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Prelude and Fugue in e minor for Organ
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Vous avez sélectionné:
Prelude and Fugue in e minor for Organ
Partitions à imprimer
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Prelude and Fugue in e minor for Organ
Prelude and Fugue in e minor for Organ
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Orgue
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INTERMÉDIAIRE
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Classique
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Steven Monrotus
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Prelude and Fugue in e minor f
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Steven Monrotus
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - Interactive Download SKU: A0.1109513 By Steven Monrotus. By Steven Monrotus. This edition: Interactive Download. Clas...
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Instrumental Solo,Organ - Level 3 - Interactive Download SKU: A0.1109513 By Steven Monrotus. By Steven Monrotus. This edition: Interactive Download. Classical. Individual part. 9 pages. Duration 250. Steven Monrotus #5zYXN1TJnE9kyRpeXAyBpP. Published by Steven Monrotus (A0.1109513). Key: E minor.To my friend Jack Jenkins.
$5.99 ≈
5.40€
Prelude and Fugue in E minor, 'For a Funeral'
Prelude and Fugue in E minor, 'For a Funeral'
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Orgue, Piano (duo)
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INTERMÉDIAIRE
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Mitch Boucher
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Prelude and Fugue in E minor,
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Mitch Boucher
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990428 Composed by Mitch Boucher. Baroque,Contemporary. Score and ...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990428 Composed by Mitch Boucher. Baroque,Contemporary. Score and parts. 3 pages. Mitch Boucher #5751227. Published by Mitch Boucher (A0.990428). This prelude and fugue is fit for a funeral. The opening prelude was inspired by Chopin's famous Op. 4, no. 28, but of course I kept everything eighteenth-century. The fugue has a repeat, which is optional depending on the circumstances.
$7.00 ≈
6.31€
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00 ≈
26.13€
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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Clarinette et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
29.69€
Bach - Prelude and Fugue in E minor BWV 533 for Piano
Bach - Prelude and Fugue in E minor BWV 533 for Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Bach Johann Sebastian
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Santino Cara
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Bach - Prelude and Fugue in E
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.517615 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 4 pages. Santino Cara #6290791. Publi...
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Piano Solo - Level 3 - SKU: A0.517615 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 4 pages. Santino Cara #6290791. Published by Santino Cara (A0.517615). Complete score of the Prelude and Fugue in E minor BWV 533 for Piano. Composed for organ between 1704 and 1705 by Johann Sebastian Bach. Transcribed in 2019 by Santino Cara.
$6.20 ≈
5.59€
Bach - Prelude and Fugue in E minor BWV 548 for Piano
Bach - Prelude and Fugue in E minor BWV 548 for Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Bach Johann Sebastian
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Santino Cara
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Bach - Prelude and Fugue in E
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.517620 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 17 pages. Santino Cara #6303719. Publ...
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Piano Solo - Level 3 - SKU: A0.517620 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 17 pages. Santino Cara #6303719. Published by Santino Cara (A0.517620). Complete score of the Prelude and Fugue in E minor BWV 548 for Piano. Composed for organ around 1729 by Johann Sebastian Bach. Transcribed in 2019 by Santino Cara.
$10.40 ≈
9.37€
Prelude and Fugue in E Minor, "Cathedral", BWV 533
Prelude and Fugue in E Minor, "Cathedral", BWV 533
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Michael Bauer
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Prelude and Fugue in E Minor,
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Trompette Publishing
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.575282 Composed by Johann Sebastian Bach. Arranged by Michael Bauer. Baroque,Classical. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.575282 Composed by Johann Sebastian Bach. Arranged by Michael Bauer. Baroque,Classical. Score and parts. 21 pages. Trompette Publishing #184641. Published by Trompette Publishing (A0.575282). Originally for organ from Bach’s earlier days at Arnstadt, this work translates well as an exciting concert piece for an experienced brass quintet. Included parts: C Trumpet 1, C Trumpet 2, Horn, Trombone, Tuba, and Score Bb Trumpet parts available on request.
$9.99 ≈
9.00€
Prelude & Fugue in E minor
Prelude & Fugue in E minor
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Orgue
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AVANCÉ
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Contemporain
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D Hancock
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Prelude & Fugue in E minor
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David Hancock
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1029395 Composed by D Hancock. Contemporary. Score. 8 pages. David Hancock #4848355. Published by David Hancock (A0.1029395). ...
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Organ - Level 5 - SKU: A0.1029395 Composed by D Hancock. Contemporary. Score. 8 pages. David Hancock #4848355. Published by David Hancock (A0.1029395). Paired compositions for organ (approx 2 mins each) to perhaps bookend a service or event. Can also be played in sequence as part of a programme.Prelude: dark, foreboding and dissonant.Fugue: upbeat and exhilarating.
