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New England Folk Tune
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Vous avez sélectionné:
New England Folk Tune
Partitions à imprimer
45 partitions trouvées
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Old French for Two Fiddles
Old French for Two Fiddles
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2 Violons (duo)
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FACILE
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New England Folk Tune
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Sandy McIntire
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Old French for Two Fiddles
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Sandy McIntire
#
SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.697726 Composed by New England Folk Tune. Arranged by Sandy McIntire. Contest,Country,Festival,Folk,Instructional...
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Violin Duet Violin - Level 2 - SKU: A0.697726 Composed by New England Folk Tune. Arranged by Sandy McIntire. Contest,Country,Festival,Folk,Instructional,Traditional. 15 pages. Sandy McIntire #6534107. Published by Sandy McIntire (A0.697726). Old French for Two Fiddles is an arrangement of a New England folk tune and a popular reel at contra dances. Play it just for fun, at jams, or enter a fiddle contest. Both parts are of equal interest and difficulty (Early Intermediate) and great for building technique and rhythm. Chords for accompanying instruments are included.Other fiddles tunes arranged by McIntire include Ragtime Annie, Whiskey Before Breakfast and Waltzing Matilda, all available at sheetmusicplus.
$5.50 ≈
4.95€
Johnny I Hardly Knew Ye - Violin and Recorder/Flute
Johnny I Hardly Knew Ye - Violin and Recorder/Flute
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Traditional
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Dorothy van Joolen Barth
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Johnny I Hardly Knew Ye - Viol
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785050 Composed by Traditional. Arranged by Dorothy van Joolen Barth. Celtic,Folk,Holiday,Irish....
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785050 Composed by Traditional. Arranged by Dorothy van Joolen Barth. Celtic,Folk,Holiday,Irish. Score and parts. 2 pages. Dorothy van Joolen Barth #6735855. Published by Dorothy van Joolen Barth (A0.785050). Johnny I Hardly Knew Ye is a 19th century ballad first published in 1867 in London. It became popular both in England and Ireland. Some know the melody as When Johnny Comes Marching Home. I had a special request to play this tune for a 2022 St. Patrick's celebration, which prompted me to write this arrangement.I've scored and recorded this tune for tenor recorder and violin, with each instrument getting a chance to play the melody line. I've added double stops in the violin part for a fuller, more energetic sound.This duo can also be played on flute and violin, on soprano recorder (an octave higher than tenor recorder) and violin, or on penny whistle and violin. Repeat as often as you like; this tune has lots of verses!
$3.99 ≈
3.59€
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
#
David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
3.15€
Old French
Old French
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2 Violons (duo)
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FACILE
#
New England Folk Song
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Sandy McIntire
#
Old French
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Sandy McIntire
#
SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.697728 Composed by New England Folk Song. Arranged by Sandy McIntire. Contest,Festival,Folk,Holiday,Instructional...
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Violin Duet Violin - Level 2 - SKU: A0.697728 Composed by New England Folk Song. Arranged by Sandy McIntire. Contest,Festival,Folk,Holiday,Instructional,Standards. 15 pages. Sandy McIntire #6534059. Published by Sandy McIntire (A0.697728). Old French is a traditional New England folk tune popular as a reel played on the fiddle for contra dances. This arrangement is for two Early Intermediate violins and provides an interesting and melodic etude or performance piece for student players.The tune starts in D major for the A part then goes to A Mixolydian for the B part. The arrangement then moves through A Major and D Mixolydian to C Minor ending in C Major providing interesting variations on the original theme. A score and a single sheet for each instrument is provided here. The score includes chords for accompanying instruments. Other violin duets by McIntire include Bolero, Mexican Hat Dance (Jarabe Tapotio), Ash Grove and Yes! We Have No Bananas all available on sheetmusicplus.
$5.99 ≈
5.39€
Gallopede
Gallopede
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Mandoline
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FACILE
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Fennig's All-Star String Band
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Sandy McIntire
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Gallopede
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Sandy McIntire
#
SheetMusicPlus
Fiddle,Instrumental Solo,Mandolin - Level 2 - SKU: A0.1366012 By Fennig's All-Star String Band. By New England Folk Song. Arranged by Sandy McIntire. Ce...
