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Order of the Day for men's voices
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Vous avez sélectionné:
Order of the Day for men's voices
Partitions à imprimer
33 partitions trouvées
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Order of the Day for men's voices (AATB) (mp3)
Order of the Day for men's voices (AATB) (mp3)
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Contemporain
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David Warin Solomons
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Order of the Day for men's voi
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059713 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 149. David Warin Solomons #3875397. Published by Davi...
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Choir - SKU: A0.1059713 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 149. David Warin Solomons #3875397. Published by David Warin Solomons (A0.1059713). Poem by Stanley N Solomons
$2.50 ≈
£1.95
Order of the Day for men's voices (AATB)
Order of the Day for men's voices (AATB)
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Chorale SATB
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INTERMÉDIAIRE
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David Warin Solomons
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Order of the Day for men's voi
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.580271 Composed by David Warin Solomons. 20th Century. Octavo. 3 pages. David Warin Solomons #3874817. Publishe...
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Choral Choir (Mixed) - Level 3 - SKU: A0.580271 Composed by David Warin Solomons. 20th Century. Octavo. 3 pages. David Warin Solomons #3874817. Published by David Warin Solomons (A0.580271). Poem by Stanley N Solomons
$2.50 ≈
£1.95
Colores (Let the Children Teach Us)
Colores (Let the Children Teach Us)
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions ...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00 ≈
£27.25
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
£19.46
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99 ≈
£3.11
The Old Testament Fast Forward
The Old Testament Fast Forward
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Chorale Unison
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Allen Pote
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The Old Testament Fast Forward
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Hope Publishing - Digital
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SheetMusicPlus
Children's Voices, Unison choir - SKU: H1.8501DP Composed by Allen Pote. Musicals for Adults, Musicals for Youth. Youth Musicals. General Worship, Child...
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Children's Voices, Unison choir - SKU: H1.8501DP Composed by Allen Pote. Musicals for Adults, Musicals for Youth. Youth Musicals. General Worship, Children. Score. 88 pages. Hope Publishing - Digital #8501DP. Published by Hope Publishing - Digital (H1.8501DP). Tom S. Long.Here is the latest musical for young voices from Tom Long and Allen Pote. Here is the latest musical for young voices from Tom Long and Allen Pote. This amusing 45-minute attempt to present the Old Testament begins with a promise to cover the entire history in ten minutes. Needless to say, they don't get all the way through - even after revising their estimate to twenty, then thirty, then forty minutes - but there's plenty of humor and moving moments as the kids encounter the lessons and eternal truths found within the stories of Adam & Eve, Noah, Moses, David and many more. Entertaining moments and meaningful content are thoughtfully balanced. Set and costume requirements are minimal, and the mostly unison vocal lines are accessible for most children's and youth choirs. Order a Preview Pack today! DIRECTOR'S COPY
$12.95 ≈
£10.08
Reflections of Assisi
Reflections of Assisi
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Nicole Buetti
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Reflections of Assisi
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Forton Music - Digital
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SheetMusicPlus
Fl. Ob. Cl. Hn. Bsn. - Intermediate - SKU: F2.FM629 Composed by Nicole Buetti. Five movements for Wind Quintet. Score and parts. 31 pages. Forton Music ...
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Fl. Ob. Cl. Hn. Bsn. - Intermediate - SKU: F2.FM629 Composed by Nicole Buetti. Five movements for Wind Quintet. Score and parts. 31 pages. Forton Music - Digital #FM629. Published by Forton Music - Digital (F2.FM629). ISBN 9790570485284.This piece was composed for the Assisi Performing Arts Festival woodwind quintet. It's made up of five movements, each reflecting a different aspect of the beautiful and mystical town of Assisi, Italy. Movement one, 'Sunrise', begins as the sun's light extends over walls and the many churches that adorn the mountainside. Movement 2 is entitled 'Tourists' and reflects the hustle and bustle of incoming visitors to the shops and chapels with imitations of car horns and the pandemonium of the crowds. The third movement is 'Monasteries'. As the orders of monks and nuns are called to Vespers, you can hear their voices from monasteries, chapels and churches throughout Assisi. A beautiful cacophony of sacred music rises above the town! The 4th movement is titled 'Rocca Maggiore' after the lookout post atop a great hill that looks out over the top of the city and across the valley. The hike up to this post is steep, but at the top you are rewarded with not only a spectacular view, but the songs of birds soaring over the town. The 5th and final movement is 'Sunset and Dinner with Family and Friends'. This movement symbolizes the end of the day as all the tourists are gone and the families and friends in Assisi sit down together for their delicious evening meals. Wine, incredible food and conversation close out the day as the sun sets behind the mountain. This piece was written as a tribute to one of the most spiritual and beautiful places in the world...Assisi, Italy.
