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Passe par Paris
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Vous avez sélectionné:
Passe par Paris
Partitions à imprimer
28 partitions trouvées
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26
Archimede: Passe par Paris
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Piano, Voix et Guitare
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Chanson Française
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Archimede
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Passe par Paris
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Quickpartitions
4.99€
The Downfall of Paris for Brass Quintet and Percussion
The Downfall of Paris for Brass Quintet and Percussion
#
The Rolling Buzzards Brigade
#
Sean J
#
The Downfall of Paris for Bras
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Sean J Kennedy
#
SheetMusicPlus
Large Ensemble B-Flat Trumpet,Bass Drum,Cymbals,Horn,Snare Drum,Trombone,Tuba - SKU: A0.495722 By The Rolling Buzzards Brigade. By Traditional. Arranged...
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Large Ensemble B-Flat Trumpet,Bass Drum,Cymbals,Horn,Snare Drum,Trombone,Tuba - SKU: A0.495722 By The Rolling Buzzards Brigade. By Traditional. Arranged by Sean J. Kennedy. Classical,Contest,Festival,Folk,Patriotic,Traditional. Score and parts. 21 pages. Published by Sean J Kennedy (A0.495722). “Sean J. Kennedy’s arrangement of The Downfall of Paris brings a fresh perspective to a time-tested standard. Arranged for brass and percussion, Kennedy’s superlative writing is only surpassed by the brilliant virtuosity of the performers themselves. A great addition to the American patriotic songbook!â€--Neil Grover, Founder - Grover Pro Percussion This flexible arrangement can be performed with both brass and percussion or by just brass or just percussion. Great for patriotic events!
$20.00 ≈
18.42€
Élégie
Élégie
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
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Francis Bebey
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Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.64€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.32€
Etude No 10 opus 60 for Guitar
Etude No 10 opus 60 for Guitar
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Guitare
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INTERMÉDIAIRE
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Matteo Carcassi
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Arte Nova Music Lab
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Etude No 10 opus 60 for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual...
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Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3007597. Published by Arte Nova Music Lab (A0.742404). Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuosoconcert guitarist.He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. Taken from https://en.wikipedia.org/wiki/Matteo_Carcassi
$5.00 ≈
4.60€
Feu follet
Feu follet
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Piano seul
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AVANCÉ
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Contemporain
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79 ≈
3.49€
Mozart: Balletmuzik zur Pantomine “Les petits riens” Nos. 6 to 13 - wind dectet/bass
Mozart: Balletmuzik zur Pantomine “Les petits riens” Nos. 6 to 13 - wind dectet/bass
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Balletmuzik zur Pantom
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553948 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Cl...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553948 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. Score and parts. 55 pages. RayThompsonMusic #6328785. Published by RayThompsonMusic (A0.553948). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.An arrangement for wind dectet of movts. 6 to 13. (Overture available separately)6 Gavotte 7 Adagio 8.Gigue 9.Gavotte Gracieuse 10.Pantomine 11.Passepied 12.Gavotte 13.AndanteHorn parts are for Natural Horns in F, D, A and Bb basso
$19.95 ≈
18.37€
I'm Yours
I'm Yours
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jason Mraz
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Julia Dos Reis
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I'm Yours
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269755 By Jason Mraz. By Jason Mraz. Arranged by Julia Dos Reis. Pop,Reggae,Weddin...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269755 By Jason Mraz. By Jason Mraz. Arranged by Julia Dos Reis. Pop,Reggae,Wedding. 12 pages. Julia Dos Reis #862263. Published by Julia Dos Reis (A0.1269755). Add this heart-warming modern wedding/party favourite to your set-list! There are optional moments for improvisation to ad lib on the melody.(Please note audio track is programmed string sounds)Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/
$12.99 ≈
11.96€
Signed, Sealed, Delivered I'm Yours
Signed, Sealed, Delivered I'm Yours
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Stevie Wonder
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Julia Dos Reis
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Signed, Sealed, Delivered I'm
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269745 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syr...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269745 By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Stevie Wonder, and Syreeta Wright. Arranged by Julia Dos Reis. Funk,Pop,Wedding. 12 pages. Julia Dos Reis #862253. Published by Julia Dos Reis (A0.1269745). A stomping string quartet arrangement of this Stevie pop classic! Includes an optional moment for the violin 1 to let rip at the end if desired. A great addition for drinks receptions or party set-lists.(Please note audio track is programmed string sounds)Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.instagram.com/p/CcnUBPzqW-d/https://www.juliadosreis.com/
$12.99 ≈
11.96€
Un folletto un po' speciale
Un folletto un po' speciale
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Piano seul
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INTERMÉDIAIRE
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Monica Bergo
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Un folletto un po' speciale
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976840 Composed by Monica Bergo. Children,Christmas,Contemporary. Score. 8 pages. Monica Bergo #3236507. Published by Mon...
