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Prelude for Flute or Violin and Organ
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Vous avez sélectionné:
Prelude for Flute or Violin and Organ
Partitions à imprimer
26 partitions trouvées
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Prelude for Flute or Violin and Organ
Prelude for Flute or Violin and Organ
Flute|Violin|Organ
#
Musique Sacrée
#
Marcel Dupre / Charles Callaha
#
Prelude for Flute or Violin an
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
By Marcel Dupre / Charles Callahan. For Organ, Flute or Violin. Sacred. Moderately Difficult. Published by MorningStar Music Publishers - Digital Sheet Music ...
(+)
By Marcel Dupre / Charles Callahan. For Organ, Flute or Violin. Sacred. Moderately Difficult. Published by MorningStar Music Publishers - Digital Sheet Music
$9.00 ≈
£6.97
Bach: Wachet auf BWV 140 for Flute & Piano
Bach: Wachet auf BWV 140 for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Wachet auf BWV 140 for F
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
(+)
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95 ≈
£20.86
Bach: Wachet auf for Flute Choir
Bach: Wachet auf for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Flute Cho
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95 ≈
£30.92
Bach: Wachet auf for Alto Flute & Piano
Bach: Wachet auf for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Flut
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
(+)
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95 ≈
£19.31
Bach: Wachet auf for Bass Flute & Piano
Bach: Wachet auf for Bass Flute & Piano
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Bass Flut
#
jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.31
Händel's Opera pieces for string trio formations - Voice 1 for violin
Händel's Opera pieces for string trio formations - Voice 1 for violin
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998994 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instr...
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String Ensemble,String Trio - Level 2 - SKU: A0.998994 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 17 pages. Antonio Tuduri #5310841. Published by Antonio Tuduri (A0.998994). Händel's Opera pieces - Voice 1 for violinFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99 ≈
£2.31
Händel's Opera pieces for string trio formations - Voice 3 for violin
Händel's Opera pieces for string trio formations - Voice 3 for violin
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998995 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instr...
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String Ensemble,String Trio - Level 2 - SKU: A0.998995 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310891. Published by Antonio Tuduri (A0.998995). Händel's Opera pieces - Voice 3 for violinFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99 ≈
£2.31
Händel's Opera pieces for string trio formations - Voice 2 for violin
Händel's Opera pieces for string trio formations - Voice 2 for violin
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998992 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instr...
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String Ensemble,String Trio - Level 2 - SKU: A0.998992 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310881. Published by Antonio Tuduri (A0.998992). Händel's Opera pieces - Voice 2 for violinThis score include the full score with the five parts grouped in 3 voicesFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99 ≈
£2.31
Händel's Opera pieces for string trio formations - Voice 2 for viola
Händel's Opera pieces for string trio formations - Voice 2 for viola
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998993 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Instructional...
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String Ensemble,String Trio - Level 2 - SKU: A0.998993 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310883. Published by Antonio Tuduri (A0.998993). Händel's Opera pieces - Voice 2 for violaThis score include the Voice 2 for viola partFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99 ≈
£2.31
Händel's Opera pieces for string trio formations - Voice 3 for viola
Händel's Opera pieces for string trio formations - Voice 3 for viola
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998996 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instr...
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String Ensemble,String Trio - Level 2 - SKU: A0.998996 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310895. Published by Antonio Tuduri (A0.998996). Händel's Opera pieces - Voice 3 for violaFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99 ≈
£2.31
Bach-Gounod: Ave Maria for Bass Flute & Piano
Bach-Gounod: Ave Maria for Bass Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easte...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
£25.50
Bach-Gounod: Ave Maria for Flute and Piano
Bach-Gounod: Ave Maria for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Classique
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J
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Colin Kirkpatrick
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Worship, Easter, Mother'
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Bach-Gounod: Ave Maria for Flu
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the ?combined? piece was Mditation sur le Premier Prlude de Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Lopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
£6.15
Pachelbel: Canon in D for Bass Flute & Harp
Pachelbel: Canon in D for Bass Flute & Harp
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Harpe, Flûte (duo)
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Bass
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bass Flute,Harp,Instrumental Duet - SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Stan...
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Instrumental Duet Bass Flute,Harp,Instrumental Duet - SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702355. Published by jmsgu3 (A0.1098499). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bass Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
£25.50
Pachelbel: Canon in D for Alto Flute & Harp
Pachelbel: Canon in D for Alto Flute & Harp
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Harpe, Flûte (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Alto
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jmsgu3
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SheetMusicPlus
Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - SKU: A0.1098488 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Clas...