$15.95 ≈
£12.42
The Old Testament Fast Forward
The Old Testament Fast Forward
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Allen Pote
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The Old Testament Fast Forward
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Hope Publishing - Digital
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SheetMusicPlus
Prev Pack (PDF Score & MP3) - SKU: H1.8506DP Composed by Allen Pote. General Worship, Children. Preview Pack - Score & Listening CD. 89 pages. Hope Publ...
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Prev Pack (PDF Score & MP3) - SKU: H1.8506DP Composed by Allen Pote. General Worship, Children. Preview Pack - Score & Listening CD. 89 pages. Hope Publishing - Digital #8506DP. Published by Hope Publishing - Digital (H1.8506DP). Tom S. Long.Here is the latest musical for young voices from Tom Long and Allen Pote. This amusing 45-minute attempt to present the Old Testament begins with a promise to cover the entire history in ten minutes. Needless to say, they don't get all the way through - even after revising their estimate to twenty, then thirty, then forty minutes - but there's plenty of humor and moving moments as the kids encounter the lessons and eternal truths found within the stories of Adam & Eve, Noah, Moses, David and many more. Entertaining moments and meaningful content are thoughtfully balanced. Set and costume requirements are minimal, and the mostly unison vocal lines are accessible for most children's and youth choirs. Order a Preview Pack today! DIRECTOR'S COPY
$17.95 ≈
£13.97
In Remembrance, September 11, 2001 for Tuba/Euphonium Quartet
In Remembrance, September 11, 2001 for Tuba/Euphonium Quartet
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2 Euphoniums et 2 Tubas
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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In Remembrance, September 11,
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.755012 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Patriotic. Score and parts. 52 pages....
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Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.755012 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Patriotic. Score and parts. 52 pages. Sy Brandon #3240599. Published by Sy Brandon (A0.755012). This work was commissioned by the Euphouria Quartet. The composition reflects the composer's feelings about the tragic events of that fateful day. The first movement, Fanfares To Fallen Heroes, is a tribute to the brave firemen, policemen and rescue workers who tirelessly and fearlessly risked and sacrificed their lives in order to save the lives of others. The movement is permeated with fanfare motives that reflect both the bravery displayed and the danger that these people faced. The second movement, Elegy To The Innocent, is a tribute to all the innocent victims and their loved ones who have suffered at the hands of the terrorists. The outer sections have a dirge-like rhythm underpinning a sorrowful melody. The middle section contrasts the dirge by giving a sense of comfort to all that have suffered. The third movement, Justice, represents the struggle and resolve of the United States of America and its allies to eliminate terrorism. Battle motives alternate with a heroic theme throughout the movement. The last movement, Prayer For Peace, represents a hope that all the people of the world can achieve the tolerance and understanding we need to live in harmony and in a civilized manner. The chaconne form is used to represent the uniting of voices as the prayer grows in intensity from beginning to end. A recording by the Euphouria Quartet is available on an Emeritus Recordings CD entitled Echoes – Music for Tuba and Euphonium Ensembles by Sy Brandon and Mark Scott.
$7.99 ≈
£6.22
Lord, Hear Us for Our Native Land — unison voices, organ
Lord, Hear Us for Our Native Land — unison voices, organ
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Chorale Unison
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FACILE
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Todd Marchand
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Lord, Hear Us for Our Native L
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Con Spirito Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.1241295 Composed by Todd Marchand. Christian,Holiday,Patriotic,Sacred. Octavo. 4 pages. Con Spirito Music #836...
