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Vous avez sélectionné:
Prove All Things
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31 partitions trouvées
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Prove All Things
Prove All Things
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Charles Kotval
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Daniel Charles Kotval
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Prove All Things
#
Daniel Charles Kotval
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1349900 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Funk,Jazz...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1349900 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Funk,Jazz,R & B,Rock,Thriller. 110 pages. Daniel Charles Kotval #934675. Published by Daniel Charles Kotval (A0.1349900). Saucy Jazz/Rock/Funk Original Arrangement for Full Jazz Ensemble suitable for high school through professional level players sure to thrill audiences and performers alike. Very high energy composition which includes elements of jazz, blues, rock and reggae rhythms coupled with memorable and exciting melodic patterns throughout the instrumentation. Optional solo sections allow opportunities for the talented improvisor to really shine. Challenging, but very playable. Arrangement can be played with smaller group, and augmented rhythm section parts include cues. Optional lead guitar part includes tab along with standard notation. Also included is the composer's original hand written sketch score.
$50.00 ≈
46.18€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.68€
He is Greater, a sacred hymn
He is Greater, a sacred hymn
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Kevin G
#
He is Greater, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1315764 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1315764 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #904536. Published by Kevin G. Pace (A0.1315764). A gorgeous, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:1. He is greater than the angels, For He is the Father's Son, He is greater than the prophets, To whom He speaks when day is done. He is greater than the mountains, Yea, He speaks, and they do move, He is greater than the oceans, As all things testify to prove. 2. He is greater than all nature, He created large and small, Almighty Lord is our anchor, Our Savior, the greatest One of all. He is greater than the ancients Who burned offerings for sin. Jesus is the greater who did part the veil to let us in. 3. He has a greater Priesthood, bearing all God's heavn'ly pow'r, Yet He reaches down to comfort And guide me hour by hour. He is greater than my problems, He can answer with His grace. Showing ways to His Promised Land where we may see His loving face.4. He is greater than the devil, who deceives to foster sin,For Jesus overcame death and hell To unite all human kin. He is greater than all suff'ring, For He has borne it all He is greater than our weakness For He has overcome the Fall.Our Savior, our Redeemer, The greatest One of all.
$1.99 ≈
1.84€
Triad Chord Worksheet
Triad Chord Worksheet
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Guitare notes et tablatures
#
DÉBUTANT
#
Methodes
#
Brian Streckfus
#
Triad Chord Worksheet
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
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Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99 ≈
1.84€
No Time To Die
No Time To Die
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Ensemble de cuivres
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Graham Boag
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No Time To Die
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Graham Boag
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and pa...
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Brass Ensemble - Level 3 - SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 18 pages. Graham Boag #6026933. Published by Graham Boag (A0.780064). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.ALTERNATIVE PARTS 1, 2, 3 & 4 ARE INCLUDED TO ALLOW FOR FLEXIBILITY DURING COVID-19 REHEARSALS.
$15.99 ≈
14.77€
Sight Singing 4-Part SATB Chorale Practice
Sight Singing 4-Part SATB Chorale Practice
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Chorale SATB
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INTERMÉDIAIRE
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J
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Happy singing!
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Sight Singing 4-Part SATB Chor
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J. Gallagher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.978025 Composed by J.C. Baker. A Cappella,Instructional. Octavo. 9 pages. J. Gallagher #5024785. Published by J....
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Choral Choir (SATB) - Level 3 - SKU: A0.978025 Composed by J.C. Baker. A Cappella,Instructional. Octavo. 9 pages. J. Gallagher #5024785. Published by J. Gallagher (A0.978025). Bach Chorale Styled SATB Sight Singing and Warm Up Practice perfect for high school students and SATB choirs looking to improve sight singing, sight reading, blending, and SATB practice and more with WEEKS worth of examples.Includes: 1. 9 pages, 175 measures, 22 examples of original SATB Chorale Styled Music for Sight Singing/Reading Practice in 4-part.2. Whole, Half, Quarter, and Eighth Note examples as well as rests. 3. Examples in various keys including C, D, Eb, F, Bb, G 4. All examples in 4/4 time 5. No accidentals, no dynamics to focus on blending, solfege/sight singing diatonic to key, tempo changes etc6. Rhythm examples7. Do-Mi-Sol examples 8. Increasing level of difficulty from easy to hardThis is a great way to begin choir rehearsal as a warm up, sight reading in SATB, blending, vowel shapes, following the conductor, counting in 4/4, section independence, harmonies vs melody, moving notes, and so much more! With these 22 examples a choir director can get weeks of work improving their ensemble as a whole, learning as a group to work through passages, listening to each other and focusing on all things outlined above!While these examples are somewhat basic (no dynamics, slurs, etc) the positive impact they can have on your ensemble should not be taken lightly. Happy singing!
