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Ravel Variation
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Vous avez sélectionné:
Ravel Variation
Partitions à imprimer
24 partitions trouvées
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1
Variation on the Tristan Chord (Love and Death)
Variation on the Tristan Chord (Love and Death)
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Contemporain
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David Warin Solomons
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Variation on the Tristan Chord
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trombone,Trumpet,Viola,Violin - Level 5 - SKU: A0.576114 Composed by David Warin Solomons. Con...
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Small Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trombone,Trumpet,Viola,Violin - Level 5 - SKU: A0.576114 Composed by David Warin Solomons. Contemporary. Score and parts. 68 pages. David Warin Solomons #2030947. Published by David Warin Solomons (A0.576114). This version of my variation on the famous Tristan chord is for a large orchestra (wind, brass, timpani and strings). After a quick reminder of Wagner's original sequence the composition revolves around a 7/8 melodic theme which climbs up the tonalities as suggested by that chord sequence, and a 3/8 counter melody which also fits into the scheme. The sound sample is an electronic preview, created by Ravel Virtual Studio. The pdf file contains score and parts The timpani part has markings assuming 4 timpani, but it is also possible with three pedal timpani A version for guitar quartet is also available.
$30.00 ≈
$40.49
Gravel Walk (The Gravel Walks)
Gravel Walk (The Gravel Walks)
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Guitare notes et tablatures
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Austin Weyand
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Austin Weyand
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Gravel Walk
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Austin Weyand
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SheetMusicPlus
Solo Guitar - SKU: A0.1398880 By Austin Weyand. By Traditional. Arranged by Austin Weyand. Celtic,Classical,Folk,Irish,Traditional. Individual part. 7 p...
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Solo Guitar - SKU: A0.1398880 By Austin Weyand. By Traditional. Arranged by Austin Weyand. Celtic,Classical,Folk,Irish,Traditional. Individual part. 7 pages. Austin Weyand #981822. Published by Austin Weyand (A0.1398880). My solo guitar arrangement of the Irish reel Gravel Walk, also known as The Gravel Walks. I added some variation to my arrangement of this traditional tune with an added slower section, and then a big finish that involves cross string runs and strumming at the end. A version of this arrangement is also found on my album Too Much Information..
$5.99 ≈
$8.08
The Arkansas Traveller. A Western Refrain with Introduction and Easy Variations
The Arkansas Traveller. A Western Refrain with Introduction and Easy Variations
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Piano seul
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William Iucho
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The Arkansas Traveller. A West
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.6588 Composed by William Iucho. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6588). ...
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Piano - SKU: LV.6588 Composed by William Iucho. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6588). The Arkansas Traveller. A Western Refrain with Introduction and Easy Variations. Composed by William Iucho. Published 1851 by Firth, Pond & Co. in New York. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.08
Ravel Variation
Ravel Variation
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Violon et Piano
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Classique
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Ravel Variation
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Hal Leonard - Digital
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SheetMusicPlus
This edition: Interactive Download,scorch. Classical. 4 pages. Published by Hal Leonard - Digital...
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This edition: Interactive Download,scorch. Classical. 4 pages. Published by Hal Leonard - Digital
$4.99 ≈
$6.73
Maurice Ravel: Ravel Variation - violin & piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Maurice Ravel
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Virtualsheetmusic
Instantly printable sheet music by Maurice Ravel for violin & piano of MEDIUM skill level. / classical,french
Instantly printable sheet music by Maurice Ravel for violin & piano of MEDIUM skill level. / classical,french
$6.97 ≈
$9.41
Ravel Variation - Violin & Piano by Vivan & Ketan Bhatti - Solo & Accompaniment
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Violon et Piano
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Vivan & Ketan Bhatti
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Ravel Variation - Violin & Pia
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Musicnotes
Sheet Music for Ravel Variation - Violin & Piano by Vivan & Ketan Bhatti arranged for Solo & Accompaniment;Instrumental Parts in G Major. Digital sh...
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Sheet Music for Ravel Variation - Violin & Piano by Vivan & Ketan Bhatti arranged for Solo & Accompaniment;Instrumental Parts in G Major. Digital sheet music from Musicnotes.
