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Rain After the Sun
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Vous avez sélectionné:
Rain After the Sun
Partitions à imprimer
193 partitions trouvées
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176
Rain, Rain, Go Away! (Songs For a Rainy Day) - 3-Part Choir Piano Track
Rain, Rain, Go Away! (Songs For a Rainy Day) - 3-Part Choir Piano Track
#
Joanna Mills
#
It's Raining, It's Pouring
#
Rain, Rain, Go Away!
#
Joanna Mills Music
#
SheetMusicPlus
Choir,Piano - SKU: A0.1069497 Composed by Joanna Mills. Children,Instructional,Standards. Accompaniment. Duration 98. Joanna Mills Music #5197935. Publi...
(+)
Choir,Piano - SKU: A0.1069497 Composed by Joanna Mills. Children,Instructional,Standards. Accompaniment. Duration 98. Joanna Mills Music #5197935. Published by Joanna Mills Music (A0.1069497). Use this piano track to accompany Rain, Rain, Go Away! (Songs for a Rainy Day) (S0.706285) 3-part choir arrangement for rehearsal or performances.This charming 3-Part choir arrangement is a quodlibet of three traditional songs about rain: Rain, Rain, Go Away; It's Raining, It's Pouring; and Pitter Patter Raindrops. It begins with a sparse staccato section which builds quickly to emulate the start of a rain shower, and then each song is added one after another until all three songs are sung at the same time. Then the rain sounds begin again until the rain shower ends with one final Drop. The piano score is simple and supports the singers, and because the song is in the key of F, Orff instruments can easily be added (or replace the piano entirely). Suitable for elementary aged students (range E4-D5), and perfect for a fall (autumn), spring, or early summer concert, or classroom instruction. Approximate performance time 1:40. Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$7.99 ≈
£6.28
Sunday
Sunday
#
Piano seul
#
INTERMÉDIAIRE
#
Damien Gauci
#
Sunday
#
Damien Gauci
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1414663 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 38 pages. Damien Gauci #996442. Published by Damie...
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Piano Solo - Level 3 - SKU: A0.1414663 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 38 pages. Damien Gauci #996442. Published by Damien Gauci (A0.1414663). This is my first original album, a soft piano album about the day of the week ‘Sunday’. Initially, I didn’t set out to write a full album, the piece ‘Sunrise’ ignited that idea after I wrote it. After writing that piece I decided to write more tracks and compile an album. I decided to write a total of 10 tracks, each reflecting on a different time during Sunday. The album begins with the sunrise which is the first track. You’ll notice that the whole album is in order from the beginning to the end of the day. After the sunrise it is morning and the frost begins to melt from the suns warmth in the air. Moving toward midday some light rain passes through followed by a thunderstorm then comes the afternoon, and the warm air. Finally, the day comes to an end as the sun sets on the horizon and then the stars revel themselves in the night sky.This album is meant to be a relaxing, peaceful album to listen to while you read, study, work, drive, or anything else you might do with music on in the background. I really enjoyed writing each track and it was a lot of fun to write a different piece about each part of Sunday. I hope that you enjoy listening to or learning these pieces and that they bring a little more peacefulness into your life.
$19.99 ≈
£15.71
Rain, Rain, Go Away! (Songs For a Rainy Day) - 2-Part Choir Piano Track
Rain, Rain, Go Away! (Songs For a Rainy Day) - 2-Part Choir Piano Track
#
Joanna Mills
#
It's Raining, It's Pouring
#
Rain, Rain, Go Away!
#
Joanna Mills Music
#
SheetMusicPlus
Choir,Piano - SKU: A0.1069495 Composed by Joanna Mills. Children,Instructional,Standards. Accompaniment. Duration 95. Joanna Mills Music #5197933. Publi...