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Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - SKU: A0.1098488 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702344. Published by jmsgu3 (A0.1098488). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Alto Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95 ≈
£27.05
Adoro Te Devote (Flute, B-flat Clarinet, Violin)
Adoro Te Devote (Flute, B-flat Clarinet, Violin)
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Flûte, Clarinette, Violon (trio)
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INTERMÉDIAIRE
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Anthony Giamanco
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Adoro Te Devote
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Whole Tone Press
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Violin - Level 3 - SKU: A0.773652 Arranged by Anthony Giamanco. Concert,Contemporary,Sacred,Standards. Score and parts. 7 ...
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Small Ensemble Clarinet,Flute,Violin - Level 3 - SKU: A0.773652 Arranged by Anthony Giamanco. Concert,Contemporary,Sacred,Standards. Score and parts. 7 pages. Whole Tone Press #3414705. Published by Whole Tone Press (A0.773652). This 16th century plainsong melody is arranged for flute, B-flat clarinet and violin. Appropriate for good middle school/high school players on up. Its brevity is useful for a church service (Prelude, Offering, Communion), and may also be used to showcase specific band or orchestra players as part of a concert performance. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$4.99 ≈
£3.86
Pachelbel: Canon for Alto Flute & Piano
Pachelbel: Canon for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386...
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Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95 ≈
£20.86
5 Classical Wedding Music for Woodwind Quintet
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99 ≈
£46.43
Händel's Opera pieces for string trio formations - Voice 3 for Cello
Händel's Opera pieces for string trio formations - Voice 3 for Cello
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instr...
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String Ensemble,String Trio - Level 2 - SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310905. Published by Antonio Tuduri (A0.998998). Händel's Opera pieces - Voice 3 for CelloFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99 ≈
£2.31
Händel's Opera pieces for string trio formations - Full Score - Director/teacher
Händel's Opera pieces for string trio formations - Full Score - Director/teacher
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998991 Composed by G.F.Händel / G.F.Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Sta...
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String Ensemble,String Trio - Level 2 - SKU: A0.998991 Composed by G.F.Händel / G.F.Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 44 pages. Antonio Tuduri #5310839. Published by Antonio Tuduri (A0.998991). Händel's Opera pieces - Director teacher scoreThis score include the full score with the five parts grouped in 3 voicesFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$9.99 ≈
£7.73
CORELLI TRIO SONATA IN F MAJOR Opus 4 No. 7 FOR FLUTE, OBOE & BASSOON
CORELLI TRIO SONATA IN F MAJOR Opus 4 No. 7 FOR FLUTE, OBOE & BASSOON
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Flûte, Hautbois, Basson
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INTERMÉDIAIRE
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Arcangelo Corelli
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Pat Spence
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CORELLI TRIO SONATA IN F MAJOR
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 3 - SKU: A0.811710 Composed by Arcangelo Corelli (1643 - 1715). Arranged by Pat Spence. Baroq...
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 3 - SKU: A0.811710 Composed by Arcangelo Corelli (1643 - 1715). Arranged by Pat Spence. Baroque,Concert,Standards. 18 pages. Piper Publications #4888805. Published by Piper Publications (A0.811710). This is an arrangement of the seventh of twelve trio sonatas originally published in 1694 as X11 Sonatas of three parts for two Violins and a Bass with a Thorough Bass for y. Organ Harpsichord or Arch Lute. The short movements are; Prelude, Corrente, Grave - Sarabande and Giga. Players of Intermediate standard and above will find this a useful concert item. The bassoon part can also be played on a cello.
$10.00 ≈
£7.74
Cello Suite No 1 in G - Prelude (Bach) - arranged for solo violin or treble clef instrument (key of
Cello Suite No 1 in G - Prelude (Bach) - - solo violin or treble clef instrument (key of
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Violon
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Classique
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Johann Sebastian Bach
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Stephen Bulat
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Cello Suite No 1 in G - Prelud
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin - SKU: A0.859100 Composed by Johann Sebastian Bach. Arranged by Stephen Bulat. Baroque,Contemporary,Easter,Sacred,Wedding. Score and parts. 3 pages. Stephen Bulat Publishing #6329647. Published by Stephen Bulat Publishing (A0.859100). The Prelude from Cello Suite No. 1 in G by J. S. Bach is the most popular solo cello piece ever written. This arrangement is for solo violin (or treble clef instrument) and transposed to the key of D so that it lays out on the violin fingerboard exactly as it does on the cello. Rehearsal markings occur every 10 bars to facilitate ease in navigating the piece. Please click on the publisher to view this song in other keys or for arrangements for cello or other bass clef instruments.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 - Stephen Bulat PublishingOnline: http://stephenbulat.com
$2.99 ≈
£2.31
Four Psalm Preludes: Flute or Violin, Organ or Piano (Downloadable)
Four Psalm Preludes: Flute or Violin, Organ or Piano (Downloadable)
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Musique Sacrée
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Charles E
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Four Psalm Preludes: Flute or
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Flute or Violin, Keyboard (Organ or Piano) - Moderately Easy - SKU: MQ.20-718-E Composed by Charles E. Callahan Jr. Instrument parts. 23 pages. MorningS...
