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Once In Every Lifetime
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Vous avez sélectionné:
Once In Every Lifetime
Partitions à imprimer
28 partitions trouvées
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26
Once In Every Lifetime - 2020 Version
Once In Every Lifetime - 2020 Version
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Once In Every Lifetime - 2020
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1062570 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Sacred,Wedding. Full Performance. Dur...
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Piano - SKU: A0.1062570 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Sacred,Wedding. Full Performance. Duration 169. James M Stevens Music ASCAP #6140647. Published by James M Stevens Music ASCAP (A0.1062570). This is new recording in December 2020 of Stevens' Once In Every Lifetime.
$1.99 ≈
$2.68
Once in Every Lifetime (from Relaxing & Romantic Piano, Vol. III)
Once in Every Lifetime (from Relaxing & Romantic Piano, Vol. III)
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Once in Every Lifetime
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1060385 Composed by James Michael Stevens. Arranged by James Michael Stevens. Holiday,Love,Standards,Wedding. Full Performance. Duration...
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Piano - SKU: A0.1060385 Composed by James Michael Stevens. Arranged by James Michael Stevens. Holiday,Love,Standards,Wedding. Full Performance. Duration 168. James M Stevens Music ASCAP #518721. Published by James M Stevens Music ASCAP (A0.1060385). Once in Every LIfetime is the piano solo recording from the piano book, Relaxing & Romantic Piano, Vol. III, played and composed by Dr. James Michael Stevens.
$1.99 ≈
$2.68
Come Thou Fount of Every Blessing (for Voice and 8-note Boomwhackers®)
Come Thou Fount of Every Blessing (for Voice and 8-note Boomwhackers®)
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Sharon Wilson
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Sharon Wilson
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Come Thou Fount of Every Bless
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Sharon Wilson
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SheetMusicPlus
Boomwhackers,Piano Accompaniment,Voice - Level 1 - SKU: A0.565093 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Children,Folk,Holiday...
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Boomwhackers,Piano Accompaniment,Voice - Level 1 - SKU: A0.565093 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Children,Folk,Holiday,Instructional,Sacred. 10 pages. Sharon Wilson #3408941. Published by Sharon Wilson (A0.565093). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other 8-note instruments such as handbells, xylophones, glockenspiels, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
$8.07
Lift Every Voice and Sing
Lift Every Voice and Sing
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James Weldon Johnson, John Ros
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Brandon Haynes
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Lift Every Voice and Sing
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Brandon Haynes
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SheetMusicPlus
Small Ensemble Cello,Piano,Voice - Level 3 - SKU: A0.905711 Composed by James Weldon Johnson, John Rosmond Johnson. Arranged by Brandon Haynes. Concert,...
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Small Ensemble Cello,Piano,Voice - Level 3 - SKU: A0.905711 Composed by James Weldon Johnson, John Rosmond Johnson. Arranged by Brandon Haynes. Concert,Sacred,Spiritual. Score and parts. 10 pages. Brandon Haynes #4603703. Published by Brandon Haynes (A0.905711). Lift Every Voice and Sing was initially written as a poem by James Weldon Johnson in 1900 and set to music by his brother John Rosamond Johnson in 1905 and has become known a national anthem for African-Americans. The initial hymn tune is intense with grandeur and immense hope. With this arrangement; I have set the music more somberly to reflect the seriousness of the text that speaks of the bitterness and anguish of America’s dark racial past that is still rampant today. This allows the listener to reflect on the text thoughtfully. Remarkably, I have heard this hymn many times throughout my lifetime both in predominantly Caucasian denominations and predominantly African-African American denominations and the differences in interpretation are fascinating. White congregations tend to sing this hymn spritely with great pomp and circumstance while the Black congregations tend to sing it more labored and meditative as if it were a dirge. I believe both interpretations are valid, but interesting given its context. This arrangement is written for medium-high voice, cello obbligato and piano accompaniment.