$5.79 ≈
$7.81
Unravel_Concert Band Variation
Unravel_Concert Band Variation
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Toru Kitajima, Animenz
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VCHS MUSE
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Unravel_Concert Band Variation
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VCHS MUSE
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.925097 Composed by Toru Kitajima, Animenz. Arranged by VCHS MUSE. Contemporary,Film/TV,New Age,Pop,World...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.925097 Composed by Toru Kitajima, Animenz. Arranged by VCHS MUSE. Contemporary,Film/TV,New Age,Pop,World. Score and parts. 33 pages. VCHS MUSE #4355307. Published by VCHS MUSE (A0.925097). The original song was created by Toru Kitajima as the opening song of anime Tokyo Ghoul. It was later adapted by Animenz into a piano version. Our arrangement convert the music into a medium level concert band setting, and add our own adjustments for some of the parts. For the instrumentation, this music contains most of the wind ensemble wind instruments, and string instrument such as violin and bass. This music is more for medium or high level bands that are looking forward to innovative and new style music.
$1.99 ≈
$2.69
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
$40.47
Texas Symphony, Movement V. "Metro"
Texas Symphony, Movement V. "Metro"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kathryn Ellis
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Texas Symphony, Movement V. &q
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published ...
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Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published by Ellis (A0.885230). Metro is the fifth and final movement of A Texas Symphony- This piece takes the listener on a current day musical road trip, from Houston to Dallas to Austin. The journey begins with a travel theme, a variation of which is also then played between each city. The beginning of the travel theme is identified by a snare and timpani rhythm. Houston is the first city of the road trip an the music represents oil wells pumping – a constant timpani beat and triangle is played throughout the Houston music to represent the rhythm of the active oil wells pumping. The travel theme comes back with a key change as the music takes the listener to Dallas, where three ideas are represented; art and glamour, driving on freeway loops around Dallas, and exhilarating night life. The music is upbeat and changes keys several times. The travel theme returns in a different key while traveling to Austin, which is represented by a lyrical Texas waltz, a familiar Texas folk song, and a fiddle theme played in a more classical style. The finale is a blending of themes from the three cities and the travel theme.
$50.00 ≈
$67.48
Preludes 1974-76 for Piano
Preludes 1974-76 for Piano
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Piano seul
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AVANCÉ
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Rocco Di Pietro
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Preludes 1974-76 for Piano
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Rocco Di Pietro
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1290935 Composed by Rocco Di Pietro. 20th Century,Chamber,Classical,Contemporary. Score. 32 pages. Rocco Di Pietro #88162...
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Piano Solo - Level 5 - SKU: A0.1290935 Composed by Rocco Di Pietro. 20th Century,Chamber,Classical,Contemporary. Score. 32 pages. Rocco Di Pietro #881621. Published by Rocco Di Pietro (A0.1290935). For piano solo with optional harmonica Op. 19a1.  In Ringings (a Sheldon Soffer)2.  Variation after Dallapiccola (a Leonard Holvik and György Ligeti)3.  Fountain from Ravel (a Juli Douglass)4.  Major Thompsons Landing (a Leonard Holvik)Op.19b Four New Preludes (1976)5.  Bandits (To Yvar Mikhasoff)6.  Questa Amoroso Simpatia (A Nona Delphine Cimini)7.  Elegy Nha Thrang (to Earlham College)8.  Patusan (a Joseph Conrad).
$12.00 ≈
$16.19
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Stand...
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Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99 ≈
$6.73
An Elegy for Hopes and Dreams
An Elegy for Hopes and Dreams
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #7...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99 ≈
$37.77
Auld Lang Syne
Auld Lang Syne
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Instruments en Do
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FACILE
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Aretha Franklin, Barbra Streis
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Barry McCormick
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Auld Lang Syne
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B. McCormick
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1476010 By Aretha Franklin, Barbra Streisand, Jimmy Hendrix, Mariah Careh, and Patti LaBelle. By Robert Burns. Arranged...