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Fiddle,Instrumental Solo,Mandolin - Level 2 - SKU: A0.1366012 By Fennig's All-Star String Band. By New England Folk Song. Arranged by Sandy McIntire. Celtic,Contest,Festival,Folk,Instructional,Irish,Multicultural,World. Individual part. 2 pages. Sandy McIntire #950367. Published by Sandy McIntire (A0.1366012). Gallopede is a New England Reel in the Scottish and Irish tradition arranged here for Easy Intermediate Violin, Fiddle or Mandolin. It is a well-known old time fiddle and dance tune recorded in the 1970s by Fennig's All-Star String Band and continuing in popularity with dancers and fiddlers in the 21st Century. This arrangement contains the basic tune and a variation with chords and bowing suggestions included. It is an excellent choice for contests, festivals and recitals.
$3.99 ≈
3.59€
Old French
Old French
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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New England Folk Song
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Sandy McIntire
#
Old French
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Sandy McIntire
#
SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1457216 Composed by New England Folk Song. Arranged by Sandy McIntire. Classical,Contest,Festival,Folk,Inst...
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String Trio Cello,Violin - Level 3 - SKU: A0.1457216 Composed by New England Folk Song. Arranged by Sandy McIntire. Classical,Contest,Festival,Folk,Instructional,Traditional. 22 pages. Sandy McIntire #1036263. Published by Sandy McIntire (A0.1457216). Old French is a New England folk tune and a popular reel at contra dances. It is arranged here for Intermediate String Trio (two violins and cello). Play it just for fun, at jams, or enter a fiddle contest. All parts are of equal interest and difficulty and great for building technique and rhythm. Separate sheets are provided for each instrument along with the score.
$7.99 ≈
7.20€
Springfield Mountain
Springfield Mountain
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New England Folksong
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Derek Larson
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Springfield Mountain
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Derek Larson
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1011383 Composed by New England Folksong. Arranged by Derek Larson. A Cappella,Contemporary,Folk,Traditional. Oc...
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Choral Choir (SATB) - Level 4 - SKU: A0.1011383 Composed by New England Folksong. Arranged by Derek Larson. A Cappella,Contemporary,Folk,Traditional. Octavo. 7 pages. Derek Larson #3242161. Published by Derek Larson (A0.1011383). An a cappella setting for SATB chorus with some splits within the parts of allegedly one of the first ballads to come from the Northeastern American colonies. Though the comedic text and music are more common, this public domain tune and story are arranged here to dramatically tell the tragic story of a young man whose life as an adult was just beginning when he was struck by a poisonous serpent as he mowed a field alone. Choirs will love the wistful melody and harmonies found in this rich arrangement of a piece of colonial history.
$3.50 ≈
3.15€
Gallopede
Gallopede
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Trio à Cordes: 2 violons, violoncelle
#
INTERMÉDIAIRE
#
Traditional New England Reel
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Sandy McIntire
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Gallopede
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Sandy McIntire
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 3 - SKU: A0.1085805 Composed by Traditional New England Reel. Arranged by Sandy McIntire. Celtic,Contes...
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String Ensemble,String Trio Cello,Violin - Level 3 - SKU: A0.1085805 Composed by Traditional New England Reel. Arranged by Sandy McIntire. Celtic,Contest,Country,Festival,Folk,Instructional,Irish. Score and parts. 8 pages. Sandy McIntire #689979. Published by Sandy McIntire (A0.1085805). GALLOPEDE is a tune originally played by New England fiddlers for dances. Its name probably comes from the French word, gallopade, meaning to gallop in. The music lends itself to a boisterous gallivant across the dance floor. This package contains a score and a separate sheet of music for each instrument. This arrangement is for a STRING TRIO (two violins and a cello) for INTERMEDIATE players. Other folk tunes arranged by McIntire for string ensembles include Flowers of Edinburgh and Ash Grove, available also at this web site.
$5.99 ≈
5.39€
Saint Anne's Reel
Saint Anne's Reel
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Old-time Fiddle Tune
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Sandy McIntire
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Saint Anne's Reel
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Sandy McIntire
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1114553 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Folk,Instructional,Irish,Multi...
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String Trio Cello,Violin - Level 3 - SKU: A0.1114553 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Folk,Instructional,Irish,Multicultural,Traditional,World. 15 pages. Sandy McIntire #716416. Published by Sandy McIntire (A0.1114553). St. Anne's Reel is currently recognized as an old-time, bluegrass, New England and French-Canadian tune with many variations played on a number of instruments including the fiddle, mandolin, and penny whistle. It is arranged here for a Intermediate String Trio (two violins and a cello). This lively rendition provides each player a chance to play solos and fun riffs as the melody jumps from one instrument to the next while the others harmonize. McIntire specializes in arranging fiddle tunes for string ensembles. Other arrangements of her folk tunes available for string ensembles at this site include Flowers of Edinburgh and Childgrove. A score as well as separate sheets for each instrument is provided.