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Choral Choir (Unison) - Level 2 - SKU: A0.1241295 Composed by Todd Marchand. Christian,Holiday,Patriotic,Sacred. Octavo. 4 pages. Con Spirito Music #836674. Published by Con Spirito Music (A0.1241295). Lord, Hear Us for Our Native Land (also known by its incipit, Lord while for all mankind we pray) was writÂten by the Rev. John Reynell Wreford (1800-1881), an English Unitarian minister, in honÂor of the acÂcessÂion of BriÂtain’s Queen VicÂtorÂia to the throne in 1837. It was published that same year in his Lays of Loyalty, a collection of poetry commemorating both the passing of King William the Fourth and the accession of the then-18-year-old Victoria. Fitting for national celebrations and remembrances, Wreford's text speaks of a nation's humility before God and reliance on His providence and blessing. This new tune and arrangement for unison voices and organ is reminiscent of O God, Our Help in Ages Past (being in the same 8.6.8.6 meter), with triplet fanfares that echo the American national hymn, God of Our Fathers. Lord, while for all mankind we prayOf every clime and coast,O hear us for our native land,The land we love the most.O guard our shores from every foe;With peace our borders bless;With prosperous times our cities crown,Our fields with plenteousness.Unite us in the sacred loveOf knowledge, truth, and thee;And let our hills and valleys shoutThe songs of liberty.Lord of the nations, thus to theeOur country we commend;Be thou her refuge and her trust,Her everlasting friend.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
£1.56
Hänsel und Gretel
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99 ≈
£18.68
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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the beginning and the end
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Diamante del tiempo
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holi...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405). Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El sÃmbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espÃritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolÃa y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. DeberÃamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estarÃa bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.
$4.99 ≈
£3.88
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Alto Recorder and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Alto Recorder and piano with chords
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Flûte à bec Alto, Piano
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Alto Recorder,Piano,Voice - SKU: A0.964485 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter...
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Small Ensemble Alto Recorder,Piano,Voice - SKU: A0.964485 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6330573. Published by Leyandder Trustworthy (A0.964485). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Alto Recorder, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99 ≈
£3.88
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Soprano Recorder and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Soprano Recorder and piano with chords
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Flûte à bec Soprano, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Piano,Soprano Recorder,Voice - Level 1 - SKU: A0.964484 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Chr...
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Small Ensemble Piano,Soprano Recorder,Voice - Level 1 - SKU: A0.964484 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6330571. Published by Leyandder Trustworthy (A0.964484). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Soprano Recorder, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99 ≈
£3.88
The Magic Sleigh Ride - For children's voices, flutes or recorders, tambourines and piano
The Magic Sleigh Ride - For children's voices, flutes or recorders, tambourines and piano
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Judy Lane
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The Magic Sleigh Ride - For ch
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Judy Lane Music
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SheetMusicPlus
Small Ensemble Flute,Hand Percussion,Piano Accompaniment,Recorder,Voice - Level 1 - SKU: A0.915879 Composed by Judy Lane. Children,Christmas,Holiday,Ins...
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Small Ensemble Flute,Hand Percussion,Piano Accompaniment,Recorder,Voice - Level 1 - SKU: A0.915879 Composed by Judy Lane. Children,Christmas,Holiday,Instructional. Score and parts. 10 pages. Judy Lane Music #2913085. Published by Judy Lane Music (A0.915879). The Magic Sleigh Ride, composed by Judy Lane is an easy piece for all children to learn and play in the classroom. Use the resources you have. With piano accompaniment, the voice line is simple as are the instrumental lines and the remainder of the class can play along on tambourines. An opportunity for a class to have fun making music. Ideal for an end of term concert or just for enjoyment. Judy was a graduate student at The Royal Academy Of Music in London and has been twice Winner of the Lennox Berkeley Cup in the open composition class of the Oxford Music Festival.
$5.99 ≈
£4.66
Coventry Carol for Ukulele Ensemble plus Baritone ukulele, Early-Intermediate level
Coventry Carol for Ukulele Ensemble plus Baritone ukulele, Early-Intermediate level
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Ukulele
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FACILE
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Noël
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Traditional English Carol, Rob
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Anne C
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This
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Coventry Carol for Ukulele Ens
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Anne C. Lyman
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 2 - SKU: A0.921307 Composed by Traditional English Carol, Robert Coo. Arranged by Anne C. Lyma...
