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Orchestra studies from his works: Horn
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Vous avez sélectionné:
Orchestra studies from his works: Horn
Partitions à imprimer
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1
Orchestra studies from his works: Horn
Orchestra studies from his works: Horn
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Classique
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Richard Strauss
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Orchestra studies from his wor
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Horn - SKU: S9.Q49916 Elektra - Der Rosenkavalier. Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 2. Fürstner Musik...
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Horn - SKU: S9.Q49916 Elektra - Der Rosenkavalier. Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 2. Fürstner Musikverlag - Digital #Q49916. Published by Fürstner Musikverlag - Digital (S9.Q49916).
$23.99 ≈
21.64€
Danket dem Herren for Antiphonal Brass Choir
Danket dem Herren for Antiphonal Brass Choir
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Schutz
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Richard Decker
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Danket dem Herren for Antiphon
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817178 Composed by Heinrich Schutz. Arranged by Richard Decker. Baroque,Chamber,Hist...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817178 Composed by Heinrich Schutz. Arranged by Richard Decker. Baroque,Chamber,Historic,Multicultural,Renaissance,World. 64 pages. Charles Decker Music Press #6689647. Published by Charles Decker Music Press (A0.817178). Revered as one of the greatest German composers of the 17th century, Heinrich Schütz embraced his early studies with Giovanni Gabrieli and developed his own dramatic style of antiphonal music for voices and instruments.  Originally written for the centenary of the Reformation in 1617 to honor then Emperor Matthias and his family, this engaging composition translated as Praise the Lord for He is Kind was published in his Psalmen Davids (Op. 2) in 1619 and translates well four centuries later, giving today's brass choirs the opportunity to recreate those glorious antiphonal choir sounds of the early Baroque period.  Beyond brass ensemble concerts, consider adding some musical fireworks to your next band or orchestra concerts with this impressive and memorable showcase for your brass section.  Trumpet parts in B-flat and alternate C trumpet are provided. A recording of the entire transcription is included.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$23.95 ≈
21.61€
Valor (for Brass Quintet & Percussion)
Valor (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gi...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95 ≈
18.00€
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Orchestra studies from his works: Horn