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Piano Solo - Level 3 - SKU: A0.976840 Composed by Monica Bergo. Children,Christmas,Contemporary. Score. 8 pages. Monica Bergo #3236507. Published by Monica Bergo (A0.976840). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫UN FOLLETTO UN PO’ SPECIALE ♫*´¨`*•.¸¸.♫ Ogni anno è sempre uguale Con l’arrivo del Natale Non mi sento molto bene La malinconia mi assale Ma quest’ anno son sicura Di poterla controllare Con l’aiuto di una storia Che ora vado a raccontare Nel regno di Babbo Natale C’è un folletto un po’ speciale A cui non importa niente della gioia della gente Di balocchi e di regali non ne vuole costruire e la festa del Natale per lui è solo da abolire Venite qua, c’è Monica un’altra favola racconterà Un personaggio indisponente Senza freni ed arrogante Quello che gli viene in mente di sicuro lui farà Per rovinare l’atmosfera La magia di quella sera lui si metterà d’impegno Dite che ci riuscirà ? Augurerà a tutti quanti un buon Natale Con la speranza che vi vada tutto male nel marzapane mette il sale panettoni da buttare pan di zenzero e dolcetti col purgante farcirà Un po’ di etere e le renne dormiranno Mentre saltella e fa gli auguri di buon anno Quanti natali son passati Tanti i ricordi ormai sbiaditi Il tempo passa e non riporterà L’infanzia che non ho vissuto Un giorno come un altro allora Il mondo fuori festeggiava Ma quel grigiore non cambiava Babbo natale non veniva I sogni miei non avverava E la mia lettera non leggeva mai Ma ritorniamo nel presente E al folletto mio arrogante So di lui cosa pensate Lo vorreste cancellare Dal mio libro di Natale Perché va contro corrente Proprio come la mia mente Che non riesco ad imbrigliare Ma ciò che è bene e ciò che è male È difficile capire perchè ormai questo natale è un affare commerciale solo oggetti da comprare l’elfo ci vuol far capire che Natale è tutto l’anno se viviamo nell’amore pacchetti e strenne scintillanti le vetrine luccicanti fiocchi e nastri appariscenti il folletto brucierà augurerà a tutti quanti un buon natale e intanto nei biscotti aggiungerà del fiele Babbo Natale certo lo licenzierà …. Venite qua che Monica Ci dice come questa storia finirà Non pensate così male del mio elfo che riflette la nevrosi che mi assale all’arrivo del natale Lui non c’entra, è innocente Partorito da una mente C he non vuol dimenticare e sorridere al presente…. Natale è qua e passerà Con la Befana il mio carbone arriverà ! Monica Bergo
$3.99 ≈
3.67€
El Condor Pasa (If I Could)
El Condor Pasa (If I Could)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Daniel Alomia Robles, Jorge Mi
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00 ≈
13.81€
Chicago Tribune March
Chicago Tribune March
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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William Paris Chambers
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Paul Chauvin
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Chicago Tribune March
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Cimarron Music Press - Digital
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SheetMusicPlus
Brass quintet - SKU: CX.CM3016 Composed by William Paris Chambers. Arranged by Paul Chauvin. 15 pages. Published by Cimarron Music Press - Digital (CX.C...
