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Rhythm, Please! for Flute
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Vous avez sélectionné:
Rhythm, Please! for Flute
Partitions à imprimer
134 partitions trouvées
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Rhythm, Please! for Flute & piano
Rhythm, Please! for Flute & piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Barbara Arens
#
Rhythm, Please! for Flute &
#
Barbara Arens
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.764010 Composed by Barbara Arens. Concert,Contemporary,Standards. Score and part. 4 pages. Barbara Arens #6417297. Publi...
(+)
Flute,Piano - Level 3 - SKU: A0.764010 Composed by Barbara Arens. Concert,Contemporary,Standards. Score and part. 4 pages. Barbara Arens #6417297. Published by Barbara Arens (A0.764010). Rhythm, Please! Try playing - and even performing - this with a metronome! – it really helps you stay on beat (or off beat, as the case may be!) and actually sounds good. Once again – bring out all syncopations: in bar 6, the accents should be at least as strong on beats 2+ and 3+, as on the first beat.
$3.00 ≈
¥21.75
Bach-Gounod: Ave Maria for Alto Flute & Piano
Bach-Gounod: Ave Maria for Alto Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Alt
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
(+)
Flute,Piano - Level 2 - SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
¥238.93
Bach-Gounod: Ave Maria for Flute & Piano
Bach-Gounod: Ave Maria for Flute & Piano
#
Flûte traversière et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano -S0
#
Bach-Gounod: Ave Maria for Flu
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and pa...
(+)
Flute,Piano - Level 2 - SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
¥238.93
Bach-Gounod: Ave Maria for Bass Flute & Piano
Bach-Gounod: Ave Maria for Bass Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Bach-Gounod
#
James M
#
Piano
#
Bach-Gounod: Ave Maria for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easte...
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
¥238.93
TWO NEW MEDITATIONS for Flute
TWO NEW MEDITATIONS for Flute
#
Flûte traversière
#
INTERMÉDIAIRE/AVANCÉ
#
Alan Edgar
#
TWO NEW MEDITATIONS for Flute
#
Alan Edgar Ted Moon
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 4 - SKU: A0.1404972 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988008. Publis...
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Flute Solo,Soprano Flute - Level 4 - SKU: A0.1404972 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988008. Published by Alan Edgar Ted Moon (A0.1404972). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00 ≈
¥159.53
Sonata for Flute and Piano
Sonata for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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Diana Mascari
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Diana Mascari
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Sonata for Flute and Piano
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Diana Mascari Music
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1451686 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz....
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Flute,Piano - Level 5 - SKU: A0.1451686 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Score and part. 145 pages. Diana Mascari Music #1030983. Published by Diana Mascari Music (A0.1451686). Sonata for Flute and Piano is a four movement 15 minute work that explores a variety of moods as suggested by the titles of its movements: I. Urban Frenzy, II. Serenity, III. Fiesta Fantasia, IV Introduction and Finale At times the piano and flute work in partnership, unison or counterpoint. At other times, the piano accompaniment forms a rhythmic foundation above which the flute flies from here to there. Composer Diana Mascari has been a jazz pianist for more than 40 years, and her chamber music always reflects this influence. For more information about Diana Mascari, her other compositions and her teaching, please visit: www.dianamascari.com
$29.95 ≈
¥217.18
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
¥181.28
Doctor No-ël: Flute
Doctor No-ël: Flute
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Flute (partie séparée)
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Mykola Leontovich
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Michael Story
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Novelty
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Doctor No-ël: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017215_F1 Flute. Composed by Mykola Leontovich. Arranged by Michael Story. Jazz; Novelty; Secular. Part. 1 pages. ...
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Jazz Ensemble - SKU: AX.00-PC-0017215_F1 Flute. Composed by Mykola Leontovich. Arranged by Michael Story. Jazz; Novelty; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017215_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017215_F1). UPC: 038081431857.Based on the holiday melody Ukrainian Bell Carol, add some tongue-in-cheek spy-themed flavor and you have the perfect holiday swing chart. Play it and you'll hear the spy quotes. It's easy to rehearse and perform, a sure-fire crowd pleaser, 8-bar written solos for tenor, trumpet and trombone, trumpet 1 range is to written D fourth line, and clear rhythm section parts---a very nice holiday package.
