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Nina: Solo Cello
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Vous avez sélectionné:
Nina: Solo Cello
Partitions à imprimer
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Suite Revelation for cello and piano
Suite Revelation for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages...
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Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00 ≈
$38.70
A Atocha va una niña
A Atocha va una niña
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Violoncelle, Piano
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FACILE
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Traditional Spanish Folk Song
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Kaiserin Rebecca
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A Atocha va una niña
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Kaiserin Rebecca
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1317979 Composed by Traditional Spanish Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional...
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Cello,Piano - Level 2 - SKU: A0.1317979 Composed by Traditional Spanish Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional. Score and part. 2 pages. Kaiserin Rebecca #906671. Published by Kaiserin Rebecca (A0.1317979). For cello solo and piano accompaniment with chords.Key: D major. Duration: 0'31.
$5.99 ≈
$8.28
Nina: Solo Cello
Nina: Solo Cello
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Violoncelle
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Classique
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Giovanni Battista Pergolesi
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David Reed
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Nina: Solo Cello
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Giovanni Battista Pergolesi (1710-1736). Arranged by David Reed. For String Orchestra. Classical. Part. 1 pages. Published by Alfred Music. Digital Sheet Mus...
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By Giovanni Battista Pergolesi (1710-1736). Arranged by David Reed. For String Orchestra. Classical. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$5.99 ≈
$8.28
On (feat. Sia)
On (feat. Sia)
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Violoncelle (partie séparée)
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FACILE
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Pop musique
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BTS
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Liz Lee~Cellomoji
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On
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Cellomoji
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.900341 By BTS. By Antonina Armato, Dan August Rigo, Hyo Kang, J Hope, Julia Ross, Krysta Youngs, Melanie Joy Fontana, Mic...
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Cello Solo - Level 2 - SKU: A0.900341 By BTS. By Antonina Armato, Dan August Rigo, Hyo Kang, J Hope, Julia Ross, Krysta Youngs, Melanie Joy Fontana, Michel Schulz, Namjun Kim, and Yunki Min. Arranged by Liz Lee~Cellomoji. Pop. Individual part. 3 pages. Cellomoji #6871211. Published by Cellomoji (A0.900341). Get grooving with this hit from BTS: ON. This is in the key of a minor, but there are not extra sharps to deal with here. It does go out of 1st position in this version but doesn't go into too difficult of a range. Definitely consider playing along with the recording from their album to get a full experience and fun time playing through this. Hope you have fun with this one!Questions? liz@cellomoji.comCellomoji Website: http://eepurl.com/cOx6H9Cellomoji Youtube: https://www.youtube.com/channel/UCS8SDY7dyqUR4P3t3qRPISgCellomoji Instagram: www.instagram.com/cellomoji
$4.99 ≈
$6.90
I Wish I Knew How It Would Feel To Be Free
I Wish I Knew How It Would Feel To Be Free
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Billy Taylor
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Kevin P Holdgate
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I Wish I Knew How It Would Fee
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Kevin P Holdgate
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.791207 By Billy Taylor. By Billy Taylor. Arranged by Kevin P Holdgate. Contemporary. Score and part. 8 pages. Kevin P Ho...
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Cello,Piano - Level 3 - SKU: A0.791207 By Billy Taylor. By Billy Taylor. Arranged by Kevin P Holdgate. Contemporary. Score and part. 8 pages. Kevin P Holdgate #5371571. Published by Kevin P Holdgate (A0.791207). KPHMS Solo CollectionThis is a solo arrangement of the famous theme of the long-running UK TV program Film ... hosted by the celebrated film critic Barry Norman between 1972 and 1998.This is a great song in its own right and was famously sung by amongst others the great Nina Simone at the Montreux Jazz Festival.This arrangement is aimed at around Grade 5 (ABRSM/Trinity) standard and makes for some light relief from the grade pieces.
$4.99 ≈
$6.90
Feeling Good
Feeling Good
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Violoncelle (partie séparée)
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DÉBUTANT
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Michael Buble
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Fabio Eduardo de Oliveira
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Feeling Good
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Fabio Eduardo
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1167944 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Fabio Eduardo de Oliveira. Jazz,Pop,Standard...
