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Vous avez sélectionné:
Nothing ness
Partitions à imprimer
164 partitions trouvées
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Nothing/ness
Nothing/ness
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Clarinette
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AVANCÉ
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Amy Dunker
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Nothing/ness
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Amy Dunker
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.969907 Composed by Amy Dunker. Concert,Contemporary. Individual part. 5 pages. Amy Dunker #6794379. Published by Amy D...
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Clarinet Solo - Level 5 - SKU: A0.969907 Composed by Amy Dunker. Concert,Contemporary. Individual part. 5 pages. Amy Dunker #6794379. Published by Amy Dunker (A0.969907). Nothingness noun noth·ing·ness | ˈnə-thiŋ-nəs Definition of nothingness 1: the quality or state of being nothing: such as a: NONEXISTENCE b: utter insignificance c: DEATH 2: something insignificant or valueless 3: VOID, EMPTINESS https://www.merriam-webster.com/dictionary/nothingness Duration: 5:00.
$8.00
Nothing/ness
Nothing/ness
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Basson
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AVANCÉ
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Amy Dunker
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Nothing/ness
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Amy Dunker
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.969906 Composed by Amy Dunker. Concert,Contemporary. Individual part. 5 pages. Amy Dunker #6794377. Published by Amy Du...
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Bassoon Solo - Level 5 - SKU: A0.969906 Composed by Amy Dunker. Concert,Contemporary. Individual part. 5 pages. Amy Dunker #6794377. Published by Amy Dunker (A0.969906). Nothingness noun noth·ing·ness | ˈnə-thiŋ-nəs Definition of nothingness 1: the quality or state of being nothing: such as a: NONEXISTENCE b: utter insignificance c: DEATH 2: something insignificant or valueless 3: VOID, EMPTINESS https://www.merriam-webster.com/dictionary/nothingness Duration: 5:00.
$8.00
Nothing/ness
Nothing/ness
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Hautbois (partie séparée)
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AVANCÉ
#
Amy Dunker
#
Nothing/ness
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Amy Dunker
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.969908 Composed by Amy Dunker. Concert. Individual part. 5 pages. Amy Dunker #6794381. Published by Amy Dunker (A0.969908)...
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Oboe Solo - Level 5 - SKU: A0.969908 Composed by Amy Dunker. Concert. Individual part. 5 pages. Amy Dunker #6794381. Published by Amy Dunker (A0.969908). Nothingness noun noth·ing·ness | ˈnə-thiŋ-nəs Definition of nothingness 1: the quality or state of being nothing: such as a: NONEXISTENCE b: utter insignificance c: DEATH 2: something insignificant or valueless 3: VOID, EMPTINESS https://www.merriam-webster.com/dictionary/nothingness Duration: 5:00.
$8.00
Sweet Nothing
Sweet Nothing
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Denise Flatness
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Sweet Nothing
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Denise Flatness
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1121526 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by Denise Fla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1121526 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by Denise Flatness. Contemporary,Pop,Wedding. Score and parts. 11 pages. Denise Flatness #722706. Published by Denise Flatness (A0.1121526). Sweet Nothing is a song about feeling safe with your partner. This arrangement is simplistic yet beautiful. It would be the perfect arrangement for a small and intimate wedding ceremony, though can be performed for any event! Add it to your collection today! Visit dflatstrings.com for more string arrangements.
$12.99
Nothing Can Come Between Us
Nothing Can Come Between Us
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Quatuor à cordes: 2 violons, alto, violoncelle
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Sade
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AZSAP MUSiC
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Nothing Can Come Between Us
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AZSAP MUSiC
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1335296 By Sade. By Andrew Hale, Helen Adu, and Stuart Matthewman. Arranged by AZSAP MUSiC. D...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1335296 By Sade. By Andrew Hale, Helen Adu, and Stuart Matthewman. Arranged by AZSAP MUSiC. Disco,Funk,R & B,Soul. 8 pages. AZSAP MUSiC #921127. Published by AZSAP MUSiC (A0.1335296). Nothing Can Come Between Us by Sade is a timeless classic that has captivated audiences with its smooth and soulful sound. Now, experience this iconic song in a unique and enchanting way with this arrangement for a string quartet.This rendition captures the essence of the original while infusing it with the warmth and richness of classical strings. The lush harmonies and delicate melodies of the violin, viola, and cello create a captivating atmosphere that will elevate any occasion.Whether you're planning a wedding, a sophisticated event, or simply seeking a refined and elegant musical experience, this string quartet arrangement of Nothing Can Come Between Us is the perfect choice. Immerse yourself in the beauty of live music as the quartet weaves together the familiar notes of this Sade classic, creating a moment that is both intimate and unforgettable.Indulge in the sophistication of a string quartet performance and let the timeless allure of Nothing Can Come Between Us set the perfect tone for your special moments. Elevate your event with the exquisite combination of Sade's soulful composition and the refined charm of classical strings.
