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Vous avez sélectionné:
Not To Touch The Earth
Partitions à imprimer
35 partitions trouvées
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Not To Touch The Earth
Not To Touch The Earth
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Guitare notes et tablatures
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FACILE
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Rock
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The Doors
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Not To Touch The Earth
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SheetMusicPlus
Easy Guitar - By The Doors. This edition: scorch. Rock. Score. 2 pages. Hal Leonard #594396. Published by Hal Leonard ...
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Easy Guitar - By The Doors. This edition: scorch. Rock. Score. 2 pages. Hal Leonard #594396. Published by Hal Leonard
$2.99 ≈
£2.27
CONJUNCTION: The Christmas Star of 2020
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00 ≈
£72.12
A Place at the Table
A Place at the Table
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A Place at the Table
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Hope Publishing - Digital
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SheetMusicPlus
(Choral) - SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hop...
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(Choral) - SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95 ≈
£11.35
Not To Touch The Earth
Not To Touch The Earth
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Paroles et Accords
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Rock
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The Doors
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Not To Touch The Earth
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.170947 By The Doors. Pop,Rock. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.170947). ...
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SKU: HX.170947 By The Doors. Pop,Rock. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.170947).
$1.99 ≈
£1.51
'The Seventh Seal'
'The Seventh Seal'
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Piano seul
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INTERMÉDIAIRE
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. A...
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Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95 ≈
£6.04
I Did Not See Temple Spires - an original hymn for SATB voices
I Did Not See Temple Spires - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99 ≈
£1.51
The Doors: Not To Touch The Earth - guitar solo
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Guitare
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DÉBUTANT
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Rock
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Enfant
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The Doors
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Virtualsheetmusic
Instantly printable sheet music by The Doors for guitar solo of VERY EASY skill level. / rock,children
Instantly printable sheet music by The Doors for guitar solo of VERY EASY skill level. / rock,children
$3.97 ≈
£3.01
The Doors: Not To Touch The Earth - guitar (chords)
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Paroles et Accords
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INTERMÉDIAIRE
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Rock
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The Doors
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Virtualsheetmusic
Instantly printable sheet music by The Doors for guitar (chords) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by The Doors for guitar (chords) of MEDIUM skill level. / pop,rock
$3.97 ≈
£3.01
The Sound of Isolation - a choral piece for online choirs - two part with descant and piano
The Sound of Isolation - a choral piece for online choirs - two part with descant and piano
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Chorale 2 parties
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FACILE
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Pop musique
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Words by Patricia Roche, Music
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Kim Kirkman
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The Sound of Isolation - a cho
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Kim Kirkman
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.779595 Composed by Words by Patricia Roche, Music by Kim Kirkman. Arranged by Kim Kirkman. Pop. Octavo. 7 page...
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Choral Choir (2-Part) - Level 2 - SKU: A0.779595 Composed by Words by Patricia Roche, Music by Kim Kirkman. Arranged by Kim Kirkman. Pop. Octavo. 7 pages. Kim Kirkman #5765487. Published by Kim Kirkman (A0.779595). The Sound of Isolation: a choral piece about online choirs during the COVID-19 situation. Arranged for two-part choir with descant.Accompanied by piano and also has chords.Lyrics:Our aching hearts give birth to a harmony so strong, And countless homes upon the earth are unified in song. We’re an eager, global choir Formed from fondest yearning, A product of deep desire, The music in us burning, burning, burning. Let us sing away the solitude, together while apart; Dispel the clouds of loneliness, that mystify the heart. Let us sing away the silence, dance away frustration. In our virtual togetherness- this choir, our new creation, The sound of isolation. The joy of happy company we miss so very much. We reach out with our song, even though we cannot touch. Far apart and yet together, we feel our spirits turning, Ignited by our lonely fire, The music in us burning, burn-ing, burn-ing. Let us sing away the solitude, together while apart; Dispel the clouds of loneliness, that mystify the heart. Let us sing away the silence, dance away frustration. In our virtual togetherness- this choir, our new creation, Let us sing away the solitude, together while apart; Dispel the clouds of loneliness, that mystify the heart. Let us sing away the silence, dance away frustration. In our virtual togetherness- this choir, our new creation, The sound of isolation. This choir our new creation.