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Brass quintet - SKU: CX.CM3016 Composed by William Paris Chambers. Arranged by Paul Chauvin. 15 pages. Published by Cimarron Music Press - Digital (CX.CM3016). In 6/8, this march by W. Paris Chambers has been arranged for Brass Quintet by Paul Chauvin. It is a peppy march that passes the lines around the quintet.
$18.00 ≈
16.57€
Feel It Still
Feel It Still
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Portugal
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Julia Dos Reis
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Feel It Still
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269735 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Fred...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269735 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Julia Dos Reis. Funk,Pop,Wedding. 20 pages. Julia Dos Reis #862244. Published by Julia Dos Reis (A0.1269735). Exciting and dynamic arrangement of Portugal. The Man’s ‘Feel It Still’! The melody is passed round all players in this arrangement – keep it funky!Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/
$12.99 ≈
11.96€
Serving for Thee (The United States Marine Corps Hymn)
Serving for Thee (The United States Marine Corps Hymn)
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Chorale SATB
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DÉBUTANT
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the 1970s, the Marines were se
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James F
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Serving for Thee
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.83€
All Night Long (All Night)
All Night Long (All Night)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Lionel Richie
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Julia Dos Reis
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All Night Long
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1449311 By Lionel Richie. By Lionel Richie. Arranged by Julia Dos Reis. 20th Centur...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1449311 By Lionel Richie. By Lionel Richie. Arranged by Julia Dos Reis. 20th Century,Pop,Wedding. 18 pages. Julia Dos Reis #1029084. Published by Julia Dos Reis (A0.1449311). An absolute 80s classic arranged for string quartet! Have fun with this arrangement of 'All Night Long' - all breakdown sections are included, and moments with 'percussive' sounds.Please note! There are some transcribed semiquaver string lines in the violin 2 part to look out for, and the mp3 guide uses programmed percussion sounds rather than Sibelius strings to show the imitated percussion. This arrangement has been taken up a semitone to D major from the original so some of the phrases sit better on strings. Enjoy!Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scotts, Royal Festival Hall, Paris Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as chopping, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/.
$14.99 ≈
13.80€
Three Pieces for Tuba or Bass Trombone & Piano
Three Pieces for Tuba or Bass Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Vincent d’Indy
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Ralph Sauer
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Three Pieces for Tuba or Bass
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792416 Composed by Vincent d’Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 16 p...
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Piano,Trombone - Level 5 - SKU: A0.792416 Composed by Vincent d’Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #4821577. Published by Gordon Cherry (A0.792416). Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer. His main influence was Cesar Franck. These three pieces were some of his many works for Piano. Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region. Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit. Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.
$20.00 ≈
18.42€
Three Pieces for Trombone & Piano
Three Pieces for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Vincent d'Indy
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Ralph Sauer
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Three Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792407 Composed by Vincent d'Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 16 pages. G...
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Piano,Trombone - Level 5 - SKU: A0.792407 Composed by Vincent d'Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #4821525. Published by Gordon Cherry (A0.792407). Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer. His main influence was Cesar Franck. These three pieces were some of his many works for Piano. Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region. Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit. Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.
$20.00 ≈
18.42€
Three Pieces for Euphonium and Piano
Three Pieces for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Vincent d'Indy
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Ralph Sauer
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Three Pieces for Euphonium and
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792533 Composed by Vincent d'Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 19 pages. ...
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Euphonium,Piano - Level 5 - SKU: A0.792533 Composed by Vincent d'Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 19 pages. Gordon Cherry #5008365. Published by Gordon Cherry (A0.792533). Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer. His main influence was Cesar Franck. These three pieces were some of his many works for Piano.Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region. Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit. Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.
