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Requiem Mass: Sanctus
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Vous avez sélectionné:
Requiem Mass: Sanctus
Partitions à imprimer
11 partitions trouvées
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1
A SHORT REQUIEM for SATB Chorus a Capella
A SHORT REQUIEM for SATB Chorus a Capella
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Chorale SATB
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AVANCÉ
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Richard St
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A SHORT REQUIEM for SATB Choru
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.939903 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Contemporary,Sacred. Octavo. 36 pages. R...
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Choral Choir (SATB) - Level 5 - SKU: A0.939903 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Contemporary,Sacred. Octavo. 36 pages. Richard St. Clair #6676715. Published by Richard St. Clair (A0.939903). This is a polyphonic setting of the Requiem Mass sung in Latin. It is short insofar as it only sets the Introit, Kyrie, Offertory, Sanctus, Agnus Dei and In Paradisum movements, about 16 minutes in performance duration. This work is suitable for worship (memorial) services as well as concert performance.
$4.50 ≈
4.15€
Fauré: Requiem Op.48 III Sanctus - symphonic wind/bass
Fauré: Requiem Op.48 III Sanctus - symphonic wind/bass
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Requiem Op.48 II
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.553852 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and par...
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Large Ensemble - Level 3 - SKU: A0.553852 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 17 pages. RayThompsonMusic #4984961. Published by RayThompsonMusic (A0.553852). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version (featuring Oboe of No. III Sanctus for double wind quintet/bass.
$7.95 ≈
7.34€
Requiem Mass: Sanctus (Downloadable)
Requiem Mass: Sanctus (Downloadable)
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Chorale SSAA
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Henry Clough-Leighter and Joha
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Henry Clough-Leighter
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Requiem Mass: Sanctus
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano, alto or bass solo, SSAA choir, keyboard (organ or piano) - SKU: MQ.0893-E Composed by Henry Clough-Leighter and Johannes Brahms. Arranged by He...
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Soprano, alto or bass solo, SSAA choir, keyboard (organ or piano) - SKU: MQ.0893-E Composed by Henry Clough-Leighter and Johannes Brahms. Arranged by Henry Clough-Leighter. Romantic, Folk Song. 23 pages. E. C. Schirmer Music Company - Digital #0893-E. Published by E. C. Schirmer Music Company - Digital (MQ.0893-E). German.
$3.20 ≈
2.95€
Fauré: Requiem Op.48 (Complete) - symphonic wind/bass
Fauré: Requiem Op.48 (Complete) - symphonic wind/bass
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Requiem Op.48
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.553855 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Sacred,Spiritual. Score and parts. 111 pages...
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Large Ensemble - Level 4 - SKU: A0.553855 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Sacred,Spiritual. Score and parts. 111 pages. RayThompsonMusic #4986149. Published by RayThompsonMusic (A0.553855). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version of the complete Requiem for double wind quintet/bass.The composition is structured in seven movements:Introit et KyrieOffertorySanctusPie JesuAgnus DeiLibera meIn ParadisumThey are all in the original keys.
$24.95 ≈
23.03€
DIES IRAE from REQUIEM by G. Verdi
DIES IRAE from REQUIEM by G. Verdi
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Fil...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00 ≈
8.31€
Missa pro defunctis (Amon)
Missa pro defunctis (Amon)
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Chorale SATB
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INTERMÉDIAIRE
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Blasius Amon
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Aristotle A
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Missa pro defunctis
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1003391 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Classical,Contemporary,Renaissance,Sacred,W...