$12.99
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
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Piano, Voix et Guitare
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INTERMÉDIAIRE
#
Fernando Ortega
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Kenneth Martin
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Worship Series - "Nothing
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Martin Music Editions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise &...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.
$7.99
Nothing But the Blood of Jesus - up-tempo Folk Style and Congregation
Nothing But the Blood of Jesus - up-tempo Folk Style and Congregation
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Musique Sacrée
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Gospel Spirituel
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Robert Lowry
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Andrew Duncan
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Nothing But the Blood of Jesus
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Andrew Duncan
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SheetMusicPlus
Large Ensemble Bass Guitar,Drum Set,Hand Percussion,Organ,Piano Accompaniment,Violin,Voice - SKU: A0.764378 Composed by Robert Lowry. Arranged by Andrew...
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Large Ensemble Bass Guitar,Drum Set,Hand Percussion,Organ,Piano Accompaniment,Violin,Voice - SKU: A0.764378 Composed by Robert Lowry. Arranged by Andrew Duncan. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 2 pages. Andrew Duncan #5896503. Published by Andrew Duncan (A0.764378). This is an engaging and upbeat setting of the powerfully simple hymn Nothing But the Blood of Jesus by Robert Lowry. The arrangement includes a lead sheet for the band/accompaniment/singers with cues for solo instrument lines, and is easily adapted for any combination of instruments. The recording is from a live worship service at Cedar Springs Presbyterian Church in Knoxville, Tennessee. Instruments and vocals in that service: piano, bass, drums, percussion, acoustic and electric guitar, pipe organ, synth, two female and three male vocals. .
$6.99
Nothing Else Matters
Nothing Else Matters
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Fanfare
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INTERMÉDIAIRE/AVANCÉ
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Metallica
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Gabriele Croci
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Nothing Else Matters
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Gabriele Croci
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SheetMusicPlus
Marching Band - Level 4 - SKU: A0.1450391 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Gabriele Croci. Rock. 63 pages. Gabriele Croci #1...
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Marching Band - Level 4 - SKU: A0.1450391 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Gabriele Croci. Rock. 63 pages. Gabriele Croci #1030120. Published by Gabriele Croci (A0.1450391). Powerful symphonic arrangement of Metallica's Nothing Else Matters for Marching Band. Maintains the emotion of the original while adding dynamic richness typical of marching bands. Transposition included for transposing instruments. Suitable for parades and stadium performances. Complete licenses for public performances. For a unique and engaging experience, download now!
$60.00
Nothing More Wonderful (low voice)
Nothing More Wonderful (low voice)
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Piano, Voix
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FACILE
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Musique Sacrée
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Christian contemporain
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Jayne Nitz
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Nothing More Wonderful
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Jayne Nitz
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.922879 Composed by Jayne Nitz. Christian,Contemporary,Praise & Worship,Sacred. Score. 9 pages. Jayne Nitz #6413293...
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Piano,Vocal,Voice - Level 2 - SKU: A0.922879 Composed by Jayne Nitz. Christian,Contemporary,Praise & Worship,Sacred. Score. 9 pages. Jayne Nitz #6413293. Published by Jayne Nitz (A0.922879). Written for solo singer with piano, this contemporary Christian song tries to put into words the greatness of God and all of his gifts. This lower voice version is in the key heard on YouTube. Includes guitar chords and reproducible lead sheet.
$2.50
Nothing More Wonderful (Unison/optional 2-part)
Nothing More Wonderful (Unison/optional 2-part)
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Chorale Unison
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FACILE
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Musique Sacrée
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Jayne Nitz
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Nothing More Wonderful
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Jayne Nitz
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.922878 Composed by Jayne Nitz. Children,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Jayne Nitz #641328...
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Choral Choir (2-Part) - Level 2 - SKU: A0.922878 Composed by Jayne Nitz. Children,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Jayne Nitz #6413281. Published by Jayne Nitz (A0.922878). This song for kids, suitable for children’s choir, Sunday School, or Vacation Bible School, tries to put into words the greatness of God and all of his gifts. Unison and 2-part, with the 2nd part optional.
$1.99
Nothing Can Separate Us From the Love of God SSA
Nothing Can Separate Us From the Love of God SSA
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Chorale 3 parties
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Musique Sacrée
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Amy Morales
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Nothing Can Separate Us From t
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Amy J Morales
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SheetMusicPlus
Choral Choir (SSA) - SKU: A0.963840 Composed by Amy Morales. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Amy J Morales #5777187. Published by Am...
