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El Condor Pasa (If I Could)
El Condor Pasa (If I Could)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Daniel Alomia Robles, Jorge Mi
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00 ≈
13.53€
Symphony no. 6 in F, Op. 68 'Pastorale' - Allegretto (V) - Beethoven (Violin & Cello)
Symphony no. 6 in F, Op. 68 'Pastorale' - Allegretto (V) - Beethoven (Violin & Cello)
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Violon, Violoncelle (duo)
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Classique
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Ludwig van Beethoven
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Peet du Toit
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Symphony no. 6 in F, Op. 68 'P
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - SKU: A0.802578 Composed by Ludwig van Beethoven. Arranged by Peet du Toit. Contemporary. Score and pa...
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Instrumental Duet Cello,Instrumental Duet,Violin - SKU: A0.802578 Composed by Ludwig van Beethoven. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5802933. Published by Peet du Toit (A0.802578). The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony, is a symphony composed by Ludwig vanBeethoven and completed in 1808. One of Beethoven's few works containing explicitly programmatic content (instrumental music that relates a story or portrays a scene), the symphony was first performed in the Theater an der Wien on22 December 1808 in a four-hour concert.The finale, which is in F major, is in 6/8 time. The movement is in sonata rondo form, meaning that the main themeappears in the tonic key at the beginning of the development as well as the exposition and the recapitulation. Like many classical finales, this movement emphasizes a symmetrical eight-bar theme, in this case representing the shepherds' song of thanksgiving.The coda starts quietly and gradually builds to an ecstatic culmination for the full orchestra (minus storm instruments)with the first violins playing very rapid triplet tremolo on a high F. There follows a fervent passage suggestive of prayer, marked by Beethoven pianissimo, sotto voce; most conductors slow the tempo for this passage. After a brief period of afterglow, the work ends with two emphatic F-major chords.Here is an excerpt of this magic music for Violin and Cello that can be used as a short closer or filler, under the appropriate circumstances.
$13.00 ≈
11.73€
Op. 48, No. 3: Doux rossignol, c’est toi! from Songs of Gouvy, V1 (Downloadable)
Op. 48, No. 3: Doux rossignol, c’est toi! from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 48, No. 3: Doux rossignol,
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-43E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-43E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-43E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-43E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.71€
Si T'es Pas Là
Si T'es Pas Là
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Cédric Hermand
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Cédric Hermand
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Si T'es Pas Là
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ArtIA
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SheetMusicPlus
SKU: A0.1415966 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Multicultural,Romantic Period,Traditional,World. Full Perform...
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SKU: A0.1415966 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Multicultural,Romantic Period,Traditional,World. Full Performance. Duration 269. ArtIA #997661. Published by ArtIA (A0.1415966). Dans le clip poignant de Si t'es pas là , l'artiste nous plonge dans un univers visuel et émotionnel profondément touchant, où la mélodie et les paroles se tissent ensemble pour raconter une histoire d'amour, de perte et de nostalgie. Dès les premiers accords, la chanson captive par sa douceur mélancolique, portée par une instrumentation délicate qui souligne la vulnérabilité et l'intensité du message. Si t'es pas là est plus qu'un simple clip musical ; c'est une expérience émotionnelle immersive qui invite les spectateurs à réfléchir sur leurs propres expériences de l'amour et de la perte. Avec sa réalisation artistique impeccable et sa narration visuelle captivante, ce clip se dresse comme un monument à la beauté mélancolique de l'amour éternel, et à la quête humaine universelle pour la connexion et le sens dans un monde en perpétuel changement.
$1.99 ≈
1.79€
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 4: Mon âme es
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.71€
Paso Diablo - Score Only
Paso Diablo - Score Only
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Fanfare
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INTERMÉDIAIRE
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Levi Thompson
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Paso Diablo - Score Only
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Levi Thompson
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1271054 Composed by Levi Thompson. Contemporary,Latin,Multicultural,World. 11 pages. Levi Thompson #863446. Published ...
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Marching Band - Level 3 - SKU: A0.1271054 Composed by Levi Thompson. Contemporary,Latin,Multicultural,World. 11 pages. Levi Thompson #863446. Published by Levi Thompson (A0.1271054). Bring a little Latin flavor to your repertoir with this dance-inspired tune! This piece is inspired by the pasa doble dance form, with bull fighting arena imagery that is sure to rock the stadium. This composition and percussion parts are scored to be used as a stand tune for a marching band or as a pep band tune for basketball games.