$3.00 ≈
¥21.75
AU CLAIRE DE LA LUNE - for Easy Flute Quartet
AU CLAIRE DE LA LUNE - for Easy Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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DÉBUTANT
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Traditional
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Ivan Marini
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AU CLAIRE DE LA LUNE - for Eas
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www.dalsegno.eu
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - SKU: A0.770496 Composed by Traditional. Arranged by Ivan Marini. Instructional,Multicultural,Standa...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - SKU: A0.770496 Composed by Traditional. Arranged by Ivan Marini. Instructional,Multicultural,Standards,World. 7 pages. Www.dalsegno.eu #6026987. Published by www.dalsegno.eu (A0.770496). Easy but interesting arrangement of this must have in every teacher's repertoire.Every flute takes the lead and plays in a reasonable range with easy fingerings and rhythms.Ideal for the first attempts of ensemble playing, works for larger ensembles too.Reference score and complete set of parts: Flute 1, Flute 2, Flute 3, Flute 4.Duration approx 2 mins., 7 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99 ≈
¥14.43
O’Carolan’s Ramble To Cashel - Flute and Bassoon Arrangement
O’Carolan’s Ramble To Cashel - Flute and Bassoon Arrangement
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Flûte, Basson (duo)
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FACILE
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Turlough O'carolan
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Arezzo Music
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O’Carolan’s Ramble
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Arezzo Music
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SheetMusicPlus
Bassoon,Flute,Instrumental Duet - Level 2 - SKU: A0.1208505 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Class...
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Bassoon,Flute,Instrumental Duet - Level 2 - SKU: A0.1208505 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Classical,Folk,Irish,Traditional. 3 pages. Arezzo Music #806622. Published by Arezzo Music (A0.1208505). Welcome to our rendition of O'Carolan's Ramble To Cashel, a traditional Irish tune arranged for flute and bassoon. In this arrangement, we explore the playful and lively spirit of the piece, which was originally composed by the harper Turlough O'Carolan in the 18th century.Our arrangement features the beautiful interplay between the flute and bassoon, as they trade melodic lines and harmonize together. The flute takes the lead with its clear and bright tone, while the bassoon adds a warm and rich counterpoint.Throughout the piece, we showcase the intricate ornamentation and rhythmic drive that make O'Carolan's music so captivating. From the rollicking opening theme to the more contemplative middle section, we aim to capture the essence of this classic tune and bring it to life in our own unique way.We hope you enjoy our performance of O'Carolan's Ramble To Cashel, and that it inspires you to explore the rich tradition of Irish music. If you like what you hear, please like, comment, and subscribe to our channel for more videos like this one. Thank you for listening!
$3.99 ≈
¥28.93
You Raise Me Up, Easy Flute Quartet
You Raise Me Up, Easy Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Rock
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Josh Groban
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Cindy Blevins
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You Raise Me Up, Easy Flute Qu
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SheetMusicPlus
Flute Quartet - Early Intermediate - Digital Download By Josh Groban. Arranged by Cindy Blevins. Sheet Music Single. 14 pages. Published by Cindy Ble...
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Flute Quartet - Early Intermediate - Digital Download By Josh Groban. Arranged by Cindy Blevins. Sheet Music Single. 14 pages. Published by Cindy Blevins
This is a beautiful, playable arrangement for four flutes. Keep in mind that "easy" for one is not necessarily "easy" for another. This is not a "beginner" arrangement. It is an arrangement with less notes in it than the regular arrangement, and easier rhythms where applicable.
You receive the score, the Flute 1, Flute 2, Flute 3 and Flute 4 parts. The sound clip is digitally produced.
Please check out the music sample for play-ability for your ensemble.
There is a regular arrangement of this quartet available, Item No. H0.403839-53487.
$12.99 ≈
¥94.20
What The Lord Has Done For Me (Anthem) - Orchestration
What The Lord Has Done For Me (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christo...
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Full Orchestra - Level 3 - SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christopher Brown #4756795. Published by Christopher Brown (A0.747214). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$49.99 ≈
¥362.50
Mood Indigo: Flute
Mood Indigo: Flute
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Flute (partie séparée)
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Methodes
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Albany Bigard, Duke Ellington,
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Vince Gassi
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Mood Indigo: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016211_F1 Flute. Composed by Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Vince Gassi. Instruction...