$7.50 ≈
6.75€
Saint Anne's Reel
Saint Anne's Reel
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Violon
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FACILE
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Old-time Fiddle Tune
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Sandy McIntire
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Saint Anne's Reel
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Sandy McIntire
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1113810 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Contest,Country,Festival,Folk,Instructional...
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Violin Solo - Level 2 - SKU: A0.1113810 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Contest,Country,Festival,Folk,Instructional,Irish. 4 pages. Sandy McIntire #715707. Published by Sandy McIntire (A0.1113810). St. Anne's Reel is currently recognized as an old-time, bluegrass, New England and French-Canadian tune with many variations played on a number of instruments including the fiddle, mandolin, and penny whistle. It is arranged here for an Easy Intermediate fiddler, violinist, or mandolin player. It contains three variations played by West Virginia Fiddler Sandy Mcintire, starting with the simplest of versions, followed by a more elaborate, notey version, and a final variation using double-stops or drones. It is included in the Mountain Mommas Fiddle Tune series. Other tunes in the series include Whiskey Before Breakfast and Life Is Like a Mountain Railroad..
$3.99 ≈
3.59€
Chester - Full Orchestra
Chester - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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William Billings
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Joel Jacklich (ASCAP)
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Chester - Full Orchestra
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and p...
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Full Orchestra - Level 3 - SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and parts. 22 pages. Joel Jacklich #3111503. Published by Joel Jacklich (A0.723123). William Billings, the first native-born American composer, wrote Chester as a patriotic tune embracing the American disdain for their British overlords and espousing the need for freedom and self-determination. The title, merely reflects a common practice of the time of having hymn tunes named for the location of their composition, rather than for their content. The piece served as a sort of de facto national anthem in the early years of our nationhood. The original words are supposedly by Billings himself.Let tyrants shake their iron rod,And Slav'ry clank her galling chains,We fear them not, we trust in God,New England's God forever reigns.Howe and Burgoyne and Clinton too,With Prescot and Cornwallis join'd,Together plot our Overthrow,In one Infernal league combin'd.When God inspir'd us for the fight,Their ranks were broke, their lines were forc'd,Their ships were Shatter'd in our sight,Or swiftly driven from our Coast.The Foe comes on with haughty Stride;Our troops advance with martial noise,Their Vet'rans flee before our Youth,And Gen'rals yield to beardless Boys.What grateful Off'ring shall we bring?What shall we render to the Lord?Loud Halleluiahs let us Sing,And praise his name on ev'ry Chord.
$19.99 ≈
18.00€
How Beauteous Are Their Feet
How Beauteous Are Their Feet
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Chorale SATB
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INTERMÉDIAIRE
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Abraham Wood
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Ryan D
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How Beauteous Are Their Feet
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Ryan Neaveill
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.826776 Composed by Abraham Wood. Arranged by Ryan D. Neaveill. Classical,Folk,Instructional,Sacred,World. Octav...
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Choral Choir (Mixed) - Level 3 - SKU: A0.826776 Composed by Abraham Wood. Arranged by Ryan D. Neaveill. Classical,Folk,Instructional,Sacred,World. Octavo. 15 pages. Ryan Neaveill #2017989. Published by Ryan Neaveill (A0.826776). This is a marvelous piece from one of the United States’ earliest composers. How Beauteous Are Their Feet falls under the classification of fuging tune--a popular idiom in colonial New England in the late 18th century and used frequently by many early American composers including William Billings. Fuging tunes typically begin with all voices together in a homophonic hymn-like statement, followed by a section where each voice enters one after the other in an imitative manner similar to a fugue. Another striking characteristic of this genre is the use of open fifths, as well as the nontraditional use of parallel fifths. These features, in addition to the contrast between homophony and polyphony, give this style of music its unique flavor.
$5.00 ≈
4.50€
Over the River and Through the Woods
Over the River and Through the Woods
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Ensemble de cuivres
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INTERMÉDIAIRE
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Unknown
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F
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Over the River and Through the
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808680 Composed by Unknown. Arranged by F. Leslie Smith. Christmas,Folk,Holiday. Score and parts. 30 pages. Sweetwate...