(+)
Choir,Piano - SKU: A0.1069495 Composed by Joanna Mills. Children,Instructional,Standards. Accompaniment. Duration 95. Joanna Mills Music #5197933. Published by Joanna Mills Music (A0.1069495). Use this piano accompaniment track with Rain, Rain, Go Away! for 2-Part Choir (S0.706323) for rehearsal or performance. This charming 2-Part choir arrangement is a quodlibet of three traditional songs about rain: Rain, Rain, Go Away; It's Raining, It's Pouring; and Pitter Patter Raindrops. It begins with a sparse staccato section which builds quickly to emulate the start of a rain shower, and then each song is added one after another until all three songs have been sung overlapping. Then the rain sounds begin again until the rain shower ends with one final Drop. The piano score is simple and supports the singers, and because the song is in the key of F, Orff instruments can easily be added (or replace the piano entirely). Suitable for elementary aged students (range E4-D5), and perfect for a fall (autumn), spring, or early summer concert, or classroom instruction. Approximate performance time 1:40.Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$4.99 ≈
£3.92
Rain, Rain, Go Away! (Songs For a Rainy Day) - A Quodlibet for 3-Part Choir
Rain, Rain, Go Away! (Songs For a Rainy Day) - A Quodlibet for 3-Part Choir
#
Chorale 3 parties
#
DÉBUTANT
#
Joanna Mills
#
Joanna Mills Music
#
It's Raining, It's Pouring
#
Rain, Rain, Go Away!
#
Joanna Mills Music
#
SheetMusicPlus
Choral Choir (3-Part) - Level 1 - SKU: A0.781371 Composed by Joanna Mills. Arranged by Joanna Mills Music. Children,Instructional,Standards,Traditional....
(+)
Choral Choir (3-Part) - Level 1 - SKU: A0.781371 Composed by Joanna Mills. Arranged by Joanna Mills Music. Children,Instructional,Standards,Traditional. Octavo. 8 pages. Joanna Mills Music #5197817. Published by Joanna Mills Music (A0.781371). This charming 3-Part choir arrangement is a quodlibet of three traditional songs about rain: Rain, Rain, Go Away; It's Raining, It's Pouring; and Pitter Patter Raindrops. It begins with a sparse staccato section which builds quickly to emulate the start of a rain shower, and then each song is added one after another until all three songs are sung at the same time. Then the rain sounds begin again until the rain shower ends with one final Drop. The piano score is simple and supports the singers, and because the song is in the key of F, Orff instruments can easily be added (or replace the piano entirely). Suitable for elementary aged students (range E4-D5), and perfect for a fall (autumn), spring, or early summer concert, or classroom instruction. Approximate performance time 1:40. Piano accompaniment mp3 also available on SMP (S0.706401)Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$1.99 ≈
£1.56
Rain, Rain, Go Away! (Songs For a Rainy Day) - A Quodlibet for 2-Part Choir
Rain, Rain, Go Away! (Songs For a Rainy Day) - A Quodlibet for 2-Part Choir
#
Chorale 2 parties
#
DÉBUTANT
#
Joanna Mills
#
Joanna Mills Music
#
It's Raining, It's Pouring
#
Rain, Rain, Go Away!
#
Joanna Mills Music
#
SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.781373 Composed by Joanna Mills. Arranged by Joanna Mills Music. Children,Instructional,Standards,Traditional....
(+)
Choral Choir (2-Part) - Level 1 - SKU: A0.781373 Composed by Joanna Mills. Arranged by Joanna Mills Music. Children,Instructional,Standards,Traditional. Octavo. 7 pages. Joanna Mills Music #5197855. Published by Joanna Mills Music (A0.781373). This charming 2-Part choir arrangement is a quodlibet of three traditional songs about rain: Rain, Rain, Go Away; It's Raining, It's Pouring; and Pitter Patter Raindrops. It begins with a sparse staccato section which builds quickly to emulate the start of a rain shower, and then each song is added one after another until all three songs have been sung overlapping. Then the rain sounds begin again until the rain shower ends with one final Drop. The piano score is simple and supports the singers, and because the song is in the key of F, Orff instruments can easily be added (or replace the piano entirely). Suitable for elementary aged students (range E4-D5), and perfect for a fall (autumn), spring, or early summer concert, or classroom instruction. Approximate performance time 1:40. Piano accompaniment track also available on SMP (S0.706399)Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$1.99 ≈
£1.56
Rain After the Sun
Rain After the Sun
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
MJ Orquia
#
Rain After the Sun
#
MJ Orquia
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1448254 Composed by MJ Orquia. Classical,Comedy,Contemporary,Traditional. 10 pages....
