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Vous avez sélectionné:
Nocturne for Orchestra
Partitions à imprimer
193 partitions trouvées
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Nocturne for violin and orchestra
Nocturne for violin and orchestra
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Orchestre, Violon
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Classique
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Nocturne for violin and orches
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (18...
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Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).
We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.
My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99 ≈
18.45€
Nocturne for Orchestra
Nocturne for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Madelyn Byrne
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Nocturne for Orchestra
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Madelyn Byrne
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madel...
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Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madelyn Byrne (A0.986832). Nocturne for Orchestra began as a piece that would celebrate the 400th Anniversary of Galileo’s telescope while using a musical language that would be in keeping with a program of American music. I thought that The Unanswered Question by Ives, and the emotional depth and poignancy of much of Copland’s music, would be a perfect compliment to a tribute to Galileo. But then two friends passed away and the piece turned into a tribute to them, with the night sky and the Unanswered Questions that surround us creating a consoling environment for this effort. The songlike themes of Nocturne grow out of my journey from mourning the premature deaths of my friends to celebrating their rich and vibrant lives. Section A is the dreamlike introductory section, B is a transition to the song-like section, and C is where the songlike themes are stated outright. D is a development section, E is an interruption - returning to the dreamlike music, F merges the dream music with the thematic material, G is the expressive high point of the piece and is articulated by the violin and cello solos. The remaining sections are intended to convey freedom and celebration. This is followed by a brief coda.
$10.00 ≈
9.23€
Nocturne (Set of Orchestral Parts)
Nocturne (Set of Orchestral Parts)
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Orchestre
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AVANCÉ
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Contemporain
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William Hawley
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Nocturne
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William Hawley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1034795 Composed by William Hawley. Classical,Contemporary. Score and parts. 89 pages. William Hawley #640141. Publis...
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Full Orchestra - Level 5 - SKU: A0.1034795 Composed by William Hawley. Classical,Contemporary. Score and parts. 89 pages. William Hawley #640141. Published by William Hawley (A0.1034795). This is the Set of Orchestral Parts for William Hawley's Nocturne for Soprano Solo, Double Mixed Chorus, and Orchestra, 89 pages, with permission to download, print, and photocopy as many copies as are deemed necessary for the orchestra for rehearsal and performance. As of May, 2022 this work has yet to receive its World Premiere. Instrumentation: 2 Flutes 2 Oboes 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones 1 Bass Trombone Timpani Harp Strings This PDF file is formatted for printing on 9 X 12 Concert Size paper, but may readily be printed at 8.5 X 11 Letter Size, A4, or other size by selecting Fit or Shrink Oversized Pages in Adobe Acrobat, Acrobat Reader, or other PDF printing application. ASCAP https://williamhawley.net.
$9.99 ≈
9.22€
Nocturne for Left Hand Alone (Opus 9 Number 2)
Nocturne for Left Hand Alone (Opus 9 Number 2)
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Classique
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Design...
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Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.68€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.64€
Symphony in D Major for Orchestra
Symphony in D Major for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Symphony in D Major for Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809808 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 253 pages. R. E. Proctor #3400209. ...
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Full Orchestra - Level 3 - SKU: A0.809808 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 253 pages. R. E. Proctor #3400209. Published by R. E. Proctor (A0.809808). A work for full orchestra that loosely revolves around the key of D major. Approximately 21 minutes and 28 seconds in length. Movement subtitles are: The Bass Things, which, as the title implies, emphasizes the low instruments. Tempo is quarter note = 72. The second movement's subtitle, Nocturne is a slow movement, half note = 32, mysterious and moody. The third movement, The Color of Sound, explores a variety of chords / dissonances / etc. In 12/8 with the dotted quarter = 84. The forth movement is up tempo at quarter note = 120. Titled In the All Together is what ever you might imagine....
$19.95 ≈
18.41€
Pie Jesu (Requiem, Op.48) - String Orchestra (Full Score) - Score Only
Pie Jesu (Requiem, Op.48) - String Orchestra (Full Score) - Score Only
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Orchestre à Cordes
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FACILE
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Classique
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Gabriel Faure
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César Madeira
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Pie Jesu
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Sheet Music To Play Editions
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1231737 Composed by Gabriel Faure. Arranged by César Madeira. Chamber,Contest,Festival,Lent,Sacred,Standards. 4 ...
