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ROYAL CELEBRATION MARCH
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• Ides Of March [The]
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Vous avez sélectionné:
ROYAL CELEBRATION MARCH
Partitions à imprimer
7 partitions trouvées
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1
ROYAL CELEBRATION MARCH
ROYAL CELEBRATION MARCH
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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P
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Drums Arrangement: B
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ROYAL CELEBRATION MARCH
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Kondo Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.980077 Composed by P. Mellbrand. Arranged by Drums Arrangement: B. HÃ¥kansson. Contemporary. Score and parts. 40 page...
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Concert Band - Level 4 - SKU: A0.980077 Composed by P. Mellbrand. Arranged by Drums Arrangement: B. HÃ¥kansson. Contemporary. Score and parts. 40 pages. Kondo Music #2917273. Published by Kondo Music (A0.980077). Swedish celebration march for concerts or marching.Score and parts is included in the download pdf.www.mellbrand.com
$30.00 ≈
£22.70
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
£22.70
Royal Succession
Royal Succession
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Orchestre d'harmonie
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DÉBUTANT
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Contemporain
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Dr
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Royal Succession
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Dr. Anthea John-Phillip
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1012128 Composed by Dr. Anthea John-Phillip. Contemporary. Score and parts. 25 pages. Dr. Anthea John-Phillip #6115909....
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Concert Band - Level 1 - SKU: A0.1012128 Composed by Dr. Anthea John-Phillip. Contemporary. Score and parts. 25 pages. Dr. Anthea John-Phillip #6115909. Published by Dr. Anthea John-Phillip (A0.1012128). This common time march-like piece was written for beginners as it reinforces the first five notes of the concert Eb scale. There is a lot of repetition that supports scale wise movement. A range of dynamics is used, including crescendos and decrescendos. Royal Succession depicts a royal family in celebration as the new king and queen are crowned and additional family members are given new titles.
$10.00 ≈
£7.57
Quick March 'Beltane Fantasia'
Quick March 'Beltane Fantasia'
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Graham Hamilton
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Quick March 'Beltane Fantasia'
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1440634 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 57 pages. Hambone Music #1020610. Published by Hambone Music (A0.1440634). The final movement of the 'Peebles Beltane Festival Suite' is rousing quick march, based upon the traditional Beltane Festal Song theme from the small town of Peebles in the Scottish Borders. The Beltane Fetstival which is celebrated every year has been going for almost 200 years.The words to the traditional festal song are:At Beltane in the aulden time, it was the custom gay, To gather on the village green and hail the festal day,Huntsman gallant and sheperds grey, dought and blythsome men,And Lassies blooming fresh and fair cam liltin’ doon the glen,Through the greenwood haste away,... Sing aloud the festal lay,Busk the the Beltane banner gay, to Peblis and the play.Auld Neidpath, grim and grey wi’ years, looks doon wi war-scarred face,And sentinels our royal toun wi’ majesty and grace,Loyal sons of a fearless race, gather we here today,And sing the auld-warld round-e-lay of ‘Peblis to the Play’,Wave the Beltane banner high,Ring the anthem to the sky,While our silver stream rolls by,The Tweeddale glen for aye.Across the wild foam-crested wave, in distant lands of fame,The exile oft wi’ pride recalls the dear auld Border hame,And while we crown our Beltane queen, ‘mid flaming skies of June,We pledge the leal hearts far a-wa and lilt our festal tune,Honour is our watchword clear,Truth our dauntless halberdier,Liberty’s our heralds cheer,Long live our Beltane Queen.
$29.99 ≈
£22.69
Quick March 'Beltane Fantasia'
Quick March 'Beltane Fantasia'
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Orchestre d'harmonie
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FACILE
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Graham Hamilton
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Quick March 'Beltane Fantasia'
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Hambone Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1440627 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. 70 pages....
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Concert Band - Level 2 - SKU: A0.1440627 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. 70 pages. Hambone Music #1020604. Published by Hambone Music (A0.1440627). The final movement of the 'Peebles Beltane Festival Suite' is rousing quick march, based upon the traditional Beltane Festal Song theme from the small town of Peebles in the Scottish Borders. The Beltane Fetstival which is celebrated every year has been going for almost 200 years.The words to the traditional festal song are:At Beltane in the aulden time, it was the custom gay, To gather on the village green and hail the festal day, Huntsman gallant and sheperds grey, dought and blythsome men, And Lassies blooming fresh and fair cam liltin’ doon the glen, Through the greenwood haste away,... Sing aloud the festal lay, Busk the the Beltane banner gay, to Peblis and the play. Auld Neidpath, grim and grey wi’ years, looks doon wi war-scarred face, And sentinels our royal toun wi’ majesty and grace, Loyal sons of a fearless race, gather we here today,And sing the auld-warld round-e-lay of ‘Peblis to the Play’, Wave the Beltane banner high, Ring the anthem to the sky, While our silver stream rolls by, The Tweeddale glen for aye.Across the wild foam-crested wave, in distant lands of fame, The exile oft wi’ pride recalls the dear auld Border hame, And while we crown our Beltane queen, ‘mid flaming skies of June, We pledge the leal hearts far a-wa and lilt our festal tune, Honour is our watchword clear, Truth our dauntless halberdier,Liberty’s our heralds cheer, Long live our Beltane Queen.
$29.99 ≈
£22.69
Some Fasnacht Fanfares (Historical Signals and Melodies from the Basler Fasnacht)
Some Fasnacht Fanfares (Historical Signals and Melodies from the Basler Fasnacht)
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Trad
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Des McNutty
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Some Fasnacht Fanfares
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Des Press
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SheetMusicPlus
Trumpet Ensemble Trumpet - Level 3 - SKU: A0.1196323 Composed by Trad. Arranged by Des McNutty. Baroque,Holiday,March,Renaissance,Traditional. 40 pages....
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Trumpet Ensemble Trumpet - Level 3 - SKU: A0.1196323 Composed by Trad. Arranged by Des McNutty. Baroque,Holiday,March,Renaissance,Traditional. 40 pages. Des Press #795476. Published by Des Press (A0.1196323). (Historical Signals and Melodies from the Basler Fasnacht) s'Läggerli (by Arthur Dury Schmid) Trio from Die alten Schweizermärsche Nr. 11 (Trad) Réveille Française pour Fifres (Trad) Pfeifer Retraite (Trad. From the Swiss Guards in 18th-Century Paris) Der Arabi Nr. 1 (Trad) Arranged by Des McNutty The Basler Fasnacht, known locally in Basel Stadt (CH) as Die drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom. Some Fastnacht Fanfares contains historical melodies from the Cliques' repertoire arranged for Natural Trumpet Ensemble. The Signalkorps can have many players. The parts are in the low, principale register; ideal for newcomers and dilettantes. The ensemble parts require more skill and need only one player on each. s'Läggerli is used with kind permission from the Märtplatz-Clique Basel 1923. The similarity of the other melodies to trumpet calls may not be a total coincidence. Cavalry regiments, with their roots in armoured, mounted knights of even earlier times, were considered nobler; therefore they used royal trumpets and timpani for signalling and entertainment duties. So playing trumpet-style tunes on flutes adds a bit of class. Der Arabi Nr. 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A “standard†march is around 120 BPM. Vyyl Vergniege! (Enjoy!).
$14.99 ≈
£11.34
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenir de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik M...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$9.95 ≈
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ROYAL CELEBRATION MARCH
