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Return To Myself
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Vous avez sélectionné:
Return To Myself
Partitions à imprimer
35 partitions trouvées
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1
26
Return To Myself
Return To Myself
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Hamada Mari
#
R
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Return To Myself
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R. Nhomi
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SheetMusicPlus
Trombone Quintet Trombone - Level 4 - SKU: A0.1013446 By Hamada Mari. By Hiroyuki Ootsuki and Mari Hamada. Arranged by R. Nhomi. Contemporary,Multicultu...
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Trombone Quintet Trombone - Level 4 - SKU: A0.1013446 By Hamada Mari. By Hiroyuki Ootsuki and Mari Hamada. Arranged by R. Nhomi. Contemporary,Multicultural,Pop,Rock,World. 35 pages. R. Nhomi #6362711. Published by R. Nhomi (A0.1013446). This arrangement is for Trombone quintet and optional Drum Set. Return to Myself is a #1 hit from Mari Hamada. Key is lowered to F Major for wind instruments. Tenor and Bass Clef for the top 4 parts are provided. Part 3 has the challenging guitar solo, slightly modified for wind instruments.
$20.00 ≈
18.13€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.77€
Prelude and Allegro, "Urbanalia"
Prelude and Allegro, "Urbanalia"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Joshua A
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Prelude and Allegro, "Urb
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Joshua A Idio
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,Wo...
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String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,World. Score and parts. 55 pages. Joshua A Idio #679162. Published by Joshua A Idio (A0.1074907). Composed by Joshua A. Idio. Chamber Music. String Quartet. This is a two-movement piece comprising of a prelude and an allegro. The entire piece is meant to convey a simple story of witnessing the change of different lifestyles, from the peaceful and simple rural life to the electrifying grandeur of urban city life. The prelude, signifying the rural atmosphere, begins with unsettling chords that feel seasonal and constantly moving. The different string melodies are as lovingly soothing as playing in the grassy fields and mountains. They are fun, pleasant, and whimsical, and they express the rather playful and tranquil setting of rural living. The beginning chords may feel unusually active, but it also adds to the color of this calming tranquility. Life couldn't be any better. In contrast to the fun and joyful theme of the prelude, the allegro embodies the absolute hustle and bustle of the big city. Explosive harmonies progress through the movement. Melodies from the prelude now intertwine with this new faster theme, playing more lively and vigorous. The mood has changed. Everything seems fast-paced and maybe overloading. But, maybe that's not a bad thing. A bit into the movement, as the hustle and bustle finally slow down, the essence of the prelude returns to calm the music. Homesickness mixed with overwhelming emotions is just as powerful of an expression as joy or anger. Filled with confidence and resolve, the music quickens back into its fast theme. The nature of intense focus, inspired by the urban surroundings, mixes with the joy and fun of the old ways. Everything now seems not just more familiar and comforting, but lively as well. As the music reaches its end, those unsettling chords from the prelude return to once again remind us that the rural lifestyle will always be a part of us. Maybe this city life won't be such a bad thing. We experience the best life when it comes with change. While I never lived in a rural community myself, I can empathize with the experience of people who have from their own stories and emotions. And when they move into the overwhelming cityscape, they sometimes either break down or build up. In the end, though, I can never really understand what it is like until I move into a rural community. But I know nothing will ever change how they grew up there, as the experiences always seem to follow them into the next chapter of their adventures. And it is because of that kind of beautiful resolve, did I nickname this Prelude and Allegro Urbanalia. When life meets change it opens up a whole new story.
$45.00 ≈
40.80€
IN MUSIC AND WORDS
IN MUSIC AND WORDS
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Piano seul
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Contemporain
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Monica Bergo
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IN MUSIC AND WORDS
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012724 Composed by Monica Bergo. Contemporary. Score. 5 pages. Moni Bergo #5743115. Published by Moni Bergo (A0.1012724).
