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New World Symphony 2nd Movement by Dvorak
Non classifié
11
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10
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4
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4 Guitares (Quatuor)
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4
Quintette de Saxophone: 5 saxophones
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Clarinette et Piano
3
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2
Saxophone Alto et Piano
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2
Clarinette
2
Flûte traversière
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Saxophone Alto
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Quatuor de cuivres: 4 trombones
2
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Quatuor à cordes: 2 violons, alto, violoncelle
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Vous avez sélectionné:
New World Symphony 2nd Movement by Dvorak
Partitions à imprimer
174 partitions trouvées
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New World Symphony 2nd Movement by Dvorak (arranged for String Quartet)
New World Symphony 2nd Movement by Dvorak (arranged for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonin Dvorak
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Marmpy
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New World Symphony 2nd Movemen
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Marmpy Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.719980 Composed by Antonin Dvorak. Arranged by Marmpy. Romantic Period. Score and parts. 8 pages. Marm...
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String Quartet String Quartet - Level 4 - SKU: A0.719980 Composed by Antonin Dvorak. Arranged by Marmpy. Romantic Period. Score and parts. 8 pages. Marmpy Music #5209149. Published by Marmpy Music (A0.719980). A string quartet arrangement of this famous melody from the New World Symphony.
$3.99 ≈
3.70€
Antonin Dvorak - Theme From 'The New World Symphony' for Easy Guitar Quartet
Antonin Dvorak - Theme From 'The New World Symphony' for Easy Guitar Quartet
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4 Guitares (Quatuor)
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DÉBUTANT
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Classique
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Antonin Dvorak
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Dan Jones (www
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Antonin Dvorak - Theme From 'T
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danjonesguitarist.com
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SheetMusicPlus
Guitar Tab, Guitar Quartet (Beginners) - Easy/Beginner - Composed by Antonin Dvorak (1841-1904). Arranged by Dan Jones (www.danjonesguitarist.com). ...
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Guitar Tab, Guitar Quartet (Beginners) - Easy/Beginner - Composed by Antonin Dvorak (1841-1904). Arranged by Dan Jones (www.danjonesguitarist.com). Romantic Period, Classroom. Score, Set of Parts, Tablature. 11 pages. Published by danjonesguitarist.com
A short, easy arrangement of the theme from Antonin Dvorak's famous New World Symphony (2nd Movement).
This arrangement provides a full score plus individual parts in both notes and TAB. The notes and TAB are given on separate sheets as I am aware that some teachers avoid TAB.
The parts are equally balanced with every guitarist enjoying some melodic interest.
The level is suitable for very early stage players. The music:
(1) Remains in open position
(2) Uses finger-friendly pentatonic shapes (as supported by many major pedagogic schemes)
(3) Requires players to alternate single notes between both thumb and fingers
(4) Gives time and space before engaging more-tricky fretted notes.
$3.95 ≈
3.66€
NEW WORLD SYMPHONY (LARGO THEME) - Organ
NEW WORLD SYMPHONY (LARGO THEME) - Organ
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Orgue
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Anthony Giamanco
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NEW WORLD SYMPHONY
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Anthony Giamanco Music
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SheetMusicPlus
Organ - Intermediate - Composed by Antonin Dvorak (1841-1904). Arranged by Anthony Giamanco. Romantic Period, Spiritual, European, Funeral, Recital....
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Organ - Intermediate - Composed by Antonin Dvorak (1841-1904). Arranged by Anthony Giamanco. Romantic Period, Spiritual, European, Funeral, Recital. Score. 7 pages. Published by Anthony Giamanco Music
The beautiful, Spiritual-like theme from the 2nd movement of Dvorak's 9th Symphony (aka "New World"). This setting for organ is based on the Largo melody, with some modifications to the original harmonies. Appropriate for intermediate players, and ideal for church, recital and concert.
Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.
$5.25 ≈
4.87€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00 ≈
16.68€
Theme from Dvorak New World Symphony (Largo) for six 'cellos
Theme from Dvorak New World Symphony (Largo) for six 'cellos
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Violoncelle (partie séparée)
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FACILE
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Classique
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Antonin Dvorak
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Theme from Dvorak New World Sy
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classical,Romantic Perio...
