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Vous avez sélectionné:
Ominous Strings
Partitions à imprimer
8 partitions trouvées
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1
Ominous Strings
Ominous Strings
Marimba and Orchestra
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Halloween
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Joshua Argyle
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Ominous Strings
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Joshua Argyle
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SheetMusicPlus
Composed by Joshua Argyle. Halloween. Score and parts. 29 pages. Joshua Argyle #3866463. Published by Joshua Argyle...
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Composed by Joshua Argyle. Halloween. Score and parts. 29 pages. Joshua Argyle #3866463. Published by Joshua Argyle
$5.49 ≈
¥38.91
Adagio and Fugue Kv 546 for Saxophone Quartet
Adagio and Fugue Kv 546 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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musicologist
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Adagio and Fugue Kv 546 for Sa
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528383 Composed by Wolfgang A...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528383 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. 20 pages. Diego Marani #5889493. Published by Diego Marani (A0.528383). The Adagio and Fugue in C minor, K. 546, is a composition by Wolfgang Amadeus Mozart for strings. Mozart entered it into his own work catalogue on 26 June 1788 in Vienna as A short Adagio for two violins, viola and bass, for a fugue which I wrote some time ago for two Pianos. The fugue in question was the two piano fugue in C minor, K. 426, written in December 1783.The work is in two sections:AdagioFuga (Allegro)The 52-bar Adagio has a very ominous and foreboding tone; musicologist Robert D. Levin said: “Angular outbursts alternate with an unearthly hush; its suggestions of violence and mysticism make the ensuing geometry of the fugue seem a reliefâ€.This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) is a faithful transcription of the original.
$12.99 ≈
¥92.07
You Are The New Day
You Are The New Day
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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John David
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Jen Mathers
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You Are The New Day
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Jen Mathers
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.778049 Composed by John David. Arranged by Jen Mathers. 20th Century,Pop,Praise & Worship. Score and p...
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String Quartet String Quartet - Level 3 - SKU: A0.778049 Composed by John David. Arranged by Jen Mathers. 20th Century,Pop,Praise & Worship. Score and parts. 4 pages. Jen Mathers #5790833. Published by Jen Mathers (A0.778049). Arranged for standard string quartet (NOTE: the audio and video samples are performed by a cellist covering all violin, viola, and cello parts, but the voicing/octaves are identical to the string quartet arrangement). This choral work was originally written by John David for the band Airwaves in 1978. It was later arranged by Peter Knight and recorded by the King's Singers. This transcription for strings follows the very popular King's Singers version. The song is about 2 1/2 minutes long, and easy to read for all string parts. Doublestops could be skipped for beginning players. Bowings are included to facilitate uniform ensemble playing. It is a secular song but is often used by church choirs. It is a lovely ensemble piece when played by string quartet, and can be used for weddings, memorial services, or any occasion requiring hopeful or somber music. According to the composer: The inspiration for New Day was quite simple; I had just had a major blow in my personal life, and was sitting alone late at night on the settee feeling very low, and watching an ominous story on the news about the very real possibility of nuclear war. I started singing to the (hopefully) soon-to arrive New Day like it was an entity, that would rescue me from the depths. If the sun came up and the birds started singing as usual then I could believe that it really was the new day in which life would go on, and in which hope would survive.
$14.99 ≈
¥106.25
Reluctant to Dance
Reluctant to Dance
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Andrew Gavin
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Reluctant to Dance
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Andrew J Gavin
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.980277 Composed by Andrew Gavin. Contemporary. Score and parts. 33 pages. Andrew J Gavin #3469484. Published by And...
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String Orchestra - Level 3 - SKU: A0.980277 Composed by Andrew Gavin. Contemporary. Score and parts. 33 pages. Andrew J Gavin #3469484. Published by Andrew J Gavin (A0.980277). This piece for string orchestra is an exciting one to put on any program! It opens with ominous chords in the contrabass and cellos and moving parts in the upper strings. It then blossoms into a jovial pizzicato dance. It twists back and forth between the dance and the feeling of uncertainty as if some unspoken character can't decide whether or not they want to to join in on the dancing...
$19.99 ≈
¥141.69
CONJUNCTION: The Christmas Star of 2020
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00 ≈
¥673.36
Symphony No. 8 for Orchestra, Full Score and Parts
Symphony No. 8 for Orchestra, Full Score and Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Nathaniel Holland
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Symphony No. 8 for Orchestra,
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730526 Composed by James Nathaniel Holland. Contemporary. Score and parts. 156 pages. James Nathaniel Holland #622580...
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Full Orchestra - Level 4 - SKU: A0.730526 Composed by James Nathaniel Holland. Contemporary. Score and parts. 156 pages. James Nathaniel Holland #6225809. Published by James Nathaniel Holland (A0.730526). Eighth symphony of American, 21st century composer James Nathaniel Holland. The symphony begins with an ominous first movement as the universal clock ticks down for humankind. The second contrasts with a religious, somber chimes and a meandering flowing of emotion and ends with a marching, almost military quasi-fugue. Orchestration for medium group: fl12, ob12 (eh), clBb12, bsn 12, hrns 12, tpt Bb12, trom12, timp/xyl, perc (Wood blk, Chimes, BD, Small gong, Large Gong, Snr, Cym, Tri, H.Hat), hrp, strings.
$25.95 ≈
¥183.93
Rainstorm, for String Orchestra
Rainstorm, for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Alison Harbottle
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Rainstorm, for String Orchestr
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Martini Strings
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.873900 Composed by Alison Harbottle. Contemporary. Score and parts. 34 pages. Martini Strings #2961277. Published b...
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String Orchestra - Level 3 - SKU: A0.873900 Composed by Alison Harbottle. Contemporary. Score and parts. 34 pages. Martini Strings #2961277. Published by Martini Strings (A0.873900). Beware the temptation to begin this piece too fast! The storm in the middle needs space to brew, and everyone needs time to fit in all the retakes. Set in D minor, Rainstorm begins ominously with pizzicato rain drops and a brooding melody. The height of the storm sees the full string orchestra in rhythmic unison yet dense harmonisation, which dissipates quickly and then gradually eases as the last of the storm passes. Chromatic scales are a feature in every part, and 1st & 2nd violins require some 3rd position.Score & parts, 34 pages
$45.00 ≈
¥318.96
An Elegy for Hopes and Dreams
An Elegy for Hopes and Dreams
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #7...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
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Ominous Strings
