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Vous avez sélectionné:
One Minute For Myself
Partitions à imprimer
45 partitions trouvées
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26
Cinnamon Rolls (for Brass Quintet)
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95 ≈
18.43€
One Minute For Myself
One Minute For Myself
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Tolvan Big Band
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Helge Albin
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One Minute For Myself
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Helge Albin
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1077664 By Tolvan Big Band. By Helge Albin. Arranged by Helge Albin. Jazz. Score and parts. 54 pages. He...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1077664 By Tolvan Big Band. By Helge Albin. Arranged by Helge Albin. Jazz. Score and parts. 54 pages. Helge Albin #681877. Published by Helge Albin (A0.1077664). Ballad Solo for 1st Alto 5 saxes, 5 Trumpets, 5 Trombones. Piano ,Bass ,Drums.
$50.00 ≈
46.19€
The Secret of Ben Søgen for Bass Trombone and Piano
The Secret of Ben Søgen for Bass Trombone and Piano
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Trombone basse et Piano
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AVANCÉ
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Contemporain
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Elizabeth Raum
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The Secret of Ben Søgen
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo,Piano - Level 5 - SKU: A0.1130164 Composed by Elizabeth Raum. Contemporary. Score and individual part. 17 pages. Gordon ...
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Bass Trombone,Instrumental Solo,Piano - Level 5 - SKU: A0.1130164 Composed by Elizabeth Raum. Contemporary. Score and individual part. 17 pages. Gordon Cherry #730529. Published by Gordon Cherry (A0.1130164). Here is a brief description of this very fine new work, The Secret of Ben Søgen for Bass Trombone and Piano by the composer, Elizabeth Raum: I’ve always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for bass trombone, I found myself drawn to the Danish mythical character, Ben Søgen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Søgen is that he doesn’t exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn’t evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Søgen. The Hero Bass Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers. This work has been edited for bass trombone by Gordon Cherry.
$25.00 ≈
23.10€
And Then I Found Myself
And Then I Found Myself
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Clarinette
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AVANCÉ
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Eric Salazar
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And Then I Found Myself
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Eric Joel Salazar
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1029266 Composed by Eric Salazar. 20th Century,Contemporary. Individual part. 4 pages. Eric Joel Salazar #4844767. Pub...
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Clarinet Solo - Level 5 - SKU: A0.1029266 Composed by Eric Salazar. 20th Century,Contemporary. Individual part. 4 pages. Eric Joel Salazar #4844767. Published by Eric Joel Salazar (A0.1029266). AND THEN I FOUND MYSELFA ROCKING PIECE FOR CLARINET AND LOOPSTATIONAnd Then I Found Myself is a loosely structured piece for clarinet + loopstation (or loop pedal). This eight minute work is a great addition to the repertoire of a professional who is well equipped to perform with electronics, or has an aspiration to perform with electronics. The score comes with a diagram and instructions on how to operate a loopstation or loop pedal, making it ideal for that first experience performing with a looper.And Then I Found Myself will allow anyone to perform a compelling melody, with a slight feel of improvisation, all while accompanying oneself with an in-the-moment creation of a recording. Unlike some of my other works for clarinet + electronics where the media is fixed, the electronics in And Then I Found Myself are created right there during the performance - which offers the audience a unique perspective as the performer builds the piece right in front of them.
$10.00 ≈
9.24€
Behavioral Science for trombone solo
Behavioral Science for trombone solo
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Trombone
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AVANCÉ
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Robert M
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a most stimulating prospect
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Behavioral Science for trombon
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Robert M. Greenberg
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.987850 Composed by Robert M. Greenberg. 20th Century. Individual part. 11 pages. Robert M. Greenberg #90287. Published...