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Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 2 - SKU: A0.921307 Composed by Traditional English Carol, Robert Coo. Arranged by Anne C. Lyman, B.Mus. (also known as Anna Lyman). Christmas,Concert,Instructional,Renaissance,Sacred. Score and parts. 15 pages. Anne C. Lyman #2863261. Published by Anne C. Lyman (A0.921307). 2016 Holiday Contest Entry! This version of Coventry Carol is a lovely 16th century English carol in D minor, with introduction and ending arranged with an authentic early flavor. The arrangement by Anne C. Lyman, B.Mus. is designed to be performed in 3 voices, or (if the chords are also used), then 4 voices on the ukulele. The tuning is in C, or (GCEA), plus Baritone Ukulele. The arrangement works equally well for high or low G strings. Good for recitals! This arrangement is especially playable, but listeners will still be impressed. I have included both a Tab/Notation version of the conductor’s score, (5 pages), with parts for melody, harmony and baritone ukulele. A melody, notation only version is also included for your convenience. Chords have been added to the first verse, to make it more robust. They should be played on beat one only, rather than on every beat. Sections with no chords are like that deliberately in order to change the texture Where there are four notes in a chord, strum it once. Anne C Lyman, B.Mus. my page: www.ukemusic.ca
$16.99 ≈
£13.23
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
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Traditional
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Gustavo Fuentes
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Flowers of Edinburgh, Celtic S
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #36...
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Woodwind Ensemble - SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #3637565. Published by Gustavo Fuentes (A0.900410). Flowers of Edinburgh. Scotish music song, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, harmonic or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The hornpipe is a traditional dance in Ireland and Scotland. The legend says that sailors used to dance the hornpipe before setting sail. It makes sense that they would dance atop bar tables until their legs gave out: after all, on each journey they put their lives at risk. Dancing is a way to face one’s fears and find the happiness that lies within. It is a way to find hope amidst uncertainty.We should dance when we are happy, so we can be happier. We should dance when we are sad, so our sadness can be soothed. We should dance like our sailor ancestors once did, so that we can know that even though the journey might be dangerous, if we are tired from dancing, nothing can go wrong. Canción tradicional escocesa, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, armónica o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El hornpipe es una danza muy tradicional en Irlanda y Escocia. Cuenta la leyenda que lo bailaban los marineros antes de embarcar. Y suena lógico que zapatearan hasta el cansancio sobre las mesas de los bares porque en cada viaje ellos arriesgaban sus vidas. Bailar es una forma de ponerle el cuerpo al miedo, de ahuyentar los fantasmas, de conectarnos con nuestra alegrÃa más profunda. Bailar es un modo de encontrar esperanza cuando el porvenir nos llena de incertidumbre.Bailemos cuando estemos felices, porque aumentará nuestra felicidad. Bailemos cuando estemos tristes, porque atenuará nuestra tristeza. Bailemos como lo hacÃan nuestros ancestros marineros, para tomar conciencia de que aunque el viaje puede ser peligroso, si nuestro cuerpo está cansado de felicidad, nada saldrá mal.
$4.99 ≈
£3.88
ode to joy for trumpet and cello sheet music in c arrangement
ode to joy for trumpet and cello sheet music in c arrangement
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Trompette, Violoncelle (duo)
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DÉBUTANT
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Classique
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L
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Arezzo Music
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ode to joy for trumpet and cel
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Arezzo Music
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SheetMusicPlus
B-Flat Trumpet,Cello,Instrumental Duet - Level 1 - SKU: A0.1255657 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Childr...
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B-Flat Trumpet,Cello,Instrumental Duet - Level 1 - SKU: A0.1255657 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical,Romantic Period,Traditional. 3 pages. Arezzo Music #849169. Published by Arezzo Music (A0.1255657). Ode to joy for trumpet and cello sheet music in c arrangement   Immerse yourself in the captivating harmonies of Beethoven's Ode to Joy with our sheet music arrangement for Trumpet and Cello in C. Designed by the skilled artisans at Arezzo Sheet Music Engraver, this arrangement showcases the seamless blend of the trumpet's bright and expressive tones with the cello's rich and resonant sound. Whether you're a seasoned trumpet player or an accomplished cellist, our sheet music provides clear and precise notation, guiding you through the enchanting journey of Ode to Joy in the key of C. Explore the uplifting melodies and triumphant harmonies as they intertwine between the trumpet and cello, creating a mesmerizing and awe-inspiring musical experience. This arrangement allows for a beautiful dialogue between the two instruments, highlighting their distinct voices while harmonizing effortlessly. Elevate your musical performances and captivate your audience with our exceptional sheet music, meticulously crafted to honor Beethoven's vision. Order your copy today and embark on a musical adventure filled with the resounding beauty of Ode to Joy for Trumpet and Cello in C, courtesy of Arezzo Sheet Music Engraver. Let the harmonies soar and the melodies resonate, creating an unforgettable and inspiring musical experience.ode to joy for trumpet and cello sheet music in c arrangement.
