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Ode to Joy Variations for Piano solo
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Vous avez sélectionné:
Ode to Joy Variations for Piano solo
Partitions à imprimer
13 partitions trouvées
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1
Ode to Joy Variations for Piano solo
Ode to Joy Variations for Piano solo
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Piano seul
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Classique
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Magdalena Galka
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Ode to Joy Variations for Pian
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Magdalena Galka
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SheetMusicPlus
Piano - SKU: A0.1071979 Composed by Magdalena Galka. 20th Century,Classical,Romantic Period. Full Performance. Duration 245. Magdalena Galka #6616337. P...
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Piano - SKU: A0.1071979 Composed by Magdalena Galka. 20th Century,Classical,Romantic Period. Full Performance. Duration 245. Magdalena Galka #6616337. Published by Magdalena Galka (A0.1071979). Check out my social media for more!https://www.instagram.com/magda.piano.galka/https://www.youtube.com/channel/UCwLK_tpHu-pqqmwajBou7qQhttp://www.magdalena-galka.deIf you want to support me: paypal.me/magdalenagalka
$3.99
Suite for Piano
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00
Concerto for Trombone and Piano
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Ode to Morning, Op.2 - Six Variations in G minor for solo piano on the theme "Morning" from "Inciden
Ode to Morning, Op.2 - Six Variations in G minor for solo piano on the theme "Morning" from "Inciden
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Piano seul
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FACILE
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Australian Composer, Phillip R
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Ode to Morning, Op.2 - Six Var
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Mr. Phillip Anthony Russo
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1027282 Composed by Australian Composer, Phillip Russo, and born 19/03/1965. Contemporary,Instructional,Romantic Period,S...
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Piano Solo - Level 2 - SKU: A0.1027282 Composed by Australian Composer, Phillip Russo, and born 19/03/1965. Contemporary,Instructional,Romantic Period,Standards. Score. 10 pages. Mr. Phillip Anthony Russo #2705. Published by Mr. Phillip Anthony Russo (A0.1027282). This lovely set of six variations on a theme of Grieg, is sure to delight! Scored for solo piano, it is very melodious and enjoyable to play and hear, sounds complex and the score looks quite complex, but it is easy to play. It has 173 bars, no repeat sections, and plays for about nine minutes.
$9.99
Theme and Variations
Theme and Variations
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Trew Jackson
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Theme and Variations
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Trew Jackson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1007107 Composed by Trew Jackson. 20th Century,Contemporary,Romantic Period. Score. 8 pages. Trew Jackson #4747729. Publi...
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Piano Solo - Level 4 - SKU: A0.1007107 Composed by Trew Jackson. 20th Century,Contemporary,Romantic Period. Score. 8 pages. Trew Jackson #4747729. Published by Trew Jackson (A0.1007107). A musical experiment that I found great joy in writing. A very simple, yet romantic theme followed by variations ranging from easy to moderate. Good for helping develop technique for playing a melody and accompaniment in one hand. I hope you have as much fun playing this as I had writing it. If you enjoy this piece, please feel free to write a review and try my other works and let others know too!
$3.99
Three Preludes for Easter
Three Preludes for Easter
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Piano seul
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INTERMÉDIAIRE
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Henrietta Atkin
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Henrietta Atkin
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Three Preludes for Easter
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Henrietta Atkin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1391208 By Henrietta Atkin. By Llanfair, Orientis Partibus, Noel Nouvelet. Arranged by Henrietta Atkin. Christian,Easter,...
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Piano Solo - Level 3 - SKU: A0.1391208 By Henrietta Atkin. By Llanfair, Orientis Partibus, Noel Nouvelet. Arranged by Henrietta Atkin. Christian,Easter,Religious,Sacred. Score. 14 pages. Henrietta Atkin #974738. Published by Henrietta Atkin (A0.1391208). Three well-known Easter hymns have been arranged in modern settings and Baroque partitas and variations. You can use these arrangements for Easter Sunday or for any of the liturgies of the great fifty days.Christ the Lord is Risen Today (Orientis Partibus) is a five-part partita. You can use these spritely pieces at any point during your services as each of the movements stands alone. Listen for this piece in the accompanying mp3.Now the Green Blade Rises is a suite of dance-like variations. No Easter is complete without hearing this joyful melody. Listen to this piece by finding it as a single on Sheet Music Plus, and checking out the accompanying mp3.Christ the Lord is Risen Today with alleluias has been arranged as a joyful three part set of variations. Â The setting is typical of the Baroque era preludes of Walther, Zachow, or Pachelbel. The mp3 is available to listen to on Sheet Music Plus if you search for this arrangement as a single.