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Choral Choir (SSA) - SKU: A0.963840 Composed by Amy Morales. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Amy J Morales #5777187. Published by Amy J Morales (A0.963840). Nothing Can Separate Us From the Love of God written for ladies trio is based off of the scripture found in Romans 8. 35 Who shall separate us from the love of Christ? shall tribulation, or distress, or persecution, or famine, or nakedness, or peril, or sword?
$4.55
April 24 - Nothing Left Behind
April 24 - Nothing Left Behind
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Piano seul
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FACILE
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Contemporain
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The Awakened Soul
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April 24 - Nothing Left Behind
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The Awakened Soul
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1303600 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 2 pages. The ...
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Piano Solo - Level 2 - SKU: A0.1303600 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 2 pages. The Awakened Soul #893181. Published by The Awakened Soul (A0.1303600). This piece was composed of daily word prompts over the course of the month. These pieces originated as piano improvisations but then were programmed into Sibelius to be composed and arranged.This piece is designed to capture the prompt/feeling of the title mentioned as it is designed for casual enjoyment or to be improvised upon.Website: https://awakenedsoulproductions.comFollow Awakened Soul Productions (Business) on…Linktre: https://linktr.ee/awakenedsoulproductionsInstagram: https://www.instagram.com/awakenedsoulproductionsFollow The Awakened Soul (Artist/Composer) on…Spotify: https://open.spotify.com/track/7D74a97OGlvKKSB70yXYfe?si=de2b89d5435749aeInstagram: https://www.instagram.com/7he4wak3nd5ou1/.
$10.00
Nothing Gold Can Stay
Nothing Gold Can Stay
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rebekah Henry
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Nothing Gold Can Stay
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Rebekah Henry
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1279299 Composed by Rebekah Henry. 21st Century,Chamber,Classical. 11 pages. Rebeka...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1279299 Composed by Rebekah Henry. 21st Century,Chamber,Classical. 11 pages. Rebekah Henry #870793. Published by Rebekah Henry (A0.1279299). This is a piece about autumn. More than that, it’s a piece about how in the fall I feel alive and able to breathe again after a long summer, despite the increasing darkness of an upcoming winter. I love that autumn is a season of harvest and hibernation, falling leaves and blooming chrysanthemums, and in that dichotomy is such beauty.String Quartet. 3'15.
$11.99
Nothing Between My Soul and My Savior
Nothing Between My Soul and My Savior
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Piano, Voix
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INTERMÉDIAIRE
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Charles A
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Leonora Hardy
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Nothing Between My Soul and My
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Leonora Hardy
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1417952 Composed by Charles A. Tindley. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 4 pages. Leo...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1417952 Composed by Charles A. Tindley. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 4 pages. Leonora Hardy #999498. Published by Leonora Hardy (A0.1417952). This lovely vintage hymn is a sermon in itself. It speaks to de-emphasizing self in order bring about closeness to Christ. It is an easily learned arrangement for the church pianist who wants to have a more flowing style of music to accompany choir, a soloist, or congregational singing. It is suitable for preludes, offertories or communion. Lyrics are included. Â Intermediate level. Right hand melody. Hymn. Â leonorahardy@gmail.com.
$4.99
Nada Te Turbe (Let Nothing Disturb You)
Nada Te Turbe (Let Nothing Disturb You)
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Chorale SATB
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INTERMÉDIAIRE
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Raoul R
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Nada Te Turbe
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Raoul R. Carag
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.938885 Composed by Raoul R. Carag. Christian,Sacred,Spiritual. Octavo. 8 pages. Raoul R. Carag #3121887. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.938885 Composed by Raoul R. Carag. Christian,Sacred,Spiritual. Octavo. 8 pages. Raoul R. Carag #3121887. Published by Raoul R. Carag (A0.938885). The melody in this composition is written for the text written by St. Teresa of Avila. It can be used for religious or church services dedicated to the themes of trust, faith, and internal peace. The piece itself was composed on the occasion of the 500th anniversary of the saint's birth (1515-2015), and dedicated to the parish of which she is the patroness.
$3.00
Nothing's Gonna Change My Love For You
Nothing's Gonna Change My Love For You
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Glenn Medeiros
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Kaori Kobayashi
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Nothing's Gonna Change My Love
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The Bridge Music Studio
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.1166236 By Glenn Medeiros. By Gerry Goffin and Michael Masser. Arranged by Kaori Kobayashi. 20th Century,Contemp...
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Alto Saxophone Solo - Level 4 - SKU: A0.1166236 By Glenn Medeiros. By Gerry Goffin and Michael Masser. Arranged by Kaori Kobayashi. 20th Century,Contemporary,Jazz,Pop,Romantic Period. Individual part. 6 pages. The Bridge Music Studio #766614. Published by The Bridge Music Studio (A0.1166236). It's one of legendery American pop song of Glenn Medeiros.This version is Japaness saxophonist Kaori Kobayashi version.Transcripted by John K.
