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Reflections and Variation for Concert Band
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Reflections and Variation for Concert Band
Reflections and Variation for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Brandon Giltz
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Reflections and Variation for
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Bassic Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.921376 Composed by Brandon Giltz. 20th Century,Contemporary,Instructional. Score and parts. 36 pages. Bassic Music Publ...
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Concert Band - Level 4 - SKU: A0.921376 Composed by Brandon Giltz. 20th Century,Contemporary,Instructional. Score and parts. 36 pages. Bassic Music Publishing #3077675. Published by Bassic Music Publishing (A0.921376). A gorgeous, full band testament to the strength of the rising adult, Reflections and Variation is a celebration of those who approach changing lives with brave faces and with a constant desire to better themselves. In this spirit, it is the optimal choice for intermediate bands looking to make brilliant musicians of young minds, featuring basic polyrhythms and a student-friendly introduction to compound time signatures, Reflections and Variation means to inspire the young band looking to find its way into more advanced music.
$145.00 ≈
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Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
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The First State - Set of Parts
The First State - Set of Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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The First State - Set of Parts
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755027 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 117 pages. Sy Brandon #3244215. Publ...
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Concert Band - Level 4 - SKU: A0.755027 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 117 pages. Sy Brandon #3244215. Published by Sy Brandon (A0.755027). This is the set of parts that print on letter size paper. The score that prints on legal size paper is available separately. This three movement composition is a musical portrait of Delaware up until its being the first state to ratify the constitution. It was composed for the University of Delaware Wind Ensemble, Dr. Robert J. Steckfuss, conductor as a result of a commission from the Xi Mu Chapter of Phi Mu Alpha Sinfonia. The work is in three movements: I. Stewards of the Land - This movement is a tribute to the Lenni Lenape Indians. It uses a melody from a Lenape Indian song that is first stated in the English Horn. This melody is then developed through adding counterpoint, harmony, orchestration, motivic variation, rhythmic and tempo changes, and the addition of original material. II. Settlement and Conflict - This movement reflects the European settlement of Delaware and the conflict with the indians. It begins with slow section representing serenity. A faster section using a melody from a Dutch dans represents the first European settlement in Delaware. A minor version of the dans combined with fragments of the Lenape Indian song from the first movement represents the conflict. This is followed by a return to the serenity section. A final fast section introduces a setting of the Swedish melody from Amerikabrev, representing the first permanent settlement in Delaware by Sweden. The movement ends with a section of Rule Britannia representing the colony falling under British rule. III. Forging A Nation - This movement portrays events leading towards being the first state to ratify the constitution. The movement begins with a section reflecting the anxious times of declaring independence, fighting for freedom, and forging a new government. The second section builds in confidence. After a slower section of reflection, the movement ends triumphantly in celebration of a new country.
$35.99 ≈
¥261.24
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Reflections and Variation for Concert Band