$3.99 ≈
3.60€
Bach: Wachet auf for Alto Clarinet & Piano
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95 ≈
22.48€
Prelude and Fugue in D-minor BWV 549a for clarinet quartet
Prelude and Fugue in D-minor BWV 549a for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in D-minor B
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AMA Editions
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308807 Composed by Johann Sebastia...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308807 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898055. Published by AMA Editions (A0.1308807). Flexible Instrumentation:Transposed Score(Eâ™, Bâ™, Alto, Bass)I. Eâ™ or Bâ™ ClarinetII. Bâ™ Clarinet, Basset Horn, or Alto ClarinetIII. Bâ™ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet or Eâ™ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549a in D-minor is one of his earlier works, believed to have been transcribed later to C-minor (BWV 549). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for Eâ™, Bâ™, alto, and bass clarinet, however, any combination of the included parts is acceptable.A Bâ™ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three Bâ™ clarinets and one bass clarinet, however, it required transposing a couple passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The bass clarinets do not require the extended low range. (AMA-008).Richard originally arranged BWV 549 in C-minor for SATB saxophone quartet (AMA-006) and I adapted it for clarinets (AMA-007), then made the BWV 549a in D-minor version. The editing of this arrangement has been in consultÂÂation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
$20.00 ≈
18.02€
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Richard J
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Prelude and Fugue in C-minor B
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AMA Editions
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308811 Composed by Johann Sebastia...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308811 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898047. Published by AMA Editions (A0.1308811). Flexible Instrumentation:Transposed Score (Eâ™, Bâ™, Alto, Bass)I. Eâ™ or Bâ™ ClarinetII. Bâ™ Clarinet, Basset Horn, or Alto ClarinetIII. Bâ™ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet (to low D) or Eâ™ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for Eâ™, Bâ™, alto, and bass clarinet, however, any combination of the included parts is acceptable.A Bâ™ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three Bâ™ clarinets and one bass clarinet, however, it required transposing some passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The Part IV bass clarinet requires several low Ds so an extended range instrument is necessary. For a version that doesn’t require an extended range bass clarinet, BWV 549a in D-minor is available (AMA-008). This version also retains more of the original octaves in III. Bâ™ Clarinet.Richard originally arranged this work for SATB saxophone quartet and I have adapted it for clarinets. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
$20.00 ≈
18.02€
Pachelbel: Canon in D for Solo Viola
Pachelbel: Canon in D for Solo Viola
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Alto (partie séparée)
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Solo
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jmsgu3
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual pa...
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Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual part. 2 pages. Jmsgu3 #6116381. Published by jmsgu3 (A0.552083). The famous wedding classic arranged for Solo Viola.Duration: 2:12Score: 2 pages. The famous Pachelbel Canon arranged for Solo Viola. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
29.69€
Bach - Fugue in E minor BWV 548b - Piano version
Bach - Fugue in E minor BWV 548b - Piano version
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Piano seul
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INTERMÉDIAIRE
#
Classique
#
Santino Cara
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Santino Cara
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Bach - Fugue in E minor BWV 54
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1345340 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 12 pages. Santino Cara #9302...
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Piano Solo - Level 3 - SKU: A0.1345340 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 12 pages. Santino Cara #930278. Published by Santino Cara (A0.1345340). Fugue in E minor BWV 548b for Piano. Second movement of Prelude and Fugue Composed for organ around 1729 by Johann Sebastian Bach. Transcribed for Piano in Rome in 1994 by Santino Cara.AndantinoNote: BWV 548 (we have inserted the b referring to the Fugue to indicate the second movement of the Prelude and Fugue).
$4.40 ≈
3.97€
Bach - Fugue in E minor BWV 533b - Piano version
Bach - Fugue in E minor BWV 533b - Piano version
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Piano seul
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INTERMÉDIAIRE
#
Classique
#
Santino Cara
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Santino Cara
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Bach - Fugue in E minor BWV 53
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1345337 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 3 pages. Santino Cara #93027...
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Piano Solo - Level 3 - SKU: A0.1345337 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 3 pages. Santino Cara #930275. Published by Santino Cara (A0.1345337). Fugue in E minor BWV 533b for Piano. Second movement of Prelude and Fugue Composed for organ between 1704 and 1705 by Johann Sebastian Bach. Transcribed in Rome in 1996 by Santino Cara.AndanteNote: BWV 533 (we have inserted the b referring to the Fugue to indicate the second movement of the Prelude and Fugue).
$4.40 ≈
3.97€
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinette
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
29.69€
Pachelbel: Canon in D for Bassoon & Harp
Pachelbel: Canon in D for Bassoon & Harp
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Basson et Harpe
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Bass
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - SKU: A0.1098863 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classic...
