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Vous avez sélectionné:
Only By The Blood
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We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
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En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.43€
Only from Blood Does Freedom Grow (Full Score and Parts)
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestre
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. St...
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Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00 ≈
61.60€
Only from Blood Does Freedom Grow (Piano/Choral Score)
Only from Blood Does Freedom Grow (Piano/Choral Score)
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Chorale SATB
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00 ≈
3.62€
Elegy-Field of Blood
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00 ≈
10.87€
Elegy-Field of Blood
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00 ≈
72.47€
The Duke of Alva's entry into Brussels for brass quintet
The Duke of Alva's entry into Brussels for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #602...
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Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00 ≈
10.87€
Only By The Blood
Only By The Blood
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Tim Russell
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Tim Russell
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Only By The Blood
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Sing Alleluia! Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.977278 Composed by Tim Russell. Arranged by Tim Russell. Praise & Worship,Sacred. 7 pages. Sing Alleluia!...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.977278 Composed by Tim Russell. Arranged by Tim Russell. Praise & Worship,Sacred. 7 pages. Sing Alleluia! Music #4596815. Published by Sing Alleluia! Music (A0.977278). SATB song ideal for a congregation, choir or quartet. Only by the blood of Christ can we have a hope for eternal life.
$3.99 ≈
3.61€
Excerpt from the Lyric Suite
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00 ≈
4.53€
"Nothing But the Blood" for Ukulele (Chords, TAB, Melody, and Lyrics, optional Piano Accompaniment)
"Nothing But the Blood" for Ukulele (Chords, TAB, Melody, and Lyrics, optional Piano Accompaniment)
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Ukulele
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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"Nothing But the Blood&qu
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Sharon Wilson
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SheetMusicPlus
Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment,Soprano Ukulele - Level 1 - SKU: A0.745518 By Sharon Wilson. By Robert Lowry. Arran...
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Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment,Soprano Ukulele - Level 1 - SKU: A0.745518 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Sacred,Traditional. Score and parts. 10 pages. Sharon Wilson #353437. Published by Sharon Wilson (A0.745518). This sheet music, notated for UKULELE with C tuning (G, C, E, A), has been transposed to the easy, Ukulele-friendly key of C major. Four separate scores are provided for maximum flexibility. A beginning note and chords chart is also provided. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to accompanying a group sing-along. Score descriptions are detailed below:Melody ScoreThis score is the most compact with only the chord symbols, melody, and lyrics provided. Once the chords are mastered or for those already familiar with the chords, this score will be easy to follow. This score is perfect for strumming chords while singing, either as a group or individually. This score includes:* 1-staff (lead sheet) with the melody notes using standard music notation * chord symbols above the staff* lyrics below the staff for sing along enjoymentTablature ScoreThis score displays the melody in two formats along with the chord symbols and lyrics. The tablature notation is helpful when learning to use the ukulele to pluck the melody instead of strumming the chords. This score is perfect for those wanting to go beyond strumming and advance to solo playing. This score includes: * top staff with the melody notes using standard music notation* bottom staff with the melody using ukulele tablature notation * chord names above the staff for strumming along with the melody* one verse of the lyrics below the staff for sing along enjoymentChord Diagram Score This score displays the melody, lyrics, and chord diagrams. Beginning ukulele players will find the chord diagrams helpful reminders of which strings and frets to use to form the chords. This score includes: * 1-staff with the melody notes using standard music notation* chord diagrams above the staff indicating the strings and finger placement on the fret for the chord* lyrics below the staff for sing along enjoymentPiano Accompaniment ScoreThis score provides an easy accompaniment for singers and strummers or ukulele soloists. The piano incorporates the melody making it easy for singers to follow the melody. This score is especially fun to use in group settings and worship gatherings. This score includes: * 2-staff piano score with introduction, optional repeat, and second ending* lyrics below the staff for sing along enjoymentChords and Beginning Note ChartThis chart lists all chords used throughout the song and the first note of the melody. The chords are displayed using standard ukulele chord diagrams with corresponding chord symbols above each diagram. The first note of the melody is provided to insure those singing along will start on the correct note when not using the piano accompaniment. How to pluck this first note on the ukulele is also displayed on a chord diagram (pluck only the string indicated holding down on the string at the indicated fret if applicable). This arrangement is one of the 15 songs in the collection Easy Gospel Songs for Ukulele: Hymns in the Key of C (with optional Voice and Piano Accompaniment).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
3.61€
Jesus Is The Way (Anthem) - Piano Accompaniment
Jesus Is The Way (Anthem) - Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Christopher ...
