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Rather Be Drums
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Vous avez sélectionné:
Rather Be Drums
Partitions à imprimer
32 partitions trouvées
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26
Rather Be
Rather Be
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Batterie
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Pop musique
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Clean Bandit Feat
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Joeri de Graaf
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Rather Be
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Joeri de Graaf Muziekproducties
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SheetMusicPlus
Drum Set,Drums - SKU: A0.840832 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Joeri...
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Drum Set,Drums - SKU: A0.840832 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Joeri de Graaf. Pop. Score. 2 pages. Joeri de Graaf Muziekproducties #447557. Published by Joeri de Graaf Muziekproducties (A0.840832). An accurate transcription of the drums part of the song ‘Rather Be’ by Clean Bandid.
$4.99 ≈
£3.80
I'd Rather Be Rich
I'd Rather Be Rich
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Rock
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Chicago
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Patrick Sheehan
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I'd Rather Be Rich
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747974 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 84 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747974 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 84 pages. Patrick Sheehan #4994423. Published by Patrick Sheehan (A0.747974). INSTRUMENTATION: Vocal, Alto Saxophone (Eb), Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Electric Guitar I (solo), Electric Guitar II (rhythm), Bass, Cowbell, Bongo Drums, Conga Drums, Drumset. All parts transcribed by ear from the original recording from CHICAGO 14, released in 1980. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
£19.03
Rather Be
Rather Be
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Clean Bandit Feat
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Hot Potato Band
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Rather Be
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Hot Potato Band
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat instrument,Baritone Saxophone,Bass Clef Instrument,Bass Voice,Drums,E-Flat Instrument,Tambourine,Tenor Saxophone,Treble Cle...
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Large Ensemble Alto Saxophone,B-Flat instrument,Baritone Saxophone,Bass Clef Instrument,Bass Voice,Drums,E-Flat Instrument,Tambourine,Tenor Saxophone,Treble Clef Instrument,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1099768 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Hot Potato Band. Contemporary,Funk,Jazz,Pop. Score and parts. 61 pages. Hot Potato Band #702044. Published by Hot Potato Band (A0.1099768). Hot Potato Band's pumping arrangement of Rather Be. Think: Brass Band meets Pop meets Drum&Bass. You might need a towel after this! This PDF includes: Score, Vocal Melody (Concert Treble), Trumpet, Alto Sax, Tenor Sax, Trombone, Bari Sax, Sousaphone, Bass, Tambourine, Drums. PLUS it comes with a bonus E-flat Melody part (e.g. alto sax, bari sax, Eb clarinet), B-flat Melody part (e.g. trumpet, tenor sax, Bb clarinet), and Bass Clef Melody part (e.g. trombone, cello). Check it out on YouTube!
$59.99 ≈
£45.68
Rather Be
Rather Be
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Contemporain
#
Clean Bandit Feat
#
Patrick Jillett
#
Rather Be
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Patrick Jillett
#
SheetMusicPlus
Instrumental Duet,Piano Drums,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.890122 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterso...
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Instrumental Duet,Piano Drums,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.890122 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 15 pages. Patrick Jillett #3022871. Published by Patrick Jillett (A0.890122). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: Flute with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99 ≈
£3.80
Rather Be
Rather Be
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Contemporain
#
Clean Bandit Feat
#
Patrick Jillett
#
Rather Be
#
Patrick Jillett
#
SheetMusicPlus
Instrumental Duet,Piano Drums,Horn,Instrumental Duet,Piano - Level 2 - SKU: A0.890128 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson...
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Instrumental Duet,Piano Drums,Horn,Instrumental Duet,Piano - Level 2 - SKU: A0.890128 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 15 pages. Patrick Jillett #3022889. Published by Patrick Jillett (A0.890128). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: F Horn with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99 ≈
£3.80
She'd Rather Be With Me
She'd Rather Be With Me
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Rock
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The Turtles
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Jim Farley - www
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She'd Rather Be With Me
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Jim Farley arrangementsone.com
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SheetMusicPlus
Small Ensemble B-Flat Trumpet,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone - Level 2 - SKU: A0.1089359 By The Turtles. By Alan Gordon ...
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Small Ensemble B-Flat Trumpet,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone - Level 2 - SKU: A0.1089359 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score and parts. 32 pages. Jim Farley arrangementsone.com #693557. Published by Jim Farley arrangementsone.com (A0.1089359). Arranged for 7 piece horn band including: Drums, Bass, Guitar (chords only), Piano, Trumpet, Trombone & Tenor Sax. ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$40.00 ≈
£30.46
Rather Be
Rather Be
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Pop musique
#
Clean Bandit Feat
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P Welsh
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Rather Be
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Accubass
#
SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Electric Guitar,Keyboard - Level 4 - SKU: A0.1145265 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson...
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Small Ensemble Bass Guitar,Drums,Electric Guitar,Keyboard - Level 4 - SKU: A0.1145265 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by P Welsh. Pop. Score and parts. 21 pages. Accubass #745537. Published by Accubass (A0.1145265). Set of accurate parts for 4 piece rhythm section.