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Trombone Solo - Level 5 - SKU: A0.987850 Composed by Robert M. Greenberg. 20th Century. Individual part. 11 pages. Robert M. Greenberg #90287. Published by Robert M. Greenberg (A0.987850). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 14 minutes Year of composition: 1998 Program Note: Behavioral Science is in five continuous parts: Part 1: Misbehavior/Out of control Part 2: Vulgar Behavior/Gross stuff Part 3: Crisis of Confidence/Whining and whimpering Part 4: Behavior Becoming/Reflection and Introspection Part 5: With Flying Colors/Putting It All Together The initial inspiration for Behavioral Science was as follows: a few years ago, a trombonist friend of mine asked me if I wanted to join him and a few of da boys in attending the premiere of the Beavis and Butthead movie. Whoa. Beavis and Butthead with the low brass; a most stimulating prospect. A previous and, I'm sure, less interesting engagement kept me away, but the formative idea behind Behavioral Science was born: how do you civilize the eternal adolescent that is the trombone/trombonist without taking away its/his/her essential energy and joie de vivre? Behavioral Science, then, is about the trombone and, to a degree, trombone players themselves (which, by the way, I was once one myself and my daughter presently is). The piece begins with the trombone completely out of control - a raucous, screaming, stuttering length of lacquered plumbing. Across the span of the piece the trombone gradually learns lyricism and self-discipline, gaining maturity and, ultimately, self-mastery. Behavioral Science concludes with a series of extremely virtuosic passages that require, as they do, the most exacting control imaginable. Behavioral Science was composed between December, 1997 and February, 1998. It is dedicated with great affection and gratitude to Neil Hatler for his help, advice, and tireless dedication to the piece.
$16.00 ≈
14.78€
Talking to Myself, an Unaccompanied Discussion for One (Flute)
Talking to Myself, an Unaccompanied Discussion for One (Flute)
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Matthew D
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Talking to Myself, an Unaccomp
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Matthew D Jones
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.996721 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743563. Published by Matth...
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Flute Solo - Level 4 - SKU: A0.996721 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743563. Published by Matthew D Jones (A0.996721). Talking to Myself, an Unaccompanied Discussion for One (Flute) is a solo piece written for the technical and expressive qualities of woodwind instruments. The performer is encouraged to experiment with tempos and expressions to find their own interpretation, and to connect their own internal discussion to the music. The piece is approximately 2 minutes and 30 seconds in length, and is also arranged for Bass Flute, Clarinet, or Bassoon.The PDF file is 4 pages with a title page, 1 notes page, and 2 pages for solo Flute.The full audio recording is available at: https://soundcloud.com/matthewdjones/talking-to-myself-flute Thanks for listening, and I hope you enjoy performing the piece!
$7.99 ≈
7.38€
Talking to Myself, an Unaccompanied Discussion for One (Bassoon)
Talking to Myself, an Unaccompanied Discussion for One (Bassoon)
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Matthew D
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Talking to Myself, an Unaccomp
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Matthew D Jones
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.996722 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743571. Published by Mat...
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Bassoon Solo - Level 4 - SKU: A0.996722 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743571. Published by Matthew D Jones (A0.996722). Talking to Myself, an Unaccompanied Discussion for One (Bassoon) is a solo piece written for the technical and expressive qualities of woodwind instruments. The performer is encouraged to experiment with tempos and expressions to find their own interpretation, and to connect their own internal discussion to the music. The piece is approximately 2 minutes and 30 seconds in length, and is also arranged for Flute, Bass Flute, or Clarinet.The PDF file is 4 pages with a title page, 1 notes page, and 2 pages for solo Bassoon.The full audio recording is available at:https://soundcloud.com/matthewdjones/talking-to-myself-bassoonThanks for listening, and I hope you enjoy performing the piece!
$7.99 ≈
7.38€
Talking to Myself, an Unaccompanied Discussion for One (Clarinet)
Talking to Myself, an Unaccompanied Discussion for One (Clarinet)
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Matthew D
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Talking to Myself, an Unaccomp
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Matthew D Jones
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.996723 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743569. Published by Ma...