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Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - SKU: A0.1098863 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702706. Published by jmsgu3 (A0.1098863). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bassoon & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
29.69€
Pachelbel: Canon for Tenor Sax & Piano
Pachelbel: Canon for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Tenor Sax
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedd...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95 ≈
29.69€
Pachelbel: Canon for Clarinet & Piano
Pachelbel: Canon for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Clarinet
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386285. Published by jmsgu3 (A0.548466). The famous Pachelbel Canon arranged for clarinet in Bb and piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. .
$32.95 ≈
29.69€
Pachelbel: Canon for Alto Flute & Piano
Pachelbel: Canon for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386...
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Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95 ≈
24.29€
Bach - 14 Preludes and Fugues - Book 2 - for Piano
Bach - 14 Preludes and Fugues - Book 2 - for Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Bach Johann Sebastian
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Santino Cara
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Bach - 14 Preludes and Fugues
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Santino Cara
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque Period. Sheet Music Single. 130 pages. Published by...
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Piano Solo - Intermediate - Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque Period. Sheet Music Single. 130 pages. Published by Santino Cara
Complete scores of the "14 Preludes and Fugues - Book 2" for piano. Composed for organ by Johann Sebastian Bach between 1704 and 1740. Transcribed for piano in 2019 by Santino.
14 Praeludium and Fugues:
1. Prelude and Fugue in C major BWV 531
2. Prelude and Fugue in D major BWV 532
3. Prelude and Fugue in E minor BWV 533
4. Prelude and Fugue in F minor BWV 534
5. Prelude and Fugue in G major BWV 541
6. Prelude and Fugue in A minor BWV 543
7. Prelude and Fugue in C minor BWV 546
8. Prelude and Fugue in C major BWV 547
9. Prelude and Fugue in C minor BWV 549
10. Prelude and Fugue in A minor BWV 551
11. Prelude and Fugue in E flat - St. Anne - BWV 552
12. Prelude and Fugue in B minor BWV 869
13. Prelude and Fugue in D major BWV 874
14. Prelude and Fugue in D sharp minor BWV 877
$20.20 ≈
18.20€
Dvorák, Prelude in D Major (Clarinet Octet + 2 Flutes)
Dvorák, Prelude in D Major (Clarinet Octet + 2 Flutes)
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Classique
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Richard Byrnes
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Richard Byrnes
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Dvorák, Prelude in D Ma
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Richard Byrnes
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SheetMusicPlus
Large Ensemble B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet,Flute - SKU: A0.1204323 By Richard Byrnes. By Antonin Dvorak. Arranged by Richard Byrnes. R...
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Large Ensemble B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet,Flute - SKU: A0.1204323 By Richard Byrnes. By Antonin Dvorak. Arranged by Richard Byrnes. Romantic Period. Score and parts. 25 pages. Richard Byrnes #802800. Published by Richard Byrnes (A0.1204323). In addition to the acclaim afforded to Antonin Dvorák’s orchestral and string compositions, he was an accomplished organist. The Prelude & Fugue in D Minor, B302 was composed in 1859. This is an arrangement by Richard Byrnes for 2 Flutes, E-flat Clarinet, 3 B-flat Clarinets, 2 Bass Clarinets & Contrabass Clarinet.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to this prelude by Dvorák, we offer works by J.S. Bach, Debussy, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$24.99 ≈
22.52€
Pachelbel: Canon in D for Alto Clarinet & Harp
Pachelbel: Canon in D for Alto Clarinet & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Alto
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jmsgu3
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque...
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Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702700. Published by jmsgu3 (A0.1098858). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Alto Clarinet & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
29.69€
Prelude and Fugue
Prelude and Fugue
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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David Thompson
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Includes score and parts.
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Prelude and Fugue
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David M Thompson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.901650 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.901650 Composed by Johann Sebastian Bach. Arranged by David Thompson. Baroque. 12 pages. David M Thompson #5008711. Published by David M Thompson (A0.901650). An arrangement for sax quartet of Bach's Prelude and Fugue in E minor for Organ BWV 555. Includes score and parts.
$4.99 ≈
4.50€
Prelude and Fugue
Prelude and Fugue
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Johann Sebastian Bach
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David Thompson
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Score and parts.
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Prelude and Fugue
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David M Thompson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.901651 Composed by Johann Sebastian Bach. Arranged by David Thompson. Baroque. 12 pages....
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.901651 Composed by Johann Sebastian Bach. Arranged by David Thompson. Baroque. 12 pages. David M Thompson #5008731. Published by David M Thompson (A0.901651). The Bach organ Prelude and Fugue in E minor, arranged for clarinet quartet (3 B-flat clarinets and bass clarinet). Score and parts.
$4.95 ≈
4.46€
Pachelbel: Canon in D for Piano Trio
Pachelbel: Canon in D for Piano Trio
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 16 pages. Jmsgu3 #6105689. Published by jmsgu3 (A0.552065). Score: 9 pagesDuration: 2:40. The famous Pachelbel Canon arranged for Piano Trio. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$36.95 ≈
33.30€
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Prelude and Fugue in e minor for Organ
