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Piano Solo In A Harmonic Minor
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Vous avez sélectionné:
Piano Solo In A Harmonic Minor
Partitions à imprimer
299 partitions trouvées
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Piano Solo In A-Harmonic Minor
Piano Solo In A-Harmonic Minor
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Piano seul
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AVANCÉ
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James Allen Shimanek
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Piano Solo In A-Harmonic Minor
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James A Shimanek
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.844142 Composed by James Allen Shimanek. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. James A Shi...
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Piano Solo - Level 5 - SKU: A0.844142 Composed by James Allen Shimanek. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. James A Shimanek #3024493. Published by James A Shimanek (A0.844142).
$4.00 ≈
3.69€
River Flow: Intermediate Piano Solo in F Minor
River Flow: Intermediate Piano Solo in F Minor
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Piano seul
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INTERMÉDIAIRE
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Melissa Blanton
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River Flow: Intermediate Piano
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Melissa Blanton
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.930001 Composed by Melissa Blanton. Contemporary,Instructional. Score. 2 pages. Melissa Blanton #5375295. Published by Me...
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Piano Solo - Level 3 - SKU: A0.930001 Composed by Melissa Blanton. Contemporary,Instructional. Score. 2 pages. Melissa Blanton #5375295. Published by Melissa Blanton (A0.930001). River Flow is a piano solo for the student learning minor keys. Left hand stays in F position. Right hand has two positions and the change is indicated in the music. You will enjoy the flow of this piece and the beautiful borrowed chord at the end with a ritardando to emphasize the harmonic change. Ends at a tempo with a rolled chord in the right hand. (If you use Alfred, this would be perfect at level 3.).
$1.99 ≈
1.83€
Capriccietto in D Harmonic Minor
Capriccietto in D Harmonic Minor
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Piano seul
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FACILE
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Amy L Johnson
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Capriccietto in D Harmonic Min
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Amy L Johnson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1015657 Composed by Amy L Johnson. Contemporary,Standards. Score. 2 pages. Amy L Johnson #4830555. Published by Amy L Joh...
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Piano Solo - Level 2 - SKU: A0.1015657 Composed by Amy L Johnson. Contemporary,Standards. Score. 2 pages. Amy L Johnson #4830555. Published by Amy L Johnson (A0.1015657). A simple piano solo. Reminiscent of a classical piano sonatina.
$2.99 ≈
2.76€
Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords (in all KEY SIGNATURES)
Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords (in all KEY SIGNATURES)
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Piano seul
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INTERMÉDIAIRE
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Alan R
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Alan R
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Thompson's Structured Guide -
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Alan R Thompson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1108136 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Pop,Rock,Traditional. Sco...
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Piano Solo - Level 3 - SKU: A0.1108136 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Pop,Rock,Traditional. Score. 407 pages. Alan R Thompson #710754. Published by Alan R Thompson (A0.1108136). This book represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This “STRUCTURED GUIDE†will provide building blocks for the creation of original music, be useful in increasing technical proficiency in your instrument of choice, improve your sight-reading skills and help you develop a better ear for music. This book lists in standard sheet music notation over 75 scales (and their Relative Modes) and over 75+ associated chords organized in each of the 12 Key Signatures (or enharmonic equivalent keys) found in Western Music. Note that the sheet music in this book is organized by Key Signature (Relative Modes) and not by Tonic/Tonal Center (Parallel Modes) as in separate book. This organization helps promote a more fluid approach for improvising without need for excessive mental calculations to transpose keys as you're playing. Each Key Signature Section is 28 pages of sheet music, which could take several hours to play depending on how familiar you are with the material and how much you improvise thereon. Scales and Modes listed include the Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Lydian Diminished/Lydian b3, Whole Tone, Octatonic/Diminished and Chromatic Scales. Also, numerous Bebop and Pentatonic Scales (traditional & exotic), Augmented, Double Harmonic Scales and numerous unique non-standard Scales are referenced, etc. Chords from triads up to 13ths are presented in arpeggiated & as well as block format with inversions, along with SCALE SUGGESTIONS for these chords. Audio sample plays through a Grand Staff version in C-Major / A-Minor. Author Contact: alanrt63@gmail.com [Will provide free updated PDF to purchasers making suggestions incorporated in later edition.].
$14.99 ≈
13.81€
The Raymond Variations for Piano (Set 1)
The Raymond Variations for Piano (Set 1)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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S
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these include a
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The Raymond Variations for Pia
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S. G. Potts
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #351210...
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Piano Solo - Level 4 - SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99 ≈
9.21€
Bach-Gounod: Ave Maria for Clarinet and Piano
Bach-Gounod: Ave Maria for Clarinet and Piano
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Clarinette et Piano
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FACILE
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Classique
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Cla
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the ?combined? piece was Mditation sur le Premier Prlude de Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Lopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.33€
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alt
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Par...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B
flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate
player who can manage a top ?b? with confidence.
