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Vous avez sélectionné:
Rather Be for String Quartet
Partitions à imprimer
79 partitions trouvées
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Six String Quartets, Op.1 - Score Only
Six String Quartets, Op.1 - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Chevalier de Saint-Georges
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Artaria Editions
#
Six String Quartets, Op.1 - Sc
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Artaria Editions
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1092790 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 54 pag...
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String Quartet String Quartet - SKU: A0.1092790 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 54 pages. Artaria Editions #696896. Published by Artaria Editions (A0.1092790). For string quartet Artaria Editions AE619 Edited by Allan Badley 54 pages This is a scholarly edition of a public domain work. The string quartet as a genre was still relatively new in Paris by the time these works were composed. During the 1760s quartets by a number of foreign composers – Haydn, foremost among them – had been issued by Parisian publishers, but these works had not exercised a great deal of influence on local composers. Only Gossec, Nicholas Capron and Pierre Vachon published quartets before the appearance of Saint-Georges’s Op.1 and their works – and, in a broader sense, French instrumental music in general – seem to have provided his model rather than the quartets of Haydn. The most obvious point of difference is their two-movement structure as opposed to the four-movement cycle that was typically adopted by Viennese composers. While this might be thought to mark the works out as being rather primitive, two-movement pairings were also common in that quintessentially French genre, the symphonie concertante of which Saint-Georges was to be an important early exponent.
$54.00 ≈
49.41€
Six String Quartets, Op.1 (score and parts)
Six String Quartets, Op.1 (score and parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Chevalier de Saint-Georges
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Artaria Editions
#
Six String Quartets, Op.1
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Artaria Editions
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092791 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Scor...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092791 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 117 pages. Artaria Editions #696898. Published by Artaria Editions (A0.1092791). For string quartet Artaria Editions AE619 Edited by Allan Badley 117 pages This is a scholarly edition of a public domain work. The string quartet as a genre was still relatively new in Paris by the time these works were composed. During the 1760s quartets by a number of foreign composers – Haydn, foremost among them – had been issued by Parisian publishers, but these works had not exercised a great deal of influence on local composers. Only Gossec, Nicholas Capron and Pierre Vachon published quartets before the appearance of Saint-Georges’s Op.1 and their works – and, in a broader sense, French instrumental music in general – seem to have provided his model rather than the quartets of Haydn. The most obvious point of difference is their two-movement structure as opposed to the four-movement cycle that was typically adopted by Viennese composers. While this might be thought to mark the works out as being rather primitive, two-movement pairings were also common in that quintessentially French genre, the symphonie concertante of which Saint-Georges was to be an important early exponent.
$102.75 ≈
94.01€
Rather Be - String Quartet - Clean Bandit arr. Cellobat
Rather Be - String Quartet - Clean Bandit arr. Cellobat
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Rock
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Clean Bandit Feat
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Sarah Cellobat Chaffee
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Rather Be - String Quartet - C
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SheetMusicPlus
String Quartet - Advanced - By Clean Bandit Feat. Jess Glynne. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 19 pages. Published by Sarah...
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String Quartet - Advanced - By Clean Bandit Feat. Jess Glynne. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 19 pages. Published by Sarah Chaffee
"Rather Be" was released as a single from Clean Bandit's first studio album in 2014, and it quickly became a huge hit, reaching number one on the Billboard charts in 12 countries and selling enough copies to get certified triple platinum. So you really can't go wrong having this one in your gig books! This Cellobat arrangement for string quartet brings to life the bouncy EDM beat, staccato string figures, soaring melodies, and lush harmonies of the original song for a fun and energetic chart that's just as much fun to play as it is to listen to! Originally commissioned for a wedding recessional, this chart will also be perfect for receptions, cocktail hour, pop concerts, parties, or any other occasion that you need to get your audience dancing. Rated advanced for some complicated rhythms throughout that go by pretty fast -- I definitely recommend running through this one or getting familiar with the original before performing.
$16.99 ≈
15.54€
Don't Start Now - Pop String Quartet with Rhythm Section parts
Don't Start Now - Pop String Quartet with Rhythm Section parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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Dua Lipa, Dallas String Quar
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Kyle Pudenz
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Don't Start Now - Pop String Q
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ViolinVagabond Music
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SheetMusicPlus
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 page...
