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Vous avez sélectionné:
Odds and Ends
Partitions à imprimer
22 partitions trouvées
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1
Burt Bacharach: Odds And Ends (Of A Beautiful Love Affair) for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Jazz
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Burt Bacharach
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Virtualsheetmusic
Instantly printable sheet music by Bacharach & David for voice, piano or guitar of MEDIUM skill level. / standards
Instantly printable sheet music by Bacharach & David for voice, piano or guitar of MEDIUM skill level. / standards
$6.97 ≈
¥48.92
The Snow Queen A Ballet in 3 Acts ACT 1 JN Holland Performance Soundtrack
The Snow Queen A Ballet in 3 Acts ACT 1 JN Holland Performance Soundtrack
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James Nathaniel Holland
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The Snow Queen A Ballet in 3 A
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James Nathaniel Holland
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SheetMusicPlus
SKU: A0.1068397 Composed by James Nathaniel Holland. Children,Contemporary,Holiday,Musical/Show. Full Performance. Duration 2287. James Nathaniel Hollan...
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SKU: A0.1068397 Composed by James Nathaniel Holland. Children,Contemporary,Holiday,Musical/Show. Full Performance. Duration 2287. James Nathaniel Holland #6533213. Published by James Nathaniel Holland (A0.1068397). Performance mp3 of The Snow Queen A Ballet in 3 Acts, ACT 1 (2 and 3 sold separately) by 21st Century American composer, James Nathaniel Holland. Performance license or permissions given separately. Quality recording that can be used for dance or school productions, score study (piano score https://www.sheetmusicplus.com/title/20664386, full score https://www.sheetmusicplus.com/title/20702723 and/or individual parts all sold separately.) of Hans Christian Andersen's Fairy about two friends, a girl, Gerde, and a boy, Kai, separated by the forces of nature and the girl's valiant rescue of her friend against all odds. This Act 1 contains the Prelude, Dance of the Snow Sprites, Waltz of the Magic Mirror, Innocence and Children at Play, Dance of the Roses, The Dance of the Snowbees, The Conversion of Kai, and The Abduction of Kai by the Snow Queen. .
$17.95 ≈
¥125.98
The Snow Queen A Ballet in 3 Acts ACT 3 JN Holland Performance Soundtrack
The Snow Queen A Ballet in 3 Acts ACT 3 JN Holland Performance Soundtrack
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James Nathaniel Holland
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The Snow Queen A Ballet in 3 A
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James Nathaniel Holland
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SheetMusicPlus
SKU: A0.1068399 Composed by James Nathaniel Holland. Children,Contemporary,Holiday,Musical/Show. Full Performance. Duration 2050. James Nathaniel Hollan...
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SKU: A0.1068399 Composed by James Nathaniel Holland. Children,Contemporary,Holiday,Musical/Show. Full Performance. Duration 2050. James Nathaniel Holland #6533253. Published by James Nathaniel Holland (A0.1068399). Performance mp3 of The Snow Queen A Ballet in 3 Acts, ACT 3 (1 and 2 sold separately) by 21st Century American composer, James Nathaniel Holland. Performance license or permissions given separately. Quality recording that can be used for dance or school productions, score study (piano score https://www.sheetmusicplus.com/title/20664386, full score https://www.sheetmusicplus.com/title/20702723 and/or individual parts all sold separately.) of Hans Christian Andersen's Fairy about two friends, a girl, Gerde, and a boy, Kai, separated by the forces of nature and the girl's valiant rescue of her friend against all odds. This final Act 3 contains the dances, Gerde's Sorrow, Setting out for the Snow Queen's Castle, The Rescue of Kai, The Waltz of the Roses Reprise, and Kai's Joyous Dance.
$14.95 ≈
¥104.93
Symphony No. 5 ... Utopia Parkway (2003) full score
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99 ≈
¥70.11
Odds & Ends : for organ
Odds & Ends : for organ
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Johann G
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Carl R
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Odds & Ends : for organ
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Carl Ziebell
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1309260 Composed by Johann G. Ebeling, 1637-76 and others. Arranged by Carl R. Ziebell. Christian,Relig...
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Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1309260 Composed by Johann G. Ebeling, 1637-76 and others. Arranged by Carl R. Ziebell. Christian,Religious,Sacred,Traditional. Individual part. 18 pages. Carl Ziebell #898441. Published by Carl Ziebell (A0.1309260). I present to you a collection of five organ preludes on hymn tunes that I have arranged over the past few years. Hymn titles include: Lo, He come with clouds descending (Helmsly) ; Why should cross and trial grieve me ; God be with you 'till we meet again ; Love divine ; O're the distant mountains breaking. These preludes are intended to serve anywhere as needed within the worship service, although most of them were written as hymn introductions.