$5.00 ≈
4.62€
Running Up That Hill
Running Up That Hill
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Piano Facile
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FACILE
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Kate Bush
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Large Print Sheet Music
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Running Up That Hill
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Large Print Sheet Music
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1100298 By Kate Bush. By Kate Bush. Arranged by Large Print Sheet Music. Film/TV,Instructional,Pop,Praise & Worship,Singe...
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Easy Piano - Level 2 - SKU: A0.1100298 By Kate Bush. By Kate Bush. Arranged by Large Print Sheet Music. Film/TV,Instructional,Pop,Praise & Worship,Singer/Songwriter. Score. 9 pages. Large Print Sheet Music #704137. Published by Large Print Sheet Music (A0.1100298). Large Print Easy Piano Solo of Kate Bush's iconic Running Up That Hill from the 4th season of Netflix Stranger Things. This arrangement is created for ease of reading large print notes (modified stave notation). The notes, staff, and all elements are proportionately enlarged to 2 or 2.5 times the size of regular sheet music. This size is what the majority of our low-vision musicians have requested. You will find that some pages have 2 measures on a line, some have 3 or 4. This variation depends on the number of notes in each measure, as well as the difficulty of each individual passage. For example, if a measure has only a few notes, or a tie, that measure will be less spacious than a measure with many notes or challenging fingerings or other passages that would be made easier by roomier note spacing. The goal of our large print sheet music is to make the music easier to read, easier to see, and easier to play for the majority of musicians. There are many reasons why musicians look for large print music. They may be a low-vision musician, or they may have good vision, but be performing in a low light environment. Sometimes, music teachers select our large print music arrangements for students who are new to reading music. The wide staff line spacing and larger notes make it easier to navigate through a piece when a student is new to reading notes on lines and spaces. We always encourage input and ideas, and we welcome requests for custom arrangements. We can create large print music that is larger or smaller than what we have published here. Each note, each line, each measure is individually adapted to large print. This is done manually, by a real person who actually plays each piece to be sure it has improved readability. This is not done robotically by a machine. Our staff at Large Print Sheet Music personally enlarges every score. All of our music is published on Sheet Music Plus. Our goal is to add new songs daily. We believe that EVERYONE should have the opportunity to read and play music, and we are honored to help ALL musicians achieve their music goals. Please feel free to reach out to us by email at largeprintsheetmusic@gmail.com. Thank you so much for exploring our large print music arrangements! Now, go play some music!
$7.99 ≈
7.38€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
11.07€
Arpeggios for the Evolving Guitarist (USC)
Arpeggios for the Evolving Guitarist (USC)
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Pat Kelley
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Arpeggios for the Evolving Gui
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning-Intermediate - SKU: M0.22115MEB Composed by Pat Kelley. Style. Rock and blues, method. E-book and online audio. Mel Bay Publications ...
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Guitar - Beginning-Intermediate - SKU: M0.22115MEB Composed by Pat Kelley. Style. Rock and blues, method. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22115MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.22115MEB). ISBN 9781619116276. 8.75x11.75 inches.Arpeggios are chord notes played one at a time rather than strummed or plucked all together. They are an essential part of great improvising and melody writing because playing chord notes in the right places creates solid melody lines. Chord notes sound more resolved than notes that are chromatic (out of the key). Practicing arpeggios will improve your ability to learn melodies, make reading music easier, and develop your tone and picking accuracy. The first part of this book focuses on the basic fingerings of the following six arpeggios: major 7th, major 7th (#5), dominant 7th, minor 7th, minor 7th (b5), and diminished 7th. This book along with its accompanying audio represents a comprehensive guide to all things arpeggio. It delves into traditional applications of arpeggios, as well as how they relate to slash chords, modal music and more. The student will learn about how arpeggios fall over standard chord progressions, as well as how to embellish arpeggios to make them more musical in performance situations. In standard notation and tab. Includes access to online audio.