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Clarinet Solo - Level 4 - SKU: A0.996723 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743569. Published by Matthew D Jones (A0.996723). Talking to Myself, an Unaccompanied Discussion for One (Clarinet) is a solo piece written for the technical and expressive qualities of woodwind instruments. The performer is encouraged to experiment with tempos and expressions to find their own interpretation, and to connect their own internal discussion to the music. The piece is approximately 2 minutes and 30 seconds in length, and is also arranged for Flute, Bass Flute, or Bassoon.The PDF file is 4 pages with a title page, 1 notes page, and 2 pages for solo Clarinet.The full audio recording is available at:https://soundcloud.com/matthewdjones/talking-to-myself-clarinetThanks for listening, and I hope you enjoy performing the piece!
$7.99 ≈
7.38€
Agent Provocateur: Sonatina for Clarinet and Piano
Agent Provocateur: Sonatina for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Joyce
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Agent Provocateur: Sonatina fo
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Brian Joyce
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyc...
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Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyce (A0.836709). A piece shrouded in mystery and intrigue. For myself, I mean: I don’t even know what the title means, nor why this particular piece should wear it. The music and the title came as a package deal, falling on me out of the blue one day. It wasn’t on my to-do list, nor was I looking for extra work. But perhaps that’s the answer: the piece itself is the Agent, breaking into my nicely ordered studio and disrupting things for the next few months. I’ll have to think about this some more.But I digress. Whatever its meaning or provenance, it’s an odd little sonatina. For instance, at its heart the second movement is a traditional scherzo and trio, but it is as misshapen as anything H. P. Lovecraft himself might have envisioned. Even I am not sure where the beginnings and endings of the sections are without a score in hand. Mystery upon mystery. Another example: as I began to work on the third movement, I wasn’t sure if it would be a simple binary or ternary form, a rondo or a sonata-allegro. I never did find out, to be honest. All I know is that, to my ears, it sounds like what might have resulted if I had been asked to write the theme to The Simpsons. The audio sample will give you some idea of what I mean.More questions than answers.Performance time is a little under 14 minutes.
$10.95 ≈
10.12€
Classical Finale for Brass Quintet
Classical Finale for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Bob Delfausse
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Classical Finale for Brass Qui
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Robert Delfausse
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.766947 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts. 38 pages. Robert Delfausse #234337...
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Brass Ensemble - Level 4 - SKU: A0.766947 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts. 38 pages. Robert Delfausse #2343373. Published by Robert Delfausse (A0.766947). This piece could be subtitled Homage to Haydn, as I found myself using many aspects of his musical language: clear phrasing and form, unexpected turns, ideas that develop into new ideas, sections of fugue, etc. I call it a finale because it has the same energy as most of his symphonies' final movements. It is suitable for advanced intermediate and professional quintets. It would work well anywhere in a recital, but especially at the end. Duration: 4 minutes, 39 seconds. .
$20.00 ≈
18.48€
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
15.71€
Six Forays for Flute & Clarinet
Six Forays for Flute & Clarinet
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Flûte, Clarinette (duo)
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Contemporain
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Judith Cloud
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Six Forays for Flute & Cla
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - SKU: A0.981221 Composed by Judith Cloud. Contemporary. Score and parts. 1 pages. Judith Cloud #6690...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - SKU: A0.981221 Composed by Judith Cloud. Contemporary. Score and parts. 1 pages. Judith Cloud #6690315. Published by Judith Cloud (A0.981221). Six Forays for Flute and Clarinet1. Questioning with hesitation2. Slowly and freely with rubato3. Snappy and perky!4. Tenderly, with much sensitivity5. Nagging relentlessly6. Aggressively insistentThe genesis of this diminutive composition, and its subsequent title Six Forays for Flute and Clarinet had its inception at a dinner party held by flutist, Emily McKay. Jeremy and Emily were planning a collaboration including a CD recording featuring flute and clarinet music, and wanted me to compose a piece for them. I decided against a formal plan, and began in a sense, to unravel sound organization from the inside out. Imagining myself an audience participant, I wanted to hear clarity through brevity. I definitely did not want to impose gimmickry, but did choose to play with slight pitch bending-something to arouse the listener, but not to bore her with 20th century musical clichés. The result is a six-movement piece, around six minutes long. Organizing the music through titles allows for imagination for both the listener and the performers.Beauty of tone, magnificent musicianship, and virtuosity-these qualities in instrumentalists inspire all who create music. I am very grateful to Emily McKay and Jeremy Reynolds for commissioning me to write this music for them.