$12.00 ≈
¥84.22
Odds and Ends by Burt Bacharach - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Burt Bacharach
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Odds and Ends
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Musicnotes
Performed by: Burt Bacharach: Odds and Ends - (Of A Beautiful Love Affair) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, download...
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Performed by: Burt Bacharach: Odds and Ends - (Of A Beautiful Love Affair) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Pop Rock~~Traditional Pop~~Vocal Pop
$5.50 ≈
¥38.60
Legends & Tales of the Renaissance II (of Romance)
Legends & Tales of the Renaissance II (of Romance)
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Ensemble de cuivres
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Renaissance
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.837120 Arranged by R.R.Cardo. Renaissance. Score and parts. 28 pages. SBQUSA. Publications #10099. Published by SBQUSA. Publica...
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Brass Ensemble - SKU: A0.837120 Arranged by R.R.Cardo. Renaissance. Score and parts. 28 pages. SBQUSA. Publications #10099. Published by SBQUSA. Publications (A0.837120). This is a collection of renaissance music of romance. Great for Renaissance Fairs. A Hawkes-up for a Hunts-up! A metaphor for pursuing relationships, in the first half, hawks are scouting, and in the second half, the hunters pursue their prey on horseback. Scarborough Faire - parsley, sage, rosemary and thyme. The spice of life. Everything reminds the singer of their true love. Are they or are they not? The song's creator wrote this for two people who have feelings for each other, walking through the faire, glancing at each other at every turn, with their secret love in their hearts. I will see you again at the faire.. The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$15.00 ≈
¥105.28
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Trumpet)
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Trumpet)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Traditional Irish Jig
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.837070 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publi...
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Brass Ensemble - Level 3 - SKU: A0.837070 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029503. Published by SBQUSA. Publications (A0.837070). The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$1.99 ≈
¥13.97
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Trombone)
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Trombone)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Traditional Irish Jig
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.837072 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publi...
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Brass Ensemble - Level 3 - SKU: A0.837072 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029509. Published by SBQUSA. Publications (A0.837072). The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$1.99 ≈
¥13.97
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Piccolo Trumpet)
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Piccolo Trumpet)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Traditional Irish Jig
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.837069 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publi...
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Brass Ensemble - Level 3 - SKU: A0.837069 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029505. Published by SBQUSA. Publications (A0.837069). The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$1.99 ≈
¥13.97
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Tuba)
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (Tuba)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Traditional Irish Jig
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.837073 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publi...
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Brass Ensemble - Level 3 - SKU: A0.837073 Composed by Traditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029521. Published by SBQUSA. Publications (A0.837073). The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$1.99 ≈
¥13.97
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (French Horn)
Legends & Tales of the Renaissance II (of Romance) - 3. The Orange Rogue (French Horn)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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raditional Irish Jig
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.837071 Composed by raditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Public...
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Brass Ensemble - Level 3 - SKU: A0.837071 Composed by raditional Irish Jig. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029507. Published by SBQUSA. Publications (A0.837071). The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$1.99 ≈
¥13.97
Odds and Ends by Burt Bacharach - Easy Piano
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Piano Facile
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FACILE
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Pop musique
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Burt Bacharach
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Odds and Ends
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Musicnotes
Performed by: Burt Bacharach: Odds and Ends - (Of a Beautiful Love Affair) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, download...
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Performed by: Burt Bacharach: Odds and Ends - (Of a Beautiful Love Affair) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 2 pages -- Pop
$3.99 ≈
¥28.00
Odds And Ends (Of A Beautiful Love Affair)
Odds And Ends (Of A Beautiful Love Affair)
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Piano, Voix et Guitare
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Jazz
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Bacharach & David
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David
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Odds And Ends
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Bacharach & David. For piano, voice, and guitar (chords only). Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music...
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By Bacharach & David. For piano, voice, and guitar (chords only). Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
¥35.02
Now the Dove Flies
Now the Dove Flies
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Christian contemporain
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Musique Sacrée
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00 ≈
¥56.15
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
¥617.56
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
¥701.85
Pure Water
Pure Water
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Piano Facile
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DÉBUTANT
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John Meola Lindhorst
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Pure Water
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John Meola Lindhorst
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1235105 Composed by John Meola Lindhorst. Folk,Singer/Songwriter,Traditional. Lead Sheet / Fake Book. 3 pages. John Meo...