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Jazz Ensemble - SKU: AX.00-PC-0016211_F1 Flute. Composed by Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Vince Gassi. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016211_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016211_F1). UPC: 038081417301.This medium swing arrangement of the dreamy Ellington tune will cook at just about any tempo (though the recommended tempo is 108 BPM). The chart features a written tenor sax solo and a lot of interplay between the brass and saxes. It even has a 4-bar stop-time section for a rhythmic contrast. The Duke would be pleased that you're playing one of his songs on your next concert program.
$3.00 ≈
¥21.75
Alice In Wonderland from Walt Disney's ALICE IN WONDERLAND for Woodwind Quintet
Alice In Wonderland from Walt Disney's ALICE IN WONDERLAND for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Film Walt Disney
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Sammy Fain
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Oliver König
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Alice In Wonderland from Walt
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Oliver Koenig
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SheetMusicPlus
Flute, Oboe, Clarinet, English Horn, Bassoon, Woodwind Quintet - Early Intermediate - Digital Download By Sammy Fain. Arranged by Oliver König. ...
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Flute, Oboe, Clarinet, English Horn, Bassoon, Woodwind Quintet - Early Intermediate - Digital Download By Sammy Fain. Arranged by Oliver König. Set of Parts. 19 pages. Published by Oliver Koenig
Alice in Wonderland is with SomedayMmy Prince will come and All Blues the most popular Jazz Waltz Standard.It is the ideal entrance to this genre for your students or advanced musicians ensembles and it makes you feel its exciting rhythmical variety. This tune is a "must have studied" for any music students, school ensembles, jazz ensembles. Parts of the arrangement: Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon. Enjoy! please feel free and write us a feedback on baubox@gmx.net.
$12.99 ≈
¥94.20
Flute and Piano Duets
Flute and Piano Duets
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Sandra Schlink
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Sandra Schlink
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Flute and Piano Duets
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sandra schlink
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.999257 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Christmas,Classical,Contemporary,Contest,F...
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Flute Duet Flute - Level 3 - SKU: A0.999257 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Christmas,Classical,Contemporary,Contest,Festival,Jazz. Score. 13 pages. Sandra schlink #6086697. Published by sandra schlink (A0.999257). Flute and piano duets book 1 Please also look at my Jazz Flute Duet book 3, jazz Flute duets book 2, jazz Flute duets book 1, Jazz and classical Flute duets, jazz Flute duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. These books were created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$11.99 ≈
¥86.94
Nothing but the Blood (Orchestra and Rhythm Section)
Nothing but the Blood (Orchestra and Rhythm Section)
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Scott Harris
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Scott Harris
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Nothing but the Blood
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Scott Harris Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.492450 By Scott Harris. By Robert Lowry. Arranged by Scott Harris. Contemporary,Pop,Praise & Worship,Sacred,Spiritual...
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Full Orchestra - Level 3 - SKU: A0.492450 By Scott Harris. By Robert Lowry. Arranged by Scott Harris. Contemporary,Pop,Praise & Worship,Sacred,Spiritual. Score and parts. 52 pages. Scott Harris Music #107711. Published by Scott Harris Music (A0.492450). Modern arrangement of this classic hymn for Full Orchestra and Rhythm Section. Instrumentation: flutes, oboe, clarinet 1&2, bass clarinet, bassoon, horns 1&2 (alto sax double), trumpet 1&2, trombone 1-4, percussion 1-3, timpani, harp, electric guitar, rhythm section, drum set, violin 1&2, viola, cello, string bass, keyboard string reduction. Sheet Music Direct: Click HERE for Accompaniment Perc./Loop track!Sheet Music Plus: Click HERE for Accompaniment Perc./Loop track!Approximate Performance time: 2:38 For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.
$59.99 ≈
¥435.01
Holy, Holy, Holy (Orchestra and Rhythm Section)
Holy, Holy, Holy (Orchestra and Rhythm Section)
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Scott Harris
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Scott Harris
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Holy, Holy, Holy
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Scott Harris Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.492449 By Scott Harris. By John Bacchus Dykes. Arranged by Scott Harris. Contemporary,Pop,Praise & Worship,Sacred,Spi...