In 1853, the well-known French composer Charles Gounod added his own melody over a rippling
keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,
BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of
the ?combined? piece was Mditation sur le Premier Prlude de Piano de S. Bach. Gounod?s
original arrangement transposed Bach?s keyboard part from C major into F major and it was
scored for violin (or cello), organ and piano. In 1859, the French music publishing company
Jacques-Lopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria
(Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95 ≈
7.33€
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
#
J
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Ten
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his
own melody over a rippling keyboard accompaniment which was a slightly adapted version of the
Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,
published in 1722. The title of the ?combined? piece was Mditation sur le Premier Prlude de
Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major
into F major and it was scored for violin (or cello), organ and piano. In 1859, the French
music publishing company Jacques-Lopold Heugel brought out a vocal version based on the
familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the
Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95 ≈
7.33€
Bach-Gounod: Ave Maria for Flute and Piano
Bach-Gounod: Ave Maria for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Classique
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J
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Colin Kirkpatrick
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Worship, Easter, Mother'
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Bach-Gounod: Ave Maria for Flu
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the ?combined? piece was Mditation sur le Premier Prlude de Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Lopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.33€
Sonatina for Viola and Piano
Sonatina for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Richard E Brown
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Sonatina for Viola and Piano
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Dacker Music
#
SheetMusicPlus
Piano Accompaniment, Viola - Advanced Intermediate - Composed by Richard E Brown. Contemporary Classical, Repertoire. Score, Solo Part. 33 pages. Pu...
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Piano Accompaniment, Viola - Advanced Intermediate - Composed by Richard E Brown. Contemporary Classical, Repertoire. Score, Solo Part. 33 pages. Published by Dacker Music
As the title indicates, Sonatina for Viola and Piano closely follows sonata form
a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form,
and in this sonatina, the tonal relationships within and between the movements are
all based on seconds. The movements are:
1. Allegro moderato, a fairly strict sonata-allegro in B minor.
2. Andante, a theme and variations in B-flat major, an enharmonic minor second
relationship to the outer movements.
3. Vivace, an abridged sonata-rondo in the home key of B minor
Grade 4+ Duration: 7:4
$14.00 ≈
12.90€
Preludio in la minore
Preludio in la minore
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Piano Facile
#
DÉBUTANT
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Aldo Roberto Pessolano
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Preludio in la minore
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Aldo Roberto Pessolano
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1267164 By Aldo Roberto Pessolano. By Aldo Roberto Pessolano. 21st Century,Classical,Contemporary,New Age,Pop. Score. 1 p...
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Piano Solo - Level 1 - SKU: A0.1267164 By Aldo Roberto Pessolano. By Aldo Roberto Pessolano. 21st Century,Classical,Contemporary,New Age,Pop. Score. 1 pages. Aldo Roberto Pessolano #859803. Published by Aldo Roberto Pessolano (A0.1267164). Bring the beauty of classical melodies into your home with this touching piano prelude suitable for beginners. Composed in A minor, this short one-page piece captures the essence of musical romance with its gentle, dreamy gait. Despite its apparent simplicity, the prelude presents a technical challenge with its double notes repeated in the right hand that require coordination.Let the gentle harmonic waves of this prelude transport you to a world of timeless elegance. With its clear structure and moderate rhythm, this piece is the perfect introduction to the classical repertoire for novice pianists. Add a touch of grace to your concert program or treat your loved ones to the enchanting notes of this intimate prelude.
$1.99 ≈
1.83€
Sixth Sense - by Piano Hive
Sixth Sense - by Piano Hive
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Piano Facile
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FACILE
#
Contemporain
#
Janette Mason, James Thompso
#
Sixth Sense - by Piano Hive
#
Piano Hive
#
SheetMusicPlus
Piano Solo - Composed by Janette Mason, James Thompson. Contemporary Classical, Neo-Classical, Repertoire, Technique Training, Recital. 6 pages. Pub...
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Piano Solo - Composed by Janette Mason, James Thompson. Contemporary Classical, Neo-Classical, Repertoire, Technique Training, Recital. 6 pages. Published by Piano Hive
Contemporary Classical, solo piano piece suitable for Grade 5 - 6, intermediate players.
'Sixth Sense' is an intricate cinematic piece which explores some wonderful harmony. This main riff is a real joy with both hands working in partnership to create beautiful texture and sound. The introduction of the melody comes in with grace and adds another dimension to the piece!
Key techniques
- 8th note left hand spread arpeggios over a 10th
- Right hand octave melody playing
- Contrasting dynamics left and right hand
Composer Tips
- In preparation for learning the piece, practice Ab major and F minor harmonic scales hands together.
- Keep the quaver movement steady throughout and be careful not to over emphasise the first note in each bar.