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!
"If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.
Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.
This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:
- Cool collaborations with non-classical musicians.
- Making peace and finally finding common ground with those heathens who use frets to play in tune.
- Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!
- You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.
- You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.
... and the list goes on.
Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!
Performance time - approximately 3:00, longer if you want to vamp the outro
Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99 ≈
22.86€
An Elegy for Hopes and Dreams
An Elegy for Hopes and Dreams
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
William Heath
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An Elegy for Hopes and Dreams
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William Heath
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #7...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99 ≈
25.61€
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Strings - Level 3 - SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Publishe...
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Strings - Level 3 - SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Published by jmsgu3 (A0.549209). Instrumentation: Two string quartets arranged antiphonally. Full Score: 28 pgs. Study Score: 14 pgs. Instrumental parts: 2 pg. ea. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. www.jamesguthrie.com.
$47.95 ≈
43.87€
String Quartet No.2
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99 ≈
18.29€
Rather Be - Clean Bandit - String Quartet, Trio, Duo or Solo Violin
Rather Be - Clean Bandit - String Quartet, Trio, Duo or Solo Violin
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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Clean Bandit
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Thomas Winter
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Rather Be - Clean Bandit - Str
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Thomas Winter
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SheetMusicPlus
Violin, Viola, Cello, String Duet, String Trio, String Quartet - Intermediate - By Clean Bandit. Arranged by Thomas Winter. Score, Set of Parts. 9 p...
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Violin, Viola, Cello, String Duet, String Trio, String Quartet - Intermediate - By Clean Bandit. Arranged by Thomas Winter. Score, Set of Parts. 9 pages. Published by Thomas Winter
An energizing wedding-appropriate tune with a famous violin introduction, Rather Be is a must-have for the modern wedding string ensemble.
Unless otherwise specified, all Thomas Winter arrangements work for string quartet, trio, duo or solo violin.
$14.99 ≈
13.71€
Mozart - Ave Verum Corpus (for String Quartet and Optional Organ)
Mozart - Ave Verum Corpus (for String Quartet and Optional Organ)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Kenneth Abeling
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Mozart - Ave Verum Corpus
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.515051 Composed by Wolfgang Amadeus Mozart. Arranged by Kenneth Abeling. Classical,Sacred,Wedding. Sco...
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String Quartet String Quartet - Level 2 - SKU: A0.515051 Composed by Wolfgang Amadeus Mozart. Arranged by Kenneth Abeling. Classical,Sacred,Wedding. Score and parts. 11 pages. LINCOLN MUSIC PUBLICATIONS #4627595. Published by LINCOLN MUSIC PUBLICATIONS (A0.515051). Ave Verum Corpus (Hail, true body) transcribed for String Quartet with optional Organ by Kenneth Abeling. Ave Verum Corpus is considered to be one of the most beautiful classical compositions ever written and certainly one of Mozart’s most memorable. This is a rather easy arrangement, performable with the Organ (or not cues added) and suitable for various religious or sacred events including Weddings. Playing time: 2:15 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99 ≈
11.88€
Pastorale #2 for String Quartet
Pastorale #2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Moshe S
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Pastorale #2 for String Quarte
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ArtsAhimsa
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.950816 Composed by Moshe S. Knoll. 20th Century,Contemporary,New Age. Score and parts. 7 pages. ArtsAh...
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String Quartet String Quartet - Level 4 - SKU: A0.950816 Composed by Moshe S. Knoll. 20th Century,Contemporary,New Age. Score and parts. 7 pages. ArtsAhimsa #3479201. Published by ArtsAhimsa (A0.950816). A rather dark meditation for string quartet, which can be used as a concert number, or for solemn ceremonial occasions.
$7.00 ≈
6.40€
We wish you a merry Christmas for string quartet
We wish you a merry Christmas for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional
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David Warin Solomons
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We wish you a merry Christmas
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.575833 Composed by Traditional. Arranged by David Warin Solomons. Christian,Christmas,Contemporary. Sc...