$14.99 ≈
£11.41
I'd Rather Be Rich
I'd Rather Be Rich
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Rock
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Chicago
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Patrick Sheehan
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I'd Rather Be Rich
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747930 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 62 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747930 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 62 pages. Patrick Sheehan #4968917. Published by Patrick Sheehan (A0.747930). INSTRUMENTATION: Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Electric Guitar, Bass, Tambourine, Drumset. All parts transcribed by ear from the original recording from Chicago X released in 1976. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
£19.03
Rather Be - Drums
Rather Be - Drums
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Batterie (partie séparée)
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Clean Bandit feat
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Mark A
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Rather Be - Drums
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.308872 By Clean Bandit feat. Jess Glynne. Arranged by Mark A. Brymer. A Cappella,Pop. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #2...
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SKU: HX.308872 By Clean Bandit feat. Jess Glynne. Arranged by Mark A. Brymer. A Cappella,Pop. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #258681. Published by Hal Leonard - Digital (HX.308872).
$7.00 ≈
£5.33
The Dead Shall be Raised (I Thessalonians 4)
The Dead Shall be Raised (I Thessalonians 4)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Carol Taylor
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Carol Taylor
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The Dead Shall be Raised
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C.Taylor
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.934048 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Sacred,Spiritual. Octavo. 13 pages. C.Taylo...
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Choral Choir (SATB) - Level 4 - SKU: A0.934048 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Sacred,Spiritual. Octavo. 13 pages. C.Taylor #3111381. Published by C.Taylor (A0.934048). This is a big piece with much emotion about the Resurrection. Words are directly taken from I Thessalonians 4It is inspirational and the focal point of all Christian religion--the ResurrectionBecause it is scripture set to music it is appropriate for all Christian organizationsBrass and Timpani/Drums could be added for emphasis (though I have not specifically written those parts--they are rather obvious!)Please excuse the MP3 quality. I did not have a choir to record my piece and cannot sing bass or tenor properly. This is just to give you an idea of the sound and really needs a full size choir to perform. It takes about 6 minutes to perform and ends on a very big high! I have extensive contacts on many Facebook sites both secular and religiousI am part of a worldwide Church organization and this piece has been used privately in one service for a special High day we celebrate each yearI am not part of any Performing Rights groupsMy contact information is: Caroltaylor27@yahoo.com please contact me with questions or if you would like the music in individual parts or if you would like me to write a brass or Timpani parts.SATB with the melody shifting from soprano to bass to tenor. MUST have a strong bass section to handle this piece
$2.99 ≈
£2.28
rather be - for solo violin, with piano accompaniment, & optional percussion.
rather be - for solo violin, with piano accompaniment, & optional percussion.
Piano Accompaniment,Violin,Drums,Drum Set
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Clean Bandit
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Patrick Jillett
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rather be - for solo violin, w
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Patrick Jillett
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SheetMusicPlus
By Clean Bandit. Arranged by Patrick Jillett. Individual Part, Score, Set of Parts, Solo Part. 17 pages. Published by Patrick Jillett (H0.142463-258681). - Indi...
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By Clean Bandit. Arranged by Patrick Jillett. Individual Part, Score, Set of Parts, Solo Part. 17 pages. Published by Patrick Jillett (H0.142463-258681). - Individual Part,Score,Set of Parts,Solo Part - - Patrick Jillett
$5.99 ≈
£4.56
Rather Be full score
Rather Be full score
vocals,synthesiser,bass,drums,strings
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Clean Bandit
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Malcolm Escott
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Rather Be full score
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Malcolm Escott
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SheetMusicPlus
By Clean Bandit. Arranged by Malcolm Escott. Score. 29 pages. Published by Malcolm Escott (H0.161115-258681). - Score - - Malcolm Escott...
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By Clean Bandit. Arranged by Malcolm Escott. Score. 29 pages. Published by Malcolm Escott (H0.161115-258681). - Score - - Malcolm Escott
$4.99 ≈
£3.80
Drumset 101
Drumset 101
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Batterie
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INTERMÉDIAIRE
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Methodes
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Rob Silverman
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Drumset 101
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Rob Silverman. All Styles. E-book and online audio. 52 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.95457BCDEB). - e-book and ...
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Composed by Rob Silverman. All Styles. E-book and online audio. 52 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.95457BCDEB). - e-book and online audio - All Styles - Mel Bay Publications - Digital Sheet Music
ISBN 9781610655293. This beginning method book presents an overview of today's contemporary drum rhythms and styles. Rather than focusing on one musical genre, Drumset 101 is a compilation of fundamental coordination exercises that can be applied to many different styles. This book aims to fill the void that has long existed for drum teachers and beginning students, providing one text for all beginning students instead of requiring the purchase of several books covering different styles. Includes access to online audio.