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Piano Solo - SKU: A0.1012724 Composed by Monica Bergo. Contemporary. Score. 5 pages. Moni Bergo #5743115. Published by Moni Bergo (A0.1012724). Music and song composed by meIN MUSIC AND WORDS I will entrust To wind these my words I'll wait Anxiously to get up the sun And the world will watch With all its woes and its fake colors And reborn In music and words while salt the pain and turns the head vanishes love or what remains of it I ordinary woman Stumbling and erring I already feel lost in this battle And I dance but always alone because I do not find anybody that looks like me This is why, grateful, I return to you You're the music and word I’m frail (tired) worthless woman (dull) I'll turn to you that are the friend Protect me (always) by my excesses (fall) If I dash You take me in flight Only you can And bridging know My empty (nostalgia) You will color them Just you and me Against the cold there is You will warm (embrace me) You give life to these thoughts And my sorrows I do not remember more and I will find myself with you I'll have a pair of wings and I tell myself in music and words ghosts within me with you I will defeat because you're light emerges and disappears a tear ever born and I amazed me with your magic beautiful alchemy rust and gold What a disorder in my life dust of regret in me are you by my side and I will reinvented me in music and words ... .. Monica Bergo
$5.00 ≈
4.53€
Big Drum
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99 ≈
4.52€
Next Sunday Afternoon
Next Sunday Afternoon
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Cormac Dorrian
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Next Sunday Afternoon
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Forton Music - Digital
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SheetMusicPlus
Ob. Pft. - Intermediate - SKU: F2.FM534 Composed by Cormac Dorrian. Oboe and Piano. Score and Part. 11 pages. Forton Music - Digital #FM534. Published b...
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Ob. Pft. - Intermediate - SKU: F2.FM534 Composed by Cormac Dorrian. Oboe and Piano. Score and Part. 11 pages. Forton Music - Digital #FM534. Published by Forton Music - Digital (F2.FM534). ISBN 9790570484331.A lovely, melodic tune over rich, tonal chords opens this piece. The central section becomes a little more agitated, before the opening tunes return to bring the piece to a calm conclusion. This piece was written for my partner and myself to play. The reason I titled it 'Next Sunday Afternoon' was that her response every time I suggested we play something together was 'Not right now - how about next Sunday afternoon?'. For obvious reasons, this is dedicated to her.
$7.95 ≈
7.21€
Symphonische Toccata
Symphonische Toccata
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Orgue
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Christian Jost
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Symphonische Toccata
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Schott Music - Digital
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SheetMusicPlus
Organ - SKU: S9.Q45410 Für Orgel. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Dig...
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Organ - SKU: S9.Q45410 Für Orgel. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q45410. Published by Schott Music - Digital (S9.Q45410). There is no other work more closely associated with the organ than Johann Sebastian Bach’s Toccata in D minor. During my compositional preparation, I repeatedly found myself returning to this work. I had a number of different formal models in mind, but felt myself gravitating towards the rhapsodic character of toccata form so that my new composition for organ ultimately became a toccata developing from a pedal point on the fundamental note ’D’. As is appropriate to the volume of a large modern organ, my concept focuses on symphonic tonal layers whose suggestive maelstrom originates from the inner strength of repeating elements and their register- like augmentation, culminating in the unleashing of polyrhythmic progressions. (Christian Jost).
$16.99 ≈
15.40€
No Longer At Ease for Euphonium Quartet
No Longer At Ease for Euphonium Quartet
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Matthew Nunes
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No Longer At Ease for Euphoniu
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852...