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Choral Choir (SATB) - Level 3 - SKU: A0.1003391 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Classical,Contemporary,Renaissance,Sacred,World. Octavo. 21 pages. CantemusDomino.Net #3540949. Published by CantemusDomino.Net (A0.1003391). A Requiem Mass for SATB Choir by Blasius Amon (or Ammon) (c.1560–1590) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~3:30);2. Kyrie (~3:15);3. Gradual Requiem aeternam (~2:15);4. Offertory Domine Iesu Christe with verse Hostias et preces (~4:45);5. Sanctus (~2:15);6. Benedictus (~1:30);7. Agnus Dei (~2:30);8. Communion Absolve Domine with verse Requiem aeternam (~2:45).**Note that this Communion antiphon differs from the usual Lux aeterna.Total length: ~22:45 plus length of chanted Sequence [not included].Range requirements (middle C = C4):· Cantus [Soprano]: B3–Eâ™5· Altus [Alto]: F3–Bâ™4 (a solitary E3 is called for)
$4.50 ≈
4.15€
Missa defunctorum tribus vocibus (Asola)
Missa defunctorum tribus vocibus (Asola)
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Chorale 3 parties
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INTERMÉDIAIRE
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Giovanni Matteo Asola
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Aristotle A
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Missa defunctorum tribus vocib
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1003384 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,...
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Choral Choir (SSA) - Level 3 - SKU: A0.1003384 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 15 pages. CantemusDomino.Net #3537457. Published by CantemusDomino.Net (A0.1003384). A complete Requiem Mass for TTB/ATB or SSA choir by Giovanni Matteo Asola (c.1532–1609) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~3:30);2. Kyrie (~1:40);3. Gradual Requiem aeternam (~1:05);4. Tract Absolve Domine (1:30);5. Sequence Dies irae, odd verses (~5:00 plus length of even chant verses [not included]);6. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);7. Sanctus (~1:10);8. Benedictus (~0:40);9. Agnus Dei* (~1:30);10. Communion Lux aeterna with verse Requiem aeternam (~1:20).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.Total length: ~21:10 plus length of chanted Sequence (odd verses) [not included].Range requirements (middle C = C4):· Cantus [Tenor I/Alto or Soprano I]: G3–G4 or G4–G5· Tenor [Tenor II or Soprano II]: C3–E4 or C4–E5· Bassus [Bass or Alto]: G2–C4 or G3–C5
$4.50 ≈
4.15€
Officium [Missa] pro defunctis a 3 (Biondi da Cesena)
Officium [Missa] pro defunctis a 3 (Biondi da Cesena)
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Chorale 3 parties
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INTERMÉDIAIRE
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Giovanni Battista Biondi da Ce
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Aristotle A
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Officium [Missa] pro defunctis
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (3-Part) - Level 3 - SKU: A0.1003339 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contempor...
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Choral Choir (3-Part) - Level 3 - SKU: A0.1003339 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 10 pages. CantemusDomino.Net #3533867. Published by CantemusDomino.Net (A0.1003339). A compact Requiem Mass for TTB choir by Giovanni Battista Biondi da Cesena (fl. 1598–1609) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:00);2. Kyrie (~1:30);3. Sequence Dies irae, even verses (~3:20 plus length of odd chant verses [not included]);4. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);5. Sanctus (~0:45);6. Benedictus (~0:20);7. Agnus Dei* (~1:10);8. Communion Lux aeterna with verse Requiem aeternam (~1:10).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.A transposed edition for SSA choir is available.Total length: ~14:00 plus length of chanted Gradual, Tract/Alleluia, and Sequence (even verses) [not included].Range requirements (middle C = C4):· Tenor I: D3–E4· Tenor II: C3–D4· Bass: F2–Bâ™3
$4.50 ≈
4.15€
Missa pro defunctis a 4 (Belli)
Missa pro defunctis a 4 (Belli)
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Chorale SATB
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INTERMÉDIAIRE
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Guilio Belli
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Aristotle A
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Missa pro defunctis a 4
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1003349 Composed by Guilio Belli. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,W...