$6.99 ≈
6.30€
Paso Diablo
Paso Diablo
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Fanfare
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INTERMÉDIAIRE
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Levi Thompson
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Paso Diablo
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Levi Thompson
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1271053 Composed by Levi Thompson. Contemporary,Latin,Multicultural,World. Score and Parts. 56 pages. Levi Thompson #8...
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Marching Band - Level 3 - SKU: A0.1271053 Composed by Levi Thompson. Contemporary,Latin,Multicultural,World. Score and Parts. 56 pages. Levi Thompson #863445. Published by Levi Thompson (A0.1271053). Bring a little Latin flavor to your repertoir with this dance-inspired tune! This piece is inspired by the pasa doble dance form, with bull fighting arena imagery that is sure to rock the stadium. This composition and percussion parts are scored to be used as a stand tune for a marching band or as a pep band tune for basketball games.
$45.00 ≈
40.59€
Passio Domini Nostri Jesu Christi
Passio Domini Nostri Jesu Christi
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Antoine de Longueval
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Passio Domini Nostri Jesu Chri
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Möseler Verlag
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SheetMusicPlus
Mixed choir (SATB) SKU: M2.MOS-80144 Composed by Antoine de Longueval. Das Chorwerk 144. Möseler Verlag #MOS 80144. Published by Möseler Verlag (M2...
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Mixed choir (SATB) SKU: M2.MOS-80144 Composed by Antoine de Longueval. Das Chorwerk 144. Möseler Verlag #MOS 80144. Published by Möseler Verlag (M2.MOS-80144). Es ist zweifellos ein paradoxer Umstand, dass ein Komponist, uber dessen Leben so gut wie nichts bekannt ist und von dem allein drei Kompositionen uberliefert sind, mit einem dieser Werke die Entwicklung einer ganzen musikalischen Gattung entscheidend gepragt hat. Hierbei handelt es sich um den franzosischen Hofmusiker Antoine de Longueval, dessen kurz nach 1500 in Italien entstandene Passionsvertonung bis in das fruhe 17. Jahrhundert hinein insbesondere im protestantischen Deutschland sich nicht nur grosser Beliebtheit erfreute und eine weite Verbreitung erfuhr, sondern auch hinsichtlich des neuen musikalischen Stils (motettisch durchkomponiert) wie der textlichen Fassung (Passionsharmonie) fur die gesamte Geschichte der Passionskomposition von grossem Einfluss sein sollte. Doch wahrend in Italien an eine Auffuhrung einer mehrstim- migen Passionsharmonie in liturgischem Rahmen nicht zu denken war, hatte im evangelischen Deutschland die durch die Reformation hervorgerufene neue theologische Orientierung auch Auswirkungen auf die Passionskomposition gehabt. Hier wurde Longuevals Werk - aus bislang unerklarlichen Grunden nun aber uberwiegend ohne Autorenangabe oder Jacob Obrecht zugeschrieben - in der Folge nicht nur in zahlreichen kirchenmusikalischen Handschriften vor allem Mitteldeutschlands uberliefert; sie stieg in der Geschichte der Passionsvertonung sogar zu einer Art Kompositionsmodell auf, das entweder unter leichten Veranderungen weiter tradiert wurde oder als Ausgangspunkt fur zahlreiche Neuschopfungen diente. Von der durchkomponierten Summa passionis Longuevals und der responsorialen Passion Johann Walters her lasst sich jedenfalls die gesamte Gattungsgeschichte der deutschen Passion des 16. und fruhen 17. Jahrhunderts verstehen. Vom geschichtlichen Ruhm dieser kompositorischen Neuerungen profitierte jedoch lange Zeit Jacob Obrecht, dem die Passionsvertonung erstmals in Georg Rhaus Wittenberger Sammeldruck Selectae harmoniae quatuor vocum de passione Domini von 1538 irrtumlich zugeschrieben wurde, und tatsachlich galt seine Ausgabe fortan als die fruheste und damit massgebliche Quelle. Doch sind drei handschriftliche ausserdeutsche Uberlieferungen unter dem Namen Longuevals in die Zeit vor Rhaus Druck zu datieren; ihnen verdanken wir genaue Auskunft uber die Entstehungsgeschichte dieses aussergewohnlichen Werkes. Entstanden ist Longuevals Komposition hochstwahrscheinlich wahrend seines knapp einjahrigen Aufenthaltes am Hof zu Ferrara im Jahre 1504, wo sie ahnlich wie Josquin Desprez' grosse dreiteilige Motette Miserere mei Deus ... den geistlichen Neigungen des Herzogs entsprochen haben durfte. ... Rainer Heyink.