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1448254 Composed by MJ Orquia. Classical,Comedy,Contemporary,Traditional. 10 pages. MJ Orquia #1028194. Published by MJ Orquia (A0.1448254). An original composition for Violin I & II, Viola, and Cello. This was composed during a heavy rain right after a sunny morning in the Philippines.
$16.99 ≈
£13.35
Солнце (Sun)
Солнце (Sun)
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Chorale SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress...
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Choral Choir,Choral,SATB Chorus divisi - SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99 ≈
£1.56
1917: The Halifax Disaster
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
£18.06
Another Day
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95 ≈
£3.89
The River
The River
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95 ≈
£3.89
Back to the Heart
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95 ≈
£3.89
The Four Seasons in the Basque Country
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00 ≈
£78.56
String Quartet No. 12 ... The Seasons (2010) full score
String Quartet No. 12 ... The Seasons (2010) full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99 ≈
£7.85
Sunset: St. Louis
Sunset: St. Louis
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Chorale 3 parties
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FACILE
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Dennis Tobenski
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Sunset: St. Louis
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Dennis Tobenski
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by D...
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Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by Dennis Tobenski (A0.1003298). Sunset: St. Louis for SSA choir and piano was written at the suggestion of a conductor I met at the 2013 American Choral Directors’ Association national conference in Dallas, TX. He lamented the lack of new music for SSA choir that kept the voices within a restricted range yet wasn’t simplistic, and also didn’t use a restricitve number of accompanying instruments; throughout the week his sentiment was echoed by countless other conductors who I had the pleasure of spending time with. At that point, I also had no music for treble/women’s choir in my catalog, so this piece is not only an attempt to fill in this hole in the repertoire, but also an attempt to fill in the hole in my own choral output. The piece opens with a short passage for solo piano evocative of late afternoon light on water which leads into the voices’ hazy entrance of close diatonic harmonies and loose, liquid rhythms. After this soft opening, the piano begins a gently undulating, water-like accompaniment that – like the Mississippi – flows by, bringing harmonic shifts and swells. The words Dream by the river captured my imagination, conjuring images of the city drifting to sleep as the sun sets, so I couldn’t resist making the single word Dream into a refrain, weaving it into the larger structure of the poem, which makes the piece not only a love song to the city, but also a lullaby. The vocal parts have a compressed range: Soprano 1 has a few unsustained Gs, and the Alto line never drops below B-flat. There are some minor challenges with rhythm and pitch (hemiolas, tuplets, and some harmonic cross-relations with the piano), but all are navigable. The piece was written and prepared for publication in a compositional frenzy between 1pm on March 30, 2013 and 7pm on March 31, 2013 in Montauk, NY.Duration: ca. 4 min. Composed: 2013 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Sunset: St. Louis can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski
$1.99 ≈
£1.56
Sunny Afternoon
Sunny Afternoon
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Quatuor de Saxophones: 4 saxophones
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FACILE
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The Kinks
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Catherine Quinlan
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Sunny Afternoon
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Catherine Quinlan
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1231313 By The Kinks. By Ray...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1231313 By The Kinks. By Ray Davies. Arranged by Catherine Quinlan. Broadway,Chamber,Holiday,Musical/Show,Pop. 9 pages. Catherine Quinlan #826999. Published by Catherine Quinlan (A0.1231313). An easy but effective arrangement of this great summer song. Originally written in 1966, the song became the title of The Kinks' jukebox musical Sunny Afternoon in 2014,Written for SATB or AATB. The tune is shared between the soprano (or alternative alto) and alto but there is interest in all parts. It will help bring out the sun on even the rainiest days!
$12.99 ≈
£10.21
Fantasy on "The Itsy Bitsy Spider"
Fantasy on "The Itsy Bitsy Spider"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rawn Boulden
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Fantasy on "The Itsy Bits
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R. Boulden
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. P...