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Choral Choir (SATB) - Level 3 - SKU: A0.1003349 Composed by Guilio Belli. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 16 pages. CantemusDomino.Net #3535133. Published by CantemusDomino.Net (A0.1003349). A polyphonic requiem mass for SATB choir by Giulio Belli (c.1560–1621?) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:15);2. Kyrie (~1:30);3. Sequence Dies irae, odd verses (~4:30 plus length of even chant verses [not included]);4. Offertory Domine Iesu Christe (~2:45 plus length of chant verse Hostias et preces and response Quam olim [not included]);5. Sanctus (~1:30);6. Benedictus (~0:30);7. Agnus Dei* (~1:15);8. Communion Lux aeterna with verse Requiem aeternam (~1:45).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.Total length: ~16:00 plus length of chanted Gradual, Tract/Alleluia, Sequence (odd verses), and Offertory verse with response [not included].Range requirements (middle C = C4):· Cantus: B3–D5· Altus: F3–G4· Tenor: C3–F4· Bassus: F2–Bâ™3Pages: 16 8.5x11 sheetsSystems per page: 4 (3 for Agnus Dei; 2 for Sequence)Accompaniment: none
$4.50 ≈
4.15€
Officium [Missa] pro defunctis a 3 (Biondi da Cesena) - SSA
Officium [Missa] pro defunctis a 3 (Biondi da Cesena) - SSA
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Chorale 3 parties
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INTERMÉDIAIRE
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Giovanni Battista Biondi da Ce
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Aristotle A
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Officium [Missa] pro defunctis
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1003382 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary...
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Choral Choir (SSA) - Level 3 - SKU: A0.1003382 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Spiritual,World. Octavo. 12 pages. CantemusDomino.Net #3536731. Published by CantemusDomino.Net (A0.1003382). A compact Requiem Mass by Giovanni Battista Biondi da Cesena (fl. 1598–1609), transposed up a major ninth for SSA choir, consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:00);2. Kyrie (~1:30);3. Sequence Dies irae, even verses (~3:20 plus length of odd chant verses [not included]);4. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);5. Sanctus (~0:45);6. Benedictus (~0:20);7. Agnus Dei* (~1:10);8. Communion Lux aeterna with verse Requiem aeternam (~1:10).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.An edition in the original notated key for TTB choir is available.Total length: ~14:00 plus length of chanted Gradual, Tract/Alleluia, and Sequence (even verses) [not included].Range requirements (middle C = C4):· Tenor I [Cantus I]: E4–F♯5· Tenor II [Cantus II]: D3–E4· Bass [Altus]: G3–C4
$4.50 ≈
4.15€
Santo y Hosanna for SATB chorus and piano
Santo y Hosanna for SATB chorus and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Santo y Hosanna for SATB choru
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953633 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 40 pages. Ad...
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Choral Choir (SATB) - Level 4 - SKU: A0.953633 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 40 pages. Adrienne Inglis (ASCAP) #6639479. Published by Adrienne Inglis (ASCAP) (A0.953633). Perfect for a multicultural celebration, Easter, Mass, World Communion Sunday, or other sacred occasion - Spanish language with a Venezuelan â… rhythm and virtuosic piano partSanto y Hosanna (2020) by Adrienne Inglis, commissioned by Inversion as part of its collaborative requiem project Be near me when my light is low, sets a modified version of the Spanish liturgical Sanctus Benedictus text for mixed choir and piano. Referenced in the startling narrative of Isaiah 6, this remarkable prayer to God reacts to the sacred call to Christians-apathetic, unclean, stingy-to go to the difficult, tough places in the world to offer compassion, peace, and mercy. The choral passages reveal amazement and gratitude while the piano both dazzles with divine glory and squirms with human reluctance. The interplay between the B Phrygian and C Lydian modes reflects struggle between apathy and compassion, stinginess and mercy, darkness and peace. The rhythm is loosely based on â… Venezuelan merengue style.The music you purchase and download here contains the full score, a piano score, and a vocal score with piano reduction.
$2.99 ≈
2.76€
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Requiem Mass: Sanctus