$6.50 ≈
$8.76
PACHELBEL CHACONNE IN C MAJOR P. 38 FOR WOODWIND QUINTET
PACHELBEL CHACONNE IN C MAJOR P. 38 FOR WOODWIND QUINTET
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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arranged by Pat Spence
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PACHELBEL CHACONNE IN C MAJOR
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.811768 Composed by Johann Pachelbel (1653 - 1706). Arranged by arranged by Pat Spenc...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.811768 Composed by Johann Pachelbel (1653 - 1706). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 48 pages. Piper Publications #6092455. Published by Piper Publications (A0.811768). The Chaconne was composed for organ but not published during Johann Pachelbel’s lifetime. First Publication was in 1901 by Breitkopf und Härtel. The four bar/measure theme is repeated as are all 25 variations. In almost every instance the repeat would have been more elaborate or played in a different register on the organ.In arranging the Chaconne for wind players I have used the different characteristics of the wind instruments in varying combinations and changes of register to create what I hope is an enjoyable and entertaining concert piece for players of advanced intermediate standard. The three part writing has been expanded to the five instruments of the standard woodwind quintet to give a wider scope for variation of scoring which also enables the players some breathing space.The dynamic markings are editorial so do feel free to use your own.
$20.00 ≈
$26.95
The Flying Dutchman
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99 ≈
$57.93
Der fliegende Holländer
Der fliegende Holländer
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Classique
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder -
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99 ≈
$64.67
Once in Every Lifetime
Once in Every Lifetime
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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James Michael Stevens
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James Michael Stevens
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Once in Every Lifetime
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. For Piano,Piano Solo. 21st Century,Repertoire,World,Wedding,Recital. Intermediate. Sheet M...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. For Piano,Piano Solo. 21st Century,Repertoire,World,Wedding,Recital. Intermediate. Sheet Music Single. Published by James M Stevens Music ASCAP
$4.99 ≈
$6.72
Once In Every Lifetime PIANO TRACK
Once In Every Lifetime PIANO TRACK
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Piano seul
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Musique Sacrée
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Mariage/Ballade
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James Michael Stevens
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James Michael Stevens
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Once In Every Lifetime PIANO T
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Recital. Accompaniment. Published by James M S...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Recital. Accompaniment. Published by James M Stevens Music ASCAP (S0.98575). - Accompaniment - Post-Romantic,Sacred,Repertoire,Wedding,Recital - James M Stevens Music ASCAP
$3.99 ≈
$5.38
Once In Every Lifetime (Solo Violin & Piano)
Once In Every Lifetime (Solo Violin & Piano)
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Violon et Piano
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Musique Sacrée
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Mariage/Ballade
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James Michael Stevens
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James Michael Stevens
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Once In Every Lifetime
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Recital. Sheet Music Single. 7 pages. Publishe...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Recital. Sheet Music Single. 7 pages. Published by James M Stevens Music ASCAP (S0.98573). - Sheet Music Single - Post-Romantic,Sacred,Repertoire,Wedding,Recital - James M Stevens Music ASCAP
$6.99 ≈
$9.42
Once In Every Lifetime (Solo Flute & Piano)
Once In Every Lifetime (Solo Flute & Piano)
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Flûte traversière et Piano
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Musique Sacrée
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Mariage/Ballade
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James Michael Stevens
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James Michael Stevens
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Once In Every Lifetime
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Recital. Sheet Music Single. 7 pages. Publishe...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Recital. Sheet Music Single. 7 pages. Published by James M Stevens Music ASCAP (S0.98603). - Sheet Music Single - Post-Romantic,Sacred,Repertoire,Wedding,Recital - James M Stevens Music ASCAP
$4.99 ≈
$6.72
Three Violin Duos (Benton 507-511-512)
Three Violin Duos (Benton 507-511-512)
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2 Violons (duo)
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INTERMÉDIAIRE
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Ignaz Josef Pleyel
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Allan Badley
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Three Violin Duos
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488286 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 55 pages. Artaria Editions #1065174....
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Violin Duet Violin - Level 3 - SKU: A0.1488286 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 55 pages. Artaria Editions #1065174. Published by Artaria Editions (A0.1488286). Artaria Editions AE407-2Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyels career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyels productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. Pleyel composed duos of varying technical difficulty in order to appeal to the widest possible market and he clearly intended that players progress from easy works, signalled by titles such as Duo Facile or Petit Duo, to more ambitious works. The present works, composed ca 1788, lie between these two extremes: they require players with well-developed techniques but do not present exceptional difficulties to the performer. They are graceful, attractive works and their great popularity in Pleyels lifetime comes as no surprise to the modern performer.