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Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99 ≈
22.66€
Sonata Franckoniana
Sonata Franckoniana
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99 ≈
8.15€
South Bay Angle for violin and piano
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00 ≈
25.39€
The Solitary Reaper (high voice with piano, or violin, or oboe, or treble recorder/flute)
The Solitary Reaper (high voice with piano, or violin, or oboe, or treble recorder/flute)
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Piano, Voix
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AVANCÉ
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Alan Bullard
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The Solitary Reaper
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Colne Edition / BullardMusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1077772 Composed by Alan Bullard. 20th Century,Classical. Score. 35 pages. Colne Edition / BullardMusic #681954. P...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1077772 Composed by Alan Bullard. 20th Century,Classical. Score. 35 pages. Colne Edition / BullardMusic #681954. Published by Colne Edition / BullardMusic (A0.1077772). Alan Bullard's song 'The Solitary Reaper' is printed here in four separate versions, for high voice and piano, or violin, or oboe, or treble recorder/flute. Originally written for soprano and violin, this setting of Wordsworth’s well-known poem has since been performed in three other versions. The lyrical portrayal of a maiden working in the fields, singing 'as if her song could have no ending' inspired the composer to write a delicately flowing setting of the words supported by a 'never-ending' instrumental ostinato. ‘The revelation, when listening to this admirable CD, was the music of Alan Bullard. The Solitary Reaper is such a fascinating composition I found myself returning to it time and time again' Steve Ford, Avant magazine. (The recording here is of the voice and violin version. A recording of the voice and piano version can be found on Soundcloud.).
$4.99 ≈
4.52€
Cinnamon Rolls (for Brass Quintet)
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95 ≈
18.09€
Christus nostra caro est for SATB Choir a Capella
Christus nostra caro est for SATB Choir a Capella
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Richard St
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Christus nostra caro est for S
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Richard St. Clair
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1501013 By Richard St. Clair. By Richard St. Clair. Arranged by Richard St. Clair. A Cappella,Christ...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1501013 By Richard St. Clair. By Richard St. Clair. Arranged by Richard St. Clair. A Cappella,Christian,Classical,Praise & Worship,Religious. 14 pages. Richard St. Clair #1076970. Published by Richard St. Clair (A0.1501013). This is a Latin motet, duration about 7 minutes, on poetry by the 4th-5th century Christian poet Prudentius. The music for this motet is highly animated. The full text follows, with an English translation.Latin Text:1. Christus nostra caro est, mihi solvitur et mihi surgit.Solvor morte mea, Christi virtute resurgo;cum moritur Christus, cum flebiliter tumulatur,me video: e tumulo cum jam remeabilis adstat,cerno Deum.2. Nosco meum in Christo corpus resurgere; quid medesperare jubes? veniam, quibus ille revenitcalcata de morte viis; quod credimus hoc est.3. Pellite corde metum, mea membra, et credite vosmetcum Christo reditura Deo; nam vos gerit ille,et secum revocat; morbos ridete minaces;inflictos casus contemnite; tetra sepulcradespicite; exsurgens quo Christus provocat, ite.English Translation:1. Christ is of our flesh; for me His death, for me His Resurrection. If in death I am dissolved, through the power of Christ I shall rise again. When Christ suffers death, when amid tears He is laid in the tomb, I behold myself; and, when restored from the tomb He again stands before me, I gaze upon God. 2. I know that in Christ my body shall arise; why bid me, then, despair? For I shall go by that same path whereby my Lord returned, death trodden neath His feet; this is my creed. 3. Then banish, my limbs, all terror; and believe that with Christ our God you shall again return; for it is He that sustains you; He will call you to join Him. Laugh at the threats of sickness, scorn the blows of fate; despise the horrors of the tomb, and follow where the risen Christ summons. -- Prudentius (348 - after 405 AD), selections from his APOTHEOSIS.
$12.95 ≈
11.74€
Penelope's Heartache--Piano Solo
Penelope's Heartache--Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Anne M
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Penelope's Heartache--Piano So
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A. Patterson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1029473 Composed by Anne M. H. Patterson. Contemporary. Score. 5 pages. A. Patterson #4984267. Published by A. Patterson ...
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Piano Solo - Level 4 - SKU: A0.1029473 Composed by Anne M. H. Patterson. Contemporary. Score. 5 pages. A. Patterson #4984267. Published by A. Patterson (A0.1029473). This wistfully melancholy piano solo is inspired by Penelope from Homer's Odyssey. Penelope is the portrait of desperate longing, as she waits for her husband Odysseus to return for twenty years. This piece is the perfect musical companion for those times you long for the return of a loved one.This piece is challenging with a portion in E-flat minor (six flats), many heavy chords, and arpeggios (I am still brushing it up myself!). I would say, however, that if one can handle Debussy's Claire de Lune, he can handle this piece. I suggest using the sustain pedal to your advantage so as to be able to take different portions of the arpeggios with different hands. Despite the rhythmic and technical challenges, this entire piece ought to be expressive from start to finish. A rather cathartic piece in nature, this is the piece to let your emotions guide.Hopefully, there will be a YouTube channel with recordings of this piece and all my future pieces. Stay tuned for more information! For any comments, questions, and other constructive feedback, contact me at amhpatterson.music@gmail.com.