$14.95 ≈
13.48€
Antoine Tisné : Les Contes de la Lune Bleue : Suite of 14 pieces for intermediate pianists
Antoine Tisné : Les Contes de la Lune Bleue : Suite of 14 pieces for intermediate pianists
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Piano seul
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FACILE
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Antoine Tisne
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Antoine Tisné : Les Con
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.532844 Composed by Antoine Tisne. 20th Century,Children,Concert,Contemporary,Standards. Score. 3 pages. Musik Fabrik Musi...
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Piano Solo - Level 2 - SKU: A0.532844 Composed by Antoine Tisne. 20th Century,Children,Concert,Contemporary,Standards. Score. 3 pages. Musik Fabrik Music Publishing #59649. Published by Musik Fabrik Music Publishing (A0.532844). The suite of 14 pieces is intended to be used for students with 1-5 years of piano. The titles are all inspired by poetic images and the music is very drescriptive, but uses atonal and polytonal vocabulary. A great introduction to contemporary music for students! 1. Par les sentiers du Jardin (From the garden paths) 2. En écoutant le ruisseau (Upom Listening to the Stream) 3. Là -bas, un petit train passe (Over there, a little train is passing) 4. Ce qui dit la fée des bois (That which the woodfairy says) 5. Dans la clairière bleue (In the Blue clearingFrom the garden paths) 6. Les diamants de l'étang (The Diamonds in the Pond) 7. Dans la pénombre du chateau (In the shadow of the castle) 8. Ballet des Cigales et des lucioles (Ballet of the crickets and the fireflies) 9. Le marchand de sable d'or passe (The Sandman is going by) 10. Sous le grand chêne endormi (Underneath the big oak tree asleep) 11. Au clocher lointain, l'heure sonne (In the far steeple, the clock strikes) 12. La Montagne enchantée (The enchanted mountain) 13. Le Lutin chez la sorcière (The dwarf visits the witch) 14. Sous le regard, un cœur veille (Looking on, a heart watches).
$12.95 ≈
11.68€
Chanson de la Reine : Marie-Antoinette à la Consiergerie
Chanson de la Reine : Marie-Antoinette à la Consiergerie
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Paul Wehage
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Chanson de la Reine : Marie-An
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano,Voice - Level 3 - SKU: A0.1278544 Composed by Paul Wehage. 21st Century,Chamber,Classical,Historic. 12 pages. Musik Fabrik Music Publishing ...
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Flute,Piano,Voice - Level 3 - SKU: A0.1278544 Composed by Paul Wehage. 21st Century,Chamber,Classical,Historic. 12 pages. Musik Fabrik Music Publishing #870225. Published by Musik Fabrik Music Publishing (A0.1278544). A setting of a text by the French poet P.A. Dupré-Laverré. Marie-Antoinette sings the night before her execution in her cell at the Consiergerie.Si vous voulez ma mort, ne cherchez pas d'excuseLa voix du peuple est là ainsi qu’une arme blancheCe n’est que vous ici et non moi qu’on abuse,Et par ce goût du sang que l’on veut que j’étanche.Que vous ai-je donc fait si ce n'est existerEn ce monde où plus rien ne justifie qu'on reste,Quand la mort réjouit ceux qui voient affûterCette lame qui glisse sur le cou, là ! si preste.Elle glissera sur moi comme elle glissa sur Louis,Au mitan de l'hiver. Moi, j’attendrai l'automne :Le feuillage rougi des arbres aux TuileriesSe teintera alors du sang que je vous donne.P.A. Dupré-Laverré in Une Reine à part.
$11.95 ≈
10.78€
Step Up! / Au pas!
Step Up! / Au pas!
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Piano seul
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DÉBUTANT
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Alexandra Delgado
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Step Up! / Au pas!
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Alexandra Delgado
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1001373 Composed by Alexandra Delgado. Children,Contemporary,Standards. Score. 2 pages. Alexandra Delgado #6656435. Publi...
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Piano Solo - Level 1 - SKU: A0.1001373 Composed by Alexandra Delgado. Children,Contemporary,Standards. Score. 2 pages. Alexandra Delgado #6656435. Published by Alexandra Delgado (A0.1001373). Late beginner level. SOCAN. ISMN 979-0-706116-20-4 A rhythmic energetic piece composed in the style of a military march. This piece is taken from the piano book Little Tales vol.2 (Les petites histoires vol.2). www.alexandradelgado.com
$2.49 ≈
2.25€
Spanish Gypsy Dance / Espana Cani - Pascual Marquina Narro
Spanish Gypsy Dance / Espana Cani - Pascual Marquina Narro
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Pascual Marquina Narro
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Peet du Toit
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Spanish Gypsy Dance / Espana C
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.802408 Composed by Pascual Marquina Narro. Arranged by Peet du Toit. 20th Century. Score and parts. 19 pages. Peet du...