$1.99 ≈
£1.51
Peace on Earth
Peace on Earth
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Voix Soprano, Piano
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Juliana Hall
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Peace on Earth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Publ...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Published by E. C. Schirmer Music Company - Digital (MQ.9230-E). English.Peace on Earth was commissioned by Richard Lee and Karen Lerner as a gift for their daughter, Katherine Lerner Lee, a beautiful soprano. My husband and I had known Richard and Karen from our time as fellow graduate students at the Yale School of Music; Richard had studied composition and Karen piano, both very talented musicians and lovely people, so I was touched to be asked and very happy to write Peace on Earth as a gift for their daughter Katie, who was graduating from Oberlin Conservatory. Katie patiently waited out the coronavirus pandemic and on April 16, 2023 she and pianist Nomin Samdan premiered Peace on Earth on her masters degree recital at the Bard College Conservatory, where she was wrapping up her studies in the Vocal Arts Program. She wrote about Peace on Earth in her recital program notes that, “Hall responds to Williams’ catalog of constellations through slowly shifting harmonies and smooth, swung rhythms. The composer imagines the night sky as though one is dreaming it, ‘...whether it’s really up there above us or just taking place within the sleeping person’s soul.’ Through this luscious song, we are invited to daydream collectively and to come into a more unified consciousness.â€.
$10.95 ≈
£8.31
Not to Touch the Earth by The Doors - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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The Doors
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Not to Touch the Earth
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Musicnotes
Performed by: The Doors: Not to Touch the Earth Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singe...
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Performed by: The Doors: Not to Touch the Earth Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 8 pages -- Rock~~Jazz-Rock~~Psychedelic~~Album Rock
$5.75 ≈
£4.37
In The Stone
In The Stone
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Chorale SATB
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AVANCÉ
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Soul/R&B
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Earth Wind and Fire
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Tim Brent
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In The Stone
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Tim Brent Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.877203 By Earth Wind and Fire. By Allee Willis, David Babyface Foster, and Maurice White. Arranged by Tim Brent....
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Choral Choir (SATB) - Level 5 - SKU: A0.877203 By Earth Wind and Fire. By Allee Willis, David Babyface Foster, and Maurice White. Arranged by Tim Brent. R & B. Octavo. 31 pages. Tim Brent Music #3686531. Published by Tim Brent Music (A0.877203). Recorded by Earth, Wind & Fire, Arranged by Tim Brent for the Western Michigan University Gold Company 30th Anniversary (Dr. Steve Zegree, director) Vocal Jazz SSATTB arrangement with rhythm section and optional 4-piece horns (Trumpet, Trombone, Alto Sax, Tenor Sax).This arrangement of In the Stone was inspired by the original Earth, Wind and Fire recording. It makes a perfect opener or closer for a program. There are many opportunities to feature soloists throughout the piece. The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00 ≈
£49.35
The Doors: Not To Touch The Earth for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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The Doors
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Virtualsheetmusic
Instantly downloadable sheet music by The Doors for voice, piano and guitar of MEDIUM skill level.
Instantly downloadable sheet music by The Doors for voice, piano and guitar of MEDIUM skill level.
$7.99 ≈
£6.07
Nocturne No 1 - A restless night in June 2016
Nocturne No 1 - A restless night in June 2016
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Nocturne No 1 - A restless nig
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Stuart Brown Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart ...
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Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50 ≈
£1.90
In Every Corner Sing
In Every Corner Sing
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In Every Corner Sing
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SheetMusicPlus
100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes...