$6.99 ≈
6.46€
South Bay Angle for violin and piano
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00 ≈
25.87€
NAMU AMIDA BUTSU - A Buddhist Motet of Faith and Thanksgiving for SATB Chorus and Piano
NAMU AMIDA BUTSU - A Buddhist Motet of Faith and Thanksgiving for SATB Chorus and Piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Richard St
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NAMU AMIDA BUTSU - A Buddhist
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939790 Composed by Richard St. Clair. 20th Century,Praise & Worship,Sacred. Octavo. 27 pages. Richard St. Clair ...
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Choral Choir (SATB) - Level 4 - SKU: A0.939790 Composed by Richard St. Clair. 20th Century,Praise & Worship,Sacred. Octavo. 27 pages. Richard St. Clair #3638559. Published by Richard St. Clair (A0.939790). This 9-minute composition, scored for mixed voices and piano, uses only one 7-syllable chant in the Pure Land Buddhist tradition, Namu Amida Butsu. The text of this music is a Jodo Shinshu chant of faith and thanksgiving to the great Savior, Amida Buddha.The translation of Namu Amida Butsu is twofold: I entrust myself to Amida Buddha and I give thanks to Amida Buddha.The chant is recited by millions of Jodo Shinshu Buddhists worldwide.
$24.99 ≈
23.09€
Prognosis for Brass Trio
Prognosis for Brass Trio
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Trio de Cuivres
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AVANCÉ
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Contemporain
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Henry Wolking
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Prognosis for Brass Trio
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Cherry Classics Music
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SheetMusicPlus
Brass Trio - Advanced - Composed by Henry Wolking. 21st Century. Score, Set of Parts. 34 pages. Published by Cherry Classics Music...
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Brass Trio - Advanced - Composed by Henry Wolking. 21st Century. Score, Set of Parts. 34 pages. Published by Cherry Classics Music
Here is what composer Henry Wolking says about his new work, Prognosis for Brass Trio:
Prognosis For Brass Trio is an eight-minute four-movement work for trumpet with flugelhorn double, trombone, and tuba. At this stage of my writing career, Prognosis has become a fairly common word heard and directed to myself, family, and friends. As such, I feel obliged to offer a few prognoses of my own for one of my long-standing and favored brass chamber music groups. Each movement is titled and informed by a particular prognosis.
The first movement, Chromatic Disorder, is, well, highly chromatic, and rhythmically active. The second, Common Tone Cold, is a melodic, gentle lullaby. The third, Take A PentaTonic, is a 6/8 romp of pentatonic scales connected by common tones. The fourth, Your Bill, Payable In C Notes, is an active closer that uses, the note C in every beat and cord of the entire movement. I predict you?ll feel much better after playing or listening to these prognoses.
Instrumentation is for Trumpet/Flugelhorn, Trombone and Tuba. This work is about 8 minutes in length and appropriate for advanced performers.
$25.00 ≈
23.10€
OUR ROTARY Piano/Vocal ( A New Song For Rotary International )
OUR ROTARY Piano/Vocal ( A New Song For Rotary International )
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Piano, Voix
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ROBERT VAN HORNE
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OUR ROTARY Piano/Vocal
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.914981 Composed by ROBERT VAN HORNE. Christian,Multicultural,Pop,Singer/Songwriter,Standards,World. Score. 7 pages. White Pi...