$10.99
Hark! The Herald Angels Sing - BRAND NEW PIANO ARRANGEMENT
Hark! The Herald Angels Sing - BRAND NEW PIANO ARRANGEMENT
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Piano seul
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Flavio Regis Cunha
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Hark! The Herald Angels Sing -
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.597548 Composed by Felix Bartholdy Mendelssohn. Arranged by Flavio Regis Cunha. Christmas,Concert,Romantic Period,Sacred....
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Piano Solo - Level 3 - SKU: A0.597548 Composed by Felix Bartholdy Mendelssohn. Arranged by Flavio Regis Cunha. Christmas,Concert,Romantic Period,Sacred. Score. 12 pages. Flavio Regis Cunha #6447257. Published by Flavio Regis Cunha (A0.597548). This is a unique and delicate arrangement for solo piano that you can play at Christmas celebrations, services or even recitals in your home. You, your family, friends, audience or congregation will love to hear the beautiful and delicate harmonies, the different rhythms and variations that this interesting arrangement presents. I hope you enjoy it.Hark! The Herald Angels Sing is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from Vaterland, in deinen Gauen by Felix Mendelssohn.Wesley, who had written the original version as Hymn for Christmas-Day, had requested and received slow and solemn music for his lyrics, which has since largely been discarded. Moreover, Wesley's original opening couplet is Hark! how all the welkin rings / Glory to the King of Kings. The popular version is the result of alterations by various hands, most notably by Whitefield, who changed the opening couplet to the familiar one. In 1840-a hundred years after the publication of Hymns and Sacred Poems-Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of movable type printing, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of Hark! The Herald Angels Sing, that propels the carol known today.
$3.99
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Six Baryton Trios for Trombone and Piano
Six Baryton Trios for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Trevarthen, Robert
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Six Baryton Trios for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792292 Composed by Franz Joseph Haydn. Arranged by Trevarthen, Robert. Baroque,Classical,Romantic Period. Score and p...
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Piano,Trombone - Level 5 - SKU: A0.792292 Composed by Franz Joseph Haydn. Arranged by Trevarthen, Robert. Baroque,Classical,Romantic Period. Score and part. 91 pages. Gordon Cherry #4803915. Published by Gordon Cherry (A0.792292). Haydn composed over 100 compositions, each in three movements, for his wealthy employer Nicolas Esterhazy, who played the six-string instrument called a Baryton, which in shape looked much like our modern day cello, but, of course, with six rather the cello four strings. His original scores were composed of three lines: the solo part, an inner filler part for viola and a bass part. I have realized the piano part. These transcriptions were created to give the solo trombonist an experience with classical music. The music is in an elegant style and a joy to perform as arranged by Mr. Trevarthen. The six works included in the collection are as follows: No. 2 in G (Theme and Variations)No. 26 in F No. 49 in F No. 55 in F No. 77 in F No. 95 in B-flat The works are between 6 and 9 minutes in length each and suitable for moderately advanced performers.
$22.50
Variations on Beethoven's 9th Symphony "Ode to Joy " for Piano Solo
Variations on Beethoven's 9th Symphony "Ode to Joy " for Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Classique
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Amir Awad
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Variations on Beethoven's
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Amir Awad
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SheetMusicPlus
Composed by Amir Awad. For Piano,Piano Solo. Romantic Period,Repertoire. Intermediate. Solo Part. Published by Amir Awad ...
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Composed by Amir Awad. For Piano,Piano Solo. Romantic Period,Repertoire. Intermediate. Solo Part. Published by Amir Awad
$2.00
Lost in Reminiscences
Lost in Reminiscences
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dalva R
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Lost in Reminiscences
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1111422 Composed by Dalva R. R. Barbosa. 19th Century,Classical,Film/TV. Score. 7 pages. Dalva Regina Ribeiro Barbosa #71...