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100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes
Song List
: Because You Live, O Christ Carol Our Christmas Celebrate Each Generation Child of Christmas Story Child of Joy and Peace Christ Has Not Risen Christ Is Our Peace Christ, Let Us Come with You Christmas Day Christ, We Have Claimed You Church of the Living Christ Come and Find the Quiet Center Come, Celebrate the Women Come into the Streets with Me Come Now, Lord Jesus Come, on This Wedding Day Come, Teach Us, Spirit of Our God Come to a Wedding Come to Our Land Come to This Christmas Singing Community of Christ Every Day Faith Has Set Us on a Journey For the Bread and Wine and Blessing For the Music of Creation From the Apple in the Garden From the Waiting Comes the Sign Gentle God, When We Are Driven Give Thanks for Life Give Thanks for Life and Faith and Health God of All Time God of Freedom, God of Justice God of Our Every Day God of the Galaxies God of the World We Know God of Wonder, God of Thunder God Was in Christ Great God of Earth and Heaven Here in the Busy City Here Is the Place Here to the House of God We Come Here We Bring, Small or Great How Happy You Who Work fo Peace! How Small a Spark Has Lit a Living Fire I Am Standing Waiting In the Name of Christ We Gather Jesus, I Come Jesus, Savior, Spirit, Sun! Lift High the Cross Loving Spirit New Child of God, Come to Be Blessed Now as We Go Now the Greening of the Summer Now to Your Table Spread O Christ Who by a Cross O God, We Bear the Imprint of Your Face O Little Love Of Women and of Women's Hopes We Sing Our Life Has Its Seasons Peace Child Sing a Happy Alleluia Sing a Song for Peace and Justice Sing Green Sing to Celebrate the City Small Things Count, So Jesus Said Spirit of Love Spirit Who Broods, Spirit Who Sings Stranger God, You Come to Us Take My Gifts Teach Us, O Loving Heart of Christ The Grain Is Ripe The Spring Has Come This Thread I Weave Through All The World To Christ Whose Hands Will Bless Touch the Earth Lightly We Light a Candle for a Life We Wait for You When Human Voices Cannot Sing When We Lift Our Pack and Go Where Is the Room? Where the Good Seed Grows Who Is My Mother, Who Is My Brother? Who Is the Child that Is to Be Born?
$14.95 ≈
£11.35
IT'S CHRISTMASTIME (a new trad. Christmas carol)
IT'S CHRISTMASTIME (a new trad. Christmas carol)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Noël
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and large, Christmas music is
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Shaun Parry
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IT'S CHRISTMASTIME
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MusicforMillions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.935513 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Score. 7 pages. MusicforMillion...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.935513 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Score. 7 pages. MusicforMillions #4995115. Published by MusicforMillions (A0.935513). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of your caroling tradition. By and large, Christmas music is either sacred or secular -- about Jesus, Mary, the shepherds and angels or about presents and parties and mistletoe. We live them both simultaneously. This carol represents that, with the first verse being a patter of Christmas excitement and the second more lyrical focusing on the advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men.This song has the potential to become a regular part of Christmas carol canon sung by millions around the world.* Perfect for school or church Christmas concerts. * Great for families around the fireplace or out caroling.* Bells/Chimes add a beautiful touch but it can also be performed with just piano and voices or even a capella. I have even enjoyed singing to guitar or ukulele.* Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting. It can be sung straight through without overlapping the verses.* Some harmony parts are indicated in the vocal line. Of course you can sing the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you.You can find me at @the_shaunparry or www.shaunparry.com
$3.99 ≈
£3.03
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99 ≈
£8.34
I Had Much Grief
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94 ≈
£6.03
Spy Plane
Spy Plane
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Basse electrique
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FACILE
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Tracy Dean McCallum
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Tracy Dean McCallum
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Spy Plane
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Sco...
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Bass Guitar TAB - Level 2 - SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1049582. Published by Tracy Dean McCallum (A0.1471949). https://tracymccallum.com Spy Plane: A Groovy Bass Odyssey Strap on your headphones and prepare for takeoff, because this bass transcription of Spy Plane is about to take you on a funky, high-altitude mission. The groove is undeniably cool, a blend of tight pocket playing and adventurous improvisation. Gear Up: The bass line lays down a solid foundation with a picked eighth-note pattern. Imagine a sleek spy plane cruising steadily at altitude. The root notes likely shift between the E and A strings, outlining the chords with a focus on the lower register. Think of it as the pilot navigating through different airspaces. Throughout the song, there are gonna be some syncopated accents thrown in. These are like the plane making sharp maneuvers, adding surprise and a touch of swagger to the groove. Into the Danger Zone: As the song progresses, the bass line breaks free from the simple pattern. Get ready for some walking bass lines that weave through the chords, creating a sense of urgency and intrigue. Think of the pilot dodging enemy radar or chasing a target through a maze of clouds. Lock On! The coolest part of the transcription might be the use of effects. A touch of wah-wah can simulate the plane breaking the sound barrier, while some octaver adds a growling, mechanical feel, like the whirring of powerful engines. Mission Complete: The ending brings the bass line back to earth with a flourish. Perhaps a descending chromatic line to depict the plane landing safely, or a series of funky slides for a more playful touch. This is just a roadmap, pilot! Feel free to add your own improvisational flourishes, double stops to mimic dogfights, or slap techniques for some extra punch. The sky's the limit (or rather, the atmosphere) with this Spy Plane bass transcription. Ready to take flight? Grab your bass and get groovin'!