$3.99 ≈
£3.11
Puente de luz (Bridge of Light), Celtic Song by Gustavo Fuentes
Puente de luz (Bridge of Light), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Puente de luz
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.900407 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gusta...
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Woodwind Ensemble - Level 3 - SKU: A0.900407 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gustavo Fuentes #3637545. Published by Gustavo Fuentes (A0.900407). Bridge of Light. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Even though we are constantly surrounded by people, we only develop feelings of affection for a few of those that cross our paths. That affection is actually love, and it is the bridge that brings us closer together. Walking across that bridge can change us, transform us and fill us with light. And doing so while holding each other’s hands, in silence and smiling, will help us enjoy each step of the way. If we realize that this bridge of love and light is the place where we always want to be, and if we take the time to pause and truly look at the person walking across the bridge with us, we will be able to cherish the journey and the bridge forever in our hearts. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Aunque vivimos rodeados de miles de personas, sólo con algunas de ellas desarrollamos sentimientos de afecto. Ese sentimiento, ese puente que nos conecta, es el amor. Y transitar ese puente nos cambia, nos transforma, nos llena de luz. Caminar de la mano, en silencio y sonriendo, nos hace disfrutar cada paso compartido. Tomarnos el tiempo de detenernos, de descansar en ese trayecto para observar los ojos de nuestra compañÃa, sabiendo que ese puente de amor y luz es el que siempre deseamos transitar. Y entonces sÃ, guardamos ese paseo y ese puente en un abrazo que durará por siempre en nosotros.
$4.99 ≈
£3.88
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Tenor Recorder and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Tenor Recorder and piano with chords
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Piano,Tenor Recorder,Voice - Level 1 - SKU: A0.964486 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Chris...
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Small Ensemble Piano,Tenor Recorder,Voice - Level 1 - SKU: A0.964486 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6330767. Published by Leyandder Trustworthy (A0.964486). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Tenor Recorder, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99 ≈
£3.88
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Bass Recorder and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Bass Recorder and piano with chords
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Piano, Voix et Guitare
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964487 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacre...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964487 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6330775. Published by Leyandder Trustworthy (A0.964487). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Bass Recorder, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99 ≈
£3.88
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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La dulzura del silencio
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holi...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3534751. Published by Gustavo Fuentes (A0.900399). The sweetness of Silence. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.Lovers communicate in unique and diverse ways. They use words of love, loving glances and tender caresses to share in the joy of being together.But one of the most enjoyable things a couple can share is silence. Being silent, perhaps holding hands and looking into each other’s eyes, can communicate plenty. Merely knowing the other person is right there by your side with love, affection and understanding is one of the most gratifying feelings in the world. And that is what this song is about: love, lovers and shared silence. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La comunicación entre los enamorados es única y diversa. Palabras de amor, miradas, caricias, todo aporta en el momento de compartir el sentimiento de felicidad y dicha que los envuelve.Y una de las cosas más disfrutables es compartir el silencio. Ese dulce silencio –tal vez tomados de la mano y mirándose a los ojos- donde sin decir una palabra se dice tanto, y donde la mayor motivación es saber que el otro está ahÃ, presente a su lado con su amor, su cariño y su comprensión.De eso habla esta canción: del amor, de los enamorados, y de la dulzura de su silencio compartido.
