The Roast Beef of Old England is an English patriotic ballad. It was written by Henry Fielding for his play The Grub-Street Opera, which was first performed in 1731. The lyrics were added to over the next twenty years. The song increased in popularity when given a new setting by the composer Richard Leveridge, and it became customary for theatre audiences to sing it before, after, and occasionally during, any new play.Straightforward arrangement for brass quintet that will enable any dinner to start in style.
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Springfield Mountain
Springfield Mountain
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New England Folksong
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Derek Larson
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Springfield Mountain
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Derek Larson
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1011383 Composed by New England Folksong. Arranged by Derek Larson. A Cappella,Contemporary,Folk,Traditional. Oc...
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Choral Choir (SATB) - Level 4 - SKU: A0.1011383 Composed by New England Folksong. Arranged by Derek Larson. A Cappella,Contemporary,Folk,Traditional. Octavo. 7 pages. Derek Larson #3242161. Published by Derek Larson (A0.1011383). An a cappella setting for SATB chorus with some splits within the parts of allegedly one of the first ballads to come from the Northeastern American colonies. Though the comedic text and music are more common, this public domain tune and story are arranged here to dramatically tell the tragic story of a young man whose life as an adult was just beginning when he was struck by a poisonous serpent as he mowed a field alone. Choirs will love the wistful melody and harmonies found in this rich arrangement of a piece of colonial history.
$3.50
The Water is Wide (SSA choir and piano)
The Water is Wide (SSA choir and piano)
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Chorale 3 parties
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FACILE
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1251832 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Wedding,World. Oc...
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Choral Choir (SSA) - Level 2 - SKU: A0.1251832 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Wedding,World. Octavo. 9 pages. Colin Kirkpatrick Publications #846048. Published by Colin Kirkpatrick Publications (A0.1251832). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906 using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular and optimistic lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SSA arrangement by Colin Kirkpatrick is ideal for boy choir, amateur choir, school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the Soprano 1 part (which has one brief divisi section), the highest note is G5 (the G just above the staff) and the highest note in the Soprano 2 part is E5 (near the top of the treble staff). The Alto part has a range of G below Middle C (G4) up to B flat in the middle of the treble staff. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike. Note that the audio sample cannot yet render the words.
$2.99
The Water is Wide (SAB choir and piano)
The Water is Wide (SAB choir and piano)
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Chorale 3 parties
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FACILE
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1264867 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Early Music,Folk,Irish,Wedding. Octavo. 10...
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Choral Choir (SAB) - Level 2 - SKU: A0.1264867 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Early Music,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #857706. Published by Colin Kirkpatrick Publications (A0.1264867). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as O Waly, Waly which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir, especially if the tenor/bass section is a bit low on numbers. Each section of the choir has the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (which occurs only once and safely approached) and the highest note in the alto part is C5 (in the middle of the treble staff). The bartione part lies between A flat 2 (bottom space in bass clef) and D3 (just above the staff). The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.
$2.99
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