$20.00 ≈
18.42€
Preludio in A (estudio nº15)
Preludio in A (estudio nº15)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Jiménez Manjón
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Rui Namora
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Preludio in A
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Rui Namora
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Indivi...
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Solo Guitar - Level 4 - SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful étude, originally written for the 11-string guitar (7+4) that Antonio Manjón used, is practically unknown today. Although it was composed as an étude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio Jimenéz Manjón (1866-1919)Antonio Jiménez Manjón was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-Saëns, and Sarasate.In 1887, Manjón returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio Jiménez Manjón passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â
$6.00 ≈
5.52€
12 Sonatas
12 Sonatas
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Violon, Basse continue
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Francesco Geminiani
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12 Sonatas
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Schott Music - Digital
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SheetMusicPlus
Violin and basso continuo (harpsichord, piano); cello ad libitum - intermediate to advanced - SKU: S9.Q2453 Nos. 1-3. Composed by Francesco Gemin...
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Violin and basso continuo (harpsichord, piano); cello ad libitum - intermediate to advanced - SKU: S9.Q2453 Nos. 1-3. Composed by Francesco Geminiani. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q2453. Published by Schott Music - Digital (S9.Q2453). Francesco Saverio Geminiani (geb. ca. 1680 in Lucca, gest. 1762 in Dublin), einer der größten Geiger seiner Zeit, war in Rom noch Schüler von Corelli und übersiedelte 1714 nac England, wo er als Solist, Konzertmeister, Pädagoge, Konzertunternehmer und - Gemäldehändler tätig war. Sein reiches Schaffen begann mit den Violinsonaten op. 1, die er 1705 in Bologna veröffentlichte. Elf Jahre später widmete er in London ein weiteres op. 1 dem aus dem Leben Händels bekannten Hofkämmerer Baron von Kielmannsegge, 12 Violinsonaten, die aber nicht mit dem Jugendwerk identisch sind. Der Titel dieses op. 1(a), das schon 1717 in Amsterdam nachgedruckt wurde, lautet: Sonate/ a Violino, Violone, e Cembalo/ dedicate/ All Illustrissimo et Excellentissimo Signore/ Il Sig': Barone di Kilmanns'egge./ Cavallerizzo Maggiore e Ciamberlano/ Di Sua Maestà Britanica/ e Elettore di Brunswick e Lunebourg/ da/ Francesco Geminiani/ Opera Prima... Geminani, dessen impulsive und insbesondere in dynamisch-agogischer Hinsicht fortschrittliche Spielart den Interpretationsstil seiner Zeitgenossen nachhaltig beeinflusst hat, war ständig bestrebt, seine älteren Werke dem sich rasch wandelnden Geschmack anzupassen. Sein op. 1(a) gab er 1739 in London in teilweiser Umarbeitung neu heraus (Nachdruck Paris ca. 1740) und kündigte auf dem Titel an Le Prime Sonate a Violino, e Basso di F. Geminiano nuovamente ristampato, e con diligenza dello mano. 1757 erschien in London eine weitere Ausgabe, diesmal in Einrichtung als Concerti grossi VI Sonatas for two violins & a violoncello or harpsichord with a ripieno bass to be used when the violins are doubled, from the VI first solo's of his Opa Ia with a few additional movements.
$21.99 ≈
20.25€
The Firebird (L'Oiseau de feu / Der Feuervogel)
The Firebird (L'Oiseau de feu / Der Feuervogel)
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Classique
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Igor Stravinsky
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The Firebird
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Schott Music - Digital
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SheetMusicPlus
2 Picc. · 3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 (3. auch ì Kfg.) · Kfg. - 4 · 3 · 3 · 1 - P.S. (Trgl. · Beck...