$53.00 ≈
$71.42
Three Violin Duos (Benton 508-510)
Three Violin Duos (Benton 508-510)
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2 Violons (duo)
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INTERMÉDIAIRE
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Ignaz Josef Pleyel
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Allan Badley
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Three Violin Duos
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488283 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 58 pages. Artaria Editions #1065171....
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Violin Duet Violin - Level 3 - SKU: A0.1488283 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 58 pages. Artaria Editions #1065171. Published by Artaria Editions (A0.1488283). Artaria Editions AE407-1Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyels career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyels productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. Pleyel composed duos of varying technical difficulty in order to appeal to the widest possible market and he clearly intended that players progress from easy works, signalled by titles such as Duo Facile or Petit Duo, to more ambitious works. The present works, composed ca 1788, lie between these two extremes: they require players with well-developed techniques but do not present exceptional difficulties to the performer. They are graceful, attractive works and their great popularity in Pleyels lifetime comes as no surprise to the modern performer.
$53.00 ≈
$71.42
My Heart Will Go On (Love Theme From 'titanic')
My Heart Will Go On (Love Theme From 'titanic')
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Piano seul
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AVANCÉ
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Celine Dion
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Timothy Stapay
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My Heart Will Go On
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1465961 By Celine Dion. By James Horner and Will Jennings. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,...
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Piano Solo - Level 5 - SKU: A0.1465961 By Celine Dion. By James Horner and Will Jennings. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1044564. Published by Timothy Stapay (A0.1465961). This is an arrangement of My Heart Will Go On, the Love Theme From the movie Titanic. Relive all the excitement and drama from this epic motion picture.My Heart Will Go On is considered Dion's signature song. It topped the charts in more than 25 countries and was the best-selling single of 1998. With worldwide sales estimated at more than 18 million, it is the second-best-selling single by a woman in music history and one of the best-selling singles of all time. It was included in the list of Songs of the Century by the Recording Industry Association of America and the National Endowment for the Arts. Dion performed the song to honour the 20th anniversary of the film at the 2017 Billboard Music Awards.[Verse 1]Every night in my dreamsI see you, I feel youThat is how I know you go onFar across the distanceAnd spaces between usYou have come to show you go on[Chorus]Near, far, wherever you areI believe that the heart does go onOnce more, you open the doorAnd you're here in my heartAnd my heart will go on and on[Verse 2]Love can touch us one timeAnd last for a lifetimeAnd never let go 'til we're goneLove was when I loved youOne true time I'd hold toIn my life, we'll always go on[Chorus]Near, far, wherever you areI believe that the heart does go on(Why does the heart go on?)Once more, you open the doorAnd you're here in my heartAnd my heart will go on and on, mm.
$7.99 ≈
$10.77
Three Duos for Violin & Violoncello (Benton 501-503)
Three Duos for Violin & Violoncello (Benton 501-503)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Ignaz Josef Pleyel
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Allan Badley
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Three Duos for Violin & Vi
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Artaria Editions
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1488288 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 47 pages. Artaria Editio...
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Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1488288 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 47 pages. Artaria Editions #1065176. Published by Artaria Editions (A0.1488288). Artaria Editions AE408Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. The Six Duos for Violin & Violoncello (Benton 501-506) appeared in over twenty editions in Pleyel's lifetime, the first in 1787, and in a variety of scorings. Although their unusual instrumentation undoubtedly contributed to the popularity of the Duos, their musical qualities - evidenced by the large number of contemporary arrangements - probably played a greater role. The works abound in attractive and distinctive melodic material; Pleyel writes idiomatically for both instruments and his part-writing is varied and interesting.
$53.00 ≈
$71.42
Handel: Largo from Xerxes for Baritone Sax & Piano
Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95 ≈
$44.40
First Lessons Djembe
First Lessons Djembe
Djembe
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Paulo Mattioli
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First Lessons Djembe
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Djembe - Beginning - SKU: M0.21373MEB Composed by Paulo Mattioli. Method. First Lessons. Style. E-book and online audio/video. Mel Bay Publications - Di...