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Choral Choir (SATB) - Level 3 - SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Christopher Brown #4628111. Published by Christopher Brown (A0.747199). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$5.99 ≈
5.43€
Jesus Is The Way (Anthem) - Orchestration
Jesus Is The Way (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christo...
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Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99 ≈
45.28€
David W. Solomons - The Frostbound Wood for ATBB men's chorus a capella
David W. Solomons - The Frostbound Wood for ATBB men's chorus a capella
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Chorale SATB
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INTERMÉDIAIRE
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David Warin Solomons
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David W. Solomons - The Frostb
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.776016 Composed by David Warin Solomons. A Cappella,Christian,Christmas,Contemporary,Instructional,Sacred. Octa...
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Choral Choir (Mixed) - Level 3 - SKU: A0.776016 Composed by David Warin Solomons. A Cappella,Christian,Christmas,Contemporary,Instructional,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #2036509. Published by Musik Fabrik Music Publishing (A0.776016). This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday. A robin brought some holly all covered with snow. The cruel wind blows. From each little berry fell drops of blood, Which covered the earth where the Virgin once stood. The cruel wind blows. Dark was the sky when Angels came to stay, They brought old lanterns to lead the way. The cruel wind blows. Candles brightly shine for all to see, They glow tonight through the ageing year. Tender are the lilies as soft as her gown And white are the ringlets that fall to the ground. Mary with her child upon this Winter night, She walked through the darkness with yellow candle light. North winds blow across the fields, But only one child continues to dream. The cruel wind blows The cruel wind blows. ©Tom Clarke Buying this file gives the right to print six copies of the music score.
$1.99 ≈
1.80€
Why Did the Savior Die For Me? - sacred music for SATB choir
Why Did the Savior Die For Me? - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Why Did the Savior Die For Me?
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1085375 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1085375 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #689522. Published by Kevin G. Pace (A0.1085375). Sacred music for SATB choir with an Easter theme. Music by Kevin G. Pace. Text by Mary Ann Snowball. See text below: Why did the Savior die for me on Calvary’s mount? Why did He suffer readily with never a doubt? How could his Father bear to view as He hung with pain? Was there a cov’ring then He drew like sun over rain? The Savior died for me on Calvary’s hill. He loved his Father; He acknowledged pure will. The only purpose there was true charity. The sole intention then was His love for me. Why did the Savior suffer for a sinner like me? How could his off’ring open doors to let me go free? How could He be alone that day when blood ran like tears? Why would He bear this cross to say there are no more fears? The Savior suffered more than any will know, So He could be with me wherever I go. I’ll never be alone; His focus I’ll be. He’ll never leave His child, a sinner like me.
$1.99 ≈
1.80€
Elijah (Part 2) Tone Poem for Violin and Piano: God's Power by Stephen R Dalrymple
Elijah (Part 2) Tone Poem for Violin and Piano: God's Power by Stephen R Dalrymple
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Violon et Piano
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AVANCÉ
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Contemporain
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Stephen R Dalrymple
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Elijah
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.818225 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporar...
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Piano,Violin - Level 5 - SKU: A0.818225 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 104 pages. Stephen R Dalrymple #3075423. Published by Stephen R Dalrymple (A0.818225). Elijah (Part 2) God’s Power♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗  2023 Stephen R Dalrymple♫ sequenced by the composer The clarinet is featured on recording of the second movement of the audio and YouTube presentations.♫ presentation © 2023 Stephen R Dalrymple♫ Mt. Carmel is the ultimate contest between Ba’al and Yahweh. From morning until nearly sunset the 450 prophets of Ba’al did everything humanly possible to get Baal to show himself as the god of thunderstorms and fertility as the people of Israel watched. They even cut themselves to add human blood to the animal sacrifice. At twilight, Elijah rebuilt the altar of God, prepared the sacrifice and prayed. Fire from heaven (lightning) not only struck the altar but consumed it completely and evaporated the water that had drenched it. The people fell on their faces and declared “Yahweh is God! ♫ This movement is based on four themes: 1. God of Abraham, Isaac, and Jacob (Lydian Mode) 2. Elijah (Dorian Mode) 3. Ahab (Mixolydian) 4. Prophets of Ba'al (atonal).♫ The score shows the parts for violin and piano, but individual parts are provided for the other solo instruments. The flute is featured on the audio and YouTube presentations here.♫ Includes 14 score choices: Full Score for violin and piano letter size; Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts; Full Score for violin and piano - small page format for performing from a 10 inch tablet; the same solo parts for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This sheet music is available for purchase at SheetMusicPlus.com & SheetMusicDirect.com♫ English and Krèyol have separate versions of this video on YouTube.♫ A free copy of the music is available to the Haitian community. Contact Stephen Dalrymple.