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String Quartet String Quartet - Level 3 - SKU: A0.575833 Composed by Traditional. Arranged by David Warin Solomons. Christian,Christmas,Contemporary. Score and parts. 7 pages. David Warin Solomons #2028673. Published by David Warin Solomons (A0.575833). We Wish You a Merry Christmas is a popular sixteenth-century carol from the West Country of England. The origin of this carol lies in the English tradition in which wealthy people of the community gave Christmas treats to the singers on Christmas Eve, such as figgy puddings. This string quartet version becomes rather snowbound as the song progresses (a video of this effect can be seen on youtube: https://www.youtube.com/watch?v=iXedy2bPiDg ) The pdf file contains score and parts. The soundsample is an electronic preview.
$9.00 ≈
8.23€
Kyrie (Durante) (String Quartet - 2 Violins, 1 Viola, 1 Cello)
Kyrie (Durante) (String Quartet - 2 Violins, 1 Viola, 1 Cello)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092478 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instruct...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092478 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696569. Published by Regis Bookshar (A0.1092478). Kyrie - by Francesco Durante; String Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, 1 Viola and 1 Violoncello. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00 ≈
9.15€
Kyrie (Durante) (String Quartet - 1 Violin, 1 Viola, 1 Cello, 1 Bass)
Kyrie (Durante) (String Quartet - 1 Violin, 1 Viola, 1 Cello, 1 Bass)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092472 Composed by Francesco Durante. Arranged by Regis Bookshar. Baro...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092472 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696563. Published by Regis Bookshar (A0.1092472). Kyrie - by Francesco Durante; String Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 1 Violin, 1 Viola, 1 Violoncello and 1 Double Bass. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00 ≈
9.15€
Kyrie (Durante) (Violin Quartet)
Kyrie (Durante) (Violin Quartet)
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Quatuor à cordes: 4 violons
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 3 - SKU: A0.1092495 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred...
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String Quartet String Quartet,Violin - Level 3 - SKU: A0.1092495 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696587. Published by Regis Bookshar (A0.1092495). Kyrie - by Francesco Durante; Violin Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Violin Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Violin Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00 ≈
9.15€
Kyrie (Durante) (Viola Quartet)
Kyrie (Durante) (Viola Quartet)
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Quatuor à cordes : 4 altos
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 3 - SKU: A0.1092492 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred....
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String Quartet String Quartet,Viola - Level 3 - SKU: A0.1092492 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696583. Published by Regis Bookshar (A0.1092492). Kyrie - by Francesco Durante; Viola Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Viola Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Viola Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00 ≈
9.15€
String Quartet No. 2: Child's Play
String Quartet No. 2: Child's Play
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 2: Child's
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg #115423. Published by Robert M. Greenberg (A0.987857). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1988 Program Note: !. Games (fast) II. Intermezzo: Dreams of Gold (slow) III. Dances (very fast) Child's Play was completed in August, 1988. In no way does the title refer to the technical demands of the piece, which are considerable. Rather, it refers to the endlessly imaginative, energized, and constantly changing play that might be engaged in by four different, though like-minded children. Indeed, the inspiration for the quartet was my then two-year-old daughter Rachel, whose boundless energy and capacity for play I found (and still find) rather terrifying. Child's Play consists of three movements: Games (fast), Intermezzo: Sogni d'Oro (Dreams of Gold) (slow), and Dances (very fast). In Games, four energetic and well-rested players leap out of the starting blocks together and engage in sport of various kinds: running games, chasing games, teasing games, tag, echo games (Simon Says), races, and so forth, eventually returning to the unison from which they began. Intermezzo: Sogni d'Oro (Dreams of Gold) offers a quiet, episodic, dreamlike respite from the frenetic mood of Games. In Dances, the energized character of the first movement resumes, only faster. Dances is a perpetual motion movement in three parts, with a slower, more fragmented middle section sandwiched between a boisterous and frenzied dance of life. This movement ends much in the same way as the first movement began, bringing the circuit of the piece to a close. Child's Play was commissioned by, and is dedicated, with many thanks and great appreciation, to the Alexander String Quartet.