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C Instrument - Level 1 - SKU: A0.1235105 Composed by John Meola Lindhorst. Folk,Singer/Songwriter,Traditional. Lead Sheet / Fake Book. 3 pages. John Meola Lindhorst #830637. Published by John Meola Lindhorst (A0.1235105). “The saga of a small town, Oregon, Illinoisâ€Â What happens when a small town stands up against the EPA? This song tells the “David & Goliath†tale in detail with clever lyrics and a catchy chorus you’ll be singing for days. Even with the odds against them, they stood for what was right. Be sure to sing through the entire song to find out how the story ends. In authentic folk style tradition, this original song by John Meola Lindhorst captures the drama and excitement of a true story with a touch of humor.  The lead sheet clearly lays out all the verses and even includes interspersed dialog to complete the story line.  Guitar chords are included on the lead sheet.
$4.99 ≈
¥35.02
Coventry Carol
Coventry Carol
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Unknown
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Del Ahlin
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Coventry Carol
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Del Ahlin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1337391 Composed by Unknown. Arranged by Del Ahlin. 21st Century,Advent,Christmas,Renaissan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1337391 Composed by Unknown. Arranged by Del Ahlin. 21st Century,Advent,Christmas,Renaissance,Sacred. 6 pages. Del Ahlin #923210. Published by Del Ahlin (A0.1337391). The Coventry Carol text is based on the Gospel of Matthew (2:16–18) and deals with the Massacre of the Innocents in which Herod the Great, king of Judea, orders the execution of all male children who are two years old and under in the vicinity of Bethlehem.The music tends to use a lot of Picardy Third (the practice of raising the third of a chord at the end of a cadence, and changing the quality of a minor chord to a major chord). I took the Picardy Third thing one step further and modulated to the relative major (Cmaj from Amin), and fanfared on a bright, C major chord -indicating Christ the Savior's successful conquest despite all odds. Then quickly modulate once again to C minor (C major's parallel minor, and up a minor third where the piece started), to bring back the somber feeling the piece is supposed to have.
$1.99 ≈
¥13.97
Chorale: Messianicum, Prophetia
Chorale: Messianicum, Prophetia
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael J
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Chorale: Messianicum, Propheti
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Van Slyke Audio
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.945510 Composed by Michael J. Van Slyke. A Cappella,Easter,Sacred. 9 pages. Van Slyke Audio #5888229. Pub...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.945510 Composed by Michael J. Van Slyke. A Cappella,Easter,Sacred. 9 pages. Van Slyke Audio #5888229. Published by Van Slyke Audio (A0.945510). The piece: Chorale: Messianicum, Prophetia, was not originally composed as a sacred work. Rather, it was an exercise; written to practice aural and written theory while I was a student at the University of Wyoming. So, its roots were those of a Vocalise. Be that as it may, the harmonies are reminiscent of the music for Mass in the old Catholic cathedrals and churches. Therefore I added a text taken from Isaiah 53: 3-5 from the the Vulgate to complement the music.There are moments where the music appears to be at odds with natural inflection of the Latin language and this is not an error. Though there is a time signature indicating a meter, this is to facilitate greater ease in conducting and reading the music. It is very much in free time and thus I invite the conductors and choirs performing this work to please refrain from following the metronome mark as if it were God reincarnate.Finally, a thank you to all musicians who suffer for my madness, the conductors and directors for taking a chance, my fellow composers for the inspiration they give, and my friends and family for the loving support they give to one, who for better of for worse, works hard at nothing all day.8 1/2 X 11 pre-prepped for Booklet Printing
$3.99 ≈
¥28.00
Pet Love Fugue
Pet Love Fugue
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Chorale SATB
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INTERMÉDIAIRE
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Music by Deborah Wicks La Puma
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Pet Love Fugue
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Crunchynotes.com
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octavo. 8 pages. Crunchynotes.com #6050185. Published by Crunchynotes.com (A0.992112). A quintet of love for our furry friends! This opening number from the musical review Petpourri celebrates the ways we talk to our pets in an intricate dance of vocal counterpoint. Originally written for a quintet, or easily modified for an SATB quartet. To find out more about Petpourri, go to: https://crunchynotes.com/show/petpourri/
$4.99 ≈
¥35.02
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Odds and Ends
