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Rebecca (Boo) de Bruin
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Vous avez sélectionné:
Rebecca (Boo) de Bruin
Partitions à imprimer
14 partitions trouvées
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Titanium - David Guetta and Sia (SSAA)
Titanium - David Guetta and Sia (SSAA)
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Chorale SSAA
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FACILE
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Pop musique
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David Guetta and Sia
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Rebecca (Boo) de Bruin
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Titanium - David Guetta and Si
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Rebecca de Bruin
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SheetMusicPlus
Barbershop Quartet - Early Intermediate - Digital Download By David Guetta and Sia. Arranged by Rebecca (Boo) de Bruin. Score. 16 pages. Published by...
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Barbershop Quartet - Early Intermediate - Digital Download By David Guetta and Sia. Arranged by Rebecca (Boo) de Bruin. Score. 16 pages. Published by Rebecca de Bruin
Words and Music by David Guetta, Sia Furler, Giorgio Tuinfort and Nik Van De Wall. Arranged in 2017 by Boo de Bruin. 16 pages (because it's written on four staves for ease of reading) for Sweet Adelines (ladies' barbershop) quartet or SSAA choir. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).
This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow.
Vocal ranges are:
Tenor: F#4 - F#5 (F# above middle C to F# above high C)
Lead: A#3 - D#5 (A# below middle C to D# above high C)
Baritone: A#3 - B4 (A# below middle C to B above middle C)
Bass: F#3 - D#4 (F# below middle C to D# above middle C)
Attached recording provided by Helen Warner.
$1.99 ≈
$2.70
Dance The Night
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
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Rebecca (Boo) de Bruin
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Dance The Night
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Rebecca de Bruin
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SheetMusicPlus
SSAA Chorus,Voice - Level 2 - SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Bo...
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SSAA Chorus,Voice - Level 2 - SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
$12.99 ≈
$17.63
Dance The Night
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
#
Rebecca (Boo) de Bruin
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Dance The Night
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged ...
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Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. 8 pages. Rebecca de Bruin #1070731. Published by Rebecca de Bruin (A0.1494121). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
$2.99 ≈
$4.06
Fight Song
Fight Song
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Chorale 3 parties
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FACILE
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Pop musique
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Rachel Platten
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Rebecca (Boo) de Bruin
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Fight Song
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.881162 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Rebecca (Boo) de Bruin. Pop. 6 p...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.881162 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Rebecca (Boo) de Bruin. Pop. 6 pages. Rebecca de Bruin #3879389. Published by Rebecca de Bruin (A0.881162). Words and Music by Rachel Platten and David Bassett. Arranged in 2016 by Rebecca (Boo) de Bruin. 6 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Fight Song was recorded in 2015 by Rachel Platten. It peaked at number 6 in the Billboard 100 chart, and also topped the charts in the UK . This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. It is suitable for middle school / high school groups (although might be better sung in G than F for particularly young voices), with a positive, self-empowering message.  Vocal ranges are:Tenor (S1): F4 - D5 (F above middle C to D above high C)Lead (S2): A3 - D5 (A below middle C to D above high C) - However, until the last two bars, the lowest note is a middle C. By swapping the baritone and lead parts at the end, it would be possible to keep this part on middle C and above.Baritone (A1): A3 - Bb4 (A below middle C to Bb above middle C)Bass: F3 - G4 (F below middle C to G above middle C)
$1.99 ≈
$2.70
Fifty Percent
Fifty Percent
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Chorale SSAA
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INTERMÉDIAIRE
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Ballroom
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Rebecca (Boo) de Bruin
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Fifty Percent
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1349236 By Ballroom. By Alan Bergman, Billy Goldenberg, and Marilyn Bergman. Arranged by Rebecca (Boo) de Bruin. Barbershop,Broadway,Musical/Show. 4 pages. Rebecca de Bruin #933981. Published by Rebecca de Bruin (A0.1349236). Music by Billy Goldenberg and lyrics by Alan and Marilyn Bergman. Arranged in 2023 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Fifty Percent is a defiant ballad taken from the 1978 Tony-nominated stage musical by Jerome Kass, Billy Goldenberg and Alan and Marilyn Bergman. Having fallen for a married man, Bea sings of how she would rather have fifty percent of him, or any percent of him than all of anyone else at all. Vocal ranges are:Tenor (S1): Eb4 - F5 (Eb above middle C to F above high C)Lead (S2): Bb3 - D5 (Bb below middle C to D above high C). (Until the tag the highest note is C, and an alternative tag is included)Baritone (A1): C4 - C5 (Middle C to high C)Bass: Db3 - F4 (Db below middle C to F above middle C)NB It's entirely possible to sing this in E / F# rather than Eb / F (as my quartet does) provided you have a relatively high lead: but it makes it much harder to read!Learning tracks are available from NewVoice Studio.
$1.99 ≈
$2.70
A Little Respect
A Little Respect
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Chorale SSAA
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FACILE
#
Erasure
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Rebecca (Boo) de Bruin
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A Little Respect
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,P...