$36.00 ≈
32.94€
Renaissance Madrigals Arranged for Strings, set 1
Renaissance Madrigals Arranged for Strings, set 1
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Orchestre à Cordes
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INTERMÉDIAIRE
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371....
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String Orchestra - Level 3 - SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371. Published by Curtis Hanson (A0.719773). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals, lieder, and chansons in this collection are arranged for string quartet and quintet. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99 ≈
27.44€
Funny Like a Monkey for piano quartet
Funny Like a Monkey for piano quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
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Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00 ≈
32.94€
Rather Be
Rather Be
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Clean Bandit Feat
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Sherry Lewis
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Rather Be
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Sherry Lewis Publishing
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SheetMusicPlus
Piano Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521726 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier...
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Piano Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521726 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Sherry Lewis. Pop. 18 pages. Sherry Lewis Publishing #6408771. Published by Sherry Lewis Publishing (A0.521726). I'M YOURS String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Intermediate Level Score: 5 pages Parts: 10 pages Time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.88€
Quartet No.1 By Edouard de Hartog Op.35 for Clarinet Quartet.
Quartet No.1 By Edouard de Hartog Op.35 for Clarinet Quartet.
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Quatuor de Clarinettes: 4 clarinettes
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Classique
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Edouard de Hartog
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Stephen Davies
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Quartet No.1 By Edouard de Har
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - SKU: A0.891920 Composed by Edouard de Hartog. Arranged by Stephen Davies. Romantic Period. 51 pages. Steph...
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Woodwind Ensemble,Woodwind Quartet Clarinet - SKU: A0.891920 Composed by Edouard de Hartog. Arranged by Stephen Davies. Romantic Period. 51 pages. Stephen Davies #3531343. Published by Stephen Davies (A0.891920). Hartog was a Dutch composer who eventually settled in Paris, though mainly forgotten now, he wrote a tremendous amount of music that was popular in his day, ranging from Opera, Chorus, Violin, Cello and Organ amongst others. This particular arrangement is the 1st movement of a String Quartet Op.35, its busy and strident and each player must be on their game! So rather than catagorise 1st/2nd & 3rd as they are practically all equal, I've called the first 3 parts X, M, W ! Why not?! And with 33 key changes it should keep you busy!!
$19.99 ≈
18.29€
Rather Be
Rather Be
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Clean Bandit Feat
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Dury Loveridge
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Rather Be
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Dury Loveridge
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.752631 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Ma...
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String Quartet String Quartet - Level 3 - SKU: A0.752631 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Dury Loveridge. Contemporary. Score and parts. 13 pages. Dury Loveridge #4966855. Published by Dury Loveridge (A0.752631). The 2014 mega-hit 'Rather Be' by Clean Bandit. Remixed numerous time, and a frequent soundtrack to flim, tv and commercials. Arranged for string quartet by professional cellist and arranger Dury Loveridge, the piece has been transposed into a more friendly and approachable key for both wedding groups and school groups. .
$12.99 ≈
11.88€
Rather Be
Rather Be
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Clean Bandit Feat
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Rommel Camba
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Rather Be
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Rommel Camba
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.880272 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Na...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.880272 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Rommel Camba. Contemporary. Score and parts. 31 pages. Rommel Camba #4576329. Published by Rommel Camba (A0.880272). Rather Be by Clean Bandit. Arranged for String Quartet.
$14.99 ≈
13.71€
The Third Book of Songs for Flute Quartet
The Third Book of Songs for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
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a Fountain Where I Lay
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John Dowland
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Lisa Ochoco
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The Third Book of Songs for Fl
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L O...
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
$12.00 ≈
10.98€
Rather Be
Rather Be
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Clean Bandit Feat
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G Streeks
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Rather Be
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Gina Streeks
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.827728 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Ar...
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String Quartet String Quartet - SKU: A0.827728 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by G Streeks. Contemporary. Score and parts. 19 pages. Gina Streeks #3915191. Published by Gina Streeks (A0.827728). A funky string quartet arrangement for advanced/professional string quartet.
$15.99 ≈
14.63€
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Rather Be for String Quartet
