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Vous avez sélectionné:
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Partitions à imprimer
7 partitions trouvées
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1
High Tone Studies for Trombone
High Tone Studies for Trombone
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Teagarden, Jack
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High Tone Studies for Trombone
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.792321 Composed by Teagarden, Jack. 20th Century,Instructional,Jazz. Individual part. 12 pages. Gordon Cherry #4804567...
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Trombone Solo - Level 4 - SKU: A0.792321 Composed by Teagarden, Jack. 20th Century,Instructional,Jazz. Individual part. 12 pages. Gordon Cherry #4804567. Published by Gordon Cherry (A0.792321). Musical legend, Jack Teagarden is regarded as one of the finest jazz Trombonists of all time. His relatively unknown HIGH TONE STUDIES FOR TROMBONE were written in 1936. Teagarden's studies are designed to teach the student how to reach into the high register up to high D, through the patient and slow practice of four introductory warm-ups and fifty-one progressively difficult exercises. None of the studies are more than three lines in length, forcing the student to rest frequently in his own words. In reading through his concise instructions at the beginning of the book, it is obvious that Teagarden had put a lot of thought into his technique. These studies are appropriate for intermediate to advanced performers. Cherry Classics is proud to have teamed up with his son, Joe and the Teagarden Estate, to bring this book back to life.
$22.50 ≈
20.23€
50 Progressive Short Solos for Lap Harp
50 Progressive Short Solos for Lap Harp
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Harpe
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INTERMÉDIAIRE
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Cindy Blevins
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50 Progressive Short Solos for
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Cindy Blevins
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SheetMusicPlus
Instrumental Solo,Lap Harp - Level 3 - SKU: A0.541761 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Individual part. 58 pages. Cindy Bl...
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Instrumental Solo,Lap Harp - Level 3 - SKU: A0.541761 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Individual part. 58 pages. Cindy Blevins #3124983. Published by Cindy Blevins (A0.541761). This book contains 50 one-page harp solos for lap harp, ordered progressively from easiest to most difficult. The actual difficulty range is approximately easy to intermediate. You can use these pieces as melodic studies, as teaching/learning pieces, at gigs, etc. There are several sample pages for you to view. The audio sample is an excerpt from Dusk.You need C below Middle C and 24-26 strings to play these pieces.Many of the pieces contain some fingerings and brackets. None of the pieces include chord symbols. There are no lever changes within any of the pieces. You will need levers on C, F and B strings. The solos are in C, F, G and D, along with related minor keys.My website: https://www.blevinsmusic.com
$23.95 ≈
21.54€
Valor (for Brass Quintet & Percussion)
Valor (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gi...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95 ≈
17.94€
Vecsey Valse Triste for violin and piano
Vecsey Valse Triste for violin and piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Franz von Vecsey
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Paul Wood
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Vecsey Valse Triste for violin
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MyMusicScores.com
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1238659 Composed by Franz von Vecsey. Arranged by Paul Wood. Romantic Period. 7 pages. MyMusicScores.com #834097. Publi...
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Piano,Violin - Level 3 - SKU: A0.1238659 Composed by Franz von Vecsey. Arranged by Paul Wood. Romantic Period. 7 pages. MyMusicScores.com #834097. Published by MyMusicScores.com (A0.1238659). Programme NotesBorn in Budapest, Franz de Vecsey showed an extraordinary talent for the violin from a young age. His musical journey began under the guidance of his father, Lajos Vecsey, but it was his subsequent studies with renowned violinist Jenő Hubay that truly shaped his virtuosity. At the tender age of 10, he impressed none other than Joseph Joachim with his exceptional skills, solidifying his status as a child prodigy.However, in the 1930s, tragedy struck. Just as Vecsey was poised to fulfill his dreams, he fell gravely ill with a pulmonary embolism, a condition that plagued him throughout his life. Seeking medical treatment, he traveled to Rome, where he underwent surgery in the hope of a recovery. Unfortunately, the operation proved unsuccessful, and at the tragically young age of 42, Franz de Vecsey succumbed to his illness.His piece, Valse Triste in C minor, composed in 1913 and dedicated to Princesse Elena Lante della Rovere, serves as a poignant reminder of Vecsey's musical genius. Through its haunting melodies and evocative harmonies, the composition encapsulates the depth of his emotions and the profound beauty of his art. Though his life was cut tragically short, Franz de Vecsey's legacy lives on.
$4.99 ≈
4.49€
Audacious Binary Forms for Pianist (one or two pianos)
Audacious Binary Forms for Pianist (one or two pianos)
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Piano seul
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Contemporain
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Paul Copeland
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Audacious Binary Forms for Pia
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Paul Copeland
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SheetMusicPlus
Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A...
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Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00 ≈
17.98€
Note Reading Studies for Bass
Note Reading Studies for Bass
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Basse electrique
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FACILE
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Methodes
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Arnold Evans Schnitzer
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Note Reading Studies for Bass
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Arnold Evans Schnitzer. For Electric Bass Guitar. All Styles. 80 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Arnold Evans Schnitzer. For Electric Bass Guitar. All Styles. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740252. This book was written for bassists who wish to learn to read music as well as for those who wish to sharpen their music reading skills. The studies in the book progress from beginning to professional levels and represent an variety of styles that modern bassists are likely to encounter in real-world musical situations. For those conversant in music's universal language, a whole world of musical styles, ideas, and sounds is always available. This book aims to sharpen the skills of serious student bass players so that they may partake of this endless stream of ideas, information, and inspiration. Standard notation only. None of the exercises in this book contain fingering indications. This omission was made in order to make these exercises useful to players of all types of bass instruments, both electric and acoustic. The author strongly recommends that students work through this book with the supervision of a qualified teacher. If you are a professional musician the author hopes this book will help you stay in top sight-reading form, giving you an edge in a highly competitive market. If you are a novice bassist, this book will help you hone your skills in becoming a skilled professional.
$17.99 ≈
16.18€
50 Progressive Short Solos for Lever or Pedal Harp
50 Progressive Short Solos for Lever or Pedal Harp
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Harpe
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Methodes Etudes
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Cindy Blevins
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50 Progressive Short Solos for
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Cindy Blevins
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SheetMusicPlus
Composed by Cindy Blevins. Contemporary Classical, Etudes and Exercises, General Instructional, Technique Training, New Age. Sheet Music Single. 58 pa...
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Composed by Cindy Blevins. Contemporary Classical, Etudes and Exercises, General Instructional, Technique Training, New Age. Sheet Music Single. 58 pages. Published by Cindy Blevins
This book contains 50 one-page harp solos, ordered progressively from easiest to most difficult. The actual difficulty range is approximately easy to intermediate. You can use these pieces as melodic studies, as teaching/learning pieces, at gigs, etc.
There are several sample pages for you to view. The audio sample is an excerpt from "Meditation."
Many of the pieces contain some fingerings and brackets. None of the pieces include chord symbols. There are no lever changes within any of the pieces. You will need levers on C, F and B strings. The solos are in C, F, G and D, along with related minor keys.
My website: https://www.blevinsmusic.com
My YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$23.95 ≈
21.54€
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