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String Orchestra - Level 2 - SKU: A0.1231737 Composed by Gabriel Faure. Arranged by César Madeira. Chamber,Contest,Festival,Lent,Sacred,Standards. 4 pages. Sheet Music To Play Editions #827440. Published by Sheet Music To Play Editions (A0.1231737). Pie Jesu from Faure's Requiem, Op.48. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99 ≈
8.30€
Pie Jesu (Requiem, Op.48) - String Orchestra (Individual Parts)
Pie Jesu (Requiem, Op.48) - String Orchestra (Individual Parts)
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Orchestre à Cordes
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FACILE
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Classique
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Gabriel Faure
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César Madeira
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Pie Jesu
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Sheet Music To Play Editions
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1231736 Composed by Gabriel Faure. Arranged by César Madeira. Christian,Lent,Praise & Worship,Religious,Sacred. ...
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String Orchestra - Level 2 - SKU: A0.1231736 Composed by Gabriel Faure. Arranged by César Madeira. Christian,Lent,Praise & Worship,Religious,Sacred. Score and Parts. 5 pages. Sheet Music To Play Editions #827439. Published by Sheet Music To Play Editions (A0.1231736). Pie Jesu from Faure's Requiem, Op.48. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99 ≈
8.30€
Nocturne for Strings- Op. 26
Nocturne for Strings- Op. 26
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dana Taylor
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Nocturne for Strings- Op. 26
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Dana Taylor Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Da...
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Chamber Orchestra - Level 4 - SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00 ≈
27.69€
Fantasy-Nocturne for piano and orchestra
Fantasy-Nocturne for piano and orchestra
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Orchestre de chambre
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Contemporain
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John Carbon
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Fantasy-Nocturne for piano and
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John Carbon
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SheetMusicPlus
Chamber Orchestra - SKU: A0.966206 Composed by John Carbon. Contemporary. Score and parts. 173 pages. John Carbon #2911979. Published by John Carbon (A0...
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Chamber Orchestra - SKU: A0.966206 Composed by John Carbon. Contemporary. Score and parts. 173 pages. John Carbon #2911979. Published by John Carbon (A0.966206). Fantasy-Nocturne for piano and chamber orchestra. Full score. Rental parts available by request. Composed in 2014 for pianist Steven Graff and Allegro, the Chamber Orchestra of Lancaster.
$16.99 ≈
15.68€
Nocturne, for Cello and Chamber Orchestra
Nocturne, for Cello and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andrew Holmes
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Nocturne, for Cello and Chambe
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Andrew Holmes
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.896452 Composed by Andrew Holmes. Romantic Period. Score and parts. 60 pages. Andrew Holmes #3689559. Published by...
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Chamber Orchestra - Level 4 - SKU: A0.896452 Composed by Andrew Holmes. Romantic Period. Score and parts. 60 pages. Andrew Holmes #3689559. Published by Andrew Holmes (A0.896452). A Nocturne in a Romantic style, but unlike most Romantic concertos, the lighter scoring of the chamber orchestra makes for far fewer balance issues between the solo cello and the rest of the ensemble. .
$27.99 ≈
25.83€
Nocturne for string orchestra
Nocturne for string orchestra
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Orchestre à Cordes
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FACILE
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Daniel Buckley
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Daniel Buckley
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Nocturne for string orchestra
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Danny Buckley
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1222118 By Daniel Buckley. By Daniel Buckley. Arranged by Daniel Buckley. 20th Century,Chamber,Contemporary. Score ...
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String Orchestra - Level 2 - SKU: A0.1222118 By Daniel Buckley. By Daniel Buckley. Arranged by Daniel Buckley. 20th Century,Chamber,Contemporary. Score and Parts. 20 pages. Danny Buckley #818291. Published by Danny Buckley (A0.1222118). My nocturne for string orchestra blends contemporary chromaticism with a late romantic feel.
$14.99 ≈
13.83€
Nocturne
Nocturne
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Darian Stavans
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Nocturne
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Music Studio
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.994731 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 18 pages. Music Studio #4640...
