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Vous avez sélectionné:
Reminiscences Brahms
Partitions à imprimer
14 partitions trouvées
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1
Suite for Piano
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂÂrian melody, and a barely-recognizÂÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂÂprised the next mornÂÂing when I went to the muÂÂsic library and listened to a reÂÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂÂcided to base my middle movement (the slow movement) around the theme of BeethoÂÂven’s scherzo, making it the hidÂÂden theme for a short set of variations. The end of the movement also contains less direct referÂÂences to the music of Brahms (very short alluÂÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
£9.29
Sonata for Flute No. 1 (Piano Score Only)
Sonata for Flute No. 1 (Piano Score Only)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ian Lester
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Sonata for Flute No. 1
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Ian Lester
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by I...
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Flute,Piano - Level 4 - SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by Ian Lester (A0.1028807). Sonata for Flute No. 1 draws inspiration from various sources:The first movement is loosely inspired by Brahms' Clarinet Sonata in F Minor and the long melodic lines and wide intervalic leaps found in that work. Irish folk music was another influence, and a jig-like section followed by a brief cadenza leads us into a Stravinsky-esque, technical section. After a brief moment of tranquility in the form of a slow jazz passage, the movement ends with a recap of the original thematic material.The second movement of mixes elements reminiscent of Beethoven and the film music of Hollywood Western movies, specifically scores by Ennio Morricone.The last movement is an aggressive tour de force finale which constantly switches between ideas but always ends up coming back to the repeated two quarter-note flutter-tongued motive before coming to a joyous conclusion. .
$10.99 ≈
£8.51
O Love That Will Not Let Me Go
O Love That Will Not Let Me Go
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Chorale SATB
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Mary McDonald
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O Love That Will Not Let Me Go
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.C6186DP Composed by Mary McDonald. Piano Accompaniment. Prayer, Worship. Octavo. 12 pages. Hope Publishing - Digital #C6186...
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Choral SATB Chorus - SKU: H1.C6186DP Composed by Mary McDonald. Piano Accompaniment. Prayer, Worship. Octavo. 12 pages. Hope Publishing - Digital #C6186DP. Published by Hope Publishing - Digital (H1.C6186DP). Words by George Matheson.Original anthem with words by George Matheson The familiar words of this beloved hymn are brought to new life with original music and rich piano accompaniment reminiscent of Brahms or Chopin. The power of this prayer is felt in new ways with its pleading melody and sustained choral lines. This compelling anthem is ideal for any worship service centering on the love of God.
$2.95 ≈
£2.28
God Is Here!
God Is Here!
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Cyril V
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John Ferguson
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God Is Here!
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Hope Publishing - Digital
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SheetMusicPlus
Brass, Choral - SKU: H1.DFW214BDP Composed by Cyril V. Taylor. Arranged by John Ferguson. Piano with Optional Congregation & Brass. General Worship. Bra...
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Brass, Choral - SKU: H1.DFW214BDP Composed by Cyril V. Taylor. Arranged by John Ferguson. Piano with Optional Congregation & Brass. General Worship. Brass Parts. 15 pages. Hope Publishing - Digital #DFW214BDP. Published by Hope Publishing - Digital (H1.DFW214BDP). Fred Pratt Green.Familiar hymn One of the most beautiful hymn melodies ever written, this Jack Schrader arrangement is reminiscent of a Brahms intermezzo, and showcases the rich harmonies and deep passion of this historic text.
$34.95 ≈
£27.06
In the Savior's Care
In the Savior's Care
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Chorale SATB
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Musique Sacrée
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Larry Shackley
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In the Savior's Care
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.10-5657L (Children of the Heavenly Father/Beneath Your Wings, Lord Jesus). Composed...