$19.99 ≈
18.46€
No Time To Die
No Time To Die
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Basson
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Graham Boag
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No Time To Die
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Graham Boag
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.780150 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Individual par...
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Bassoon Solo - Level 3 - SKU: A0.780150 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Individual part. 15 pages. Graham Boag #6865057. Published by Graham Boag (A0.780150). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$15.99 ≈
14.77€
Agent Provocateur: Sonatina for Clarinet and Piano
Agent Provocateur: Sonatina for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Joyce
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Agent Provocateur: Sonatina fo
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Brian Joyce
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyc...
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Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyce (A0.836709). A piece shrouded in mystery and intrigue. For myself, I mean: I don’t even know what the title means, nor why this particular piece should wear it. The music and the title came as a package deal, falling on me out of the blue one day. It wasn’t on my to-do list, nor was I looking for extra work. But perhaps that’s the answer: the piece itself is the Agent, breaking into my nicely ordered studio and disrupting things for the next few months. I’ll have to think about this some more.But I digress. Whatever its meaning or provenance, it’s an odd little sonatina. For instance, at its heart the second movement is a traditional scherzo and trio, but it is as misshapen as anything H. P. Lovecraft himself might have envisioned. Even I am not sure where the beginnings and endings of the sections are without a score in hand. Mystery upon mystery. Another example: as I began to work on the third movement, I wasn’t sure if it would be a simple binary or ternary form, a rondo or a sonata-allegro. I never did find out, to be honest. All I know is that, to my ears, it sounds like what might have resulted if I had been asked to write the theme to The Simpsons. The audio sample will give you some idea of what I mean.More questions than answers.Performance time is a little under 14 minutes.
$10.95 ≈
10.11€
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95 ≈
11.96€
Noir et Blanc
Noir et Blanc
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Darian Stavans
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Noir et Blanc
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Music Studio
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.994719 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Music Studio #4321...
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Full Orchestra - Level 4 - SKU: A0.994719 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Music Studio #4321783. Published by Music Studio (A0.994719). Noir et Blanc.Noir et Blanc - Orchestral Score / Album Noir et Blanc by Darian Stavans.Noir et Blanc is a work that was totally conceived for orchestra. As we listen to the album we are intrigued, for the only element lacking is the contrast suggested by the title. Why? The answer is that contrasts do not exist. They are simply the furthermost points in a grayscale that when displayed like a fan shows these extremes and therefore their contrasts. The deeds and acts that flow inside our mask of power come and go in nostalgic melancholy through pain and glory trickling like the water in a brook, where tenderness meets madness. Sometimes everything seems the same even though each element acts differently. This album speaks about that intriguing grayscale and the powerful force that lets it plunge into the depths of human essence and the soul. In the face of facts, seemingly distinct and at the same time so alike, only courage will prove out their differences and make us dare call out the Noir et Blanc, the Black and White, but until that moment comes things will appear to flow in a grayscale. Orchestral work.64 pages.Duration: 39:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$29.99 ≈
27.70€
Richard Wagnersche Klavierlieder
Richard Wagnersche Klavierlieder
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Hans Werner Henze and Richard
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Richard Wagnersche Klavierlied
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Schott Music - Digital
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SheetMusicPlus
2 soloists, mixed choir and orchestra - SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Ha...