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C Instrument - Level 2 - SKU: A0.1476010 By Aretha Franklin, Barbra Streisand, Jimmy Hendrix, Mariah Careh, and Patti LaBelle. By Robert Burns. Arranged by Barry McCormick. Celtic,Christmas,Folk,Instructional,Irish,Traditional. Lead Sheet / Fake Book. 3 pages. B. McCormick #1053577. Published by B. McCormick (A0.1476010). Auld Lang Syne - Lead Sheet and Chord Sheet Our “Auld Lang Syne” Lead Sheet offers a concise yet expressive way to perform this timeless Scottish folk song. Here’s what you’ll find: Lead Sheet: Introduction Variation: We’ve crafted a short introduction using the last two bars’ melody, infusing a fresh harmonic structure for added variation. Melody and Harmonic Clarity: The Lead Sheet captures the essence of “Auld Lang Syne,” allowing singers and instrumentalists to interpret it with authenticity. Chord Sheet: Accompanying Chords: Guitarists and pianists can follow the chord symbols for seamless accompaniment. Suggested Strumming Pattern: We’ve included a recommended strumming pattern to enhance the song’s rhythmic feel. Feel free to adapt it to your style! Glossary of Scot’s Terms: Dive deeper into the song’s cultural context with our Chord Sheet’s glossary, explaining traditional Scottish terms used in the lyrics. A Brief History: “Auld Lang Syne” was written down by Robert Burns in 1788 to preserve the Scottish language and culture after Scotland and England had formed the UK in 1707. Burns decided to travel around the country to collect and publish old Scots poetry and songs, ensuring that this bit of Scotland’s spoken history wouldn’t fade from memory. Who is this For? Musicians and Singers: Solo Performers: Use the Lead Sheet for heartfelt renditions. Ensemble Players: Collaborate with others to create a harmonious performance. Educators and Curious Learners: Music Teachers: Introduce students to Scottish folk music and its linguistic nuances. Raise your voices and hearts with ‘Auld Lang Syne.’ Explore our Lead Sheet and Chord Sheet, celebrating tradition and connection!
$2.99 ≈
$4.04
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95 ≈
$16.13
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95 ≈
$16.13
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95 ≈
$16.13
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95 ≈
$26.92
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95 ≈
$22.87
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissem
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Fo...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95 ≈
$16.13
(1) Somebody; (2) The Cabelonian Hunt With Variations
(1) Somebody; (2) The Cabelonian Hunt With Variations
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Latour
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guitar
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(1) Somebody;
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
(1) piano and voice; guitar; (2) keyboard (piano, harpsichord, etc.) - SKU: LV.15690 Composed by Latour. Courtship & love, Travel. Lester S. Levy Collec...
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(1) piano and voice; guitar; (2) keyboard (piano, harpsichord, etc.) - SKU: LV.15690 Composed by Latour. Courtship & love, Travel. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15690). (1) Somebody; (2) The Cabelonian Hunt With Variations. (1) na; (2) Latour. Published [n.d.] by P.A. von Hagen at his Piano Forte Warehouse, No. 3, Cornhill, n.d.; (2) hand-written manuscript in (1) Boston. Composition of (1) strophic ; (2) theme and variation with (1) piano and voice; guitar; (2) keyboard (piano, harpsichord, etc.) instrumentation. Subject headings for this piece include Courtship & love, Travel. First line reads (1) Were I oblig'd to beg my bred and had not where to lay my head.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.08
Shall I come?
Shall I come?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Lyric: Thomas Campion
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Shall I come?
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Hyun Kook
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1103869 By Lyric: Thomas Campion (1567~1620) and Suncheon City Choir (conductor: Junhaeng Jang). By Hyun ...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1103869 By Lyric: Thomas Campion (1567~1620) and Suncheon City Choir (conductor: Junhaeng Jang). By Hyun Kook. A Cappella. Octavo. 5 pages. Hyun Kook #707151. Published by Hyun Kook (A0.1103869). The composer picked this poem from his father’s 80-year old poem book THE GOLDEN TREASURY (edited by Oscar Williams) and the composer immediately wrote the song just after seeing Campion’s famous poem. This antique text is paired with homophonic, but charming melody that were sung by soprano, bass, or solo in an alternate fashion. According to the structure of poem, the music also contains two verses, but the second verse travels the variation with soprano solo, which then develops into large climax. The entire choir ends up mysteriously like taking-off into the sky in the calm morning.
