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Rising City
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Vous avez sélectionné:
Rising City
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1
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Rising Sun, Op. 132
Rising Sun, Op. 132
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Rising Sun, Op. 132
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489491 Composed by Dr. Daniel N. Thrower. 21st Century,Barbershop,Chamber,Classical,Multicultural,World. 20 pages. Ht...
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Brass Quintet - Level 4 - SKU: A0.1489491 Composed by Dr. Daniel N. Thrower. 21st Century,Barbershop,Chamber,Classical,Multicultural,World. 20 pages. Https://gildedmusicpress.com/ #1066355. Published by https://gildedmusicpress.com/ (A0.1489491). “Rising Sun” was composed as a gesture of friendship between the two great nations of Japan and the United States of America. As a uniformed member of the Armed Forces, mine is a unique position of being able to share such a meaningful gift in an official capacity that bears great depth and meaning far beyond similar civilian cultural exchanges.Before being assigned to Yokota Air Base in Japan, I was stationed at Offutt Air Force Base in Nebraska. Part of my duties as a trumpeter in the military is to sound “Taps” as part of the full complement of a fallen hero’s military honors. Among the most somber occasions of fulfilling that special privilege was on behalf of a WWII Seaman, Wesley Brown. In 2021, his remains were identified and shipped home to America’s heartland after 80 years of Japan’s attack on Pearl Harbor in 1941.Fast forward to August 6 and 9, 2023, shortly after I arrived at my new duty station in Japan. On those dates in 1946, nuclear bombs were dropped on Hiroshima and Nagasaki. I recorded in my journal on the 9th that my walk to work was quite sobering as I realized that my presence there was a direct result of that complicated global conflict. With significant symbolism, Pacific Brass read “Rising Sun” for the first time that day.After nearly 80 years, the post-war occupation has evolved to a thriving partnership most worthy of celebration. This composition “Rising Sun” potently delivers a personalized celebratory gesture from an American Airman to all those communities we serve throughout the glorious “land of the rising sun.”In the music itself, one can picture a dim early dawn with the serene opening of the low brass trio. The musical content is repeated more loudly, with brilliant trumpet interjections as the sun crests over the early horizon. The music morphs and grows; varies and repeats, as it is intended to depict the subtly but rapidly changing beauties of an orange-filled sunrise. At last, the colors fade and the new day has begun, with a full brightness of hope.
$24.95
Requiem for the City of New York
Requiem for the City of New York
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Simon Scardanelli
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TAB and full lyrics.
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Requiem for the City of New Yo
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Simon Scardanelli
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1014854 Composed by Simon Scardanelli. Contemporary,Folk,Jazz,Rock. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1014854 Composed by Simon Scardanelli. Contemporary,Folk,Jazz,Rock. Score and parts. 4 pages. Simon Scardanelli #6666855. Published by Simon Scardanelli (A0.1014854). A lullaby, an allegorical tale, an homage to a great city. Appears on my album The Rock, the Sea, the Rising Tide (2019). Guitar notation & TAB and full lyrics.
$1.99
The House of the Rising Sun
The House of the Rising Sun
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Traditional American
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Chris Gorman
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The House of the Rising Sun
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1082517 Composed by Traditional American. Arranged by Chris Gorman. Blues,Contest,Festival,Folk,Traditional. Brass Band. 51 pages. Chris Gorman #686709. Published by Chris Gorman (A0.1082517). An arrangement of an American Traditional melody which portrays a person's life gone wrong in the city of New Orleans.
$35.00
Seagulls Rising for Woodwind Trio
Seagulls Rising for Woodwind Trio
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Flûte, Hautbois, Clarinette (trio)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brad Howland
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Seagulls Rising for Woodwind T
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Linden Brass Press Inc.
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 4 - SKU: A0.1048505 Composed by Brad Howland. Classical,Contemporary. 12 pages. Linden Brass...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 4 - SKU: A0.1048505 Composed by Brad Howland. Classical,Contemporary. 12 pages. Linden Brass Press Inc. #652913. Published by Linden Brass Press Inc. (A0.1048505). I wrote this little piece for a clarinet-playing friend. It's basically my impressions of the sights and sounds of seagulls while walking around the city where I live. Seagulls seem to make an amazingly wide variety of sounds, and I think I was able to capture a few of them in this piece. I consulted with some professional woodwind players and was told the effects should work fine. Some of the oboe writing is apparently a bit low, and might be better played slurred. I often see a single seagull perched on top of a neighbor's house (who we nicknamed Egbert) - hence the quote from a popular tune.