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Full Orchestra - Level 4 - SKU: A0.994731 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 18 pages. Music Studio #4640547. Published by Music Studio (A0.994731). Nocturne - Orchestral Score / by Darian Stavans.Nocturne is a work that was totally conceived for orchestra. The music flows through a nostalgic melancholy ambience with a touvh of tenderness.Orchestral work.16 pages.Duration: 6:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/
$15.99 ≈
14.76€
Nocturne for Strings
Nocturne for Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Julian Harvey
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Nocturne for Strings
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Julian Harvey
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1442694 Composed by Julian Harvey. 20th Century. 67 pages. Julian Harvey #1019789. Published by Julian Harvey (A0.1...
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String Orchestra - Level 4 - SKU: A0.1442694 Composed by Julian Harvey. 20th Century. 67 pages. Julian Harvey #1019789. Published by Julian Harvey (A0.1442694). This work is scored for violin 1, 2, 3 and 4, viola 1 and 2, cello 1 and 2 and bass. It can be played one on a part or by a standard string orchestra. I have divided the parts as I did to avoid excessive divisi and unison indications. It is suitable for intermediate-advanced players or possibly even intermediate players. The title Nocturne accurately describes the nature of the piece.
$15.00 ≈
13.84€
Nocturno Isleño (Island Nocturne)
Nocturno Isleño (Island Nocturne)
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Orchestre à Cordes
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FACILE
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Rolando J
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Nocturno Isleño
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Rising Tide Music Press
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1470668 Composed by Rolando J. Gómez. 21st Century,Classical,Multicultural,World. 25 pages. Rising Tide Music Pres...
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String Orchestra - Level 2 - SKU: A0.1470668 Composed by Rolando J. Gómez. 21st Century,Classical,Multicultural,World. 25 pages. Rising Tide Music Press #1048320. Published by Rising Tide Music Press (A0.1470668). Nocturno Isleño is a nocturne for string orchestra, with a strong Cuban influence. Composed at a grade 3 level, the piece serves as a musical exploration designed to enhance rhythmic sensibilities, focusing particularly on syncopations, and the allure of the D harmonic scale.Inspired by the rich musical heritage of Cuba, Nocturno Isleño draws from the rhythmic language of popular Cuban genres, notably the bolero and the danzón. The composition also weaves in elements of folk- loric music, creating a harmonious blend that reflects the vibrant musical culture found on the enchanting Cuban Isle.This composition was commissioned by the New Canon Project, a partnership between the American Choral Directors Association, the American String Teachers Association, and Rising Tide Music Press, with support of the Sphinx Venture Fund and the National Endowment for the Arts.I hope Nocturno Isleño, in addition to teaching musical and technical skills, can inspire curiosity and enthusiasm for Cuban music.- Rolando J. Gómez.
$50.00 ≈
46.15€
Nocturne for Harp and String Quartet
Nocturne for Harp and String Quartet
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Orchestre de chambre
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Contemporain
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Marinus Degenkamp
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Nocturne for Harp and String Q
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Marinus Degenkamp Musics
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1015609 Composed by Marinus Degenkamp. Contemporary. Score and parts. 33 pages. Marinus Degenkamp Musics #4803455. Published...
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Chamber Orchestra - SKU: A0.1015609 Composed by Marinus Degenkamp. Contemporary. Score and parts. 33 pages. Marinus Degenkamp Musics #4803455. Published by Marinus Degenkamp Musics (A0.1015609). Nocturne for Harp and String Quartetscore and 5 separate partspublished by Marinus Degenkamp Musics.
$30.00 ≈
27.69€
4th Nocturne
4th Nocturne
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Orchestre
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Robert Myers
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4th Nocturne
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976714 Composed by Erik Satie. Arranged by Robert Myers. 20th Century. Score and parts. 36 pages. WheatMyer Music #47...
