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People in the Wind II
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Vous avez sélectionné:
People in the Wind II
Partitions à imprimer
15 partitions trouvées
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1
People in the Wind II
People in the Wind II
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Piano Facile
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DÉBUTANT
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Robert A
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People in the Wind II
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Robert A. Howard
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.998774 Composed by Robert A. Howard. 20th Century,Contemporary,Holiday. Score. 2 pages. Robert A. Howard #5868827. Publis...
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Easy Piano - Level 1 - SKU: A0.998774 Composed by Robert A. Howard. 20th Century,Contemporary,Holiday. Score. 2 pages. Robert A. Howard #5868827. Published by Robert A. Howard (A0.998774). This one handed piano piece is an arrangement of a short work for handbells (also available in a version for four horns), originally written as a centenary tribute to the great American composer Aaron Copland (born 1900). The work makes a brief reference to Copland's famous 'Fanfare for the Common Man' before developing its own sense of line. Harmonies are created by sustaining melodic notes in the manner of bells. The piece is highly accessible and is appropriate for virtually any standard of pianist, including early grade players. The handbell, and the four horns versions of this work are available for purchase via Sheet Music Plus.Duration: 1 minute 25 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$2.49 ≈
¥17.74
Revelations 5 (Mvt. II)
Revelations 5 (Mvt. II)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...
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Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00 ≈
¥356.20
And the Wind
And the Wind
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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And the Wind
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787260 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Octavo. 8 pages. Burke & Bagle...
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Choral Choir (SATB) - Level 4 - SKU: A0.787260 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Octavo. 8 pages. Burke & Bagley #49723. Published by Burke & Bagley (A0.787260). An Open World, When I Land and And the Wind are three settings for unaccompanied mixed choir (SATB) of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. And the Wind is duration ca. 4 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. And the Wind: There is an awesome beauty found in sailing Through black of night upon the open sea, Your vessel mauled by unseen waves and trailing Her phosphorescent wake, as steadily, She plows into the darkness, And the wind.
$1.99 ≈
¥14.18
Sounds of the Underground II: Uptown 1
Sounds of the Underground II: Uptown 1
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Andrew W
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Sounds of the Underground II:
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T.U.X. People's Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1075316 Composed by Andrew W...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1075316 Composed by Andrew W. Sharrock. Contemporary,Contest,Festival,Instructional. 16 pages. T.U.X. People's Music #679518. Published by T.U.X. People's Music (A0.1075316). You will find no lack of excitement and flair in Andrew W. Sharrock's latest work! Sounds of the Underground II is driving and bold, with showy features abound for everybody in your saxophone quartet!
$25.00 ≈
¥178.10
Come, Ye Thankful People, Come (Downloadable Choral Score)
Come, Ye Thankful People, Come (Downloadable Choral Score)
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Thanksgiving
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Jeremy J
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Come, Ye Thankful People, Come
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, descant, SATB choir, brass quartet, handbells (3 - Moderately Easy - SKU: MQ.60-9940-E Composed by Jeremy J. Bankson. Thanksgiving. 10 pag...
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Congregation, descant, SATB choir, brass quartet, handbells (3 - Moderately Easy - SKU: MQ.60-9940-E Composed by Jeremy J. Bankson. Thanksgiving. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-9940-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-9940-E). English.This concertato on ST. GEORGE'S WINDSOR begins with an introduction in which the melody is set against a jaunty countermelody of dotted rhythms, a motif which recurs throughout the piece. The first verse is in unison, the second is SATB and organ only, the third gives the countermelody to the choir with handbells accompanying. The fourth verse is unison with descant and fully utilizes the brass quartet and 3-5 octaves of handbells. This is a bold and joyful setting of this tune which highlights its fun side rather than its usual staid self!Instrumental Parts include: Trumpets I and II in C and B-flat, Horn in F (substitute for Trombone I), Trombone I and II, Handbells (3-5 ocatoves).
$2.65 ≈
¥18.88
Poem For The People
Poem For The People
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Rock
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Chicago
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Patrick Sheehan
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Poem For The People
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747854 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 81 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747854 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 81 pages. Patrick Sheehan #4968525. Published by Patrick Sheehan (A0.747854). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Electric Guitar I, Electric Guitar II, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago II released in 1970. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
¥178.10
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Keiko Takashima
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Breeze in The Hearts, Bloom in
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1...
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B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99 ≈
¥356.13
Something In This City Changes People
Something In This City Changes People
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Rock
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Chicago
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Patrick Sheehan
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Something In This City Changes
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747888 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747888 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan #4968647. Published by Patrick Sheehan (A0.747888). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Alto Flute (G), Grand Piano, Acoustic Guitar, Bass, Triangle, Mark Tree, Conga Drums. All parts transcribed by ear from the original recording from Chicago VI released in 1973. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
¥178.10
The Decoration of Houses: Seven Miniatures for SATB Chorus, Soloists, Narrator, and Piano
The Decoration of Houses: Seven Miniatures for SATB Chorus, Soloists, Narrator, and Piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Elissa Brill Pashkin
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The Decoration of Houses: Seve
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Elissa Brill Pashkin
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.938912 Composed by Elissa Brill Pashkin. Contemporary. Octavo. 27 pages. Elissa Brill Pashkin #59085. Published ...