$3.99 ≈
3.62€
Négyesy's Gallery
Négyesy's Gallery
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2 Violons (duo)
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AVANCÉ
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Contemporain
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Drake Mabry
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Négyesy's Gallery
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Drake Mabry
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SheetMusicPlus
Violin Duet Violin - Level 5 - SKU: A0.799489 Composed by Drake Mabry. Contemporary. 57 pages. Drake Mabry #3241901. Published by Drake Mabry (A0.799489...
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Violin Duet Violin - Level 5 - SKU: A0.799489 Composed by Drake Mabry. Contemporary. 57 pages. Drake Mabry #3241901. Published by Drake Mabry (A0.799489). Négysey's Gallery (2001) for two violins is based on computer paintings created by the violin virtuoso János Négysey. During a return visit to my Alma Mater, the University of California, San Diego I heard the sounds of a far-off violin and followed them, finding myself in front of the door of János Négysey, the violin professor at the university. We hadn't seen each other in over 20 years. While catching up on our lives since my graduation, János took out several stunning computer paintings he had recently completed. I immediately suggested that I do a new work for two violins based on his art. I asked to see more and soon when I left his office I had a collection of paintings from which to choose. A year later the piece was completed and he programmed it for a recital at the University. They were premiered on April 10, 2001 by János and Päivikki Nykter, also a virtuoso violinist. The images were projected on several screens across the width of the stage. Afterwards, János and I would meet on Skype to keep up to date and there was always a healthy amount of laughter. When he passed away suddenly in 2013 I was shocked and saddened. I still miss his insights, sense of humor and encyclopedic knowledge. The duration is approximately 33 minutes and there are 12 color paintings included with the score. Many thanks to Päivikki for giving me permission to include the paintings.Négyesy's Gallery was premiered by János Négyesy and Päivikki Nykter at the University of California, San Diego on April 10, 2001
$9.99 ≈
9.06€
Sakura: Japanese Cherry Blossoms, Op. 154
Sakura: Japanese Cherry Blossoms, Op. 154
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Sakura: Japanese Cherry Blosso
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489526 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Multicultural,World. 19 pages. Https...
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Brass Quintet - Level 4 - SKU: A0.1489526 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Multicultural,World. 19 pages. Https://gildedmusicpress.com/ #1066389. Published by https://gildedmusicpress.com/ (A0.1489526). Sakura: Japanese Cherry Blossoms, Op. 154, for brass quintet was started on 10 Apr 2024 and completed on 30 Apr 2024. Having heard of the exquisitely celebrated short-lived season of the Japanese cherry blossoms, I longed to experience it for myself. In my first springtime in Japan, I was on a musical tour when the Sakura near my home station of Yokota Air Base in Tokyo were peaking. How fortunate I was to return just in time to enjoy the breathtaking spectacle and to capture some gorgeous footage and photos of the lovely Sakura! The resultant musical journal entry was posted on YouTube to underscore the images rather than another video of sheet music. Duration: 4:00.
$24.95 ≈
22.62€
Hollowed Out
Hollowed Out
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ann Ruane
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Hollowed Out
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1090435 By Ann Ruane. By Ann Ruane. Contemporary,New Age,Sacred,Spiritual. Score. 2 pages. Ann Ruane-Lux Eterna Healing #...
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Piano Solo - Level 4 - SKU: A0.1090435 By Ann Ruane. By Ann Ruane. Contemporary,New Age,Sacred,Spiritual. Score. 2 pages. Ann Ruane-Lux Eterna Healing #694614. Published by Ann Ruane-Lux Eterna Healing (A0.1090435). This piece emerged out of a vacancy I was feeling within myself. Let it be the voice to express what is within you when words do not suffice. From the sheet music collection, Return Home: The Echoes Resound by Ann Ruane. Perfect for meditation, healing therapies, service prelude/interlude, reflection, and more.