$4.44 ≈
£3.37
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
£2.27
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
£3.03
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
£18.97
Adam Ondi Ahman - Organ Prelude
Adam Ondi Ahman - Organ Prelude
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Orgue
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FACILE
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William W
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Jacob Hershberger
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Adam Ondi Ahman - Organ Prelud
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Jasberger Music
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1487587 By William W. Phelps. By Anon. Arranged by Jacob Hershberger. Contemporary,Religious,Sacred,Soul,Spiritual. Score. 3 p...
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Organ - Level 2 - SKU: A0.1487587 By William W. Phelps. By Anon. Arranged by Jacob Hershberger. Contemporary,Religious,Sacred,Soul,Spiritual. Score. 3 pages. Jasberger Music #1064507. Published by Jasberger Music (A0.1487587). Experience the divine serenity of our newest organ prelude sheet music release, Adam Ondi Ahman. This exquisite piece is inspired by the revered Latter-day Saint hymn, Adam Ondi-Ahman, which eloquently captures the essence of a time when the earth was a paradisiacal garden, and humanity lived in holiness, worshipping Jesus Christ face to face.The hymn's text paints a vivid picture of this sacred era:This earth was once a garden place,With all her glories common,And men did live a holy race,And worship Jesus face to face,In Adam-ondi-Ahman.We read that Enoch walked with God,Above the pow’r of mammon,While Zion spread herself abroad,And Saints and angels sang aloud,In Adam-ondi-Ahman.Her land was good and greatly blest,Beyond all Israel’s Canaan;Her fame was known from east to west,Her peace was great, and pure the restOf Adam-ondi-Ahman.Hosanna to such days to come,The Savior’s second coming,When all the earth in glorious bloomAffords the Saints a holy home,Like Adam-ondi-Ahman.In addition to the poetic text, this prelude is deeply rooted in the scriptural texts of Doctrine and Covenants 116:1 and Doctrine and Covenants 107:53–57. These scriptures provide a spiritual foundation that enriches the music, making it not only a beautiful piece to play but also a profound spiritual experience.Key Features: Beginner-Friendly: Designed for novice organists looking to expand their repertoire, this prelude is easy to learn and play. Consistent Key: The piece remains in the key of Eb Major throughout, ensuring a smooth and cohesive performance. Flexible Performance: The composition allows for easy stops midway through, catering to the varying needs of prelude requirements. Spiritual Connection: This music is intended to touch the souls of listeners, evoking feelings of the genesis of the human family and the doctrines of the Latter-day Saint faith. As recorded on the organ album Restoration Hymns from the Church of Jesus Christ of Latter-day Saints available on all major streaming platforms This organ prelude is perfect for church services, personal practice, or any setting where sacred and contemplative music is desired. Adam Ondi Ahman not only offers a delightful musical experience but also provides a profound connection to the spiritual heritage of the Latter-day Saint tradition. Enhance your musical journey with this beautifully crafted piece, and let the timeless message of Adam Ondi Ahman inspire and uplift all who hear it.
$5.99 ≈
£4.55
September
September
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Guitare
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FACILE
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Earth Wind and Fire
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Hollywood Charts
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September
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Hollywood Charts
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1312251 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Hollywood Charts. Disco,Funk,P...
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Solo Guitar - Level 2 - SKU: A0.1312251 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Hollywood Charts. Disco,Funk,Pop. Individual part. 12 pages. Hollywood Charts #901107. Published by Hollywood Charts (A0.1312251). Step into the rhythmically intricate world of Earth, Wind & Fire with this in-depth guitar transcription of the timeless classic, September. Celebrated for its rich tapestry of sound, September is a testament to the artistry of blending multiple guitar parts as part of its symphony of groove, melody, and harmony.For the first time, gain exclusive access to every strum, riff, and chordal embellishment as played in the iconic 1978 recording. Whether you're looking to master the catchy rhythm guitar patterns or the melodic leads that accentuate the song's spirit, this transcription provides a panoramic view of the guitar's role in the track.Recreate the energy and soul of September or infuse it with your unique touch using this comprehensive guide. Ideal for guitarists of all levels, this transcription is not just a sheet music but an invitation to be part of a musical legacy that spans decades.Get your hands on this exclusive transcription and let the celebratory spirit of September resonate through every string on your guitar. Order today and bask in the euphoria of Earth, Wind & Fire's genius, one strum at a time.
$4.99 ≈
£3.79
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Not To Touch The Earth