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Flute or Violin, Keyboard (Organ or Piano) - Moderately Easy - SKU: MQ.20-718-E Composed by Charles E. Callahan Jr. Instrument parts. 23 pages. MorningStar Music Publishers - Digital Sheet Music #20-718-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-718-E). Psalms 84:1 (26);Psalms 100 (26);Psalms 23:2 (26);Psalms 96 (26).Newly composed pieces (except for a quote of OLD 100th in the fourth setting) written with very familiar Psalm texts in mind. (Psalms 23, 84, 96, and 100.) Very flexible settings—you can use flute or violin on the solo part and piano or organ for the accompaniment. It should come as no surprise that Charles Callahan, perhaps best known to you for hymn tune arrangements, can certainly spin out lovely original melodies as well. Accompaniments are moderately easy, the solo parts are for a good intermediate player or beyond.
$16.00 ≈
£12.38
Praeludium in B Flat
Praeludium in B Flat
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Daniel Sharp, Evelyn R Larter
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Evelyn R Larter
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Praeludium in B Flat
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Evelyn R Larter
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1462380 By Daniel Sharp, Evelyn R Larter. By Johann Ludwig Krebs. Arranged by Evelyn R Larter. Baroque,Chamber,Classical...
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Flute,Piano - Level 4 - SKU: A0.1462380 By Daniel Sharp, Evelyn R Larter. By Johann Ludwig Krebs. Arranged by Evelyn R Larter. Baroque,Chamber,Classical. Score and part. 5 pages. Evelyn R Larter #1040429. Published by Evelyn R Larter (A0.1462380). This is a lovely, peaceful movement from a suite for organ by the baroque composer Johann Ludwig Krebs, arranged here for solo flute or violin and piano or organ. For advanced intermediate performers, it is suitable for recitals and wedding or church preludes. The recording is older and does not reflect the expanded accompaniment part in this score. for more information on my music, please visit www.evelynlartermusic.com or my Facebook page for Evelyn Larter Music.
$8.99 ≈
£6.96
"To God alone on high be glory" for Clarinet and String Quartet
"To God alone on high be glory" for Clarinet and String Quartet
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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FACILE
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Max Reger
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Cristiano Vecchi
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"To God alone on high be
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Cristiano Vecchi
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Oboe,Soprano Saxophone,Viola,Violin - Level 2 - SKU: A0.963372 Composed by Max Reger. Arranged by Cristiano Vecchi. ...
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Large Ensemble Cello,Clarinet,Flute,Oboe,Soprano Saxophone,Viola,Violin - Level 2 - SKU: A0.963372 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Praise & Worship,Sacred,Standards. Score and parts. 10 pages. Cristiano Vecchi #4892411. Published by Cristiano Vecchi (A0.963372). The N.2 from 30 Little Choral Preludes, op.135a for organ by Max Reger: a traditional lutheran hymn, Allein Gott in der Höh' sei Ehr' , written in five real parts; here transposed in Bb Major, a third above, to get a brighter sound. Duration: 1'20.Version for Clarinet in Bb and String Quartet (included an extra part in actual pitches to use a C instrument for the melody, like Flute or Oboe or Violin).SCORE and PARTS.MP3 also available on this website.Also available for Woodwind Quintet.
$5.99 ≈
£4.64
Wachet Auf for Flexible Trio
Wachet Auf for Flexible Trio
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Classique
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Johann Sebastian Bach
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Robert B
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Wachet Auf for Flexible Trio
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Robert Oldroyd Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin - Lev...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin - Level 3 - SKU: A0.941799 Composed by Johann Sebastian Bach. Arranged by Robert B. Oldroyd. Baroque,Christmas,Concert,Sacred. Score and parts. 18 pages. Robert Oldroyd Music #6119155. Published by Robert Oldroyd Music (A0.941799). This practical arrangement of Bach famous organ chorale prelude features several parts for flexible trio performance. Instruments can be mixed and matched as the performers see fit. This is a great choice for Advent services or general recitals. Parts include: Full Score in C, Melody Line in C, Bb, Eb, Chorale Line in C treble clef, C bass clef, F, Bb, Eb, and the Bass Line in C, Bb and Eb.
$10.00 ≈
£7.74
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Prelude for Flute or Violin and Organ