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Brass Ensemble - Level 3 - SKU: A0.808680 Composed by Unknown. Arranged by F. Leslie Smith. Christmas,Folk,Holiday. Score and parts. 30 pages. Sweetwater Brass Press #3377131. Published by Sweetwater Brass Press (A0.808680).     First published in Flowers for Children, Volume 2 in 1844, Lydia Maria Child’s poem, The New-England Boy's Song about Thanksgiving Day, describes a sleigh trip to Grandfather’s house to commemorate the national day of thanks and the anticipation of the tasty food that will be consumed in celebration thereof. Why were they in a sleigh in a New England late November? Because the Little Ice Age was still extant in the early 19th Century and there was snow on the ground! Later, maybe in the 1870s, the poem was set to a tune, the composer of which is unknown. As years passed, the words were changed to Grandmother’s house, the song was adapted to a Christmas carol and the title changed to the first line of the poem, Over the River and Through the Woods.
$6.30 ≈
5.67€
Jingle Bells for Piano Quartet
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95 ≈
35.98€
Gallopede
Gallopede
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Fennig's All-Star String Band
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Sandy McIntire
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Gallopede
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Sandy McIntire
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SheetMusicPlus
Fiddle,Instrumental Duet,Mandolin - Level 2 - SKU: A0.1366797 By Fennig's All-Star String Band. By American Folk Song. Arranged by Sandy McIntire. Celti...
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Fiddle,Instrumental Duet,Mandolin - Level 2 - SKU: A0.1366797 By Fennig's All-Star String Band. By American Folk Song. Arranged by Sandy McIntire. Celtic,Contest,Festival,Folk,Instructional,Irish,Multicultural,World. 8 pages. Sandy McIntire #951128. Published by Sandy McIntire (A0.1366797). Gallopede is a New England Reel in the Scottish and Irish tradition arranged here for Easy Intermediate Violin, Fiddle or Mandolin Duet. It is a well-known, old-time fiddle and dance tune recorded in the 1970s by Fennig's All-Star String Band and continuing in popularity with dancers and fiddlers in the 21st Century. This arrangement contains the basic tune and a variation with chords and bowing suggestions included. A separate sheet is provided for each player. This is an excellent choice for contests, festivals and recitals.
$4.50 ≈
4.05€
Come, Thou Fount of Every Blessing, Harp I
Come, Thou Fount of Every Blessing, Harp I
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2 Harpes (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Anonymous, or perhaps John Wye
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Serena O'Meara
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Come, Thou Fount of Every Bles
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - SKU: A0.803788 Composed by Anonymous, or perhaps John Wyeth. Arranged by Serena O'Meara. Folk,...
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Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - SKU: A0.803788 Composed by Anonymous, or perhaps John Wyeth. Arranged by Serena O'Meara. Folk,Praise & Worship,Sacred,Traditional,Wedding. Score and parts. 3 pages. O'Meara Music #4717915. Published by O'Meara Music (A0.803788). The words of this hymn that we know today first appeared in 1758 in a collection of poetry used in a church meeting in Cambridge, UK. The folk melody, named Hallelujah or Good Shepherd, appeared in 1813 in A Repository of Sacred Music, Part Second published by John Wyeth in Pennsylvania. Wyeth was a compiler of music for the purpose of publishing, not a musician. The tune of the hymn is called Nettleton. Asahel Nettleton was an evangelist from Connecticut who worked in New England. There is no indication that he wrote any music. The first appearance of this melody with the Come, Thou Fount of Every Blessing lyrics was published by Darius Jones in 1852. Charles Ives used this folk melody in two of his compositions: First String Quartet and the song The Innate.This duet is in the key of D. The melody is divided evenly between parts. Dynamics are clearly marked.