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2 soloists, mixed choir and orchestra - SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Hans Werner Henze and Richard Wagner. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q23929. Published by Schott Music - Digital (S9.Q23929). When Hans Werner Henze received a commission to instrument early lieder by Richard Wagner at the end of the 1990s, he realised that he could not simply recreate the piano part in a scoring for classical-romantic orchestra. ’It was not only my wish but also a necessity to progress much further than the path I had taken in my Wesendonck arrangements if this operation was not to prove to be an entirely superfluous exercise. Numerous changes have therefore presented themselves during this process, not arbitrarily, but out of a certain artistic curiosity: for example changes of metre, tonal and tessitura transformations and the realisation and completion of the two fragments ’Extase’ and ’La tombe dit à la rose’. I have added subsidiary voices and all manner of things, frequently concealed in the piano part, which corresponded to my intentions of focusing a spotlight on the often only allusively detected fineness of this music, thereby permitting it to unfold to its full extent of richness and radiance.’ (Hans Werner Henze)2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 0 · Tenortb. (Wagner-Tuba, von einem Hornisten zu spielen) · 0 · Kb.-Tb. - P. S. (Glsp. · Crot. · Vibr. · Marimba · 3 hg. Beck. · Beckenpaar · Tamt. · Tamb. · 3 Tomt. · kl. Tr. · Rührtr. · Mil. Tr. · gr. Tr. m. Beck. · Kast. · Guiro) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$55.99 ≈
51.71€
WAYFARING STRANGER (Poor Wayfaring Stranger)
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59 ≈
4.24€
Trumpet 101
Trumpet 101
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Trompette
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DÉBUTANT
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Jennifer Watts
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Trumpet 101
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Jennifer Watts
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SheetMusicPlus
Trumpet Solo - Level 1 - SKU: A0.1011071 Composed by Jennifer Watts. Instructional. Individual part. 18 pages. Jennifer Watts #3011919. Published by Jen...
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Trumpet Solo - Level 1 - SKU: A0.1011071 Composed by Jennifer Watts. Instructional. Individual part. 18 pages. Jennifer Watts #3011919. Published by Jennifer Watts (A0.1011071). The purpose of this book, this book has been designed for beginner trumpet students who want to study the trumpet. The student will find it challenging but will achieved the goal of learning base note names, what valves to push along with notation, like the different rest, basic time signature along with basic breathing tips. These materials should be helpful for any beginner trumpet player who would like to start studying the trumpet. Breathing is one of the most natural things we do; when we apply it to trumpet playing we frequently distort certain aspects. With good breathing habits all aspects of playing improve. This not only includes tone quality, range, and endurance, but also tonguing, slurring, and even fingering. Proper breathing is inhaling and exhaling large amounts of air, it is more important to breath from the diaphragm. Remember it’s important to feel relaxed when you breath, this well help your air flow and to breath better. When we breathe, we store all our air in the lungs, and then we start to breath from the diaphragm. o Empty the lungs entirely. o Slowly lower the diaphragm allowing air to enter the lungs while filling the bottom of the lungs with air. o Expand the ribs without straining. o Allow the lungs to completely fill.
$5.99 ≈
5.53€
Duo Mpingo
Duo Mpingo
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Contemporain
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Sarah Hersh
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Duo Mpingo
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Burbury Lane Music
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Bu...
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Woodwind Ensemble - Level 5 - SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Burbury Lane Music (A0.1028053). No clarinet duet has made me stop in rehearsal and just smile so much from how cool things sounded. - Marcus Moore, clarinetist on Duo MpingoDuo Mpingo is an approximately 6 minute crowd pleaser that is perfect for any occasion. It is a modern but accessible piece that is loosely based on the lifecycle of a mpingo, or African blackwood, tree. It is a relatively advanced piece but could be performed by advanced level students. Duo Mpingo can be programmed equally well on environmental-themed or any other type of concert.Program Note: When I began to research the mpingo (African blackwood) tree in preparation for writing this piece, I came to learn that it is a fascinating tree. It has the ability to survive fires, it does not reach maturity for about 70 – 100 years, and it improves soil fertility. However, it is endangered in several African countries due to illegal logging and over-harvesting, in part because of its beautiful dark heartwood. The outside of the mpingo tree looks like any other tree with a light brown color; the inside, however, is a gorgeous, dark brown-black color – a color you have seen if you’ve ever seen a clarinet, as clarinets, along with other western instruments, are made out of the dark heartwood of the mpingo tree. I had never stopped to think about why wooden clarinets have such a dark color instead of what one typically thinks of as a wood color. I was astonished by the hidden beauty of this tree and what secrets lay inside.Duo Mpingo is somewhat programmatic in that it loosely chronicles the imagined life of a mpingo tree. There is a short section close to the middle of the piece (the inner part of the piece, if you will) that is meant to evoke the beautiful, mysterious, endangered dark heartwood of the mpingo tree. The direction to the performers for this section is solemn, prayer-like, reverential, which is how I feel we should look at every tree – not as something in our way that needs to be cut down, but with reverence for the amazing living things they are.Duo Mpingo was commissioned and premiered by Daraja Music Initiative and Clarinets for Conservation to promote a sustainable planet. This recording is by members of Terminus Ensemble, Marcus Moore and Lauren Murphy. To hear the entire piece, please visit www.sarahhersh.com.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$9.99 ≈
9.23€
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.09€
SOS REACHING THE FUTURE
SOS REACHING THE FUTURE
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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SOS REACHING THE FUTURE
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. P...