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Cello Solo - Level 2 - SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classical,Romantic Period. Individual part. 10 pages. Samantha Bramley #6009463. Published by Samantha Bramley (A0.800215). Theme from ‘New World Symphony’ by Dvorak – 2nd Movement ‘Largo’ This is a six ‘cello version of the famous Largo theme from the second movement of Dvorak’s ‘New World Symphony.’ The duration of the arrangement is 3 and a half minutes, making it a nice encore or perfect for inclusion in a varied program. All parts are written in bass clef and none go above 4th position, making it ideal for a student ensemble. If played by a ‘cello orchestra (rather than 6 individual ‘cellists) the solo and tutti markings should be observed with dynamics varied accordingly. Keep Calm & Play Cello! Note from the arranger: All my arrangements for ‘cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the ‘cello in mind – no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced ‘cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of parts is included. Enjoy and feel free to email comments or request for other works to stringspirational@gmail.com or visit my website www.stringspirational.com to find out more.
$12.99 ≈
12.04€
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards....
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String Orchestra - Level 3 - SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00 ≈
16.68€
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95 ≈
9.22€
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Ro...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.
$14.95 ≈
13.86€
Goin' Home (from New World Symphony)
Goin' Home (from New World Symphony)
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Antonin Dvorak
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Homco/Crinion
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Goin' Home
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Homco/Crinion
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1472086 Composed by Antonin Dvorak. Arranged by Homco/Crinion. 20th Century,Romantic Period. 4 pages. Homco...
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String Trio Cello,Violin - Level 3 - SKU: A0.1472086 Composed by Antonin Dvorak. Arranged by Homco/Crinion. 20th Century,Romantic Period. 4 pages. Homco/Crinion #1049786. Published by Homco/Crinion (A0.1472086). Soon after coming to America in 1893, Antonin Dvorak wrote his Symphony No. 9 (From The New World). This piece Goin' Home is actually the theme from the 2nd Movement Largo - which the English Horn plays in the symphony. This haunting melody is so stunningly beautiful that one of Dvorak's students wrote lyrics to the music and published the song in 1922. People have always speculated as to what was the inspiration for Dvorak's original theme? A Czech folk tune? A Spiritual? A gospel hymn? A lullaby? It was something new - The New World.
$9.99 ≈
9.26€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00 ≈
16.68€
A. DvoÅ™ák: 'Largo' from New World Symphony for Cello Quartet
A. DvoÅ™ák: 'Largo' from New World Symphony for Cello Quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Clara Obsidian
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A. DvoÅ™ák: 'Largo'
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Clara Obsidian
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1310537 Composed by Antonin Dvorak. Arranged by Clara Obsidian. 19th Century,Romantic Period. 8 ...
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.1310537 Composed by Antonin Dvorak. Arranged by Clara Obsidian. 19th Century,Romantic Period. 8 pages. Clara Obsidian #899599. Published by Clara Obsidian (A0.1310537). The famous theme of 'Largo', from the 2nd movement of Antonin Dvorak's Symphony No. 9 in E minor, From the New World, Op. 95, popularly known as the New World Symphony. Opening with an Once upon a time narrative idea, the 4 cellos sings together the beautiful theme.Arranged for 4 Cellos of Intermediate difficulty mostly within 1st - 4th position, with one phrase up to high B (6th position)Full Score and Part---------------------
$5.99 ≈
5.55€
New World Symphony Theme (2nd Movement)
New World Symphony Theme (2nd Movement)
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Antonin Dvorak
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Tom Godfrey
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New World Symphony Theme
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Tom Godfrey
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1466177 Composed by Antonin Dvorak. Arranged by Tom Godfrey. 19th Century,Classical. Tablature. 2 pages. Tom ...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1466177 Composed by Antonin Dvorak. Arranged by Tom Godfrey. 19th Century,Classical. Tablature. 2 pages. Tom Godfrey #1044800. Published by Tom Godfrey (A0.1466177). An easy fingerstyle solo guitar arrangement of the theme from the second movement of Dvořák’s New World Symphony (Symphony #9). Includes TAB notation plus a separate page with standard music notation only. Need help learning this music? Visit www.godfreyguitarlessons.com for online lesson information.
$1.99 ≈
1.84€
NEW WORLD SYMPHONY (LARGO THEME) - clarinet and piano
NEW WORLD SYMPHONY (LARGO THEME) - clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Anthony Giamanco
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NEW WORLD SYMPHONY
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Whole Tone Press
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.773991 Composed by Antonin Dvorak. Arranged by Anthony Giamanco. Concert,Contemporary,Romantic Period,Spiritual,World...