$6.99
The Sundials
The Sundials
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Contemporain
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #580083...
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Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
The Lord Is My Shepherd - Responsorial Psalm 23
The Lord Is My Shepherd - Responsorial Psalm 23
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Chorale SATB
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Charles Griffin
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The Lord Is My Shepherd - Resp
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Coriolis Press
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1000876 Composed by Charles Griffin. 20th Century,Contemporary,Sacred. Octavo. 10 pages. Coriolis Press #5982919. Publishe...
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Choral Choir (SATB) - SKU: A0.1000876 Composed by Charles Griffin. 20th Century,Contemporary,Sacred. Octavo. 10 pages. Coriolis Press #5982919. Published by Coriolis Press (A0.1000876). Organ, SATB Choir with Cantor/Leader of Song (and congregation), ca 5'Commissioned as part of Faith Partners, a residency underwritten by the American Composers Forum with funds provided by the Wolfensohn Family Foundation and St. Ignatius-Loyola. Premiered by St. Ignatius-Loyola, Walter F. Modrys, S.J., Pastor, under the direction of Kent Tritle.Text:The Lord is my shepherd;there is nothing I shall want.Fresh and green are the pastureswhere he gives me repose.Near restful waters he leads me,to revive my drooping spirit.The Lord is my shepherd;there is nothing I shall want.He guides me along the right path;he is true to his name.If I should walk in the valley of darkness no evil would I fear.You are there with your crook and your staff;with these you give me comfort.The Lord is my shepherd;there is nothing I shall want.You have prepared a banquet for mein the sight of my foes.My head you have anointed with oil;my cup is overflowing.The Lord is my shepherd;there is nothing I shall want.Surely goodness and kindness shall follow meall the days of my life.In the Lord's own house shall I dwellfor ever and ever.The Lord is my shepherd;there is nothing I shall want.
$2.99
Formations for Wind Ensemble
Formations for Wind Ensemble
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113...
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Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
News of Great Joy! (Digital Delivery)
News of Great Joy! (Digital Delivery)
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1 Piano, 4 mains
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Musique Sacrée
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Molly Ijames
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News of Great Joy!
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Piano 4-hand - Moderately Advanced - SKU: LX.70-1943L Captivating Carols for Piano Four-hands. Arranged by Molly Ijames. Sacred, Christmas. Churc...
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Piano 4-hand - Moderately Advanced - SKU: LX.70-1943L Captivating Carols for Piano Four-hands. Arranged by Molly Ijames. Sacred, Christmas. Church Piano. 44 pages. Lorenz Publishing - Digital Sheet Music #e70/1943L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-1943L). ISBN 9780787713539.Nothing sparkles like the sound of four hands at one piano, and Molly Ijames brings that sparkle to the Advent and Christmas hymns in her collection News of Great Joy! Suitable for church services and Christmas concerts, these dynamic settings will delight listeners of all ages.
Song List
: As With Gladness, Men Of Old Come, Thou Long-Expected Jesus He Is Born, The Divine Christ Child O Come, O Come Emmanuel On Christmas Night Silent Night, Holy Night
$22.95
Affects
Affects
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Michelangelo Rodriguez
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Affects
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Michelangelo Rodriguez Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.991481 Composed by Michelangelo Rodriguez. 20th Century,Contemporary. Score and parts. 108 pages. Mich...
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String Quartet String Quartet - Level 5 - SKU: A0.991481 Composed by Michelangelo Rodriguez. 20th Century,Contemporary. Score and parts. 108 pages. Michelangelo Rodriguez Music #2968035. Published by Michelangelo Rodriguez Music (A0.991481). Program Note: Affects, written in 2016, is a piece for string quartet that depicts the human emotions of grief, fear, anger, and sadness. Grief is a moderate paced movement where the different instruments respond to the loss of bond and affection in the human condition. Fear begins with a solo cello line that experiments with tonality. Each instrument is introduced with the same line, essentially building up the tension and confusion that is caused when humans exhibit fear. Anger uses a quick, rushed tempo similar to the fast, exerted force that is caused when humans express anger. Often, humans find themselves acting before they think, which is how the instruments interact with each other in this movement. The string quartet culminates in a slow, brooding movement, Sadness, where the themes are exhibited and built upon in a contrapuntal motion. Humans express sadness with misery, which is shown in the heavy lines of the instruments. The piece ends with a sense of hope, only to be crushed with the sadness that everyone eventually experiences, fading away into nothingness. Duration: c. 18 minutesFor more information, please visit www.michelangelorodriguez.com
$7.99
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