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Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. Published by THEMIS KOUTRAS (A0.1066576). The meaning of this song is that if we right something down like a message or film tape so on you can then hide it good well sometime in the future the item will still be there as long as it is not destroyed thus it will travel in the future the best way is on paper writings or stone tablets because in the future they may have or may not have the same technology as we do today for videos or tapes so on to see it or hear the message if someone in the future finds it off course it would have to be preserved from things like weather that can destroy it well the old saints preached the gospel everywhere but also wrote it down and hid it well well by miracle by praying GOD preserved it and now we got the holy bible this is proven that there was no way in the world that this holy bible could have survived preserved all these years unless GOD preserved it which he did this is the story of how the holy bible survived the time they found it they found it in different books lots of them in different places of the world this proves there must be a GOD out there who preserved it the HOLY BIBLE thus the song says s o s reaching the future thus it means as i said above
$4.99 ≈
4.61€
If I Can't Have You
If I Can't Have You
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Orchestre d'harmonie
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FACILE
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Yvonne Elliman
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John Ivor Holland
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If I Can't Have You
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1350276 By Yvonne Elliman. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by John Ivor Holland. 20th Century,Bro...
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Concert Band - Level 2 - SKU: A0.1350276 By Yvonne Elliman. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by John Ivor Holland. 20th Century,Broadway,Disco,Film/TV,Musical/Show,Rock. 54 pages. John Ivor Holland #935065. Published by John Ivor Holland (A0.1350276). If I Can't Have You is a classic disco song written by the Bee Gees in 1977; it initially appeared on the multi-platinum 'Saturday Night Fever' soundtrack in a version by Yvonne Elliman, released in November that year. The Bee Gees' own version appeared a month later as the B-side of Stayin' Alive. Elliman was originally going to perform How Deep Is Your Love, as she was known as a ballad singer, but the Bee Gees' manager, Robin Stigwood, decided to swap things around. Stigwood's decision proved a success as the soundtrack's first single, the Bee Gees' version of How Deep Is Your Love, shot to number one, followed to the top spot by the soundtrack's second and third singles, also by the Gibb brothers, Stayin' Alive and Night Fever. Elliman's If I Can't Have You, produced by disco pioneer Freddie Perren, was released as the fourth single off the 'Saturday Night Fever' album in February 1978. The song was covered by 80's star Kim Wilde in 1993 and charted well in several countries, along with a later version by Jess Glynne in 2016.
$49.99 ≈
46.17€
Crossing the River
Crossing the River
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Marimba
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INTERMÉDIAIRE/AVANCÉ
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Michael M
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Crossing the River
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Michael M. Chang
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SheetMusicPlus
Marimba Solo - Level 4 - SKU: A0.1310693 Composed by Michael M. Chang. 21st Century,Contemporary. Individual part. 10 pages. Michael M. Chang #899669. P...
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Marimba Solo - Level 4 - SKU: A0.1310693 Composed by Michael M. Chang. 21st Century,Contemporary. Individual part. 10 pages. Michael M. Chang #899669. Published by Michael M. Chang (A0.1310693). Crossing the River is written for an intermediate to advanced player using four mallets on a 4.3 marimba with optional 5-octave notes indicated in parentheses ( ). The song's meaning can be found in our everyday lives - how things can become mundane and sometimes events beyond our control can overwhelm us. During those times, our thoughts may drift back to our youth and to the simple things that brought us joy. Remembering these may bring a moment of contentment, but making those moments a part of our lives again can lead to a lifetime of happiness.The music begins in the key of E Major, with playful, lyrical phrases before modulating to a section in F# Major, which consists of a light, airy right-hand melody accompanied by a syncopated left-hand ostinato. The flow pauses for a moment of introspection, before a similar syncopated section returns, but this time in the key of A# minor. This builds to a beautiful chorale section as the river is crossed, before closing with a variation on the opening theme in C# Major. Singable and pleasing to the ear, the piece's melodies may help improve dexterity, particularly in the player's right hand.