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Choral Choir (SATB) - Level 4 - SKU: A0.938912 Composed by Elissa Brill Pashkin. Contemporary. Octavo. 27 pages. Elissa Brill Pashkin #59085. Published by Elissa Brill Pashkin (A0.938912). Back to School 2015, Duration 8.5 minutes, composed in 2003. Text is excerpted from the book The Decoration of Houses by Edith Wharton and Ogden Codman, Jr.. Seven short movements: I. Introduction: Rooms in General, II. Openings: Doors, Windows, Vestibule, III. Solo: The Dining Room, IV. Structure: Walls Ceilings, Floors, V. Solo: Fireplaces, VI. Interiors: The Children’s Room, VII. Conclusion: Common Sense. Solo passages may be sung as unisons. Narration may be divided among several people. The occasional x noteheads indicate that text is spoken in rhythm. The audio clip is the final movement--Conclusion, performed in May, 2003 by the Holyoke Community College Chorale, directed by Dr. Janet Polvino and accompanied by Joyce Crouch. Complete recording available upon request from the composer at ebrill@hcc.edu. The nature of the piece is elegant, a bit satiric, a bit wacky--certainly one of a kind. Minimum level is advanced high school or college. Licensed by BMI.
$2.25 ≈
¥16.03
Violin Trios for Christmas, Vol. II
Violin Trios for Christmas, Vol. II
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Trio à cordes: 3 violins
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INTERMÉDIAIRE
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Noël
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Various
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Violin Trios for Christmas, Vo
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Cindy Blevins
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SheetMusicPlus
Composed by Various. Arranged by Cindy Blevins. Christmas. Sheet Music Single. 79 pages. Published by Cindy Blevins...
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Composed by Various. Arranged by Cindy Blevins. Christmas. Sheet Music Single. 79 pages. Published by Cindy Blevins
Violin Trios for Christmas, Vol. II contains 12 beautiful arrangements for three violins. You will receive the scores (some people like to see how the parts fit together), the Violin 1 parts, the Violin 2 parts and the Violin 3 parts. You can view some score samples. The audio sample is an excerpt from "Greensleeves." It was digitally produced.
The songs included in this book are: Angels We Have Heard On High, Bring a Torch, Jeannette, Isabella, Deck the Halls, God Rest Ye Merry, Gentlemen, Greensleeves, In the Bleak Midwinter, Jesu, Joy of Man's Desiring, Joy to the World, Silent Night, Sussex Carol, The Son of Mary and We Three Kings.
For all of my harp music (originals and arrangements for all kinds of harps), harp learning materials, harp with other instruments (clarinet, Native American flute, mandolin, flute), Native American flute learning materials, piano music (originals and arrangements), woodwind ensembles, string ensembles and much more, visit my website.
$18.95 ≈
¥135.00
PIANO SONATA
PIANO SONATA
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Piano seul
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AVANCÉ
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Aaron Robinson
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PIANO SONATA
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Music at Immanuel
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Mus...
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Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.
$9.99 ≈
¥71.17
When I Land
When I Land
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
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Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25 ≈
¥16.03
Legacy for Chamber Orchestra
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00 ≈
¥284.96
Legacy
Legacy
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95 ≈
¥355.85
Four World Variants for Clarinet Quartet
Four World Variants for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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Four World Variants for Clarin
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Sonata Grendel Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Son...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Sonata Grendel Publishing #3133453. Published by Sonata Grendel Publishing (A0.837482). All the movements of Four World Variants are based on one theme. The theme proper can be heard in the fugue subject of the first movement. The second movement uses the theme in retrograde inversion (backwards and upside down) to emulate the music of Gagaku. Gagaku literally translates as elegant music and is the ancient imperial court music of Japan. The third movement uses the theme in retrograde (simply backwards) to create a sarabande. Sarabandes are typically associated with the dance suites of the Baroque era but are said to have originated in Central and North America. The Sarabande was banned for a time in 16th century Spain for it’s lascivious nature. The final movement uses the original form of the theme combined with a traditional drumming pattern of the Ewe people of Togo, Benin, and Ghana, West Africa. I. Europe: An Enlightenment Fugue II. Asia: A Gagaku Serenade III. A New World Sarabande IV. Africa: Ewe Polyrhythms This 14 minute suite is scored for two four B-flat clarinets and is ideal for high school, college or professional players. You can find information on Brett L. Wery’s music at: http://www.societyofcomposers.org/members/BrettL.Wery/ or follow him on Facebook at: https://www.facebook.com/werymusic/
$27.95 ≈
¥199.12
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People in the Wind II