- Keep a very loose wrist to help perform the left hand extended arpeggios
Sixth Sense is suitable for home performance, practice pieces, ABRSM grade support pieces, professional performance, school and student learning.
Influenced by the current top pianists in this field such as Ludovico Einaudi, Alexis Ffrench, Olafur Arnalds, Luke Howard etc. Piano Hive always aim to write and produce music that is clearly laid out, very readable and will help improve several aspects of your playing whilst sounding great at the same time. We hope you enjoy and please come over to our socials to leave some feedback or send us an email!
$4.99 ≈
4.60€
We Three Kings – Late Beginner/Elementary Christmas Piano Sheet Music Solo
We Three Kings – Late Beginner/Elementary Christmas Piano Solo
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Piano Facile
#
DÉBUTANT
#
Noël
#
John Henry Hopkins Jr
#
Amanda Tero
#
We Three Kings – Late Be
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Amanda Tero
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1097079 Composed by John Henry Hopkins Jr. Arranged by Amanda Tero. Christian,Christmas,Holiday,Sacred,Traditional. Score...
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Piano Solo - Level 1 - SKU: A0.1097079 Composed by John Henry Hopkins Jr. Arranged by Amanda Tero. Christian,Christmas,Holiday,Sacred,Traditional. Score. 4 pages. Amanda Tero #701044. Published by Amanda Tero (A0.1097079). This late beginner/elementary sheet music of We Three Kings takes the student along a journey of melodic interest in D minor. Musical elements in We Three Kings late beginner piano sheet music - Key of D minor - Left hand intervals (harmonic and melodic) - Right hand melody with occasional secondary notes - Basic rhythm (dotted half notes, half notes, quarter notes, eighth notes) - A melodic introduction - Finger numbers - A few ledger lines Teaching tips for We Three Kings sheet music Students love the chorus, where both the right hand and left hand play intervals together. However, some students get too eager and rush through this part. This will lead to a great discussion where fast is not always the solution to exciting parts. #wethreekings #christmaspiano #beginnerpiano #sheetmusic.
$3.99 ≈
3.68€
The Leaves Around Me Falling [A Minor]
The Leaves Around Me Falling [A Minor]
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Piano, Voix
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INTERMÉDIAIRE
#
Musique Sacrée
#
Stacey Plays Hymns
#
Anastace
#
The Leaves Around Me Falling [
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1393223 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1393223 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #976704. Published by Anastace (A0.1393223). Here is the full piano vocal version of “The Leaves Around Me Fallingâ€, as heard on my YouTube channel and in many comforting, beautiful funeral playlists. This version is in A minor to suit singers with higher voices [the melody extends from D4-D5 for a comfortable soprano range], and has the exact piano accompaniment as well as full melody and lyrics for a soloist or choir. It works well as a solo or congregational song for any autumn or funeral service, featuring the meaningful lyrics of Henry Francis Lyte reminding us of the swiftness of this life, and the hope we have for the life beyond. Also included at the end of the file is a separate printout of both the piano and vocal parts separately for ease of practice and rehearsal.The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and harmonic arrangement, which can be found on all streaming platforms as well as Youtube, where lyric videos of this and other songs are readily available for church or personal use. Not just a hymn for September and October, I've found myself going back to this song often, as it captures the rich beauty and yet sadness of the autumn season, and still somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano and Vocal in E Minor for easier playing [vocal range A3-A4]Piano and Vocal in F Minor to match the original recording [vocal range Bb3-Bb4]Lead Sheet Version in F Minor [vocal range Bb3-Bb4] [as well as more detailed chords]Lead Sheet Version in E Minor for easier playing [vocal range A3-A4]For other formats including large print, different vocal ranges, or extended choral SATB versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$6.00 ≈
5.53€
The Leaves Around Me Falling [E Minor]
The Leaves Around Me Falling [E Minor]
#
Piano, Voix
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Stacey Plays Hymns
#
Anastace
#
The Leaves Around Me Falling [
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1393221 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1393221 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #976702. Published by Anastace (A0.1393221). Here is the full piano vocal version of “The Leaves Around Me Fallingâ€, as heard on my YouTube channel and in many comforting, beautiful funeral playlists. This version is in E minor to make it easier to play, and has the exact piano accompaniment as well as full melody and lyrics for a soloist or choir. It works well as a solo or congregational song for any autumn or funeral service, featuring the meaningful lyrics of Henry Francis Lyte reminding us of the swiftness of this life, and the hope we have for the life beyond. Also included at the end of the file is a separate printout of both the piano and vocal parts separately for ease of practice and rehearsal.The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and harmonic arrangement, which can be found on all streaming platforms as well as Youtube, where lyric videos of this and other songs are readily available for church or personal use. Not just a hymn for September and October, I've found myself going back to this song often, as it captures the rich beauty and yet sadness of the autumn season, and still somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano and Vocal in F Minor to match the original recording [vocal range Bb3-Bb4]Piano and Vocal in A Minor for higher voice [vocal range D4-D5]Lead Sheet Version in F Minor [vocal range Bb3-Bb4] [as well as more detailed chords]Lead Sheet Version in E Minor for easier playing [vocal range A3-A4]For other formats including large print, different vocal ranges, or extended choral SATB versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$6.00 ≈
5.53€
Winter (from The Four Seasons) - Piano Solo
Winter (from The Four Seasons) - Piano Solo
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Piano seul
#
AVANCÉ
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Classique
#
Antonio Vivaldi
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Mario Stallbaumer
#
Winter
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Advanced - Composed by Antonio Vivaldi (1678-1741). Arranged by Mario Stallbaumer. Baroque Period, Repertoire. 8 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Antonio Vivaldi (1678-1741). Arranged by Mario Stallbaumer. Baroque Period, Repertoire. 8 pages. Published by Mario Stallbaumer
Here's how to play Vivaldi's "Winter" on piano!