$3.00 ≈
2.70€
Come, Thou Fount of Every Blessing, Harp II
Come, Thou Fount of Every Blessing, Harp II
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2 Harpes (duo)
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INTERMÉDIAIRE
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Anonymous, or perhaps John Wye
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Serena O'Meara
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Come, Thou Fount of Every Bles
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O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803789 Composed by Anonymous, or perhaps John Wyeth. Arranged by Serena O'Meara. Folk,Praise and Worshi...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803789 Composed by Anonymous, or perhaps John Wyeth. Arranged by Serena O'Meara. Folk,Praise and Worship,Sacred,Traditional,Wedding. 3 pages. O'Meara Music #4717917. Published by O'Meara Music (A0.803789). The words of this hymn that we know today first appeared in 1758 in a collection of poetry used in a church meeting in Cambridge, UK. The folk melody, named Hallelujah or Good Shepherd, appeared in 1813 in A Repository of Sacred Music, Part Second published by John Wyeth in Pennsylvania. Wyeth was a compiler of music for the purpose of publishing, not a musician. The tune of the hymn is called Nettleton. Asahel Nettleton was an evangelist from Connecticut who worked in New England. There is no indication that he wrote any music. The first appearance of this melody with the Come, Thou Fount of Every Blessing lyrics was published by Darius Jones in 1852. Charles Ives used this folk melody in two of his compositions: First String Quartet and the song The Innate.This duet is in the key of D. The melody is divided evenly between parts. Dynamics are clearly marked.
$3.00 ≈
2.70€
Devil's Dream - for 8 handbells (duet or quartet)
Devil's Dream - for 8 handbells (duet or quartet)
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Cloches
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INTERMÉDIAIRE/AVANCÉ
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Traditional Fiddle Tune
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Mark Arnold
#
Devil's Dream - for 8 handbell
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Brass & Bronze Music
#
SheetMusicPlus
Handbell - Level 4 - SKU: A0.905057 Composed by Traditional Fiddle Tune. Arranged by Mark Arnold. Country,Folk,Traditional. 1 pages. Brass & Bronze Musi...
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Handbell - Level 4 - SKU: A0.905057 Composed by Traditional Fiddle Tune. Arranged by Mark Arnold. Country,Folk,Traditional. 1 pages. Brass & Bronze Music #5998001. Published by Brass & Bronze Music (A0.905057). Devil's Dream is a traditional fiddle tune from New England, probably with roots in the British Isles. This 8 bell arrangement will be a fun challenge for a handbell duet, or a bit less difficult when played by handbell quartet. Tempo is as fast as you can go, so hang on for the ride! .
$4.99 ≈
4.49€
Jingle Bells for Trombone & Piano
Jingle Bells for Trombone & Piano
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Trombone et Piano
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FACILE
#
Noël
#
James Pierpont
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James M
#
Jingle Bells for Trombone &
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3...
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Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408227. Published by jmsgu3 (A0.548658). Jingle Bells arranged for trombone & piano featuring an unusual final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.47€
Jingle Bells for Cello & Piano
Jingle Bells for Cello & Piano
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Violoncelle, Piano
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FACILE
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Noël
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James Pierpont
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James M
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Jingle Bells for Cello & P
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408...
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Cello,Piano - Level 2 - SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408191. Published by jmsgu3 (A0.548655). Jingle Bells arranged for cello & piano with a fancy final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.47€
Jingle Bells for Clarinet & Piano
Jingle Bells for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Clarinet &
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548663 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548663 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408937. Published by jmsgu3 (A0.548663). Jingle Bells arranged for Bb clarinet & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.47€
Jingle Bells for French Horn & Piano
Jingle Bells for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
#
Noël
#
James Pierpont
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James M
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Jingle Bells for French Horn &
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3...
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French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408217. Published by jmsgu3 (A0.548657). Jingle Bells arranged for French Horn& Piano featuring a surprise final verse harmonization. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.47€
Jingle Bells for Trumpet & Piano
Jingle Bells for Trumpet & Piano
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Trompette, Piano
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FACILE
#
Contemporain
#
James Pierpont
#
James M
#
piano
#
Jingle Bells for Trumpet &
#
jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.548656 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Contemporary. Score and part. 9 pages. ...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.548656 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Contemporary. Score and part. 9 pages. Jmsgu3 #3408207. Published by jmsgu3 (A0.548656). Jingle Bells arranged for flute & piano. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the piece One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the music for the Thanksgiving holidays, but people began to think of it more as a Christmas song over time. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford, Massachusetts, in 1850. Sleigh races were indeed famous in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square, claiming it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia, where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic SignalsHorse-drawn sleighs are relatively quiet in the snow. Consequently, horses usually had bell-laden straps to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social ContextJingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. Jingle bells is a poetic descriptive adjective referring specifically to the more accurate time sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.
$24.95 ≈
22.47€
Jingle Bells for Viola & Piano
Jingle Bells for Viola & Piano
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Alto, Piano
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FACILE
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Noël
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James Pierpont
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James M
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Jingle Bells for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408...
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Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.47€
Jingle Bells for Euphonium & Piano
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.47€
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New England Folk Tune