$4.50 ≈
4.08€
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95 ≈
11.73€
Melodies to the Lord (A Collection of 10 Hymns for One Octave Handbells with Piano accompaniment)
Melodies to the Lord (A Collection of 10 Hymns for One Octave Handbells with Piano accompaniment)
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Accompagnement Piano
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Melodies to the Lord
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Bells,Handbell,Handchime,Piano Accompaniment - Level 2 - SKU: A0.565864 By Sharon Wilson. By Various. Arranged by Sharon Wilson. Children...
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Small Ensemble Bells,Handbell,Handchime,Piano Accompaniment - Level 2 - SKU: A0.565864 By Sharon Wilson. By Various. Arranged by Sharon Wilson. Children,Easter,Holiday,Instructional,Sacred. Score and parts. 94 pages. Sharon Wilson #6285355. Published by Sharon Wilson (A0.565864). The title of this collection was inspired by the words found in Ephesians 5:19 (KJV) -- Speaking…in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord… This collection contains 10 hymns arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Most songs include an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers. These separate color-coded scores use the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 9 ringers. These familiar hymns are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:  A Mighty FortressClose to TheeCrown Him with Many CrownsFor the Beauty of the EarthGlory to His NameJesus, Lover of My SoulOnly Trust HimPower in the BloodRing the Bells of HeavenSweet By and ByVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99 ≈
18.11€
The exploding Head
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99 ≈
15.39€
The Saving Blood of Jesus (for 4 or 5 octave handbell choirs)
The Saving Blood of Jesus (for 4 or 5 octave handbell choirs)
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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John Bennard, John H
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G
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The Saving Blood of Jesus
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.953736 Composed by John Bennard, John H. Stockton and Lewis E. Jones, John T. Grape, and Robert Lowry. Arranged by G. R. Ad...
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Handbell - Level 3 - SKU: A0.953736 Composed by John Bennard, John H. Stockton and Lewis E. Jones, John T. Grape, and Robert Lowry. Arranged by G. R. Adkison. Christian,Easter,Sacred. Score. 9 pages. Gary Ray Adkison #17601. Published by Gary Ray Adkison (A0.953736). The Saving Blood of Jesus is a 4-5 octave, 110 measure handbell choir arrangement, that is a medley of the Christian hymns: Nothing But the blood, Jesus Paid It All, The Old Rugged Cross, Down at the Cross, and There Is Power in the Blood. The theme of the arrangement is the blood of Jesus that was shed for us on the Cross. Three octaves of OPTIONAL handchimes (C4 through F6) are used in The Old Rugged Cross, but handbells can be substituted for the handchimes, if desired. There is a brief introduction (...No other Fount I know...). Throughout most of this arrangement, use is made of descant lines and bass runs. There are contrasting styles, tempos, key signatures and dynamic levels within. Only the subject matter remains constant. Because of the emphasis on the Crucifixion, it can also be used as Easter music. This is probably a 3+ or 4- level of difficulty. The audio clip supplied is in a piano voice (patch) but suffices to demonstrate how the arrangement is generally meant to sound.
$4.00 ≈
3.62€
Only Love
Only Love
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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Only Love
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Semii Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1249236 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,...
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Choral Choir (SATB) - Level 4 - SKU: A0.1249236 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Barbershop,Christian,Contemporary. Octavo. 1 pages. Semii Music #843702. Published by Semii Music (A0.1249236). Title: Only LoveLove is paramount in a persons life. When you show love to others, they feel loved because God loves them through the love you show.Jesus demonstrated His love by dying on the cross for us- which makes God loves us. Through the love of Christ, we are bought from the fall of sin. Love is the lifeblood of the Divine Mercy of God. If there was no love, we could have been lost.Please sing this song and you will find real love in what Christ has demonstrated on the cruel cross of Calvary.