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Choral Choir (SSAA) - Level 2 - SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).
$1.99 ≈
$2.70
That's When The Music Takes Me
That's When The Music Takes Me
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,P...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99 ≈
$2.70
Sing! by Pentatonix (SSAA)
Sing! by Pentatonix (SSAA)
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Chorale SSAA
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INTERMÉDIAIRE
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Pop musique
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Pentatonix
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Rebecca de Bruin
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Sing! by Pentatonix
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Rebecca de Bruin
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SheetMusicPlus
By Pentatonix. Arranged by Rebecca de Bruin. 6 pages. Published by Rebecca de Bruin...
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By Pentatonix. Arranged by Rebecca de Bruin. 6 pages. Published by Rebecca de Bruin
Original song by Pentatonix (Words and Music by Mitchell Grassi, Scott Hoying, Kevin Olusola, Martin Johnson and Sam Hollander).
Arranged in four parts (SSAA) by Boo de Bruin. 6 pages for Sweet Adelines (ladies' barbershop) chorus.
Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2). The piece does contain one 5 part bar (Bar 60) where the lowest part contains an optional C3. In a quartet, the bass could either sing this C3, or the C4. In a chorus without a bass section with reliable C3, the C4 on its own is also fine!
Vocal ranges are:
Tenor (S1): C4 - F5 (middle C to F above high C)
Lead (S2): A3 - C5 (A below middle C to high C)
Baritone (A1): Bb3 - C5 (Bb below middle C to high C)
Bass (A2): (Optional C3 in one bar) Eb3 - F4 (Eb below middle C to F above middle C)
$1.99 ≈
$2.70
Hero
Hero
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Chorale 3 parties
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INTERMÉDIAIRE
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Mariah Carey
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Rebecca de Bruin
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the
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Hero
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.881164 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Rebecca de Bruin. Contemporary,Pop. Oc...
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Choral Choir (SSA) - Level 3 - SKU: A0.881164 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Rebecca de Bruin. Contemporary,Pop. Octavo. 6 pages. Rebecca de Bruin #3879409. Published by Rebecca de Bruin (A0.881164). Words and Music by Mariah Carey and Walter Afanasieff. Arranged in 2017 by Rebecca (Boo) de Bruin. 6 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Hero was recorded in 1993 by Mariah Carey. It was her eighth number 1 in the Billboard 100 chart. Hero won Carey the ASCAP Award for Rhythm & Soul Songwriter and Pop Songwriter. The song was also awarded a BMI Pop Award and was nominated for Best Female Pop Vocal Performance at the Grammy Awards. This arrangement was written for a chorus of young women, with relatively narrow ranges. It is suitable for high school groups, with a positive, self-empowering message. Vocal ranges are:Tenor (S1): F4 - G5 (F above middle C to G above high C)Lead (S2): G3 - Eb5 (G below middle C to Eb above high C) Baritone (A1): Bb3 - C5 (Bb below middle C to high C)Bass (A2): F3 - Eb4 (F below middle C to Eb above middle C)PLEASE NOTE, WOMEN'S BARBERSHOP USES THE NAMES TENOR, LEAD, BARITONE AND BASS, AND OCTAVE SHIFTED BASS CLEFS FOR THE LOWER TWO PARTS. HOWEVER, AS STATED, THIS IS AN SSAA ARRANGEMENT USING THE RANGES LISTED ABOVE.
$1.99 ≈
$2.70
Meet me in St. Louis, Louis (SSAA)
Meet me in St. Louis, Louis (SSAA)
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Chorale 2 parties
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FACILE
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Music by Kerry Mills
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Rebecca de Bruin
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Meet me in St. Louis, Louis
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.881163 Composed by Music by Kerry Mills. Lyrics by Andrew Sterlin. Arranged by Rebecca de Bruin. Broadway,Film/TV,...
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Choral Choir (SA) - Level 2 - SKU: A0.881163 Composed by Music by Kerry Mills. Lyrics by Andrew Sterlin. Arranged by Rebecca de Bruin. Broadway,Film/TV,Musical/Show. Octavo. 4 pages. Rebecca de Bruin #4268789. Published by Rebecca de Bruin (A0.881163). Music by Kerry Mills. Lyrics by Andrew Sterling. Arranged in 2018 by Rebecca (Boo) de Bruin. 4 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). This is a traditional-style barbershop arrangement - lots of 7th chords and circle of fifths movement. Meet me in St. Louis, Louis, often known just as Meet me in St Louis is a song from 1904 about the St. Louis World's Fair. It was recorded at the time by William F. Denny, Billy Murray and Arthur Collins. Subsequently, in 1944, the song was sung by Judy Garland in the movie of the same name. Bing Crosby later recorded it as part of a medley in 1959. Vocal ranges are:Tenor (S1): G4 - E5 (G above middle C to E above high C)Lead (S2): Ab3 - C#5 (Ab below middle C to C# above high C) Baritone (A1): Ab3 - B4 (Ab below middle C to B below high C)Bass (A2): Eb3 - Eb4 (Eb below middle C to Eb above middle C)
$1.99 ≈
$2.70
Love Song
Love Song
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Chorale SSAA
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FACILE
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Pop musique
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Sara Bareilles
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Rebecca de Bruin
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Love Song
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Brui...
