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Vous avez sélectionné:
Quiet Space Violin
Partitions à imprimer
9 partitions trouvées
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1
Quiet Space - Violin & Piano
Quiet Space - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
#
James Michael Stevens
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James Michael Stevens
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Quiet Space - Violin & Pia
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.572660 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Standard...
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Piano,Violin - Level 3 - SKU: A0.572660 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Standards,World. 7 pages. James M Stevens Music ASCAP #3874697. Published by James M Stevens Music ASCAP (A0.572660). This is an original composition for Violin & Piano in a quiet, new age style. There is a separate Violin part in the score and the piano can be used as a separate new age solo. The track as heard can be found under Quiet Space Accompaniment Track. James Michael Stevens is a prolific composer residing in Nashville, TN. https://www.youtube.com/watch?v=zRd8Lkw3saY
$4.99 ≈
4.57€
Quiet Space - Violin & Piano
Quiet Space - Violin & Piano
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Flûte, Violon, Piano
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James Michael Stevens
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James Michael Stevens
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Quiet Space - Violin & Pia
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano,Violin - SKU: A0.1061266 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,World. Full...
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Flute,Piano,Violin - SKU: A0.1061266 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,World. Full Performance. Duration 143. James M Stevens Music ASCAP #3874597. Published by James M Stevens Music ASCAP (A0.1061266). This is the Violin & Piano performance of Stevens' Quiet Space with some ambient strings in the background.
$1.99 ≈
1.82€
Floating, Falling, Flying (original version for Oboe, Violin and Piano)
Floating, Falling, Flying (original version for Oboe, Violin and Piano)
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Brian Chung
#
Floating, Falling, Flying
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Brian Chung Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - SKU: A0.1188926 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,T...
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - SKU: A0.1188926 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Thriller,Traditional. 18 pages. Brian Chung Music #788535. Published by Brian Chung Music (A0.1188926). Have you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano). Composer's Commentary on YouTube: https://youtu.be/AGq1Y14PHIU In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00 ≈
16.49€
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
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Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Fernando Ortega
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Kenneth Martin
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Worship Series - "Nothing
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Martin Music Editions
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise &...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.
$7.99 ≈
7.32€
Shadow, for Piano Trio
Shadow, for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Nigel Williams
#
Shadow, for Piano Trio
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Nigel Williams
#
SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.763341 Composed by Nigel Williams. Contemporary,Instructional. 10 pages. Nigel Williams #4894697. Published by Nigel Will...
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Piano Trio - Level 3 - SKU: A0.763341 Composed by Nigel Williams. Contemporary,Instructional. 10 pages. Nigel Williams #4894697. Published by Nigel Williams (A0.763341). Shadow, to shadow is to follow. This original composition for piano trio is all about creating a sense of stillness and peacefulness in an ambient tonal space. The gentle rocking 5/4 time signature enables the piano to create a stable harmonic pulse, the cello enters with a simple melodic passage, followed by the violin. The music gradually moves upward and the texture becomes more complex as the dynamic rises to forte. The downward movement corresponds with the reducing dynamic and the piece ends as it began, in a quiet space. Ideal for High School ensembles, the performance duration is around five minutes and the full score has individual parts attached for each instrument. .
$7.99 ≈
7.32€
Floating, Falling, Flying (parts for other instrumental combinations)
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
#
Floating, Falling, Flying
#
Brian Chung Music
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00 ≈
5.50€
Floating, Falling, Flying (for Flute, Clarinet and Piano)
Floating, Falling, Flying (for Flute, Clarinet and Piano)
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Flûte, Clarinette, Piano (trio)
#
Brian Chung
#
Floating, Falling, Flying
#
Brian Chung Music
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - SKU: A0.1192373 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Traditio...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - SKU: A0.1192373 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Traditional. Score and parts. 17 pages. Brian Chung Music #791812. Published by Brian Chung Music (A0.1192373). This version of Floating, Falling, Flying is optimized for Flute, Clarinet and Piano. The original trio written for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus) is now available for several instrumental combinations.YouTube Composer's Commentary:  https://youtu.be/AGq1Y14PHIUSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying†depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00 ≈
16.49€
Carson Cooman: Orbital for orchestra, score only
Carson Cooman: Orbital for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Orbital for orc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Pu...
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Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95 ≈
10.95€
Virus for String Orchestra - Opus 23
Virus for String Orchestra - Opus 23
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Orchestre à Cordes
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INTERMÉDIAIRE
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Daniel Carr
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Virus for String Orchestra - O
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Daniel Carr
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.989195 By Daniel Carr. By Daniel Carr. Classical,Contemporary,Film/TV,Sacred,Video Game. Score and parts. 588 pages...
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String Orchestra - Level 3 - SKU: A0.989195 By Daniel Carr. By Daniel Carr. Classical,Contemporary,Film/TV,Sacred,Video Game. Score and parts. 588 pages. Daniel Carr #594865. Published by Daniel Carr (A0.989195). Virus was composed during and about the 2020-2021 COVID epidemic. The main details of this piece are: 1. Each instrumentalist plays one and only one note throughout the entire piece. There are no expression markings – only dynamics. There are no special techniques. Each performer is “self-isolatingâ€. 2. 48 instrumentalists – 24 violins, 10 violas, 8 cellos, 6 double basses. The entire ensemble covers four chromatic octaves. 3. Vibrato consistent across all instrumentalists. 4. No liberty with rhythm. Follow exactly as written. 5. This may be considered an etude – a study of volume. All instrumentalists should be consistent in their interpretation of each dynamic. pppp should be extremely quiet but still audible. 6. The change in volume for crescendos and decrescendos should be gradual – reaching end dynamic in a legato, smooth manner. 7. The visual of the dynamics in the full score – often depicts the program – like hieroglyphics. Or, in some cases, like the image of an organism viewed through a microscope. 8. Optional – performers may wear masks during performance. And, if space permits, have 6 feet social distancing between performers.
$10.00 ≈
9.16€
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Quiet Space Violin 