$14.99 ≈
£11.41
Big Drum
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99 ≈
£3.80
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
£22.84
Wir bauen eine Stadt
Wir bauen eine Stadt
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl....
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99 ≈
£12.17
Slow Ride
Slow Ride
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Rock
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Foghat
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Bill Swick
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Slow Ride
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Bill Swick
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SheetMusicPlus
Small Ensemble Double Bass,Drums,Guitar - Level 5 - SKU: A0.810666 By Foghat. By Lonesome Dave Peverett. Arranged by Bill Swick. Rock. Score and parts. ...
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Small Ensemble Double Bass,Drums,Guitar - Level 5 - SKU: A0.810666 By Foghat. By Lonesome Dave Peverett. Arranged by Bill Swick. Rock. Score and parts. 39 pages. Bill Swick #6614263. Published by Bill Swick (A0.810666). This arrangement of Slow Ride is written for a guitar quartet or large guitar ensemble along with two electric guitar, bass and drums. A vocal may be added although there is not a vocal part included. The acoustic guitar parts are rather easy. The key, three sharps, and extended range for guitar one and electric guitar one puts this in the advanced category. This is ideal for Year 3, Quarter 3.
$35.00 ≈
£26.65
Lullaby Of Birdland
Lullaby Of Birdland
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Jazz
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George Shearing
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Serena Rose
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Lullaby Of Birdland
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Serena Rose Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by ...
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Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquai’s Virtual Insanity that intensifies the listener’s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.
$50.00 ≈
£38.07
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
£7.61
Make Me A Memory (Sad Samba)
Make Me A Memory (Sad Samba)
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Ensemble Jazz
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INTERMÉDIAIRE
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Latin/Musique du monde
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Grover Washington Jr
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Eric Gale, guitar
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Make Me A Memory
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Gerald Ramsey
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1389644 By Grover Washington Jr. By Grover Washington Jr. Arranged by Mike Michalicek and Gerald Ramsey....
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1389644 By Grover Washington Jr. By Grover Washington Jr. Arranged by Mike Michalicek and Gerald Ramsey. Jazz,Soul. 60 pages. Gerald Ramsey #973223. Published by Gerald Ramsey (A0.1389644). Grover Washington, Jr., recorded this composition on his Winelight album with a stellar rhythm section of Richard Tee, Rhodes piano; Eric Gale, guitar; Marcus Miller, bass; Steve Gadd, drums; and Ralph MacDonald, percussion. Despite the subtitle, this piece is not a samba, but rather a soulful solo vehicle for Grover and members of the rhythm section.This arrangement is written flexibly so that it could be performed by a full big band, by solo alto sax with rhythm section, or by big band with a featured alto soloist. The arrangement can be opened up for multiple soloists. Young soloists can improvise very effectively using a g minor blues scale, although the piece is not a blues. More advanced players can use the provided sheets with the chord changes transposed for each instrument.The MIDI-rendered recording provides an adequate representation of this arrangement, but check out Groverâ??s recording on the streaming platform of your choice for an outstanding model to emulate.
$50.00 ≈
£38.07
Carol of the Wise Men
Carol of the Wise Men
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Chorale SATB
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FACILE
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie R...
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Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51 ≈
£3.43
Happy Place
Happy Place
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Chorale 2 parties
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INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99 ≈
£1.52
Suite For Clarinet
Suite For Clarinet
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Caleb M
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Suite For Clarinet
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C.M.Brandon
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1225338 Composed by Caleb M. Brandon. 20th Century,Chamber,Classical,Instructional,Traditional. Score and part...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1225338 Composed by Caleb M. Brandon. 20th Century,Chamber,Classical,Instructional,Traditional. Score and part. 32 pages. C.M.Brandon #821427. Published by C.M.Brandon (A0.1225338). A three movement suite which highlights the versatility of the clarinet. In the Tradition – An enjoyable piece written in the “textbook†Sonata form. One will be able to find an Introduction, Primary Theme, Transition, Secondary theme, Closing Theme, Development, and the Recapitulation. The classical styling showcases the clarinet’s versatility, range, and colors. In the Tinnabular – This melancholy piece explores the minimalist style of composition invented by Arvo Pärt called tintinnabuli. The two voice types characterized in this method (‘tintinnabular’ arpeggiating voice/the stepwise diatonic voice) are found in the piano while the clarinet adds a melody. Both of these voices expand, note by note, over time. In the Time of Rag – A lively and entertaining piece in the ‘ragtime’ style. Performers are encouraged to improvise, as was customary for these pieces. The drum set is not necessary but does add a great dimension to the music. From my research, I believe the style of drumming needed is “2nd line drummingâ€. The high hat and snare notation is meant to simulate the beats using brushes, rather than sticks, on the snare while maintaining the march rhythms. Washboards, tambourines, and the like could be incorporated at the discretion of the percussionist. Dynamic levels of the drums should not overtake the clarinet and piano but enhance the overall performance.
$2.99 ≈
£2.28
Where Eagles Dare (Theme) - Score Only
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99 ≈
£11.41
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