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Cello Solo - Level 1 - SKU: A0.1167944 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Fabio Eduardo de Oliveira. Jazz,Pop,Standards. Individual part. 2 pages. Fabio Eduardo #768300. Published by Fabio Eduardo (A0.1167944). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadFeeling Good (also known as Feelin' Good) is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast.Nina Simone recorded Feeling Good for her 1965 album I Put a Spell on You. The song has also been covered by Sammy Davis Jr., Traffic, Michael Bublé, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, Eden, Muse, Black Cat Bones, Bassnectar, Sophie B. Hawkins, Leslie West, Avicii, Chlöe and Lauryn Hill among others. It was also performed by John Legend as part of the Celebrating America performance marking the inauguration of Joe Biden and Kamala Harris on January 20, 2021.
$4.99 ≈
$6.90
Do You Know How Christmas Trees Are Grown? - Bass Clef Instrument from James Bond 007: On Her Majesty's Secret Service - for Baritone Horn, Bassoon, Cello, Double Bass or Trombone
Instrumental Part~~Instrumental Solo
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Noël
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Do You Know How Christmas Tree
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Musicnotes
Performed by: Nina: Do You Know How Christmas Trees Are Grown? - Bass Clef Instrument - (From "On Her Majesty's Secret Service") Digital Sheetmus...
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Performed by: Nina: Do You Know How Christmas Trees Are Grown? - Bass Clef Instrument - (From "On Her Majesty's Secret Service") Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Part, instruments: Bass Clef Instrument;Cello;Double Bass;Trombone;Bassoon;Baritone Horn; 1 pages -- Movie/TV~~Soundtrack
$2.99 ≈
$4.13
Duets For Violin & Violoncello 226-241 (volume 15)
Duets For Violin & Violoncello 226-241 (volume 15)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #102...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #1026923. Published by Socrates Arvanitakis (A0.1447144). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS226 ΣΙ(Γ)ΑΝΟΣ (Πάτμου) (Soft Dance from Patmos)227 ΣΙΓΑ ΑΜΑΞΑ ΤΗΝ ΑΜΑΞΑ (Coachman, drive slowly the coach)228 ΣΟΥ ΕΙΠΑ ΜΑΝΑ (I Told You, Mother)229 ΣΟΥΛΤΑΝΑ (Σουφλιώτικος) (Soultana - Dance from Soufli)230 ΣΟΥΣΤΑ ΚΡΗΤΗΣ (Sousta Dance from Crete)231 ΣΠΕΙΡΙ ΠΙΠΕΡΙ (Seed of Paper)232 ΣΤΑ ΓΙΑΝΝΕΝΑ (In Ioannina)233 ΣΤΑ ΤΡΙΚΟΡΦΑ (In the Three Mountain Tops)234 ΣΤΗΝ ΑΠΑΝΩ ΓΕΙΤΟΝΙΤΣΑ (In Up-Town Neighborhood)235 ΣΤΗΝ ΚΕΝΤΗΜΕΝΗ ΣΟΥ ΠΟΔΙΑ (In Your Embroidered Apron)236 ΣΤΟ 'ΠΑ ΜΠΙΡΜΠΟ (I told you, Birbo)237 ΣΤΟΝ ΑΔΗ ΘΑ ΚΑΤΕΒΩ (I will Descent to Hades)238 ΣΤΟΥ ΒΑΛΤΕΤΣΙΟΥ ΤΟΥΣ ΜΥΛΟΥΣ (In The Mills Of Valtetsi)239 ΣΥΝΝΕΦΙΑΣΕ ΣΤΟΝ ΠΑΡΝΑΣΣΟ (It went cloudy on Mount Parnassus)240 ΣΥΡΤΟΣ ΡΟΔΙΤΙΚΟΣ (Syrtos Dance from Rhodes)241 Τ' ΑΝΤΡΟΥΤΣΟΥ Η ΜΑΝΑ (Androutsos' Mother).
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Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
$34.54
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
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Nina: Solo Cello