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Brass Ensemble - Level 4 - SKU: A0.802408 Composed by Pascual Marquina Narro. Arranged by Peet du Toit. 20th Century. Score and parts. 19 pages. Peet du Toit #5454025. Published by Peet du Toit (A0.802408). Your smash-hit for opening or closing a concert/performance! This lively piece is a challenge to all, lead by the 1st Trumpet, with great nuance and chords - as if you are in the arena...!
$19.00 ≈
17.14€
Jean-Jacques Goldman : Pas toi
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Accompagnement Piano
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Jean-Jacques Goldman
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Pas toi
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Noviscore
Partitions piano d'accompagnement
Partitions piano d'accompagnement
4.99€
Jean-Jacques Goldman : Pas toi
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Piano seul
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Jean-Jacques Goldman
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Pas toi
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Noviscore
Partitions piano solo
Partitions piano solo
4.99€
Jean-Jacques Goldman : Pas toi
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Piano seul
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Jean-Jacques Goldman
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Pas toi
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Noviscore
Partitions piano solo
Partitions piano solo
4.99€
Jean-Jacques Goldman : Pas toi
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Piano seul
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Jean-Jacques Goldman
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Pas toi
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Noviscore
Partitions piano solo
Partitions piano solo
4.99€
Jean-Jacques Goldman : Pas toi
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Instruments en Do
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Jean-Jacques Goldman
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Pas toi
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Noviscore
Instruments en Do
Instruments en Do
4.99€
Jean-Jacques Goldman : Pas toi
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Instruments en Sib
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Jean-Jacques Goldman
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Pas toi
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Noviscore
Instruments en Si bemol
Instruments en Si bemol
4.99€
Jean-Jacques Goldman : Pas toi
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Instruments en Mib
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Jean-Jacques Goldman
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Pas toi
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Noviscore
Instruments en Mi bemol
Instruments en Mi bemol
4.99€
Jean-Jacques Goldman: Pas toi
Instruments Solistes
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Chanson Française
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Jean-Jacques Goldman
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Pas toi
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Quickpartitions
4.99€
PlayPopSongs: Pas toi
Support de cours
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Chanson Française
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PlayPopSongs
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Pas toi
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Quickpartitions
4.99€
Jean-Jacques Goldman: Pas toi
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Piano, Voix et Guitare
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Chanson Française
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Jean-Jacques Goldman
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Pas toi
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Quickpartitions
4.99€
Eurovisionsmelodie (Marc-Antoine Charpentier)
Eurovisionsmelodie (Marc-Antoine Charpentier)
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Harmonica
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FACILE
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Marc-Antoine Charpentier
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songbooks
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Eurovisionsmelodie
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songbooks.info
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SheetMusicPlus
Harmonica - Level 2 - SKU: A0.1400974 Composed by Marc-Antoine Charpentier. Arranged by songbooks.info. Chamber,Classical,Opera. Score. 2 pages. Songboo...
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Harmonica - Level 2 - SKU: A0.1400974 Composed by Marc-Antoine Charpentier. Arranged by songbooks.info. Chamber,Classical,Opera. Score. 2 pages. Songbooks.info #984170. Published by songbooks.info (A0.1400974). Well-known and themes from classical Music - notated for the Chromatic Harmonica in classical musical notation plus symbols and numbers - to suit the instrument. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Chromatische Mundharmonika in klassischer Notenschrift plus Symbole und Zahlen - passend zum Instrument. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.49 ≈
2.25€
Une Histoire de Marins
Une Histoire de Marins
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Clarinette
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Pascal Proust
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Une Histoire de Marins
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Bb Clarinet, Piano - Grade 3 - SKU: FX.FX071823 Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet...
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Bb Clarinet, Piano - Grade 3 - SKU: FX.FX071823 Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071823. Published by FLEX Editions - Digital Sheet Music (FX.FX071823).
$8.95 ≈
8.07€
Une Histoire de Marins
Une Histoire de Marins
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pascal Proust
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Une Histoire de Marins
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Alto Saxophone, Piano - Grade 3 - SKU: FX.FX071824 Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sh...
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Alto Saxophone, Piano - Grade 3 - SKU: FX.FX071824 Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071824. Published by FLEX Editions - Digital Sheet Music (FX.FX071824).
$8.95 ≈
8.07€
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