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Prelude for 2 violins and piano
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Vous avez sélectionné:
Prelude for 2 violins and piano
Partitions à imprimer
191 partitions trouvées
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176
Prelude for 2 violins and piano
Prelude for 2 violins and piano
#
2 Violons, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Ling Swee Chin
#
Prelude for 2 violins and pian
#
Thomas Swee Chin
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.818521 Composed by Thomas Ling Swee Chin. Standards. Score and parts. 4...
(+)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.818521 Composed by Thomas Ling Swee Chin. Standards. Score and parts. 4 pages. Thomas Swee Chin #6344815. Published by Thomas Swee Chin (A0.818521). Romantic style short piece for 2 violins (or one violin and one flute) and a piano.
$7.99 ≈
£6.08
10 Easter Duets for 2 Violins and Piano - Volume 2
10 Easter Duets for 2 Violins and Piano - Volume 2
#
2 Violons, Piano
#
FACILE
#
Musique Sacrée
#
Various
#
10 Easter Duets for 2 Violins
#
Ben Dockery
#
SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Gospel, Sacred. Score and parts. 57 pages. Ben Dockery #6713719. Published by Ben D...
(+)
Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Gospel, Sacred. Score and parts. 57 pages. Ben Dockery #6713719. Published by Ben Dockery
These classic Easter hymns have been arranged for violin duet with optional piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons.
Are You Washed in the Blood?
Down at the Cross
He Lives (I Know That My Redeemer Lives!)
Jesus Saves
O Sacred Head, Now Wounded
O the Blood of Jesus
Tell Me the Story of Jesus
The Old Rugged Cross
There is a Fountain
When I Survey the Wondrous Cross
Includes scores and parts. 57 pages.
$11.99 ≈
£9.13
Canon in D (Trio for Two Violins and Piano)
Canon in D (Trio for Two Violins and Piano)
#
2 Violons, Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
John A
#
Canon in D
#
John A. Dempsey
#
SheetMusicPlus
Piano Trio, Violin 1, Violin 2, Piano - Intermediate - Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Class...
(+)
Piano Trio, Violin 1, Violin 2, Piano - Intermediate - Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classical Period, Baroque Period, Wedding, Graduation. Score, Set of Parts. 17 pages. Published by John A. Dempsey
A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and especially weddings (as a prelude, unity candle music, a bridal march, bridesmaid processional or wedding recessional), this version is arranged as a trio for two violins and piano. This arrangement also makes a moving prelude, postlude or offertory for traditional church services and other worship events. Key: D major. 13 pages of music (that includes separate pullout pages for Violin 1 and Violin 2).
$11.99 ≈
£9.13
Bach: Wachet auf for Alto Flute & Piano
Bach: Wachet auf for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Flut
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
(+)
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95 ≈
£19.00
Bach: Wachet auf for Clarinet & Piano
Bach: Wachet auf for Clarinet & Piano
#
Clarinette et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Clarinet
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
(+)
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.00
Bach: Wachet auf for Trombone & Piano
Bach: Wachet auf for Trombone & Piano
#
Trombone et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.00
Bach: Wachet auf BWV 140 for Flute & Piano
Bach: Wachet auf BWV 140 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
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Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95 ≈
£20.52
Bach: Wachet auf for French Horn & Piano
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.00
Bach: Wachet auf for Tenor Sax & Piano
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.00
Bach: Wachet auf for Soprano Sax & Piano
Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.00
Bach: Wachet auf for Alto Sax & Piano
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
£19.00
Bach: Wachet auf for Violin & Piano
Bach: Wachet auf for Violin & Piano
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Violon et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Violin &a
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards....
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Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.00
Winter Forest Serenade (Trio for Two Violins and Piano)
Winter Forest Serenade (Trio for Two Violins and Piano)
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2 Violons (duo)
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INTERMÉDIAIRE
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John A
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Winter Forest Serenade
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John A. Dempsey
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.523769 Composed by John A. Dempsey. Christmas,Classical,Contemporary,Pop,Wedding. 20 pages. John A. Dempsey #3880...
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Violin Duet Violin - Level 3 - SKU: A0.523769 Composed by John A. Dempsey. Christmas,Classical,Contemporary,Pop,Wedding. 20 pages. John A. Dempsey #3880063. Published by John A. Dempsey (A0.523769). Â A sparkling snowy serenade, this romantic trio for two violins and piano is recommended for concerts, recitals, Valentine's Day celebrations and Christmas extravaganzas. Â Also a must-have as wedding music (a prelude, unity candle accompaniment, a bridal march or bridesmaid processional). Â 16 pages of music (that includes separate two-page pullout parts for violin 1 and violin 2). Â Key: G major.
