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Ode to the Spirit of Man F Horn 2
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Vous avez sélectionné:
Ode to the Spirit of Man F Horn 2
Partitions à imprimer
12 partitions trouvées
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1
Ode to the Spirit of Man - F Horn 2
Ode to the Spirit of Man - F Horn 2
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Cor (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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James Curnow
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Ode to the Spirit of Man - F H
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Hal Leonard - Digital
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SheetMusicPlus
Concert band F Horn 2 - Level 4 - SKU: HX.295710 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Publi...
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Concert band F Horn 2 - Level 4 - SKU: HX.295710 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.295710).
$6.00 ≈
5.50€
Ode to the Spirit of Man - F Horn 3
Ode to the Spirit of Man - F Horn 3
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Cor (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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James Curnow
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Ode to the Spirit of Man - F H
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Hal Leonard - Digital
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SheetMusicPlus
Concert band F Horn 3 - Level 4 - SKU: HX.295711 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Publi...
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Concert band F Horn 3 - Level 4 - SKU: HX.295711 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.295711).
$6.00 ≈
5.50€
Ode to the Spirit of Man - F Horn 4
Ode to the Spirit of Man - F Horn 4
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Cor (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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James Curnow
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Ode to the Spirit of Man - F H
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Hal Leonard - Digital
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SheetMusicPlus
Concert band F Horn 4 - Level 4 - SKU: HX.295712 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Publi...
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Concert band F Horn 4 - Level 4 - SKU: HX.295712 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.295712).
$6.00 ≈
5.50€
Ode to the Spirit of Man - F Horn 1
Ode to the Spirit of Man - F Horn 1
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Cor (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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James Curnow
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Ode to the Spirit of Man - F H
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Hal Leonard - Digital
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SheetMusicPlus
Concert band F Horn 1 - Level 4 - SKU: HX.295709 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Publi...
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Concert band F Horn 1 - Level 4 - SKU: HX.295709 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.295709).
$6.00 ≈
5.50€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00 ≈
16.51€
Built on the Rock the Church Doth Stand - brass quintet
Built on the Rock the Church Doth Stand - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ludvig M
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Todd Marchand
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Built on the Rock the Church D
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00 ≈
13.76€
At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jakob Hintze
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Todd Marchand
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At the Lamb's High Feast We Si
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Con Spirito Music
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spiri...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #850950. Published by Con Spirito Music (A0.1257721). An ideal hymn selection for Easter Sunday, Eastertide, or at any celebration of the eucharist, At the Lamb's High Feast We Sing is one of many hymns translated from Latin by Robert Campbell (1814-1868), a Scottish advocate (lawyer) and Roman Catholic layperson. First published in 1850, At the Lamb's High Feast We Sing was one of four of Campbell's hymn texts to be included in Hymns Ancient & Modern (1861), the first standardized and popular hymnal of the Anglican Church.The tune accompanying the text, known as SALZBURG, is attributed to the German composer Jakob Hintze (1622-1702). Its harmonization has long been attributed to J.S. Bach and numbered among his works as BWV 262. However, the New Edition of the Complete Works of Bach, published by Barenreiter, no longer recognizes this, and the harmonization matches that of Johann Pachelbel's Alle Menschen müssen sterben — Choral mit 8 Partiten (Chorale with 8 Variations) of 1683.Regardless of the authorship of text or tune, At the Lamb's High Feast We Sing is a richly theological, grand hymn that references God's saving works in both the Old Testament and the New, culminating in Christ's victorious resurrection and his triumph over sin and death, and celebrates his feeding of the faithful gathered for the eucharistic feast with his Body and Blood.This arrangement for organ and brass quintet begins with alternating fanfares for organ and brass, followed by:Verse 1: organ accompanimentVerse 2: brass accompanimentVerse 3: organ accompaniment with solo trumpet punctuationsInterludeVerse 4: organ and brass accompaniment in alternate harmonizationCoda recapitulating the introductory fanfares Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, and reproducible bulletin insert for voices ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
22.93€
Ricercare
Ricercare
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Renaissance
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Reno Fusani
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Ricercare
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Reno Fusani
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1076608 Composed by Reno Fusani. Renaissance. Score and parts. 9 pages. Reno Fus...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1076608 Composed by Reno Fusani. Renaissance. Score and parts. 9 pages. Reno Fusani #680743. Published by Reno Fusani (A0.1076608). Introduce your young students to the glories of Renaissance brass music and build independent counting. This composition reflects the sounds and spirit of the Renaissance with modest demands on the players. Written for 2 Bb trumpets, a third part for either F Horn or Bass Clef, and the fourth part for lower Bass Clef, the composition gives you flexibility for instruction and performance. .
