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Vous avez sélectionné:
Night Train Score Only
Partitions à imprimer
18 partitions trouvées
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1
Night Train - Score Only
Night Train - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Benedikt Brydern
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continues where A
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Night Train - Score Only
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ConSordino Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.751145 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 40 pages. ConSordino Music Publishin...
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Full Orchestra - Level 5 - SKU: A0.751145 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 40 pages. ConSordino Music Publishing #4633865. Published by ConSordino Music Publishing (A0.751145). Night Train possibly continues where A.Honegger's famous Pacific 231 left off. A fast and furious ride on the train with a couple stops in mysterious areas in-between. Premiered by the UCLA Philharmonia Orchestra under the baton of Neil Stulberg during the acclaimed HEAR NOW Music Festival Los Angeles 2018.This is a study score.Rental performance material available for performance through publisher.
$14.99 ≈
13.52€
Midnight Train to St. Petersburg
Midnight Train to St. Petersburg
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Midnight Train to St. Petersbu
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DR GARY D BELSHAW
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR ...
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String Orchestra - Level 4 - SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR GARY D BELSHAW #6506559. Published by DR GARY D BELSHAW (A0.796779). Advanced Intermediate. SCORE ONLY: 33 pages. Duration: 9 minutes.Advanced Solo Violin plus Intermediate Violins I & II, Violas, Cellos, and Basses. Midnight Train to St. Petersburg was inspired by the train ride itself during the composer’s trek to Russia in 2006. The trip was made by faculty and students of Wayland Baptist University’s School of Music to allow the University’s Pioneer Band to participate in Victory Day festivities in Moscow and St. Petersburg. Impressions of the countryside during the train ride itself, as well as the overwhelming beauty of the country and two of her cities, informed much of the music performed here. A minimalistic approach to the composition seemed suitable. Persistent rhythmic patterns throughout the score invites listeners to imagine being inside a passenger rail car. An alternation between two- and three-eighth note groupings captures sound of steel wheels rolling along iron rails of varying lengths. The harmonies are simple, played almost entirely on open strings. Everyone involved in a performance can enjoy the exuberance of bright harmonic language. A short, simple melody, played by the upper strings is answered by the soloist - possibly the class instructor - who then is allowed some elaboration for a few measures. Students attempting a strings-methods class often find their more advanced musicianship stifled by working only in rudimental instrumental methods. Since so many pitches are played on open strings, student’s left hands are eased through the performance while the right hands move binarily in short, quick strokes. The result is a work that gratifies the student musician while developing an appreciation and understanding of string performance.
$15.00 ≈
13.53€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael...
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Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99 ≈
27.05€
Overture for Strings No. 3 - Score Only
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.01€
Overture for Strings No. 5 - Score Only
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.01€
Overture for Strings No. 6 - Score Only
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.01€
Overture for Strings No. 4 - Score Only
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.01€
Overture for Strings No. 2 - Score Only
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.01€
Silent Night Prelude for percussion octet
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99 ≈
4.50€
Ray Brown: Night Train (solo only) - voice & other instruments (real book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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Ray Brown
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Virtualsheetmusic
Instantly printable sheet music by Ray Brown for voice & other instruments (real book) of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Ray Brown for voice & other instruments (real book) of MEDIUM skill level. / jazz,standards
$2.97 ≈
2.68€
The Fairest of the Fair for Brass Quintet
The Fairest of the Fair for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa Arranged by
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John Philip Sousa
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Jari A
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The Fairest of the Fair for Br
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holid...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic,Romantic Period. Score and parts. 29 pages. JV MUSIC #3414623. Published by JV MUSIC (A0.722745). The Fairest of the Fair March for Brass Quintet and Optional DrumsBy John Philip Sousa Arranged by Jari VillanuevaScore 2 Trumpets in BbHorn in FTromboneTubaOptional DrumsSubstitute parts for Eb Horn and Baritone T.C .providedThe Fairest of the Fair (1908) by John Philip Sousa was composed for the annual Boston Food Fair of 1908 and is claimed that the memory of a pretty girl he had seen at an earlier fair inspired the composition. Sousa composed The Fairest of the Fair intending his Band to perform it at the annual Boston Food Fair in the fall of 1908. It is the only work of any kind that he composed that year and one of only a handful of compositions that he wrote between 1906 and 1910. He apparently completed it in New York during the summer, as the final page of the original score was signed John Philip Sousa, Camp Comfort, Saranac Lake, Adirondack, New York, July 8, 1908.The march almost missed its premier at the Boston Food Fair. Because of an oversight the music, which Sousa had written and scored out, did not have individual parts written out for the performers. This was discovered the day before the performance. The new composition had received much advanced publicity and it would have been an embarrassment to Sousa not to have it performed. The band’s copyist, Louis Morris, rose to the occasion and on the train to Boston stayed up and copied out the parts so the band could premier the work as advertised on September 28, 1908. In the morning when Sousa found out Morris was working all night he instructed him to finish the work and get some rest. Morris missed the concert and the premier but found an extra $50 in his next paycheck.Published by JV MUSIC Baltimore MD www.jvmusic.net https://youtu.be/KeE5dMnrevU
$15.00 ≈
13.53€
Boogie & Blues 9 Intermediate Piano Solos
Boogie & Blues 9 Intermediate Piano Solos
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Piano seul
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INTERMÉDIAIRE
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Yvonne Johnson
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Boogie & Blues 9 Intermedi
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Yvonne Johnson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1490896 Composed by Yvonne Johnson. Blues,Instructional. Score. 25 pages. Yvonne Johnson #1067680. Published by Yvonne Jo...