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Concert Band - Level 3 - SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. Published by R. Boulden (A0.1028182). A programmatic piece depicting the tale of the Itsy Spider. The composition starts out very bright and joyful (the itsy bitsy spider climbed up the water spout). Quickly, it becomes darker, as the clouds and thunder emerge (down came the rain and washed the spider out). After the period of darkness and melancholy, the song's key gets brighter and brighter, symbolizing the clouds slowly dissipating and sunlight emerging (out came the sun and dried up all the rain). The song ends joyously (and the itsy bitsy spider climbed out the spout again), celebrating the spider's survival of the perilous weather. Fantasy on Itsy Bitsy Spider has the following instrumentation: Flue/Piccolo, Oboe, Clarinet, French Horn, Trumpet, Trombone, Euphonium, Tuba, Timpani, Bass Drum, Snare Drum, Cymbal. The song features an oboe solo, in the middle. I hope you enjoy this thrilling piece that is sure to be a pleasure to perform and hear!
$30.00 ≈
£23.57
Rainy Day
Rainy Day
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Piano seul
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Classique
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Edgars Samorodovs
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Rainy Day
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Edgars Samorodovs
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SheetMusicPlus
Piano Solo - SKU: A0.1033148 Composed by Edgars Samorodovs. Baroque,Classical,Romantic Period. Score. 6 pages. Edgars Samorodovs #6114915. Published by ...
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Piano Solo - SKU: A0.1033148 Composed by Edgars Samorodovs. Baroque,Classical,Romantic Period. Score. 6 pages. Edgars Samorodovs #6114915. Published by Edgars Samorodovs (A0.1033148). This piece portrays one miraculous day out in nature with the weather, as well as the tunes and moods changing constantly. Here I used every piano register to create contrasts. It begins with the sun rising over the horizon with piano tremolo in a high register almost as a dew dripping from the grass, impressionistic melody in the middle register, and more forceful intervals in the lower register as a sign, that something majestic awaits. The next part is an innocent, lightsome fugue with baroque elements, that ends on a minor scale, creating suspense and uncertainty. After a little melancholic section in Largo (slow tempo), the storm has finally started. Thunder - Dramatic octaves in the lower register with glimpses of melody from the intro turn into a tempestuous dance with arpeggios in the left hand and somewhat sweet melody in the right hand. The last section is a calm after the storm. Little raindrops falling from the roofs in the upper register create the melody from the intro as if reminiscing of how joyful was the beginning of the day. The piece finishes with a feeling of unfulfillment and expectation of what surprises the new day will bring.
$6.99 ≈
£5.49
Sunny Afternoon
Sunny Afternoon
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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The Kinks
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Catherine Quinlan
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Sunny Afternoon
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Catherine Quinlan
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1370456 By The Kinks. By Ray Davies. Arranged by Catherine Quinlan. Broadway,Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1370456 By The Kinks. By Ray Davies. Arranged by Catherine Quinlan. Broadway,Chamber,Holiday,Musical/Show,Pop. 8 pages. Catherine Quinlan #954834. Published by Catherine Quinlan (A0.1370456). An easy but effective arrangement of this great summer song. Originally written in 1966, the song became the title of The Kinks' jukebox musical Sunny Afternoon in 2014. The tune is mainly in the violins, but it is satisfying for all four players. It should bring out the sun on even the rainiest day!
$12.99 ≈
£10.21
Sunny Afternoon
Sunny Afternoon
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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The Kinks
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Catherine Quinlan
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Sunny Afternoon
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Catherine Quinlan
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1231325 By The Kinks. By Ray Davies. Arranged by Catherine Quinlan. Broadway,Chamber,Hol...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1231325 By The Kinks. By Ray Davies. Arranged by Catherine Quinlan. Broadway,Chamber,Holiday,Musical/Show,Pop. 8 pages. Catherine Quinlan #827011. Published by Catherine Quinlan (A0.1231325). An easy but effective arrangement of this great summer song. Originally written in 1966, the song became the title of the Kinks' jukebox musical Sunny Afternoon in2014.The tune is mainly in the 1st and 2nd clarinets but it is fun for all parts. It will help bring out the sun on even the rainiest days!