$3.50 ≈
3.17€
Old French Song
Old French Song
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Harpe
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FACILE
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Classique
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.
In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.
Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".
On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.
By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.
On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.
P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.
The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.
A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.
I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.
May be the staccatos suites you best, and you should try it.
The score was written on Finale.
The sound file was produced with samplers from Garritan,
intended as an audio support for the presentation of the score.
A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.
Thank you very much for taking your time to read this text and to listen to the file.
I hope you enjoy the music.
$4.99 ≈
4.52€
Love Farewell (haunting English folk song arranged for a cappella choir)
Love Farewell (haunting English folk song - a cappella choir)
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Chorale SATB
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INTERMÉDIAIRE
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Trad
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Cat McGill
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Love Farewell
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Cat McGill
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887682 Composed by Trad. Arranged by Cat McGill. A Cappella,Celtic,Contemporary,Folk,World. Octavo. 8 pages. Cat...
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Choral Choir (SATB) - Level 3 - SKU: A0.887682 Composed by Trad. Arranged by Cat McGill. A Cappella,Celtic,Contemporary,Folk,World. Octavo. 8 pages. Cat McGill #3925393. Published by Cat McGill (A0.887682). An original arrangement of this hauntingly beautiful folk song from Dorset. To hear how it sounds click here: https://www.facebook.com/folkycat/videos/527698484306907/Love Farewell is a song about men going off to war and saying goodbye to their lovers and families. The last verse is sung from the point of the view of the mothers left behind, saying they will never forgive the officers if their sons are not returned from war. There is NO MINIMUM ORDER quantity on this piece as I arrange all of my songs to be suitable for teaching by ear. I have taught this myself to my community choir and they've really enjoyed singing it - I hope you do too!
$4.60 ≈
4.17€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
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Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
17.23€
Hymns from Childhood - Set 6 (piano solo)
Hymns from Childhood - Set 6 (piano solo)
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Piano seul
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FACILE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 6
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Curtis Hanson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.719724 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357403. Published by Curti...
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Piano Solo - Level 2 - SKU: A0.719724 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357403. Published by Curtis Hanson (A0.719724). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include My Faith Looks Up to Thee, Dear Lord and Father of Mankind, and Nearer My God to Thee.
$4.99 ≈
4.52€
Hymns from Childhood - Set 8 (piano solo)
Hymns from Childhood - Set 8 (piano solo)
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Piano seul
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FACILE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 8
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Curtis Hanson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.719726 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357409. Published by Curti...
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Piano Solo - Level 2 - SKU: A0.719726 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357409. Published by Curtis Hanson (A0.719726). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Breathe on Me, Breath of God, Blest Be the Tie That Binds, and More Love to Thee, O Christ.
$4.99 ≈
4.52€
Hymns from Childhood - Set 2 (piano solo)
Hymns from Childhood - Set 2 (piano solo)
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Piano seul
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FACILE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 2
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Curtis Hanson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.719720 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 8 pages. Curtis Hanson #4357393. Published by Curti...
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Piano Solo - Level 2 - SKU: A0.719720 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 8 pages. Curtis Hanson #4357393. Published by Curtis Hanson (A0.719720). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers.
$4.99 ≈
4.52€
Hymns from Childhood - Set 9 (piano solo)
Hymns from Childhood - Set 9 (piano solo)
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Piano seul
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FACILE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 9
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Curtis Hanson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.719727 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 8 pages. Curtis Hanson #4357411. Published by Curti...
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Piano Solo - Level 2 - SKU: A0.719727 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 8 pages. Curtis Hanson #4357411. Published by Curtis Hanson (A0.719727). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Spirit of God, Descend upon My Heart, Just As I Am, without One Plea, and Savior, Again to Thy Dear Name.
$4.99 ≈
4.52€
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Return To Myself