$11.99 ≈
£9.13
Scarborough Fair (Trio for Two Violins and Piano)
Scarborough Fair (Trio for Two Violins and Piano)
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2 Violons, Piano
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Folklorique/Traditionel
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Traditional English Ballad
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John A
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Scarborough Fair
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John A. Dempsey
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SheetMusicPlus
Composed by Traditional English Ballad. Arranged by John A. Dempsey. Celtic, Film/TV, Folk, Pop, World. Score and parts. 18 pages. John A. Dempsey #42...
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Composed by Traditional English Ballad. Arranged by John A. Dempsey. Celtic, Film/TV, Folk, Pop, World. Score and parts. 18 pages. John A. Dempsey #4278709. Published by John A. Dempsey
A traditional English ballad, a folk music classic, a song of wistful beauty: that's "Scarborough Fair," arranged as a trio for two violins and piano. Each verse has a varied instrumental part with embellishments and a bit of variation. Recommended as a prelude for multiple venues and also as a performance piece for concerts and recitals. 14 pages of music (that includes separate two-page pullout parts for each violin). Key: E minor
"Are you going to Scarborough Fair / Parsley, sage, rosemary and thyme / Remember me to one who lived there / She was once a true love of mine." .
$11.99 ≈
£9.13
Abide with Me (Trio for Two Violins and Piano)
Abide with Me (Trio for Two Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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William Henry Monk, Giacomo Pu
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John A
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Abide with Me
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.524425 Composed by William Henry Monk, Giacomo Puccini. Arranged by John A. D...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.524425 Composed by William Henry Monk, Giacomo Puccini. Arranged by John A. Dempsey. Christian,Sacred,Spiritual,Traditional,Wedding. 19 pages. John A. Dempsey #5731705. Published by John A. Dempsey (A0.524425). This trio for two violins and piano contains both dramatic bursts of praise and quiet, prayerful moments of reflection. Â Recommended for church services and other worship events, as a prelude, postlude, an offertory or special music. Â This arrangement, a unique mix of the classic hymn Abide with Me and Puccini's lavish Nessun Dorma (from Turandot), also shines as a wedding prelude as well as a performance piece for concerts and recitals. Â 15 pages of music (that includes separate two-page parts for violin 1 and violin 2). Â Key: D major. Â Violin Level: Intermediate. Â Piano Level: Advanced Intermediate
$11.99 ≈
£9.13
10 Easter Duets for 2 Violins and Piano - Volume 1
10 Easter Duets for 2 Violins and Piano - Volume 1
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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B
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10 Easter Duets for 2 Violins
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.694130 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Sacre...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.694130 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Sacred. Score and parts. 53 pages. Ben Dockery #6287617. Published by Ben Dockery (A0.694130). These classic Easter hymns have been arranged for violin duet with optional piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons.
$11.99 ≈
£9.13
Shimmering River, Starry Night (Trio for Two Violins and Piano)
Shimmering River, Starry Night (Trio for Two Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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John A
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Shimmering River, Starry Night
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.898443 By John A. Dempsey. By John A. Dempsey. Classical,Contemporary,New Age...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.898443 By John A. Dempsey. By John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. Score and parts. 18 pages. John A. Dempsey #504749. Published by John A. Dempsey (A0.898443). Music mirroring the flowing beauty of rivers and nighttime canvas of stars found on a magical, midsummer evening, this romantic trio for two violins and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional and wedding recessional. Â 14 pages of music (that includes separate two-page parts for violin 1 and violin 2).
$12.99 ≈
£9.89
Be Thou My Vision (Trio for Two Violins and Piano)
Be Thou My Vision (Trio for Two Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Irish Melody
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John A
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Be Thou My Vision
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1248588 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Ce...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1248588 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Traditional,Wedding. 18 pages. John A. Dempsey #843080. Published by John A. Dempsey (A0.1248588). Arranged as a prayerful, serene trio for two violins and piano, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Key: D major.  14 pages of music (that includes separate two-page parts for vioiln 1 and violin 2)                                 Be Thou my vision, O Lord of my heart;           Naught be all else to me, save that Thou art:       Thou my best thought, by day or by night          Waking or sleeping, Thy presence my light.
$11.99 ≈
£9.13
Canon in D (Quartet for Three Violins and Piano)
Canon in D (Quartet for Three Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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John A
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Canon in D
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John A. Dempsey
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1149317 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Christmas,Classical,Easter,Traditional,Wedding. 19 p...
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Piano,Violin - Level 3 - SKU: A0.1149317 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Christmas,Classical,Easter,Traditional,Wedding. 19 pages. John A. Dempsey #749457. Published by John A. Dempsey (A0.1149317). A celebrated Baroque work, Pachelbel's Canon in D radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. Â A favorite for concerts, recitals and especially weddings (as a prelude, bridal march, bridesmaid processional or unity candle music), this peaceful arrangement is a quartet for three violins and piano. Â This music also makes a moving prelude, postlude, an interlude, offertory, silent prayer accompaniment and special music for traditional church services and other worship events. Â 15 pages of music (that includes separate two-page parts for violin 1, violin 2 and violin 3).
