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Prelude to 1984
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Vous avez sélectionné:
Prelude to 1984
Partitions à imprimer
7 partitions trouvées
<
1
Prelude to 1984
Prelude to 1984
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Robert A
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Prelude to 1984
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Robert A. Howard
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.998749 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 5 pages. Robert A. Howard #5722603. Publ...
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Piano Solo - Level 4 - SKU: A0.998749 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 5 pages. Robert A. Howard #5722603. Published by Robert A. Howard (A0.998749). Prelude to 1984 derives much of its musical material from the numbers 1, 9, 8 and 4. The piece is designed literally as a 'Prelude' to the first chapter of George Orwell's novel, from which it derives its programmatic detail. In a dictatorship that holds complete control over people, 'big brother' surveillance cameras watch over everyone. The main character, Winston Smith, is determined to escape this totalitarian society and find freedom. Stylistically, the piece uses a stark, angular, post-tonal idiom in order to reflect the aforementioned subject matter. However, the work remains accessible for the listener and is appropriate for higher-level pianists, including advanced students and professional players.
$3.49 ≈
3.16€
Old Rugged Cross
Old Rugged Cross
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Jazz combo
#
AVANCÉ
#
Don Hodell Chilcote
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Don Hodell Chilcote
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Old Rugged Cross
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.779104 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Easter,Gospel,Jazz,Sacred. Score and p...
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Jazz Combo - Level 5 - SKU: A0.779104 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Easter,Gospel,Jazz,Sacred. Score and parts. 4 pages. Don Hodell Chilcote #6342367. Published by Don Hodell Chilcote (A0.779104). Old Rugged Cross is for piano solo or ensemble. This is a great tune and the piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude. Fun Stuff.
$2.99 ≈
2.71€
Amazing Grace / The Entertainer (Guitar and Piano)
Amazing Grace / The Entertainer (Guitar and Piano)
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Piano, Guitare (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
John Newton, Scott Joplin, Vir
#
John A
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Amazing Grace / The Entertaine
#
John A. Dempsey
#
SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.522715 Composed by John Newton, Scott Joplin, Virginia Harmony. Arranged by John A. Dempsey. Christian,Praise & Worship...
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Guitar,Piano - Level 3 - SKU: A0.522715 Composed by John Newton, Scott Joplin, Virginia Harmony. Arranged by John A. Dempsey. Christian,Praise & Worship,Ragtime,Sacred,Traditional. Score and part. 10 pages. John A. Dempsey #2837075. Published by John A. Dempsey (A0.522715). The classic hymn Amazing Grace has been merged stylistically with Scott Joplin's rousing ragtime favorite The Entertainer to give this arrangement a joyful, exuberant touch. Â A duet for guitar and piano, it's a heady mix of praise and worship recommended as a prelude, postlude, an offertory, interlude and special music for traditional church services and other worship events. Â Also makes an inspiring, crowd-pleasing selection for concerts and recitals. Â Key: C major. 7 pages (that includes a separate one-page guitar part). Â Guitar Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99 ≈
6.33€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
79.71€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
90.59€
In Memoriam ... Children's Songs (2022)
In Memoriam ... Children's Songs (2022)
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
In Memoriam ... Children's Son
#
Thomas Oboe Lee
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1082546 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz. Score. 38 pages. Thomas Oboe Lee #686739. ...
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Piano Solo - Level 4 - SKU: A0.1082546 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz. Score. 38 pages. Thomas Oboe Lee #686739. Published by Thomas Oboe Lee (A0.1082546). Chick Corea died at the age of 69 on February 9, 2021. I have been a huge fan of his music and piano playing since I heard the album Now He Sings, Now He Sobs (1968). Assisted by Miroslav Vitous and Roy Haynes, Chick was in absolutely rare form on that seminal recording!!! As a tribute to him and a in memoriam to his musicianship, I wrote these movements for solo piano inspired by his compositions in the album Children's Songs (1984). Corea's Children's Songs is a suite of twenty solo piano pieces, each lasting between 1 to 2 minutes. These are truly little gems of composition in miniature, like the Chopin Preludes. But every time I hear them I always felt that these nice little pieces, at least to my ears, always came up short. A lot of them seem to end in mid-air. In my humble opinion, they needed development. But that is of course coming from the mouth of a classical composer, me. LOL!!! Nevertheless, in this tribute, I have taken some ideas from the original Corea songs and reinvented them in my own fashion. You will detect a thing or two from Chick, but mostly it's TOL music. Since my songs get development, the entire suite consists of ten movements, rather than Corea's twenty. Enjoy!!! Children's Song No. 1 ... Moderato Children's Song No. 2 ... Allegretto Children's Song No. 3 ... Adagio Children's Song No. 4 ... Moderato TRIO Children's Song No. 5 ... Allegro Children's Song No. 6 ... Moderato TRIO Children's Song No. 7 ... Presto TRIO Children's Song No. 8 ... Moderato Children's Song No. 9 ... Molto Allegro TRIO Children's Song No. 10 ... Largo.
$9.99 ≈
9.05€
Somewhere, My Love (Lara's Theme from Dr. Zhivago)
Somewhere, My Love (Lara's Theme from Dr. Zhivago)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Maurice Jarre
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Douglas R
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Somewhere, My Love
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Douglas R. Morrison
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SheetMusicPlus
String Quartet - Intermediate - By Maurice Jarre. Arranged by Douglas R. Morrison. 14 pages. Published by Douglas R. Morrison...
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String Quartet - Intermediate - By Maurice Jarre. Arranged by Douglas R. Morrison. 14 pages. Published by Douglas R. Morrison
A Rivendell String Quartet Arrangement. The haunting ?Lara?s Theme? was composed for David Lean?s epic romantic drama Doctor Zhivago (1965), and netted film composer Maurice Jarre his second Academy Award for Best Original Score (he had won previously for Lawrence of Arabia in 1962, and would win again in 1984 for A Passage to India).
This beautiful instrumental melody took on a life of its own when Paul Webster added lyrics to make it ?Somewhere, My Love? in 1966. Ray Coniff and the Ray Coniff Singers had a US Top 10 hit with the same year, and it has remained a popular ballad ever since. This well-known piece is wonderful for preludes and receptions.
Also available for string orchestra: H0.710615-SC001289282
$12.99 ≈
11.77€
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Prelude to 1984
