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People in the Wind III
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Vous avez sélectionné:
People in the Wind III
Partitions à imprimer
13 partitions trouvées
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1
People in the Wind III
People in the Wind III
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Robert A
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People in the Wind III
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Robert A. Howard
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SheetMusicPlus
Horn - Level 4 - SKU: A0.998773 Composed by Robert A. Howard. 20th Century,Contemporary,Holiday. 3 pages. Robert A. Howard #5868817. Published by Robert...
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Horn - Level 4 - SKU: A0.998773 Composed by Robert A. Howard. 20th Century,Contemporary,Holiday. 3 pages. Robert A. Howard #5868817. Published by Robert A. Howard (A0.998773). This piece is an arrangement of a short work for handbells (also available in a one hand piano version), originally written as a centenary tribute to the great American composer Aaron Copland (born 1900). The work makes a brief reference to Copland's famous 'Fanfare for the Common Man' before developing its own sense of line. Harmonies are created by sustaining melodic notes in the manner of bells. The piece is highly accessible and is appropriate for higher standard horn players, including students and the more advanced. The handbell, and the one hand piano versions of this work are available for purchase via Sheet Music Plus.Duration: 1 minute 45 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$2.99 ≈
2.76€
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Anonymous, Claude Gervaise, Cl
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan ...
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Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00 ≈
16.62€
En Vray Amoure - Henry VIII
En Vray Amoure - Henry VIII
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Henry VIII
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Alastair Lodge
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En Vray Amoure - Henry VIII
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1454674 Composed by Henry VIII. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033750. Publish...
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Level 2 - SKU: A0.1454674 Composed by Henry VIII. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033750. Published by Wold Meridian (A0.1454674). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=Bdu25_cWDQIAs a help for players who are not so familiar with playing harmony and inner lines each line is featured in its own video. Line 2 is featured at https://www.youtube.com/watch?v=GMAkpkdqYWELine 3 is featured at https://www.youtube.com/watch?v=gjJLXN9Tss8Line 4 is featured at https://www.youtube.com/watch?v=l26SFzawqbU
$2.50 ≈
2.31€
ELEGIE (ELEGY) (miniatura) (miniature) - aranjament pentru duet vioara-pian in Si minor (arrangement
ELEGIE (ELEGY) (miniatura) (miniature) - aranjament pentru duet vioara-pian in Si minor (arrangement
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2 Violons (duo)
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INTERMÉDIAIRE
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Andrei-Lucian Dragoi
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ELEGIE
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Andrei-Lucian Dragoi
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SheetMusicPlus
Instrumental Duet,Violin - Level 3 - SKU: A0.913113 Composed by Andrei-Lucian Dragoi. 20th Century,Contemporary,Standards. 9 pages. Andrei-Lucian Dragoi...
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Instrumental Duet,Violin - Level 3 - SKU: A0.913113 Composed by Andrei-Lucian Dragoi. 20th Century,Contemporary,Standards. 9 pages. Andrei-Lucian Dragoi #6442545. Published by Andrei-Lucian Dragoi (A0.913113). - miniatură inspirată de poezia Elegie* scrisă de Marin Sorescu -(miniature inspired by the poem Elegie* written by the Romanian poet Marin Sorescu)- aranjament pentru duet vioara-pian in Si minor (arrangement for violin-piano duo in Bm) -Part of my audio album called My Chamber Music - Volume III (The Botanical Garden) (as the 6th track):https://www.youtube.com/watch?v=K9_ka5v3Dk4https://www.youtube.com/watch?v=K9_ka5v3Dk4&list=OLAK5uy_kBUtAVDyq6z2tw41BOOHfETLxoTpLS4ac&i.....https://www.youtube.com/watch?v=MXRO-BiYU9s&list=OLAK5uy_kBUtAVDyq6z2tw41BOOHfETLxoTpLS4achttps://www.youtube.com/channel/UCJ-YAunlEyaYapShWEU6m-Ahttps://www.youtube.com/results?search_query=andrei+lucian+dragoi+botanical+garden Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) LYRICS IN ROMANIAN: Elegie de Marin Sorescu Mamă, întâia zăpadă, ÃŽncepe deasupră-Å£i să-Å£i cadă, AsculÅ£i înspicarea de vânt, Ascunsă-ntr-un singur cuvânt. Pământul întreg se destramă El trece ÅŸi dincolo, mamă? Materia unde se duce Din locul c-o floare de cruce? Urmează mai greu după greu? Se moare ÅŸi-acolo mereu? Åži cine plânge aceste Noi morÅ£i fără boli, fără veste? Tu toate voiai să le ÅŸtii, Izvor pentru verbul a fi, Tu care născut-ai în chin, Această ninsoare Å£i-o-nchin, SfinÅ£ind cu prohod de nămeÅ£i, Prea multele tale peceÅ£i. LYRICS IN ENGLISH (a gross translation): Elegy by Marin Sorescu Mom, the first snow, It's starting to fall on you, You listen to the gust of wind, Hidden in one word. The whole earth is falling apart, but does it go Beyond, mother? Where does the matter go From the place of a flower-like cross? Does harder follow after just hard? Do people also die in their after-life world? And who cries about these new sudden deaths without any disease? You wanted to know everything, As you are the Source for the verb „to beâ€, You who gave birth in torment, I homage you with this snow, Sanctifying with a sacred chant of mud, The too-many of your seals. This piece is part of my 3rd officially released audio album called My Chamber Music - vol. 3 (The Botanical Garden) (https://www.youtube.com/watch?v=MXRO-BiYU9s&list=OLAK5uy_kBUtAVDyq6z2tw41BOOHfETLxoTpLS4ac) which is entirely composed by me and interpreted by Note Performer 3 (the only Artificial Intelligence-based playback engine for musical notation worldwide). Have a nice, inspired audition!