$14.00 ≈
£10.66
Jesu, Joy of Man's Desiring (Trio for Two Violins and Piano)
Jesu, Joy of Man's Desiring (Trio for Two Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Jesu, Joy of Man's Desiring
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John A. Dempsey
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.524038 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter,Sacred,Wedding. 19 page...
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Piano,Violin - Level 3 - SKU: A0.524038 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter,Sacred,Wedding. 19 pages. John A. Dempsey #4627627. Published by John A. Dempsey (A0.524038). A musical oasis of beauty and tranquility, Bach's Jesu, Joy of Man's Desiring is arranged here as a trio for two violins and piano. Â The gentle, flowing nature of this elegant instrumental makes this Baroque music a popular, traditional choice for weddings, as a prelude, unity candle music, a bridal march or a bridesmaid processional. Â Also recommended for recitals, concerts and especially traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music and silent prayer accompaniment. Â 15 pages of music (that includes separate two-page parts for violin 1 and violin 2). Â Key: G major.
$11.99 ≈
£9.13
Sheep May Safely Graze (Bach): Trio for Two Violins and Piano
Sheep May Safely Graze (Bach): Trio for Two Violins and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Sheep May Safely Graze
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John A. Dempsey
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.525072 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Easter,Wedding. 21 p...
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Piano,Violin - Level 3 - SKU: A0.525072 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Easter,Wedding. 21 pages. John A. Dempsey #6639425. Published by John A. Dempsey (A0.525072). With its bell-like refrain, Bach's exquisite, elegant Sheep May Safely Graze (from Cantata, No. 208) appeals not only to fans of Baroque music but also to admirers of classical, romantic and pop music. This trio for two violins and piano is recommended for concerts, recitals, weddings, banquets, traditional church services and other worship events. Suggested wedding uses: prelude, unity candle music, bridesmaid processional, bridal march and wedding recessional. As worship music, Sheep May Safely Graze may serve as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Key: C major. 17 pages of music (that includes separate two-page parts for violin 1 and violin 2).
$11.99 ≈
£9.13
Sunlight in the Cathedral (Trio for Two Violins and Piano)
Sunlight in the Cathedral (Trio for Two Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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John A
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Sunlight in the Cathedral
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.524606 Composed by John A. Dempsey. Christian,Christmas,Classical,Sacred,Wedd...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.524606 Composed by John A. Dempsey. Christian,Christmas,Classical,Sacred,Wedding. Score and parts. 16 pages. John A. Dempsey #6069607. Published by John A. Dempsey (A0.524606). This warm, flowing prelude, a celebration of faith and hope, is arranged here as a trio for two violin and piano. Â Recommended for concerts, recitals, weddings, traditional church services and other worship events. Â Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â Suggested wedding uses: a prelude, unity candle music, a bridesmaid processional and a wedding march. Â 12 pages of music (that includes separate two-page parts for violin 1 and violin 2). Â Key: D major.
$11.99 ≈
£9.13
O Little Town of Bethlehem (Trio for Two Violins and Piano)
O Little Town of Bethlehem (Trio for Two Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Noël
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1271296 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. De...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1271296 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 17 pages. John A. Dempsey #863694. Published by John A. Dempsey (A0.1271296). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, Â O Little Town of Bethlehem is arranged here as a trio for two violins and piano. Â The incidental music, composed by Edward MacDowell, is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 13 pages of music (that includes separate two-page parts for violin 1 and violin 2). Â Key: C major.
$11.99 ≈
£9.13
Summer Dreamscape (Trio for Two Violins and Piano)
Summer Dreamscape (Trio for Two Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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John A
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John A
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Summer Dreamscape
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1293545 By John A. Dempsey. By John A. Dempsey. Arranged by John A. Dempsey. ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1293545 By John A. Dempsey. By John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. 16 pages. John A. Dempsey #884034. Published by John A. Dempsey (A0.1293545). Half-forgotten memories of past summers come floating back on a sea of serenity beneath a nighttime sky of hazy pastel colors in this tranquil nocturne, a trio for two violins and piano. Â Recommended for weddings and other multiple venues as a prelude and more. 12 pages of music (that includes separate two-page parts for violin 1 and violin 2) Key: B minor.
$12.99 ≈
£9.89
In the Bleak Midwinter (Quartet for Three Violins and Piano)
In the Bleak Midwinter (Quartet for Three Violins and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Noël
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Gustav Holst and Christina Ros
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.523315 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Ch...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.523315 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 19 pages. John A. Dempsey #3444707. Published by John A. Dempsey (A0.523315). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular in Celtic music circles.  Arranged as a jubilant quartet for three violins and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Key: G major.  15 pages of music (that includes separate two-page parts for violin 1, violin 2 and violin 3).  Violin Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00 ≈
£10.66
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Prelude for 2 violins and piano