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Piano,Vocal,Voice - SKU: A0.914981 Composed by ROBERT VAN HORNE. Christian,Multicultural,Pop,Singer/Songwriter,Standards,World. Score. 7 pages. White Piano International Publishing #6696589. Published by White Piano International Publishing (A0.914981). OURÂ ROTARY (A New Song For Rotary International)Words & Music by ROBERT VAN HORNE6 PagesApprox. Performance Time: 3 minutesIn June 2005, while attending the annual International Rotary Convention in Chicago, I found myself enthralled and captivated by the many motivational speeches, the memorable ceremonies, and the heartfelt fellowship of the attendees from all over the world, who gathered to celebrate the one hundred year anniversary of the founding of Rotary International.Years later, it was brought to my attention that board members were exploring the idea of a new Rotarian Anthem. Remembering the extraordinary and enlightening experiences at the Chicago convention, I composed this song OUR ROTARY. It is dedicated to all the men and women who make up this very important and worthwhile organization.As my way of giving back, I present this song to Rotary International. Its continued beneficial contribution and service to the world is paramount...making the world a better place in which to live.Sheet music is also available at: The International Fellowship of Rotarian Musicians (IFRM) https://ifrm.orgRobert is a member of ASCAPRobert Van Horne Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$4.99 ≈
4.61€
Sonatina For Clarinet And Bass Clarinet (Originally for clarinet and bassoon)
Sonatina For Clarinet And Bass Clarinet (Originally for clarinet and bassoon)
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2 Clarinettes (duo)
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AVANCÉ
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Geraldine Green
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Sonatina For Clarinet And Bass
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Geraldine
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SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 5 - SKU: A0.1313715 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 46...
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B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 5 - SKU: A0.1313715 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 46 pages. Geraldine (Denny) Green at Oakmountmusic #902441. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1313715). ALL PURCHASES COME WITH SCORE AND PARTSPlease note: This is the arrangement for clarinet and bass clarinet!The Sonatina For Bflat Clarinet And Bassoon was written between March and June 2018 and is dedicated to my good bassoonist friend Jane Thompson and her family. It was her husband, Astley Jones, who asked me to write the piece as a way of showing her how much we all loved her! I thought that was the sweetest thing and the rest is history!We hoped to give this piece its world premiere at some point in 2018 or 2019, with Jane herself playing the bassoon and myself on clarinet. However, the first major hurdle was Jane having an operation on each hand to cure her Carpal Tunnel Syndrome, and the second big hurdle was Covid-19! Due to life’s normal pressures, the work still awaits its long awaited for premiere.It has three movements, fast, slow, fast, and a total duration of approximately 15 minutes.I have also transcribed the bassoon part for bass clarinet so the piece can be played by either combination. It could even be played by two bass clarinets, which would be hilarious!I feel, as a player myself, that its main challenge is in sheer breathing and playing stamina as it certainly gets you working up a sweat by the end, but its comical, quirky character will hopefully make it great fun for players and audience alike.
$24.00 ≈
22.17€
Sonatina For Clarinet And Bassoon
Sonatina For Clarinet And Bassoon
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Clarinette, Basson (duo)
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AVANCÉ
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Geraldine Green
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Sonatina For Clarinet And Bass
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Geraldine
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 5 - SKU: A0.1313712 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 47 pages...
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 5 - SKU: A0.1313712 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 47 pages. Geraldine (Denny) Green at Oakmountmusic #902438. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1313712). ALL PURCHASES COME WITH SCORE AND PARTSThe Sonatina For Clarinet And Bassoon was written between March and June 2018 and is dedicated to my good bassoonist friend Jane Thompson and her family. It was her husband, Astley Jones, who asked me to write the piece as a way of showing her how much we all loved her! I thought that was the sweetest thing and the rest is history!We hoped to give this piece its world premiere at some point in 2018 or 2019, with Jane herself playing the bassoon and myself on clarinet. However, the first major hurdle was Jane having an operation on each hand to cure her Carpal Tunnel Syndrome, and the second big hurdle was Covid-19! Due to life’s normal pressures, the work still awaits its long awaited for premiere.It has three movements, fast, slow, fast, and a total duration of approximately 15 minutes. The clarinet part is for Bflat clarinet.I have also transcribed the bassoon part for bass clarinet so the piece can be played by either combination. It could even be played by two bass clarinets, which would be hilarious!I feel, as a player myself, that its main challenge is in sheer breathing and playing stamina as it certainly gets you working up a sweat by the end, but its comical, quirky character will hopefully make it great fun for players and audience alike.