With this sheet music, you get an accurate, beautiful piano arrangement of the first movement of Vivaldi's "Winter" violin concerto.
Antonio Vivaldi (1678 - 1741) wrote four violin concertos that became known as the "Four Seasons" (Op. 8).
Each of the concertos is dedicated to a specific season - the fourth one (Op. 8 No. 4 in F minor, RV 297) is about Winter.
The first movement of the concerto ("Allegro non molto") is a stunning piece full of beautiful harmonic sequences and challenging scales for the solo violin.
It's certainly a challenge to play Vivaldi's "Winter" on piano - with this sheet music, you can master it perfectly!
If you like this arrangement, please consider leaving a review - it would mean a lot.
$2.99 ≈
2.76€
Mastery of Keys: A Comprehensive Guide of Scales, Arpeggios, and Chords
Mastery of Keys: A Comprehensive Guide of Scales, Arpeggios, and Chords
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Piano seul
#
DÉBUTANT
#
Methodes
#
Bill Walker
#
Bill Walker
#
Mastery of Keys: A Comprehensi
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Bill Walker Music Publishing
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1310433 Composed by Bill Walker. Arranged by Bill Walker. Instructional. Score. 201 pages. Bill Walker Music Publishing #...
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Piano Solo - Level 1 - SKU: A0.1310433 Composed by Bill Walker. Arranged by Bill Walker. Instructional. Score. 201 pages. Bill Walker Music Publishing #899072. Published by Bill Walker Music Publishing (A0.1310433). Mastery of Keys: A Comprehensive Guide of Scales, Arpeggios, and Chords A book for every pianist: student, teacher, and professional!Whether you're just starting your musical journey or seeking to refine your craft, this book is your invaluable companion. With clear, practical exercises, you'll efforlessly navigate the intricate patterns of scales, arpeggios, and chords. From the foundational basics to the most intricate progressions, this book equips you with the tools to unlock your true potential as a pianist.Let's look inside: Section 1: Scales Five Finger Scales Major Scales: One Octave Major Scales: Two Octaves Major Scales: Three Octaves Major Scales: Four Octaves Minor Scales: Natural, Melodic, and Harmonic Major & Harmonic Minor Scales in 3rds Major & Harmonic Minor Scales in 6ths Major & Harmonic Minor Scales in 10th Major & Harmonic Minor Scales in Octaves Chromatic Scales Section 2: Arpeggios Major, Minor, Dominant 7th and Diminished 7th Section 3: Chords Scale-Tone Triads, Cadences, and Inversions 24 Chords Beginning on Each Root Note Section 4: Appendices Appendix A: The Circle of Fifths Diagram Appendix B: Glossary Within these pages, you'll find an approach that embraces all fifteen major and fifteen minor keys, illuminating the keyboard in its entirety. I acknowledge that some keys may seem less trodden in the world of music composition, but their existence justifies the learning of them. Playing in all keys isn't just about mastering notes; it's about enhancing your versatility, shapening your musical ear, and empowering you to tackle any piece of music that comes your way.Let your fingers dance across the keyboard, let the notes resonate with your heart, and let this book be a guiding star on your musical voyage.Happy Playing!
$14.99 ≈
13.81€
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 2 in A Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 12 in Bb Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.52€
Prelude 6 in G Minor Dorian
Prelude 6 in G Minor Dorian
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 6 in G Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 22 in B Minor Phrygian
Prelude 22 in B Minor Phrygian
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 18 in C# Minor Dorian
Prelude 18 in C# Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 20 in F# MInor Aolian
Prelude 20 in F# MInor Aolian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 24 in E Minor Dorian
Prelude 24 in E Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
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Piano Solo In A Harmonic Minor