$1.99 ≈
1.80€
IN THE CROSS - Worship Service Complete PACKAGE - 10 Hymn Arrangements with Overhead PDF Texts
IN THE CROSS - Worship Service Complete PACKAGE - 10 Hymn Arrangements with Overhead PDF Texts
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Reginald Heber, George Bennard
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Wanda J
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IN THE CROSS - Worship Service
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Wanda J. COOLEY
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.931662 Composed by Reginald Heber, George Bennard, Robert Lowry, Hassler/J.S. Bach, Isaac Watts,. Arranged by Wanda J. Co...
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Piano Solo - Level 4 - SKU: A0.931662 Composed by Reginald Heber, George Bennard, Robert Lowry, Hassler/J.S. Bach, Isaac Watts,. Arranged by Wanda J. Cooley. 20th Century,Contemporary,Easter,Sacred. Score. 150 pages. Wanda J. COOLEY #6252651. Published by Wanda J. COOLEY (A0.931662). IN THE CROSS is a COMPLETE WORSHIP SERVICE PACKAGE (total Presentation Time = 55 minutes) consisting of 10 Hymn Arrangements with PDF Words sequenced to unfold as the pianist plays. Templates are included: Posters, Invitations, Programs, Thank-you notes and a Coordinator's Kit so that the pianist's only assignment is the music! These hymns present the Gospel in churches, nursing homes, and prisons using one or more pianists. Congregational participation is enhanced through the Spoken Scriptures and the Preambles (stories) which precede the hymns. There are 62 pages of arrangements with 75 overhead pdf slides (sequenced with numerals), plus extras! Hymn Arrangements: Holy, Holy, Holy - Fairest Lord Jesus - The Old Rugged Cross - Nothing But the Blood - Whiter Than Snow - Are You Washed in the Blood? - O Sacred Head Now Wounded - Grace Greater Than Our Sin - Jesus, Keep Me Near the Cross - When I Survey the Wondrous Cross - And Can It Be? - Rejoice, the Lord Is King! - Children of the Heavenly Father - When He Cometh - Crown Him with Many Crowns.
$18.00 ≈
16.31€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael...
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Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99 ≈
27.17€
Nothing but the Blood (Easy Piano Duet; 1 Piano, 4 Hands)
Nothing but the Blood (Easy Piano Duet; 1 Piano, 4 Hands)
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1 Piano, 4 mains
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DÉBUTANT
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Sharon Wilson
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Sharon Wilson
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Nothing but the Blood
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Sharon Wilson
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.565116 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Children,Easter,Folk,Sacred,Traditio...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.565116 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Children,Easter,Folk,Sacred,Traditional. Score. 20 pages. Sharon Wilson #3431319. Published by Sharon Wilson (A0.565116). This mixed level, 1 piano, 4-hands duet arrangement of the familiar hymn tune PLAINFIELD is designed for a beginning student to play the PRIMO while an intermediate player (teacher, parent, friend, sibling) plays the SECONDO. All notes in the PRIMO are played singly with the hands in one position centered around middle C and then played one octave higher. The PRIMO can also be played as a solo when played as written. Lyrics are included on the PRIMO for sing-along enjoyment.This song is unique in that the melody only uses five notes and when played in the key of C or F, all notes are played with just one hand with no sharps or flats to worry about. Therefore, this arrangement utilizes both keys allowing both left and right hands in the PRIMO a turn on the melody. The song begins in the key of C major with the PRIMO right hand on melody, then transitions to F major where the PRIMO left hand plays the melody. The song concludes by returning to C major and the PRIMO right hand playing melody again.The purchase price includes a 10-page combined score with both piano parts on each page plus the alternate format with the PRIMO and SECONDO on separate pages (4 pages each). Duration 2:35. This arrangement is one of the 10 songs included in the Easy Piano Duets collection titled What Heavenly Music.
$4.99 ≈
4.52€
New Blood
New Blood
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Youngblood Brass Band
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Nat McIntosh
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New Blood
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Layered Music
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SheetMusicPlus
Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1394446 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McInto...
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Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1394446 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 58 pages. Layered Music #977931. Published by Layered Music (A0.1394446). Full score and parts for the Youngblood Brass Band song 'New Blood', by Nat McIntosh, taken from the Word On The Street album recordings. This is the official, verbatim transcription from the record, i.e. 3 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the author. This is the only YBB-sanctioned sheet music in existence for this original tune.YBB members are also available for online lessons, commissions, bespoke arrangements, and custom studio work. Contact us for details and check out our entire catalog of music, merch, and arrangements (including options to purchase the actual software notation files for sheet music) at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.
$65.00 ≈
58.88€
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Only By The Blood