$2.99 ≈
$4.04
Tullyhogue Fort / If I was a Tinker - Score Only
Tullyhogue Fort / If I was a Tinker - Score Only
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Alan Wagstaff
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Alan Wagstaff
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Tullyhogue Fort / If I was a T
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Alan Wagstaff
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SheetMusicPlus
Level 4 - SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan...
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Level 4 - SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan Wagstaff #975923. Published by Alan Wagstaff (A0.1392403). Tullyhogue Fort / If I was a Tailor - is a new, Irish style jig arranged for whistle, banjo, flute, fiddle, accordion, and bass.It is first played in a minor mode and then in a major mode. (Aeolian and Ionian)The song is a variation of the 2nd tune.Form: (AA BB) X2  (CC DD) X2  (EF) X5Here are the song lyrics:If I was a tinker you’d  not want for kettles. IfI was a jeweller, the  truth to be told, I’dgive you fine trinkets of rare precious metals, andmake you a ring out of African Gold. ButChorusI’m just a rambler who sings for his supper. Ijog County Antrim – astride this old nag.All that I own is my  saddle and crupper, awhistle, a drum and this old carpet bag.If I was a miller you’d not want for flour. If I was a tailor I’d sew you fine clothes.If I was a gardener I’d build you a bower,and bring you each morning a single red rose. ChorusI’m just a…Can you imagine the hedgerows beside us,travelling the byways with you on the mare,with only the thought of the next inn to guide us,where folks want a tune and have coppers to spare?ChorusI’m just a… If you can imagine the open road calling,the feel of the breeze underneath a clear sky;the stars bright at night and the gentle rain falling,then jog along too, bid your old life goodbye.ChorusI’m just a….
$6.00 ≈
$8.10
The Rail Road. A Characteristic Divertimento
The Rail Road. A Characteristic Divertimento
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Piano seul
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C
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The Rail Road. A Characteristi
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.19127 Composed by C. Meineke. Railroads, Travel, Carts & wagons, Industrial buildings, Monuments & Memorials, Sunrises & sunsets, Couple...
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Piano - SKU: LV.19127 Composed by C. Meineke. Railroads, Travel, Carts & wagons, Industrial buildings, Monuments & Memorials, Sunrises & sunsets, Couples. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19127). The Rail Road. A Characteristic Divertimento for the Piano Forte in which is introduced, a variety of National and Popular Airs [e.g. Hail Columbia, Yankee Doodle, The Star Spangled Banner, etc. Composed by C. Meineke. Published 1828 by John Cole in Baltimore. Composition of theme and variation with piano instrumentation. Subject headings for this piece include Railroads, Trave, Carts & wagons, Industrial buildings, Monuments & Memorials, Sunrises & sunsets, Couples. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.08
Fiddle Tunes Medley (for Clarinet Quartet)
Fiddle Tunes Medley (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional?
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Kenneth Abeling
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Fiddle Tunes Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Traditional?. Arranged by Kenneth Abeling. Folk, Bluegrass. Score, Set of Parts. 18 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.159451). - Sc...
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Composed by Traditional?. Arranged by Kenneth Abeling. Folk, Bluegrass. Score, Set of Parts. 18 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.159451). - Score,Set of Parts - Folk,Bluegrass - LINCOLN MUSIC PUBLICATIONS
Fiddle Tunes, Square Dance, Hoedown Medley orwhatever you care to call it, here for Clarinet Quartet, is a medley of threeBluegrass standards. Included are ?Liberty?,?Arkansas Traveler? and ?Turkey in the Straw?. This arrangement makes a great novelty orencore piece in some situations. It passes the original melodies and variationsequally amongst all members of the quartet and while being challenging, isequally as fun to play! For hundreds ofother arrangements by Kenneth Abeling please visit: www.lincolnmusicpublications.com Playing time: 3:45 Preview this score on YouTube: https://www.youtube.com/watch?v=w9cwQjexEYY
$13.00 ≈
$17.54
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Ravel Variation