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£3.88
Un ángel de marfil (Ivory Angel), Celtic Song by Gustavo Fuentes
Un ángel de marfil (Ivory Angel), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Un ángel de marfil
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900403 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holi...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900403 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637513. Published by Gustavo Fuentes (A0.900403). Ivory Angel. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The Celtics strongly believed in the elements of nature. They believed that animals, plants and even rocks had a life and a spirit. And they considered trees to be the most important elements. Trees symbolized life: the roots were in the Underworld, the branches in the Otherworld and the trunk in the Middle Earth. Trees gave the Celtics wood to build homes and weapons and to shelter them from the cold. They also shielded them from the sun with their shadow. Trees gave them fruit to eat and they lodged birds, the messengers of the Gods, in their branches. Trees protected people’s spirits and so each person was assigned a sacred tree according to their date of birth.Even today we still have spirits and objects that protect us. In the case of artists, their own art is often their protector. The title of this song refers to the ivory angel, the piano, however, this song is dedicated to all the instruments that help us express ourselves and prevent us from being lonely, silent or forgotten. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Los celtas creÃan profundamente en los elementos de la naturaleza. Los animales, las plantas y hasta las rocas tenÃan su propia vida y espÃritu. Y entre estos elementos, el más importante eran los árboles. Para los celtas los árboles eran un sÃmbolo de vida, con sus raÃces en el Inframundo, las ramas en el Supramundo y el tronco en la Tierra Media. Les entregaban su madera para construir viviendas y armas, los abrigaban del frÃo con su leña y los protegÃan del sol al dar su sombra. Les daban sus frutos que servÃan de sustento y resguardaban a los pájaros, mensajeros de los dioses. Eran protectores del espÃritu, y cada persona tenÃa su árbol protector según el momento del año en que hubiera nacido.En nuestros tiempos, algunos también tenemos espÃritus u objetos protectores. Entre los artistas, es en muchos casos nuestro propio arte, representado en los músicos por nuestro instrumento. Y si bien el ángel de marfil se refiere al piano, esta melodÃa está dedicada a los instrumentos que nos ayudan a expresarnos, y que nos protegen de la soledad, del silencio y del olvido.
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£3.88
William Taylor SSA
William Taylor SSA
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Chorale 3 parties
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Traditional
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Debbie Warren
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William Taylor SSA
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Keep Calm and Keep Singing
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SheetMusicPlus
Choral Choir (SSA) - SKU: A0.846741 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 12 pages. Keep Calm and Keep Singing #...
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Choral Choir (SSA) - SKU: A0.846741 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 12 pages. Keep Calm and Keep Singing #453430. Published by Keep Calm and Keep Singing (A0.846741). The Ballad of William Taylor (or Willy Taylor), Bold William Taylor or The Female Lieutenant (as it is sometimes called) tells the story of a woman who is deserted on her wedding day by William Taylor because he has been pressed ganged and sent away to sea. She decides to follow after him and disguises herself as a man in order to sign up. Her identity is discovered when her tunic bursts open during a battle revealing her womanhood! She tells the Captain she is looking for William Taylor and he tells her where to find him. However, William Taylor has found a new lady. Clearly upset that William Taylor has forgotten her so easily our heroine draws a pair of pistols and dispatches both her disloyal lover and his new lady! In some versions the Captain is so impressed with her that he either marries her himself or makes her a ship’s commander or both! In this arrangement for SSA the middle voice is always on the tune in the verses whereas the higher and lower harmony voices either sing the melody or their harmony part. It is important these counter- melodies do not overpower the tune and the words otherwise the story is lost. Try to bring out the melody in the chorus. In fact you might like to try having all the voices on the melody for the first chorus to establish it. Also works with mixed voices by adding men to the alto part for the verses and the melody line for the chorus. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase. Easy level Duration: 2'30.
$1.99 ≈
£1.55
All in Tune: Christmas Carol for mixed voices (S A Bar) and keyboard
All in Tune: Christmas Carol for mixed voices (S A Bar) and keyboard
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Chorale 3 parties
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FACILE
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Noël
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Alan Bullard
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All in Tune: Christmas Carol f
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1105281 Composed by Alan Bullard. Christian,Christmas,Holiday. Octavo. 8 pages. Colne Edition / BullardMusic #708...
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Choral Choir (SAB) - Level 2 - SKU: A0.1105281 Composed by Alan Bullard. Christian,Christmas,Holiday. Octavo. 8 pages. Colne Edition / BullardMusic #708526. Published by Colne Edition / BullardMusic (A0.1105281). With a rustic, medieval flavour, this bright and rhythmic carol is a setting of an old English text which sings God's praise through dance, music, and friendship. It can be sung by mixed voices in three parts (S A Bar) and is accompanied by piano or organ, and optional flute or treble recorder.A version for equal voices in two or three parts is also available. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
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£1.55
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Order of the Day for men's voices