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Full Orchestra - Level 3 - SKU: A0.492449 By Scott Harris. By John Bacchus Dykes. Arranged by Scott Harris. Contemporary,Pop,Praise & Worship,Sacred,Spiritual. Score and parts. 48 pages. Scott Harris Music #107709. Published by Scott Harris Music (A0.492449). Modern arrangement of this classic hymn for Full Orchestra and Rhythm Section. Instrumentation: flutes, oboe, clarinet 1&2, bass clarinet, bassoon, horns 1&2 (alto sax double), trumpet 1-3, trombone 1&2, trombone 3/tuba, percussion 1&2, timpani/bass drum, electric guitar, synth, rhythm section, drum set, violin 1&2, viola, cello, string bass, keyboard string reduction.Sheet Music Direct: Click HERE for Accompaniment Perc. Loop/Click track!Sheet Music Plus: Click HERE for Accompaniment Perc. Loop/Click track!Approximate Performance time: 2:50 For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.
$59.99 ≈
¥435.01
The High Priestess (for flute, violin, horn in F, & piano)
The High Priestess (for flute, violin, horn in F, & piano)
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Contemporain
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard...
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Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00 ≈
¥290.06
Dancing in the Clouds (Flute and String Trio)
Dancing in the Clouds (Flute and String Trio)
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Colin Kirkpatrick
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Inga Causa (violin)
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Dancing in the Clouds
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.522290 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 20 pages. ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.522290 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 20 pages. Colin Kirkpatrick Publications #6619211. Published by Colin Kirkpatrick Publications (A0.522290). This is an entertaining single-movement quartet scored for flute, violin, viola and cello. With a running time of just two and a half minutes this lively piece is sure to please performers and audiences alike. The original oboe version of this work was first performed at a concert in Ben’s Theater Jomtien, Thailand by the Salaya Quartet, a distinguished group of musicians who at the time were also section leaders in the Thailand Philharmonic Orchestra. The first performance was given by Cooper Wright (oboe); Inga Causa (violin); Dr Danny Keasler (viola) and Martin Szawelski (cello). Although originally conceived as an encore piece, this lively work will enliven any concert program. It’s written in G major with two bright and rhythmic outer sections and a more reflective middle section that briefly gives the melody to the cello. The flute part requires an experienced player. The cello part remains in the bass clef throughout. The score has seven pages and the four instrumental parts have three pages each, with slightly enlarged print to facilitate performance. The score and parts are contained music in a single 20-page PDF file.
$15.99 ≈
¥115.95
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #368...
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Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99 ≈
¥108.70
I Love You Truly-flute/piano
I Love You Truly-flute/piano
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Flûte traversière et Piano
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FACILE
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Phil Beaman
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I Love You Truly-flute/piano
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.844641 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414795....
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Flute,Piano - Level 2 - SKU: A0.844641 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414795. Published by Phil Beaman (A0.844641). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99 ≈
¥43.44
Concertino - for clarinet, mandolin and symphony orchestra
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
¥391.57
Menuet Vif, Op. 3 No. 9 for Woodwind Quintet
Menuet Vif, Op. 3 No. 9 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Gabriel Pierne
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Ted R
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Menuet Vif, Op. 3 No. 9 for Wo
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1238641 Composed by Gabriel Pierne. Arranged by Ted R. Marcus. 1...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1238641 Composed by Gabriel Pierne. Arranged by Ted R. Marcus. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 29 pages. Ted R. Marcus #834077. Published by Ted R. Marcus (A0.1238641). Gabriel Pierné's lively minuet is from a collection of 15 piano pieces, each dedicated to a fellow composer. This one is dedicated to Camille Saint-Saëns. In a minor key but sprightly, it's more of a free-form rondo than a minuet, with a rhythmic principal theme, two fugato sections, and a French Romantic sensibility. Arranged for advanced players, it's a great concert opener or encore.  Approx. Duration: 3:20Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00 ≈
¥108.77
Allegro for Woodwind Quintet
Allegro for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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D
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Allegro for Woodwind Quintet
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D. M. Gardner Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.799638 Composed by D. M. Gardner. Concert,Contemporary. Score and parts. 47 pages. D...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.799638 Composed by D. M. Gardner. Concert,Contemporary. Score and parts. 47 pages. D. M. Gardner Music #50645. Published by D. M. Gardner Music (A0.799638). Allegro for Woodwind Quintet is a lively, contemporary sounding piece that blends rhythmic drive with an equally captivating melody. A skilled bassoon player can make this a very exciting piece for both audience and performers alike. It is accessible by most upper-level high school players. To learn more about the composer, please visit https://www.dmgardner.com
$14.99 ≈
¥108.70
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Rhythm, Please! for Flute 