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SATB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.10-5657L (Children of the Heavenly Father/Beneath Your Wings, Lord Jesus). Composed by Larry Shackley. Sacred Anthem. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5657L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5657L). Based upon a piano arrangement from Larry's recent piano book, Folk Hymns for Four Hands, this choral piece is a winner! Featuring two folk melodies, TRYGGARE KAN INGEN VARA and BRED DINA VIDA VINGAR, this piece is sure to provide a meaningful worship moment for your congregation. Lush choral textures abound, and the exquisitely written piano part is reminiscent of Brahms. Perfect for general use or special services of encouragement and comfort!
$2.50 ≈
£1.94
Six Bagatelles for Beethoven 250
Six Bagatelles for Beethoven 250
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Clarinette
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AVANCÉ
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Classique
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by J...
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Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99 ≈
£13.15
Sinfonia #22
Sinfonia #22
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Orchestre de chambre
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Steven Kudlo
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2,1,0,0
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Sinfonia #22
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Steven Mark Kudlo
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1312920 Composed by Steven Kudlo. 20th Century,21st Century,Chamber,Classical,Contemporary. 87 pages. Steven Mark Kudlo #901...
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Chamber Orchestra - SKU: A0.1312920 Composed by Steven Kudlo. 20th Century,21st Century,Chamber,Classical,Contemporary. 87 pages. Steven Mark Kudlo #901758. Published by Steven Mark Kudlo (A0.1312920). Beautiful, autumnal work, reminiscent of Brahms, about 18 minutes long; for a chamber orchestra, intermediate grade: 1,1,1,1; 2,1,0,0; strings; no percussion. Take a chance.
$7.99 ≈
£6.19
Bonsoir
Bonsoir
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Flûte traversière et Piano
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Ernesto Kohler
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Bonsoir
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - easy to intermediate - SKU: S9.Q6927 Romance. Composed by Ernesto Kohler. This edition: Sheet music. Il Flauto traverso. Downlo...
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Flute and piano - easy to intermediate - SKU: S9.Q6927 Romance. Composed by Ernesto Kohler. This edition: Sheet music. Il Flauto traverso. Downloadable. Op. 29. Schott Music - Digital #Q6927. Published by Schott Music - Digital (S9.Q6927). Key: F major.Apart from demanding concert pieces, Ernesto Köhler (1849-1907) primarily wrote methodological literature and music for playing in the Romantic style which are reminiscent of the small forms of Chopin, Schumann or Brahms and to this day form an inherent part of flute lessons, pupils' concerts and the competition 'Jugend musiziert'. Under this category come the romance Bon soir Op. 29 and Valse Espagnole Op. 57, two expressive character pieces for lessons and concerts.
$9.99 ≈
£7.73
Paganini Jazz
Paganini Jazz
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Fazil Say
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Andreas N
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Paganini Jazz
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Schott Music - Digital
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SheetMusicPlus
Violin, piano, E-bass or double bass and percussion - SKU: S9.Q50392 Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fa...
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Violin, piano, E-bass or double bass and percussion - SKU: S9.Q50392 Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fazil Say. Arranged by Andreas N. Tarkmann. This edition: score and parts. Jazz - piano - contemporary music. Downloadable, Score and parts. Op. 5c. Duration 8 minutes. Schott Music - Digital #Q50392. Published by Schott Music - Digital (S9.Q50392). Key: A minor.The concert piece Paganini Jazz by Fazıl Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.
$24.99 ≈
£19.35
Dedication
Dedication
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Violon et Piano
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INTERMÉDIAIRE
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Luis Chris Medina
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Dedication
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Luis Chris Medina
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.912885 Composed by Luis Chris Medina. 20th Century,Romantic Period. 6 pages. Luis Chris Medina #3418543. Published by L...