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2 Picc. · 3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 (3. auch ì Kfg.) · Kfg. - 4 · 3 · 3 · 1 - P.S. (Trgl. · Beck. · Tamt. · Schellentr. · ì gr. Tr. · Glspl. · Xyl.) (4 Spieler) - 3 Hfn. · Klav. · Cel. - Str. (16 · 16 ì · 14 · 8 · 6) orchestra - SKU: S9.Q47203 Suite for orchestra (1919). Composed by Igor Stravinsky. This edition: study score. Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q47203. Published by Schott Music - Digital (S9.Q47203). German • English.Igor Stravinsky's musical setting of the Slavic fable The Firebird is one of the most ground-breaking orchestral works of the early 20th century. The reviews of the world premiere of the ballet at the Théâtre National de l’Opéra in Paris lauded Stravinsky's 'dazzling music in all shades of colour'; as a consequence, he composed two orchestral suites of his ballet. The version of 1919 is now published as a new edition with a modern notation and new orchestral material.Writing music to heighten dramatic situations, such as battle and crisis, was a speciality of Igor Stravinsky. In his ballet, The Firebird, premiered in 1910, the 27 year old composer surpassed many of today’s film composers by depicting a breathtaking battle between good and evil. With music written for large orchestra, this is carefully thought out and precisely choreographed battle music that could not be more exciting!
$23.99 ≈
22.09€
Cry Me A River
Cry Me A River
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Soul/R&B
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Justin Timberlake
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Julia Dos Reis
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Cry Me A River
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1437076 By Justin Timberlake. By Justin Timberlake, Scott Storch, and Timothy Mosle...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1437076 By Justin Timberlake. By Justin Timberlake, Scott Storch, and Timothy Mosley. Arranged by Julia Dos Reis. Hip-Hop,Pop,R & B. 15 pages. Julia Dos Reis #1017146. Published by Julia Dos Reis (A0.1437076). Exciting and dynamic arrangement of Justin Timberlake's early 2000's classic, Cry Me A River! The original lends itself well to strings with snappy staccato riffs and soulful melody lines.Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scotts, Royal Festival Hall, Paris Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as chopping, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/.
$14.99 ≈
13.80€
In My Life
In My Life
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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The Beatles
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Julia Dos Reis
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In My Life
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1269938 By The Beatles. By John Lennon and Paul McCartney. Arranged by Julia Dos Re...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1269938 By The Beatles. By John Lennon and Paul McCartney. Arranged by Julia Dos Reis. 20th Century,Pop,Wedding. 13 pages. Julia Dos Reis #862410. Published by Julia Dos Reis (A0.1269938).  A lyrical masterpiece from John Lennon, this arrangement for string quartet takes the song's nostaligic essence, making it a popular choice for both wedding ceremonies and drinks receptions.Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, and Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/
$12.99 ≈
11.96€
Moon River
Moon River
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Henry Mancini
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Julia Dos Reis
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Moon River
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.684995 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Julia Dos ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.684995 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Julia Dos Reis. Film/TV,Jazz,Pop,Standards,Wedding. 21 pages. Julia Dos Reis #293715. Published by Julia Dos Reis (A0.684995). Melt your heart away with the much loved and covered jazz standard arranged for string quartet. A perfect romantic must for weddings and events. A level of jazz knowledge is necessary for the solo section, where it is recommended to include soloist, chords, chops (rhythmic accompaniment), and a bass line in the cello. Please listen and transcribe to versions of this tune for an idea of what to play. Alternatively you may skip to letter F. Enjoy!Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/
$12.99 ≈
11.96€
We Have All The Time In The World
We Have All The Time In The World
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Hal David and John Barry
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Julia Dos Reis
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We Have All The Time In The Wo
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269761 Composed by Hal David and John Barry. Arranged by Julia Dos Reis. 20th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269761 Composed by Hal David and John Barry. Arranged by Julia Dos Reis. 20th Century,Broadway,Jazz,Musical/Show,Pop,Wedding. 13 pages. Julia Dos Reis #862269. Published by Julia Dos Reis (A0.1269761). A timeless classic made famous by Louis Armstrong. This string quartet arrangement takes memorable features from the original orchestration.(Please note audio track is programmed string sounds)Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/
$12.99 ≈
11.96€
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