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Parallel Lines [Clarinet
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Vous avez sélectionné:
Parallel Lines [Clarinet
Partitions à imprimer
4 partitions trouvées
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Parallel Lines [Clarinet & Piano]
Parallel Lines [Clarinet & Piano]
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Clarinette et Piano
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INTERMÉDIAIRE
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Paul Barker Music
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Parallel Lines [Clarinet &
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Paul Barker Music
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.725103 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. ...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.725103 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 15 pages. Paul Barker Music #3045007. Published by Paul Barker Music (A0.725103). Parallel Lines is a dynamic new work for Clarinet and Piano inspired by minimalist stylistics which explore parallel motifs, harmony and angular themes. Backing Track available from www.paulbarkermusic.comDuration: 2:35Level: Intermediate (UK Grade 5+ & USA 3+)Occasion: Concert/Recital/Examinations - Formal/InformalOrchestration: Clarinet & Piano.
$5.95 ≈
£4.62
Wind Quintet - One Rule
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00 ≈
£27.19
Berceuse
Berceuse
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Contemporain
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Stephanie K
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Berceuse
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Stephanie K Andrews
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano,Violin - Level 3 - SKU: A0.990679 Composed by Stephanie K. Andrews. Contemporary. Score and parts. 15 pages. Stepha...
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Small Ensemble B-Flat Clarinet,Piano,Violin - Level 3 - SKU: A0.990679 Composed by Stephanie K. Andrews. Contemporary. Score and parts. 15 pages. Stephanie K Andrews #5988991. Published by Stephanie K Andrews (A0.990679). Berceuse was written for the Dream Keeper concert performed by Inversion Ensemble, a new music collaborative in Austin, Texas, in March of 2019. It is, as the title suggests, composed as a soothing lullaby, with a gentle rocking motion in the piano throughout. The clarinet and violin take turns playing lush melodic lines, often in parallel sixths, the sixth being an interval associated with consonance and pleasure. In a world wracked with discord, it is hoped that this lullaby for listeners and performers of all ages may bring comfort and solace.
$2.00 ≈
£1.55
Medallion March
Medallion March
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Orchestre d'harmonie
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FACILE
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Brian Ackley
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Medallion March
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Brian P. Ackley
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #1055174. Published by...
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Concert Band - Level 2 - SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #1055174. Published by Brian P. Ackley (A0.1478921). This uplifting march is perfect for any young band! If you are looking for a piece that will push your students to the next level while having fun at the same time, this is the march for you! Its catchy tune will be an ear worm to your students and audiences alike with its flowing melodic lines and layered harmonies. A guaranteed hit with your students, Medallion March showcases each instrument throughout this piece. Every instrument takes a turn playing the featured melodies. This is especially great for your low brass and low woodwinds, whose parts are very active throughout. The trumpets and flutes lead the way with a victorious theme as the clarinets and saxes harmonize below with parallel rhythms. As we move through the first section, the trumpets and clarinets swap parts to give an even thicker sound. The driving rhythms of the 5-part percussion section keeps everyone moving in forward motion as the middle section’s melody is heard in the low brass and low woodwinds. As the conductor, Medallion March gives you the ability to incorporate phrasing, dynamic contrast and articulation that is seen throughout. Written in the key of Bb, each instrument’s parts can be played with ease, including the clarinets who are below written below the break. The percussionists have many opportunities to shine, as the colorfulness of the cymbals and triangles compliment the pulsating rhythms of the snare drum and bass drum. There is also an option for your flute players to play the 2nd line C above the staff in the repeated trio section, doubled by the bells. Medallion March makes for a great concert opener with its big sound and is also great for a concert finale. Your students will feel like they won a medal and leave your audiences wanting more!
$20.00 ≈
£15.54
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Parallel Lines [Clarinet 