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Piano,Violin - Level 3 - SKU: A0.912885 Composed by Luis Chris Medina. 20th Century,Romantic Period. 6 pages. Luis Chris Medina #3418543. Published by Luis Chris Medina (A0.912885). This beautiful prelude for piano and violin, written in the Romantic style, has lush piano harmonies and a lyrical violin melody. This work is inspired and reminiscent of the the writings of Chopin, Brahms, Rachmaninoff. Very fitting & endearing for ceremonial occasions as well. Your audiences will enjoy and be left with this memorable selection. A live recording has been placed on Youtube. https://youtu.be/7FgNYIQUcgE
$1.99 ≈
£1.54
Countryside
Countryside
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Piano seul
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AVANCÉ
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Isaac Cohen
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Countryside
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Ishaco
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1007130 Composed by Isaac Cohen. 20th Century,Classical,Contemporary,Romantic Period. Score. 6 pages. Ishaco #3380069. Pu...
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Piano Solo - Level 5 - SKU: A0.1007130 Composed by Isaac Cohen. 20th Century,Classical,Contemporary,Romantic Period. Score. 6 pages. Ishaco #3380069. Published by Ishaco (A0.1007130). Countryside is an original contemporary classical piece, in the key of E major. It is part of the collection Recital Pieces for the Dedicated Pianist, by composer Isaac Cohen.The sound is reminiscent of some works by Brahms. Countryside is beautiful and uplifting. The challenges in this piece include a melodic theme that becomes increasingly complex with each repetition, polyrhythms, counterpoint, and complex left hand lines.
$3.99 ≈
£3.09
God Is Here!
God Is Here!
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Cyril V
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John Ferguson
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God Is Here!
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Hope Publishing - Digital
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SheetMusicPlus
Choral Brass, Choral - SKU: H1.DFW214DP Composed by Cyril V. Taylor. Arranged by John Ferguson. Piano with Optional Congregation & Brass. Concertato, Ge...
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Choral Brass, Choral - SKU: H1.DFW214DP Composed by Cyril V. Taylor. Arranged by John Ferguson. Piano with Optional Congregation & Brass. Concertato, General Worship. Octavo. 12 pages. Hope Publishing - Digital #DFW214DP. Published by Hope Publishing - Digital (H1.DFW214DP). Fred Pratt Green.Familiar hymn One of the most beautiful hymn melodies ever written, this Jack Schrader arrangement is reminiscent of a Brahms intermezzo, and showcases the rich harmonies and deep passion of this historic text.
$2.95 ≈
£2.28
Clarinet Quintet, opus 155 (2013)
Clarinet Quintet, opus 155 (2013)
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Clarinet, String Quartet - Advanced Intermediate - Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroq...
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Clarinet, String Quartet - Advanced Intermediate - Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.
Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister?s wedding in Vermont. Nancy premiered the solo clarinet piece ?Trinca di Chôro? during the wedding ceremony. The second work was ?Yo Picasso? (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was ?Octet in D, opus 144? (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.
My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.
Clarinet Quintet, opus 155 is in seven movements.
I. Largo
II. Allegro
III. Interlude 1 ? Presto
IV. Adagio
V. Reprise ? a bit faster than before!
VI. Interlude 2 ? Adagio
VII. Allegro con moto
The work begins with a clarinet meditation over pianissimo string chords. The music is very static ? not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You?ll get lost! Above the ?oom-pah oom-pah? accompaniment, the clarinet soars like a flying bird ? diving, hovering, dipping and swooping!!!
ENJOY!!!
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013
Video link: https://youtu.be/2fByM3tEAqc
$9.99 ≈
£7.73
Paganini Jazz
Paganini Jazz
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Piano seul
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Jazz
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Fazil Say
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Paganini Jazz
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Schott Music - Digital
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SheetMusicPlus
Piano - Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fazil Say. This edition: Sheet music. Jazz, Piano, Zeitgenossische ...
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Piano - Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fazil Say. This edition: Sheet music. Jazz, Piano, Zeitgenossische Musik. The Virtuoso Piano Transcription Series. Downloadable. Op. 5c. Duration 4 minutes. Schott Music - Digital #Q20441. Published by Schott Music - Digital
The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988). following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements.
Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, .a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.
$13.99 ≈
£10.83
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Reminiscences Brahms