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Full Orchestra - Level 3 - SKU: A0.976714 Composed by Erik Satie. Arranged by Robert Myers. 20th Century. Score and parts. 36 pages. WheatMyer Music #4793377. Published by WheatMyer Music (A0.976714). Near the end of his career, Erik Satie wrote five pieces for piano designated as nocturnes. Contrary to most of his oeuvre, these were serious works lacking the satire, wit, and non-conformity Satie usually exhibited. Still, they are unmistakably Satie: soothing, floating, and very French. This work is a straightforward arrangement of Satie’s 4th nocturne, applying the color and dynamic ranges of the orchestra to his piano writing. It maintains the enchanting dance-like character of the original work while the musical lines move among and between the instrument families to exploit the variety of orchestral timbres. 4th NOCTURNE is suited for the concert hall among a program of impressionist or French music, an exploration of lesser known works, or wherever a charming and brief movement would be fitting.Instrumentation: 2d1,1+1,2+1,2 2,2(Bb or C),3,1 Glock/Chimes, Perc StringsFind more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00 ≈
41.53€
Nocturne (Full Score) - Score Only
Nocturne (Full Score) - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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William Hawley
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Nocturne
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William Hawley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1034790 Composed by William Hawley. Classical,Contemporary. Score and parts. 41 pages. William Hawley #640135. Publis...
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Full Orchestra - Level 5 - SKU: A0.1034790 Composed by William Hawley. Classical,Contemporary. Score and parts. 41 pages. William Hawley #640135. Published by William Hawley (A0.1034790). This is the Full Score of William Hawley's Nocturne, in the Composer's Edition, for Soprano Solo, Double Mixed Chorus, and Orchestra, 41 pages. As of May, 2022 this work has yet to receive its World Premiere. The Vocal Score with Piano reduction and Set of Orchestral Parts are also available on this site. Instrumentation: 2 Flutes 2 Oboes 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones 1 Bass Trombone Timpani Harp Strings This PDF Full Score is formatted for printing on 9 X 12 Concert Size paper, but may readily be printed at 8.5 X 11 Letter Size, A4, or other size by selecting Fit or Shrink Oversized Pages in Adobe Acrobat, Acrobat Reader, or other PDF printing application. The Vocal Score (separate file) is formatted for 8.5 X 11 Letter Size printing. The Set of Orchestral Parts (separate file) is formatted for 9 X 12 Concert Size. The audio clip consists of the first three minutes of the Composer's Demo. Approximate performance duration 13' ASCAP https://williamhawley.net.
$12.99 ≈
11.99€
Nocturne (Vocal Score) - Score Only
Nocturne (Vocal Score) - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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William Hawley
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Nocturne
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William Hawley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1034794 Composed by William Hawley. Classical,Contemporary. Score and parts. 33 pages. William Hawley #640140. Publis...
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Full Orchestra - Level 5 - SKU: A0.1034794 Composed by William Hawley. Classical,Contemporary. Score and parts. 33 pages. William Hawley #640140. Published by William Hawley (A0.1034794). This is the Vocal Score, with Piano Reduction, of William Hawley's Nocturne in the Composer's Edition, for Soprano Solo, Double Mixed Chorus, and Orchestra, 33 pages. As of May, 2022 this work has yet to receive its World Premiere. The Full Score, Set of Orchestral Parts, and Composer's Demo are also available on this site. This PDF Vocal Score is formatted for printing on 8.5 X 11 Letter Size paper, but may readily be printed at another size by selecting Fit or Shrink Oversized Pages in Adobe Acrobat, Acrobat Reader, or other PDF printing application. The Full Score (separate file) and Set of Orchestral Parts (separate file) are formatted for 9 X 12 Concert Size printing. The audio clip consists of the first three minutes of the Composer's Demo. Approximate performance duration: 13'. ASCAP https://williamhawley.net.
$7.99 ≈
7.37€
Notturno for Orchestra - Score Only
Notturno for Orchestra - Score Only
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Orchestre
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INTERMÉDIAIRE
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Classique
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Ottorino Respighi
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Tiziano de Felice
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Notturno for Orchestra - Score
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Tiziano de Felice
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1228978 Composed by Ottorino Respighi. Arranged by Tiziano de Felice. 19th Century,20th Century,Classical,Romantic Pe...
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Full Orchestra - Level 3 - SKU: A0.1228978 Composed by Ottorino Respighi. Arranged by Tiziano de Felice. 19th Century,20th Century,Classical,Romantic Period. 17 pages. Tiziano de Felice #824891. Published by Tiziano de Felice (A0.1228978). Original orchestration of Respighi's Nocturne from his Six Pieces for Piano.
$26.00 ≈
24.00€
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.41€
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.41€
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.41€
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.41€
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Nocturne for Orchestra