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Clarinet,Piano - Level 3 - SKU: A0.773991 Composed by Antonin Dvorak. Arranged by Anthony Giamanco. Concert,Contemporary,Romantic Period,Spiritual,World. Score and part. 9 pages. Whole Tone Press #6259207. Published by Whole Tone Press (A0.773991). The beautiful, Spiritual-like theme from the 2nd movement of Dvorak's 9th Symphony (aka New World). This setting for clarinet and piano is based on the Largo melody, with some modifications to the original harmonies. Appropriate for intermediate players, and ideal for church, recital and concert.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$5.25 ≈
4.87€
NEW WORLD SYMPHONY (LARGO THEME) - oboe and piano
NEW WORLD SYMPHONY (LARGO THEME) - oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Anthony Giamanco
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NEW WORLD SYMPHONY
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Whole Tone Press
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.773989 Composed by Antonin Dvorak. Arranged by Anthony Giamanco. Concert,Contemporary,Spiritual,Standards,World. Score an...
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Oboe,Piano - Level 3 - SKU: A0.773989 Composed by Antonin Dvorak. Arranged by Anthony Giamanco. Concert,Contemporary,Spiritual,Standards,World. Score and part. 12 pages. Whole Tone Press #6256135. Published by Whole Tone Press (A0.773989). The beautiful, Spiritual-like theme from the 2nd movement of Dvorak's 9th Symphony (aka New World). This setting for oboe and piano is based on the Largo melody, with some modifications to the original harmonies. Appropriate for intermediate players, and ideal for church, recital and concert.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$5.95 ≈
5.51€
NEW WORLD SYMPHONY (LARGO THEME) - violin and piano
NEW WORLD SYMPHONY (LARGO THEME) - violin and piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Anthony Giamanco
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NEW WORLD SYMPHONY
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Whole Tone Press
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.773992 Composed by Antonin Dvorak. Arranged by Anthony Giamanco. Concert,Contemporary,Romantic Period,Spiritual,World. ...
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Piano,Violin - Level 3 - SKU: A0.773992 Composed by Antonin Dvorak. Arranged by Anthony Giamanco. Concert,Contemporary,Romantic Period,Spiritual,World. 9 pages. Whole Tone Press #6259295. Published by Whole Tone Press (A0.773992). The beautiful, Spiritual-like theme from the 2nd movement of Dvorak's 9th Symphony (aka New World). This setting for violin and piano is based on the Largo melody, with some modifications to the original harmonies. Appropriate for intermediate players, and ideal for church, recital and concert.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$5.25 ≈
4.87€
Variations on The New World Symphony
Variations on The New World Symphony
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Classique
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Antonin Dvorak
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James Woodward
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Variations on The New World Sy
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium solo with 3 euphoniums and 3 tubas - SKU: CX.TEP10244 Composed by Antonin Dvorak. Arranged by James Woodward. Score. 14 pages. Published by Tu...
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Euphonium solo with 3 euphoniums and 3 tubas - SKU: CX.TEP10244 Composed by Antonin Dvorak. Arranged by James Woodward. Score. 14 pages. Published by Tuba-Euphonium Press (CX.TEP10244). Based on the 2nd Movement or the New World Symphony By: Antonin Dvorak/Taken from the choral arrangement by William Arms Fisher.
$18.00 ≈
16.68€
Variations on The New World Symphony
Variations on The New World Symphony
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Antonin Dvorak
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James Woodward
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Variations on The New World Sy
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium solo with 3 euphoniums and 3 tubas SKU: TE.TEP10244 Composed by Antonin Dvorak. Arranged by James Woodward. Score. Published by Tuba-Euphonium ...
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Euphonium solo with 3 euphoniums and 3 tubas SKU: TE.TEP10244 Composed by Antonin Dvorak. Arranged by James Woodward. Score. Published by Tuba-Euphonium Press (TE.TEP10244). Based on the 2nd Movement or the New World Symphony By: Antonin Dvorak/Taken from the choral arrangement by William Arms Fisher.
$18.00 ≈
16.68€
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
74.15€
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
74.15€
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
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Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
74.15€
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00 ≈
46.34€
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00 ≈
37.07€
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New World Symphony 2nd Movement by Dvorak