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Piano Solo - Level 3 - SKU: A0.1490896 Composed by Yvonne Johnson. Blues,Instructional. Score. 25 pages. Yvonne Johnson #1067680. Published by Yvonne Johnson (A0.1490896). A collection of Grade 3 & 4 pieces covering a variety of rhythms commonly encountered in the Boogie & Blues genre.Saturday Night BoogieAn upbeat, fun to play Grade 3 piano boogie with swing (jazz) eighths over a walking bass. This boogie needs to be played in a relaxed manner with good rhythm and accents in the syncopated bars.Rocking The BluesThis upbeat Grade 3 blues piece has an eighth note (quaver) LH walking bass pattern, with some staccato articulations in the RH. Eighth notes (quavers) should be played straight. Jitterbug BoogieThis lively Grade 3 boogie was inspired by the swing dancers of the early 20th C. LH provides a driving walking bass while the RH plays syncopated rhythms and piano stabs.Train Ride BoogieThis Grade 3 boogie has a familiar, popular chugging train style LH. The RH playsblues scale patterns and syncopated rhythms. Eighth notes (quavers) should be swung.Boogie 1-4-5A lively Grade 3 boogie rock focusing on Primary Triads in root position. This piece requires well coordinated hands, a neat staccato touch and quick chord changes. Eighth notes (quavers) are best played straight.Boogie TrainA lively, fun to play Grade 4 piano boogie with a typical LH boogie bass. The LH bass is a common but difficult pattern requiring flexibility. Students should be able to span octaves comfortably before playing this piece.1st Inversion BoogieAn upbeat Grade 3 piano boogie in the key of C Major. RH focuses on 1st inversion triads and is played over a steady walking bass. Attention to articulations and accents is needed to convey the jaunty character of this piece.Chameleon BoogieInspired by the chameleons' unusual rocking movements when walking, this fairly lively Grade 3 boogie blues is based on a typical I IV V progression. Standard fingering for chromatic scales has been used for the turns. Eighth notes (quavers) should be lightly swung.Jingle Bell BoogieA lively, fun to play Grade 4 boogie arrangement of this popular Christmas carol. LH plays a fairly easy walking bass in the verse, before breaking into a well known boogie pattern for the chorus. LH needs to be relaxed, have flexibility and the ability to span the broken octaves comfortably.
$9.95 ≈
8.97€
On The Atchison, Topeka And The Santa Fe
On The Atchison, Topeka And The Santa Fe
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Piano seul
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FACILE
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Harry Warren and Johnny Mercer
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Phyllis Love
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On The Atchison, Topeka And Th
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Phyllis Love
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1345127 Composed by Harry Warren and Johnny Mercer. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phy...
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Piano Solo - Level 2 - SKU: A0.1345127 Composed by Harry Warren and Johnny Mercer. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phyllis Love #930061. Published by Phyllis Love (A0.1345127). On the Atchison, Topeka and the Santa Fe from The Harvey GirlsThis delightful arrangement starts off with a rhythm that evokes a train. It's harmonically interesting, with an introduction that sets in motion an exciting beat and sets up the melody nicely.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99 ≈
5.40€
12 Traditional Carols for adult beginning piano
12 Traditional Carols for adult beginning piano
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Piano Facile
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DÉBUTANT
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Noël
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Various
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Nicholas Palmer, ASCAP
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12 Traditional Carols for adul
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Nicholas D Palmer
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1138014 Composed by Various. Arranged by Nicholas Palmer, ASCAP. Christmas,Holiday,Instructional,Religious,Traditional. S...