$24.00 ≈
22.17€
Duplicitous Heart
Duplicitous Heart
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Piano seul
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AVANCÉ
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Contemporain
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Dakota Anthony
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Duplicitous Heart
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Dakota Anthony
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (...
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Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.
$7.99 ≈
7.38€
Flights of Fancy
Flights of Fancy
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Contemporain
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Joe Clark
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Flights of Fancy
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Joe Clark
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Viola - Level 4 - SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Publi...
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Small Ensemble Clarinet,Flute,Viola - Level 4 - SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Published by Joe Clark (A0.987048). Flights of Fancy came about in an unexpected way. At the beginning of my sophomore year of high school, my homeroom teacher Lisa Harris decided to host Talent Fridays in an effort to enliven the tedium and pointlessness of the ten-minute homeroom period. Various students solved Rubik’s Cubes, Moonwalked, and displayed all manner of skills. Three of us, however, were musicians. Emily Church, Cailley Culotta, and I (note the alphabetical closeness of our last names!) played flute, viola, and clarinet respectively. Now, at the time, I was unfamiliar with chamber music as a general concept and so rather than searching for a piece for us to play, I elected to write one myself. As we were rehearsing in the band room one morning before school began, my band director walked in and asked what we were playing, sounding surprised that I had written it myself. Later that year, he encouraged me to submit it to various composition contests. Thus, Flights of Fancy was a winner of the 2010 UMass Lowell CMENC Annual Youth Composition Festival. Light, burbling lines sparkle and weave throughout the piece, allowing the three musicians to engage in a lively dialogue. The piece is suitable for a variety of occasions, from a recital opener to light music at a reception. It is suitable for moderately advanced high school ensembles or any college ensemble.
$15.99 ≈
14.77€
Introduction et Rondo Capriccioso
Introduction et Rondo Capriccioso
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Colin Eng
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Colin Eng
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Introduction et Rondo Capricci
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Colin Eng
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1295098 By Colin Eng. By Camille Saint-Saens. Arranged by Colin Eng. Romantic Period. Score and part. 27 pag...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1295098 By Colin Eng. By Camille Saint-Saens. Arranged by Colin Eng. Romantic Period. Score and part. 27 pages. Colin Eng #885418. Published by Colin Eng (A0.1295098). A professional transcription of standard Violin repertoire. This arrangement was arranged as well as performed by myself, a collegiate saxophone player, in a live concert setting. Modifications to the part can be made and instructions for what can be modified is included in the Solo Soprano Saxophone Part. Tempos are based on the original piece, however it is up to the performers discretion to slow them down to make the part more comfortable. The piece is transcribed in the original key and Pianists may use the original version with Violin as the markings are the same in both versions (Violin version not included).Duration: apx. 10 minutes.
$24.99 ≈
23.09€
Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy
Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy
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Violon
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INTERMÉDIAIRE
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Methodes
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Carol Ann Ledbetter-White
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Aerobics and Warm-Ups for Fidd
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112025. Aerobics and Warm-Ups for Fiddlers and Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximum benefit from a minimum of effort. Aerobics and Warm-Ups for Fiddlers and Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales and exercises on myself for six months, faithfully using them for about 20 minutes as warm-ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking, "I will never be able to play faster than this." But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used these exercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believe that these exercises, when faithfully practiced, will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity, clarity of notes, tone, bowing-arm control, intonation, double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online.
$17.99 ≈
16.62€
Gangsta's Paradise
Gangsta's Paradise
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Basse electrique
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INTERMÉDIAIRE
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Coolio Featuring L
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Daniel Roberts
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Gangsta's Paradise
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Rober...