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Djembe - Beginning - SKU: M0.21373MEB Composed by Paulo Mattioli. Method. First Lessons. Style. E-book and online audio/video. Mel Bay Publications - Digital Sheet Music #21373MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21373MEB). ISBN 9781619115545. 8.75x11.75 inches.First Lessons Djembe provides a fun and easy way to learn to play the Djembe. It was conceived for the beginning Djembe player, yet contains information and reference material that is valuable for players at all levels.Playing the Djembe is a lifelong journey of self-expression, as well as self-discovery. While the material presented herein may at first glance seem elementary, the value and importance of it in terms of moving forward on the drumming path with the Djembe is truly invaluable. The fundamentals of playing dynamics and tonality are the benchmarks of mastering musicality on the Djembe and worthy of a lifetime of continued practice and refinement. I encourage you to enjoy this journey every step of the way. Includes access to online audio and video.
$9.99 ≈
$13.46
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95 ≈
$37.67
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95 ≈
$37.67
Cozumel Blue Waters
Cozumel Blue Waters
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Cozumel Blue Waters
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904864 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3384133. Pub...
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Piano Solo - Level 3 - SKU: A0.904864 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3384133. Published by Pamela C Asberry (A0.904864). Cozumel Blue Waters is a musical picture of the mesmerizing blue waters of Cozumel, Mexico, which reflect a myriad of colors from light blue to turquoise to navy blue and every shade in between. Cozumel Blue Waters, with its graceful ebb and flow describing the ocean at its calmest and most serene, (Kathy Parsons, MainlyPiano.com) is the first track on the album.From the original solo piano album Seashells in My Pocket, released October 2017. Like shells plucked from the seashore and tucked into one's pocket as souvenirs from a magical day at the beach, these pieces evoke memories of beautiful islands and coastal cities. As you listen to her music, Pam's lifetime of playing experience shines every-so-brilliantly through! I just love her 'right on time' pacing - it makes you feel like she's right there in your living room, telling her story of a walk along coastal shores! (Dick Metcalf, Contemporary Fusion Reviews). Pam's music can be heard on iTunes, Spotify, and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50 ≈
$7.41
Just The Right Amount of Wrong
Just The Right Amount of Wrong
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Voix Alto, Piano
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INTERMÉDIAIRE
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Music: Joel Evans, Lyrics: Adr
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CDBaby
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Just The Right Amount of Wrong
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One Hundred Percent Pub. Co.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.930354 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Jazz,Latin,Pop. 6 pages. One Hundred Percen...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.930354 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Jazz,Latin,Pop. 6 pages. One Hundred Percent Pub. Co. #3436797. Published by One Hundred Percent Pub. Co. (A0.930354). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Tami Damiano, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Adryan Russ conceived and wrote music and lyrics for Inside Out, an award-winning off-Broadway musical, with multi-talented playwright Doug Haverty. Inside Out was published by Samuel French, and the original cast CD distributed by DRG Records. It has been produced across the U.S., and twice in Europe. In her cabaret life, Adryan participated in a tribute to Charles Strouse, with Michael Feinstein, at Carnegie Hall; and at Chicago Humanities Festival’s ASCAP Cabaret: Her Turn with Karen Mason. LML Music (www.lmlmusic.com) released Everyone Has A Story: The Songs of Adryan Russ, produced by Bruce Kimmel and arranged by Grant Geissman, featuring Susan Egan, Jason Graae, David Burnham, Joan Ryan, Tami Tappan Damiano and Sharon McNight. For the past ten years, Adryan has received an ASCAP Award for Popular Music. She is a member of The Dramatists Guild, the Academy for New Musical Theatre (ANMT), the National Academy of Recording Arts & Sciences (NARAS), and currently serves on the Board of the Society of Composers & Lyricists (SCL). Adryan & Joel's songs are heard in films ranging from Doubt, starring Meryl Streep, to Lifetime's Sorority Nightmare, and TV shows ranging from The Mindy Project to The Young & Restless.
$3.99 ≈
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Once In Every Lifetime