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Easy Piano - Level 1 - SKU: A0.1138014 Composed by Various. Arranged by Nicholas Palmer, ASCAP. Christmas,Holiday,Instructional,Religious,Traditional. Score. 35 pages. Nicholas D Palmer #738288. Published by Nicholas D Palmer (A0.1138014). Twelve traditional carols have been transcribed and arranged for adult piano students who are in their first few months of playing the piano and reading music. Children will be able to play all the melodies and most of the two-part arrangements without physical strain, but there are other piano methods designed specifically for young pianists’ needs that were not taken into consideration for this collection. The carols come in two versions, one with melody only and the other with an independent left hand part. Many of the melody-only scores are able to be played with just one hand position. For the two-part scores, both hands will need to shift. The left hand parts have been written so that there will be no more than five adjacent ascending or descending notes before the direction of the line changes, allowing for just small shifts in finger or hand placement. Look for more collections of carols arranged for beginning players at this same site. In this collection: Angels we have heard on high Away in a manger God rest ye merry, gentlemen Hark! The herald angels sing Joy to the world O come, all ye faithful O come, O come Emmanuel O little town of Bethlehem (Redner) O little town of Bethlehem (Kingsfold) Silent night The first nowell What child is this?
$7.99 ≈
7.21€
Laura
Laura
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Piano seul
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AVANCÉ
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Jazz
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David Raksin and Johnny Mercer
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Timothy Stapay/Liberace
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Laura
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1346315 Composed by David Raksin and Johnny Mercer. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Pop,Singer/Songwrit...
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Piano Solo - Level 5 - SKU: A0.1346315 Composed by David Raksin and Johnny Mercer. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #931139. Published by Timothy Stapay (A0.1346315). This is a piano solo arrrangement of Laura as performed by piano artist, Liberace, on his emmy award winning t.v. show. It has been adapted for piano solo.Laura is a 1945 popular song. The music, composed by David Raksin for the 1944 movie film-noir classic Laura, which starred Gene Tierney and Dana Andrews, is heard frequently in the movie.  The song became a jazz standard and has been recorded more than 400 times. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Laura is the face in the misty lightFootsteps that you hear down the hallThe laugh that floats on a summer nightThat you can never quite recallAnd you see Laura on a train that is passing throughThose eyes how familiar they seemShe gave your very first kiss to youThat was Laura, but she's only a dreamShe gave your very first kiss to youThat was Laura, but she's only a dream.
$8.99 ≈
8.11€
Sometimes I Feel Like a Motherless Child/Steal Away
Sometimes I Feel Like a Motherless Child/Steal Away
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Piano seul
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INTERMÉDIAIRE
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Dillon's Music Group
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Sometimes I Feel Like a Mother
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Dillon's Music Group
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.918262 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013055. Published by Dillon's Mu...
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Piano Solo - Level 3 - SKU: A0.918262 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013055. Published by Dillon's Music Group (A0.918262). Sometimes I Feel Like a Motherless Child is traced back to the era of slavery. It's an expression of pain and despair as the lyrics describe the hopelessness of a child torn from its parents. Steal Away is a song with a coded message, not only about having faith in God, but messages about slaves running away to seek their freedom. Sung softly in the dark of night, it was a signal that the coast was clear and now was the time to escape their bondage. They sang hopefully: Steal away, steal away, Steal away to Jesus! Steal away, steal away home, I ain't got long to stay here. (included in Brenda Dillon's African American Collection)About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred listed on her website (www.brendadillon.com).
$3.00 ≈
2.71€
50 sfumature di......niente
50 sfumature di......niente
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Monica Bergo
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50 sfumature di......niente
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976879 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3246293. Published by Monica Bergo (A0.97687...
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Piano Solo - Level 3 - SKU: A0.976879 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3246293. Published by Monica Bergo (A0.976879). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ 50 shades of .... nothing'¨` ♫ * * • .¸¸. ♫ At the doorway you are there ,waiting for me I know your wife and I know that you do not respect her, you see me and you open up yourself in a sinister smile I sigh and wait that you start your sad show ... She asks you love you answer with sex I offer you my friendship It would be fine the same? it is true you are a stunner but not so important if the soul does not shine nothing takes me about you Come on, explain to me again how smart you are But remember that without her you are nothing Your machismo hurts and offends your shades of nothing I bore me a bit ' you read a book? I am affected but a book will not change your life you are swelled, galvanized by Mister Gray're obsessed you're just meat, no spirit and the wings do not have and my colorful world not, you not pollute while you talking to me, peek at your reflection and I understand that are 50 shades But your fears are more ... You, man rampant I, woman inelegant concrete and abstract imperfect binomial 2 worlds in their own right we remain distant your shades of nothing , I do not regret and while I realize that you want to scare me I lose a laugh you know, I feel safe I have behind me very worst nightmares Christian Gray overstrain stay away from me you read a book? You do not say! And Mickey Mouse where did it end? you read a book I am affected but a book will not change your life in love with yourself, but I ask myself if you're something to discover closed inside you if you want to please everyone for the insecurities that you with 50 shades But your fears are more and while I remain standing there watching your car that It makes a screech and disappears I stop myself to think about how I lucky to have a partner who has eyes only for me ....... Monica Bergo
$3.99 ≈
3.60€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Orchestre d'harmonie
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AVANCÉ
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michae...
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Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99 ≈
72.15€
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Night Train Score Only