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Bass Guitar - Level 3 - SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Roberts. 20th Century,Film/TV,Hip-Hop,Instructional,R & B. Score. 2 pages. Daniel P Roberts #715501. Published by Daniel P Roberts (A0.1113598). Bass line of Synth Bass arranged for 5-string Bass with TAB. Use octave pedal. As I walk through the valley of the shadow of death I take a look at my life and realize there's not much left 'Cause I've been blastin' and laughin' so long, that Even my mama thinks that my mind is gone But I ain't never crossed a man that didn't deserve it Me be treated like a punk, you know that's unheard of You better watch how you're talkin', and where you're walkin' Or you and your homies might be lined in chalk I really hate to trip but I gotta loc As they croak, I see myself in the pistol smoke, fool I'm the kinda G the little homies wanna be like On my knees in the night, sayin' prayers in the streetlight Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Look at the situation they got me facin' I can't live a normal life, I was raised by the street So I gotta be down with the hood team Too much television watchin' got me chasin' dreams I'm an educated fool with money on my mind Got my ten in my hand and a gleam in my eye I'm a loc'd out gangsta set trippin' banger And my homies is down so don't arouse my anger, fool Death ain't nothin' but a heartbeat away I'm livin' life, do or die, what can I say I'm 23 now, but will I live to see 24? The way things is going, I don't know Tell me why are we, so blind to see That the ones we hurt, are you and me? Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Power and the money, money and the power Minute after minute, hour after hour Everybody's runnin', but half of them ain't lookin' It's goin' on in the kitchen, but I don't know what's cookin' They say I gotta learn, but nobody's here to teach me If they can't understand it, how can they reach me I guess they can't, I guess they won't I guess they front, that's why I know my life is out of luck, fool Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Tell me why are we, so blind to see That the ones we hurt, are you and me? Tell me why are we, so blind to see That the ones we hurt, are you and me?
$4.99 ≈
4.61€
Above All
Above All
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Chorale Unison
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INTERMÉDIAIRE
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Rebecca St
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Joseph Pugh
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Above All
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Joseph Pugh
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.855188 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Oct...
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Choral Choir (Unison) - Level 3 - SKU: A0.855188 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Octavo. 14 pages. Joseph Pugh #6423495. Published by Joseph Pugh (A0.855188). © 1999 INTEGRITY'S HOSANNA! MUSIC (ASCAP) and LENSONGS PUBLISHING (ASCAP) INTEGRITY'S HOSANNA! MUSIC Admin. at CAPITOLCMGPUBLISHING.COM All Rights Reserved Used by PermissionThis song Above All, by Michael W. Smith has a story with it.. As Jim Caviezel told it:I listened to it over and over and over again. My heart started to burn. I mean burn inside. I had tears coming out and at that point my whole day was gone in 10 minutes. It put me in a zone and took me out of my pain. It took me out of feeling sorry for myself and it took me into heaven, Caviezel said, going on to note that the song made him realize that even in all this suffering, man, evil has no power over us at all.
$3.99 ≈
3.69€
Above All
Above All
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Chorale SATB
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INTERMÉDIAIRE
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Rebecca St
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Joseph Pugh
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song Above All, by Michael W
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Above All
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Joseph Pugh
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.855089 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Octa...
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Choral Choir (Mixed) - Level 3 - SKU: A0.855089 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Octavo. 9 pages. Joseph Pugh #6136991. Published by Joseph Pugh (A0.855089). This song Above All, by Michael W. Smith has a story with it.. As Jim Caviezel told it:I listened to it over and over and over again. My heart started to burn. I mean burn inside. I had tears coming out and at that point my whole day was gone in 10 minutes. It put me in a zone and took me out of my pain. It took me out of feeling sorry for myself and it took me into heaven, Caviezel said, going on to note that the song made him realize that even in all this suffering, man, evil has no power over us at all.
$2.99 ≈
2.76€
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One Minute For Myself