$12.99 ≈
£10.21
River and Rainbow
River and Rainbow
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Walter Carroll
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River and Rainbow
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Forsyth Brothers Ltd
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SheetMusicPlus
Composed by Walter Carroll. 20th Century, Children, Classical. Score. 20 pages. Forsyth Brothers Ltd #758188. Published by Forsyth Brothers Ltd...
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Composed by Walter Carroll. 20th Century, Children, Classical. Score. 20 pages. Forsyth Brothers Ltd #758188. Published by Forsyth Brothers Ltd
Recently republished in a smart new edition, River and Rainbow is a volume of ten short, descriptive pieces for the piano player of grade 3-4 standard by brilliant children\'s composer Walter Carroll, the Beatrix Potter of learner piano music, whose use of music, poetry and art in his now classic albums have appealed to successive generations of children. As a result they are still widely used on exam syllabi and by teachers around the world nearly a century after they were written. Contents Glow Worms The Tiger Moth Shadows By Crystal Stream The Oak Shepherds Pipe Sunrise Iris Summer Wind Ripples.
$10.99 ≈
£8.63
Here Comes The Sun
Here Comes The Sun
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Orgue
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INTERMÉDIAIRE
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Rock
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The Beatles
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Here Comes The Sun
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Tommy Johansson, Hjo
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SheetMusicPlus
Organ - Level 3 - SKU: A0.949926 By The Beatles. By George Harrison. Arranged by Lars Hagström and Tommy Johansson, Hjo. Rock. Score. 5 pages. Tommy ...
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Organ - Level 3 - SKU: A0.949926 By The Beatles. By George Harrison. Arranged by Lars Hagström and Tommy Johansson, Hjo. Rock. Score. 5 pages. Tommy Johansson, Hjo #6048163. Published by Tommy Johansson, Hjo (A0.949926). Here Comes the Sun is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison and is one of his best-known compositions for the Beatles.Four pages. Duration: 2.40 About the arrangers: Lars Hagström (Sweden)Graduated organist, educated at the Royal Academy of Music in Stockholm.Concert tours in Sweden and Europe, A number of recordings on both LP and CD.In addition to concerts, he is devoted to teach the upcoming generation of organists.He is also deeply involved in the development of the Suzuki organ playing method. Tommy Johansson, Hjo (Sweden)Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor.Many more Beatles songs from these arrangers are to be found at sheetmusicplus.com
$5.99 ≈
£4.71
After the Rain
After the Rain
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Orchestre à Cordes
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FACILE
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Contemporain
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Heather Morgan
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After the Rain
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Heather Morgan
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1172089 Composed by Heather Morgan. Contemporary. Score and parts. 10 pages. Heather Morgan #772353. Published by H...
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String Orchestra - Level 2 - SKU: A0.1172089 Composed by Heather Morgan. Contemporary. Score and parts. 10 pages. Heather Morgan #772353. Published by Heather Morgan (A0.1172089). Spring showers give way to beautiful sunshine in this original work After the Rain. Inspired by the view from Ceasar's Head Overlook in Greenville, SC one day after a rain storm, this work is composed for intermediate string orchestra and is great for showcasing lyrical skills.
$45.00 ≈
£35.35
When the Sun Comes After Rain
When the Sun Comes After Rain
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Chorale SATB
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Robert Louis Stevenson
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Matthew Emery
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When the Sun Comes After Rain
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Pavane Publishing
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.319630 Composed by Robert Louis Stevenson. Arranged by Matthew Emery. This edition: scorch. Choral. A Cappell...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.319630 Composed by Robert Louis Stevenson. Arranged by Matthew Emery. This edition: scorch. Choral. A Cappella,Concert. 7 pages. Pavane Publishing #P1441. Published by Pavane Publishing (HX.319630).
$2.25 ≈
£1.77
The Old Palmer Song
The Old Palmer Song
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Chorale SATB
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FACILE
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873...
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Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20 ≈
£1.73
The Joyce Cycle, for voice and orchestra
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
£42.42
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