$10.00 ≈
9.17€
Because
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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e
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99 ≈
6.41€
Mussorgsky: Night on Bald Mountain for Concert Band
Mussorgsky: Night on Bald Mountain for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549957 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Halloween,Instructional,Romantic Period,S...
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Concert Band - Level 3 - SKU: A0.549957 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Halloween,Instructional,Romantic Period,Standards. 234 pages. Jmsgu3 #4348907. Published by jmsgu3 (A0.549957). Scored with optional parts to accommodate most concert bands. 1 Piccolo, 2 Flutes, 2 Oboes, 2 Bb Clarinets, 2 Bass Clarinets, 2 Eb Alto Saxes, 2 Bb Tenor Saxes, 2 Eb Baritone Saxes, 2 Bb Trumpets, 2 F Horns, Trombone/Euphonium/Bassoon 1 & 2 part, 2 Tubas, Mallets: (marimba), Chimes, Percussion 1: snare drum, crash cymbals, suspended cymbal, gong & triangle, Percussion 2: Bass Drum, crash cymbals, gong, Can be performed by a small band with one on a part, no percussion, no piccolo.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$49.95 ≈
45.82€
Abraham Lincoln Funeral March for Concert Band
Abraham Lincoln Funeral March for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Gross Barnard Orchestrate
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John Gross Barnard
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Jari A
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Abraham Lincoln Funeral March
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JV MUSIC
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Sco...
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Concert Band - Level 4 - SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Score and parts. 56 pages. JV MUSIC #3423151. Published by JV MUSIC (A0.722753). Abraham Lincoln Funeral March for Concert BandBy John Gross Barnard Orchestrated by Jari Villanueva This funeral march written by John Gross Barnard was performed by the United States Marine Band during the funeral procession from the Executive Mansion to the Capitol for Abraham Lincoln on April 19, 1865. The march is titled: Funeral March in Memory of the Abraham Lincoln: Played at the Obsequies of the President of the United States by the US Marine Band. The funeral march follows the standard format of dirges of the time (most notable are Webster’s Funeral March, Chopin’s Funeral March and March in Saul by Handel) written in minor keys (considered somber) and divided into eight measure phrases which makes it easy for the funeral cadence to be played underneath. This funeral march, like most written during this time, has a transition to a major key (happier sounding). This march goes to the relative major (D minor to D major) key. Since no parts are extant from the US Band, I was asked to score the march for a modern symphonic band. I hoped to capture the somber drum beat and employed a chime to replicate the bells that tolled along the funeral route.Full Score Piccolo Flutes 1-2 Oboes 1-2 Bassoon 1-2 Eb Clarinet3 Bb ClarinetsAlto ClarinetBass ClarinetAlto Saxophone 1-2Tenor SaxophoneBaritone Saxophone 3 Cornets 2 Trumpets 4 Horns in F3 TrombonesEuphonium (Baritone TC)TubaString BassTimpaniPercussionChimesA retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.https://youtu.be/lTPBn6AkXZw
$65.00 ≈
59.62€
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Ode to the Spirit of Man F Horn 2