$3.00 ≈
2.77€
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Keiko Takashima
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Breeze in The Hearts, Bloom in
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1...
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B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99 ≈
46.17€
Something In This City Changes People
Something In This City Changes People
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Rock
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Chicago
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Patrick Sheehan
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Something In This City Changes
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747888 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747888 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan #4968647. Published by Patrick Sheehan (A0.747888). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Alto Flute (G), Grand Piano, Acoustic Guitar, Bass, Triangle, Mark Tree, Conga Drums. All parts transcribed by ear from the original recording from Chicago VI released in 1973. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
23.09€
The Decoration of Houses: Seven Miniatures for SATB Chorus, Soloists, Narrator, and Piano
The Decoration of Houses: Seven Miniatures for SATB Chorus, Soloists, Narrator, and Piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Elissa Brill Pashkin
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The Decoration of Houses: Seve
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Elissa Brill Pashkin
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.938912 Composed by Elissa Brill Pashkin. Contemporary. Octavo. 27 pages. Elissa Brill Pashkin #59085. Published ...
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Choral Choir (SATB) - Level 4 - SKU: A0.938912 Composed by Elissa Brill Pashkin. Contemporary. Octavo. 27 pages. Elissa Brill Pashkin #59085. Published by Elissa Brill Pashkin (A0.938912). Back to School 2015, Duration 8.5 minutes, composed in 2003. Text is excerpted from the book The Decoration of Houses by Edith Wharton and Ogden Codman, Jr.. Seven short movements: I. Introduction: Rooms in General, II. Openings: Doors, Windows, Vestibule, III. Solo: The Dining Room, IV. Structure: Walls Ceilings, Floors, V. Solo: Fireplaces, VI. Interiors: The Children’s Room, VII. Conclusion: Common Sense. Solo passages may be sung as unisons. Narration may be divided among several people. The occasional x noteheads indicate that text is spoken in rhythm. The audio clip is the final movement--Conclusion, performed in May, 2003 by the Holyoke Community College Chorale, directed by Dr. Janet Polvino and accompanied by Joyce Crouch. Complete recording available upon request from the composer at ebrill@hcc.edu. The nature of the piece is elegant, a bit satiric, a bit wacky--certainly one of a kind. Minimum level is advanced high school or college. Licensed by BMI.
$2.25 ≈
2.08€
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99 ≈
14.77€
PIANO SONATA
PIANO SONATA
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Piano seul
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AVANCÉ
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Aaron Robinson
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PIANO SONATA
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Music at Immanuel
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Mus...
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Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.
$9.99 ≈
9.23€
Legacy for Chamber Orchestra
Legacy for Chamber Orchestra
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00 ≈
36.94€
Legacy
Legacy
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95 ≈
46.13€
Four World Variants for Clarinet Quartet
Four World Variants for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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Four World Variants for Clarin
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Sonata Grendel Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Son...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Sonata Grendel Publishing #3133453. Published by Sonata Grendel Publishing (A0.837482). All the movements of Four World Variants are based on one theme. The theme proper can be heard in the fugue subject of the first movement. The second movement uses the theme in retrograde inversion (backwards and upside down) to emulate the music of Gagaku. Gagaku literally translates as elegant music and is the ancient imperial court music of Japan. The third movement uses the theme in retrograde (simply backwards) to create a sarabande. Sarabandes are typically associated with the dance suites of the Baroque era but are said to have originated in Central and North America. The Sarabande was banned for a time in 16th century Spain for it’s lascivious nature. The final movement uses the original form of the theme combined with a traditional drumming pattern of the Ewe people of Togo, Benin, and Ghana, West Africa. I. Europe: An Enlightenment Fugue II. Asia: A Gagaku Serenade III. A New World Sarabande IV. Africa: Ewe Polyrhythms This 14 minute suite is scored for two four B-flat clarinets and is ideal for high school, college or professional players. You can find information on Brett L. Wery’s music at: http://www.societyofcomposers.org/members/BrettL.Wery/ or follow him on Facebook at: https://www.facebook.com/werymusic/
$27.95 ≈
25.81€
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People in the Wind III