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Piano Solo - Level 4 - SKU: A0.1111422 Composed by Dalva R. R. Barbosa. 19th Century,Classical,Film/TV. Score. 7 pages. Dalva Regina Ribeiro Barbosa #713710. Published by Dalva Regina Ribeiro Barbosa (A0.1111422). I began to compose this piece unpretentiously with the intention of doing a prelude of 3 minutes. The beginning of the play, however, presents itself childish and naïve, as a child walking in a indolent way and ended up reminding me of video game or cartoon songs and a period of childhood between 8 and 10 years. I then structured the piece to show some pleasures of childhood: walking, running, flying, playing, swimming and dancing. Most of the images selected for this movie in youtube (https://youtu.be/BTZwwt8wYb0) represent what I wanted to express through my sound choices. For those who enjoy analyzing musical structures a short summary follows: The piece begins with the exposition of a rhythmic theme in B flat minor, followed by a small melodic theme constructed through the same motif presented at the beginning of the piece, but in D flat major. The piece then moves towards a moment of transition, a bridge between B flat minor and B minor. This transition is not only modulation, it is a transformation of the rhythmic aura to a melodic (B minor) episode . This episode is presented as a song A, B, with small variations. After the melodic episode, another moment of transition begins to return to the tonic (B flat minor) for reexposition of the rhythmic theme, but with another outfit. The piece then ends with a delicious codetta full of tenderness.
$3.50
The Destruction of a Twinkling Star
The Destruction of a Twinkling Star
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Violon et Piano
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INTERMÉDIAIRE
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Ho Jie Rong
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The Destruction of a Twinkling
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Ho Jie Rong
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1011293 Composed by Ho Jie Rong. Contemporary,Standards. 5 pages. Ho Jie Rong #5794107. Published by Ho Jie Rong (A0.10...
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Piano,Violin - Level 3 - SKU: A0.1011293 Composed by Ho Jie Rong. Contemporary,Standards. 5 pages. Ho Jie Rong #5794107. Published by Ho Jie Rong (A0.1011293). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee TuanAbout The Destruction of a Twinkling StarThis piece is written for Violin and Piano.Ever wondered what happen to a star when it explodes? I decided to write a short fantasia about this phenomenon. I decided to use the very famous opening of the Mozart’s Ah vous dirai-je maman Variations for this piece. A very sweet sounding opening to a devastated effect. I have decided to use a pretty unconventional notation. I think a star is full of mystery, and you always get surprises when you improvise. In my music, I like to try new things! And of course, despite new things, I will always use back my own prestige extracts from some of my works. I have used an almost similar notation in my Sky 2 for piano solo, and the last movement of the Six Improvisatory Pieces for solo piano.The interval between the highest and the lowest pitch of the Mozart’s Variations is a Major 6th. To get the intended transcription into my work, I cut the keyboard into 6 different ranges. Because the range of the violin is not as big as the piano, I cut the violin into 3 different ranges. If want will to realize, Mozart uses all 6 notes of the opening C major scale, and hence, I transcribe it into chord clusters into my work. The Destruction of a Twinkling Star is dedicated to my friends Miss Lee Xin Yee and Mr Kelvin Koh.
$5.00
Silent Night - 3 Levels plus a Variation
Silent Night - 3 Levels plus a Variation
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Piano Facile
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DÉBUTANT
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Noël
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Joseph Mohr and Frank Gruber
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JudisPiano
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Silent Night - 3 Levels plus a
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JudisPiano
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.857534 Composed by Joseph Mohr and Frank Gruber. Arranged by JudisPiano. Christmas,Concert,Sacred,Standards. Score. 11 pa...
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Easy Piano - Level 1 - SKU: A0.857534 Composed by Joseph Mohr and Frank Gruber. Arranged by JudisPiano. Christmas,Concert,Sacred,Standards. Score. 11 pages. JudisPiano #6137737. Published by JudisPiano (A0.857534). the Yes, You Can! piano series A collection of piano music arranged by a piano teacher to grow with you as you level up your playing skills on the songs you love. Your music purchase includes 3 leveled variations – each new level adds musical depth built on the foundation of the previous leveled piece. 1 – Pre-reading, for the very beginning student. Color coded for right and left hand, with a piano map at the beginning of the song showing you which keys you will be using. Note names in the noteheads. 2 – First Performances, still for the beginning student. Music is now on the treble staff, still color coded for right and left hand, with a piano map at the beginning of the song showing you which keys you will be using and note names in the noteheads. 3 – Easy Piano Solo, music is on the grand staff, left hand fifths and two-note chords are added in, with movement similar to many piano method books that will be familiar to your students. Just a few note names in noteheads in areas where students typically might struggle. 4 – Variation, some songs in this series include a fourth version, my own personal variation that I’d like to share with you. I hope you enjoy this series as much as my own students have!
$4.50
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Ode to Joy Variations for Piano solo