$9.99 ≈
9.23€
Castaways
Castaways
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Piano Facile
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DÉBUTANT
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Backyardigans The
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Phil Beaman
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Castaways
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Phil Beaman
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.845231 By Backyardigans The. By Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith. Arranged by Phil Beaman. Fi...
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Easy Piano - Level 1 - SKU: A0.845231 By Backyardigans The. By Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith. Arranged by Phil Beaman. Film/TV,Instructional,Latin. Score. 1 pages. Phil Beaman #6443769. Published by Phil Beaman (A0.845231). Want to join everyone else currently playing the hit Castaways? This version is easier because you don't have to jump all around looking for notes. This arrangement uses 2 hands and good fingering to keep things simple (and is teacher approved:). The melody range covers 10 notes, so I use set 5 finger hand positions so you never have to move you hands. Fingering is marked for each hand. I have kept it on one treble staff to show the continuity of melody. Therefore I use stems up and stems down to show the RH versus LH. I have made a few subtle rhythm and note changes to make it more in the style of a Jobim bossa nova. This arrangement is solo melody but sounds complete with its catchy tune and interesting rhythm. The notes, key, and fingering are all Easy; the rhythm includes syncopation and triplets.1 page1:10 minutes
$4.99 ≈
4.61€
Life is Beautiful
Life is Beautiful
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Piano Facile
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DÉBUTANT
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Latin/Musique du monde
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Easy/Beginner - Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc. ...
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Piano Solo - Easy/Beginner - Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3
Louis Landon
2016 / Landon Creative, Inc.
63 minutes
Review by Kathy Parsons
Louis Landon?s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client?s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different ?soul journey,? so the music is quite varied although it maintains a very calming and peaceful vibe throughout.
It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.
Healing Hearts 3 begins with ?Standing In the Light,? a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. ?Heart Song? is hushed, intimate and obviously very personal. ?Triumph of the Soul? starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I?ve often said that the piano is the best instrument to express the sound and feeling of rain and ?Night Rain? proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! ?Tears? is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with ?Happy Man,? a lively slice of pianistic sunshine. ?Phoenix Rising? begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! ?Healing Time? is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. ?Music Runs Through Me? flows quickly like a stream with sparkles of sunlight dancing happily on its surface. ?Balance? returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it?s the perfect closing for another great album from Louis Landon!
I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!
November 4, 2016
Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.
Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ
Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers?; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat?.
Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.
For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.
Louis Landon mission:
To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.
Reviews:
?While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.? Michaeldiamondmusic.com
"He has a gift for composition that is second to none." Zone Music Reporter
"? indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and? a diverse range of influences is more than apparent.? Keyboard Magazine
Recognition:
Louis Landon's music has had over 140 million streams on Pandora radio!
Louis Landon's music has had over 34 million streams on Spotify!
Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.
Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.
Healing Hearts 2 - Solo Piano won 2016 ?Contemporary and Modern? Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.
Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.
Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.
Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.
Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.
unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.
Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25 ≈
4.85€
Mary's Child
Mary's Child
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Piano, Voix
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INTERMÉDIAIRE
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Ed Law and Roger Adcock
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Mary's Child
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Ed Law and Roger Adcock
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1045131 Composed by Ed Law and Roger Adcock. Christmas,Sacred. Score. 12 pages. Ed Law and Roger Adcock #649697. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1045131 Composed by Ed Law and Roger Adcock. Christmas,Sacred. Score. 12 pages. Ed Law and Roger Adcock #649697. Published by Ed Law and Roger Adcock (A0.1045131). Luke Chapter 2 (NIV) tells us the story of the birth of Jesus and the commotion caused by a flurry of angels and shepherds. But, Mother Mary, confronted with that commotion in Luke 2:19 “treasured up all these things and pondered them in her heartâ€. The angels and shepherds validated what Mary already knew to be true! Our tribute, “Mary’s Childâ€, brings us to the moment of truth when Baby Jesus first opens his eyes, making eye contact with Mary connecting through the proverbial windows to the soul!
$2.49 ≈
2.30€
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Prove All Things