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Choral Choir (SSAA) - Level 2 - SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)
$12.99 ≈
$17.63
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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Jazz
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Colbie Caillat
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Rebecca de Bruin
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Have Yourself A Merry Little C
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Rebecca de Bruin
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SheetMusicPlus
Vocal Solo,Voice - Level 2 - SKU: A0.881159 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Rebecca de Bruin. Jazz. 3 pages. Rebecca de B...
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Vocal Solo,Voice - Level 2 - SKU: A0.881159 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Rebecca de Bruin. Jazz. 3 pages. Rebecca de Bruin #3219243. Published by Rebecca de Bruin (A0.881159). Music by Hugh Martin and Lyrics by Ralph Blane. Arranged by Boo de Bruin. 3 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Listed by ASCAP as the world's third most played Christmas song, and made famous by Frank Sinatra and Judy Garland. An easy close-harmony arrangement with a strong barbershop flavour. Contains a small bass (low alto) solo. Also available for TTBB in Bb.Vocal ranges are:Tenor: C4 - Eb5 (middle C to Eb above high C)Lead: Ab3 - C5 (A below middle C to high C)Baritone: Bb3 - Ab4 (Bb below middle C to Ab above middle C)Bass: F3 - D4 (F below middle C to D above middle C)Price is for a quartet, and entitles you to print four copies. If purchasing for a larger ensemble, please buy one copy per four singers.
$12.99 ≈
$17.63
Girls Just Want To Have Fun
Girls Just Want To Have Fun
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Chorale SSAA
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FACILE
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Film/TV
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Miley Cyrus
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Rebecca de Bruin
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Girls Just Want To Have Fun
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.881168 By Miley Cyrus. By Robert Hazard. Arranged by Rebecca de Bruin. Film/TV. Octavo. 9 pages. Rebecca de Brui...
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Choral Choir (SSAA) - Level 2 - SKU: A0.881168 By Miley Cyrus. By Robert Hazard. Arranged by Rebecca de Bruin. Film/TV. Octavo. 9 pages. Rebecca de Bruin #6497333. Published by Rebecca de Bruin (A0.881168). Words and Music by Robert Hazard. Arranged in 2013 by Boo de Bruin (nee Lewis). 9 pages for Sweet Adelines (ladies' barbershop) chorus or girls' choir. Girls just want to have fun was Cyndi Lauper's break through single as a solo artist, reaching number one in ten countries including Australia, Canada and New Zealand. It is a feminist reimagining of the 1979 song by Robert Hazard. It received Grammy nominations for Best Female Pop Vocal Performance and Record of the Year.This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. Vocal ranges are:Soprano 1: Eb4 - F#5 (Eb above middle C to F# above high C)Soprano 2: Bb3 - E5 (Bb below middle C to E above high C)Alto 1: B3 - B4 (B below middle C to B above middle C)Alto 2: F3 - G4 (F below middle C to G above middle C)For four bars in the penultimate chorus, there is one split in the parts, to allow for the girls they wanna, wanna have fun call back. In a quartet, this line could be omitted.
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$2.70
The water is wide (O waly waly) for SSAATTBB
The water is wide (O waly waly) for SSAATTBB
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Chorale SATB
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Public domain melody
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Boo Lewis
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The water is wide
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.881169 Composed by Public domain melody. Arranged by Boo Lewis. A Cappella. Octavo. 4 pages. Rebecca de Bruin #6503...
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Choral Choir (SATB divisi) - SKU: A0.881169 Composed by Public domain melody. Arranged by Boo Lewis. A Cappella. Octavo. 4 pages. Rebecca de Bruin #6503837. Published by Rebecca de Bruin (A0.881169). This eight part choral arrangement of 'The water is wide' (to the tune O waly waly) was written in August 2013 for a university a cappella group. The melody is mainly in the soprano part, apart from verse 2 where it is taken by the tenors. The arrangement moves from a melody line (which could be sung by a soloist rather than all the sopranos) over 'do do' backing, to a polyphonic second verse, before moving into a homophonic structure with minor splits in the alto and tenor parts and finally full eight part harmony in the fourth verse. The ranges and voice leading do not make this particularly challenging (although there is one high A in the soprano 1 part and the tenor 1 part and 1 low E in the bass part).Vocal ranges:Soprano 1: C#4 - A5 (C# above middle C to A above high C)Soprano 2: C#4 - E5 (C# above middle C to E above high C) Alto 1 and 2: A3 - C#5 (A below middle C to C# above high C)Tenor 1: C#3 - A4 (C# below middle C to A above middle C)Tenor 2: C#3 - F#4 (C# below middle C to F# above middle C)Bass 1: A2 - A3 (A below low C to A below middle C)Bass 2: E2 - A3 (E below low C to A below middle C)
$3.00 ≈
$4.07
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Rebecca (Boo) de Bruin