$14.95
Once In Royal David's City (Irby)
Once In Royal David's City (Irby)
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Guitare
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Henry John Gauntlett
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Robert McCormack
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Once In Royal David's City
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Robert McCormak
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SheetMusicPlus
Solo Guitar - SKU: A0.483296 Composed by Henry John Gauntlett. Arranged by Robert McCormack. Christmas,Classical,Holiday,Praise & Worship,Traditional. I...
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Solo Guitar - SKU: A0.483296 Composed by Henry John Gauntlett. Arranged by Robert McCormack. Christmas,Classical,Holiday,Praise & Worship,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483296). Very playable arrangement, mostly in first position key of C. Homophonic for the verse. Polyphony in the refrain occurs with the rising bass scale under the melody. A stretch between fingers one and four, frets one and five occurs here. This provides a nice musical pay-off and is well within the ability of an intermediate player.
$1.99
Rising City
Rising City
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Piano, Voix
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Stephen Flaherty
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Rising City
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal - SKU: AX.00-PS-0016349 Composed by Stephen Flaherty. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0016349. Published by Alf...
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Piano/Vocal - SKU: AX.00-PS-0016349 Composed by Stephen Flaherty. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0016349. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0016349). Lynn Ahrens.
$3.99
Rising City by Lynn Ahrens & Stephen Flaherty - Piano/Vocal, Singer Pro
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Piano, Voix
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Lynn Ahrens & Stephen Flaherty
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Rising City
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Musicnotes
Sheet Music for Rising City by Lynn Ahrens & Stephen Flaherty arranged for Piano/Vocal;Singer Pro in B Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Rising City by Lynn Ahrens & Stephen Flaherty arranged for Piano/Vocal;Singer Pro in B Major. Digital sheet music from Musicnotes.
$5.79
Fastnet Rock
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
Serenade for Strings "ROCKY"
Serenade for Strings "ROCKY"
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Han-Ki Kim
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Serenade for Strings "ROC
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1488211 Composed by Han-Ki Kim. Chamber,Classical,Contemporary,Instructional,Romantic...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1488211 Composed by Han-Ki Kim. Chamber,Classical,Contemporary,Instructional,Romantic Period. 57 pages. Han-Ki Kim #1065097. Published by Han-Ki Kim (A0.1488211). The great nature of Canada is impressive in itself. The grandeur and vastness felt in the Rocky Mountains naturally evokes a sense of greatness and awe for nature. In late July 2024, when I was composing this music, smoke from the Jasper wildfires was carried by the wind to Calgary, more than 300 km away, and it seemed as if the entire city was covered in fog. It seems that even the huge wildfires are an irresistible force of nature that cannot be controlled by human power. I am delighted to leave a “Serenade for Strings” titled “Rocky” in history. The first movement is composed in the traditional sonata form with the theme of “Brilliant Rocky,” and progresses with two contrasting themes: a lively first theme and a beautiful one. The second movement is composed with the title of “Magnificent Rocky,” and expresses the beautiful and majestic scenery of the Rockies. The third movement is developed under the theme of “Memories and Reminiscences of Rocky,” and overall, it expresses the process of climbing and descending to the top of Rocky and the excitement of the heart. The short episodes that unfold between the themes express various scenes of Rocky, and the technique of expanding and contracting notes is used to express tension, vitality, and an atmosphere of passion. The rising and falling musical figures visually and symbolically express the shapes of high mountains and the foothills.
$34.90
Chiedi al vento di me
Chiedi al vento di me
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Piano seul
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Contemporain
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Monica Bergo
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Chiedi al vento di me
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871).
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Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the Ask at wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense Crow that flies, bad omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow me to stay I'll be with you in the wind ... I'm the wind that laughs It wraps you up until the summer returns ... Monica Bergo
$3.99
Rosary Sonatas: The Presentation
Rosary Sonatas: The Presentation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
Roadtrip on a Motorway
Roadtrip on a Motorway
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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L
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Roadtrip on a Motorway
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L.J Harding
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1028770 Composed by L.J Harding. Contemporary,Instructional,Standards. Score. 2 pages. L.J Harding #3921143. Published by...
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Piano Solo - Level 4 - SKU: A0.1028770 Composed by L.J Harding. Contemporary,Instructional,Standards. Score. 2 pages. L.J Harding #3921143. Published by L.J Harding (A0.1028770). This composition is a piano piece written in A major in the common time signature 4/4. The story behind ‘Roadtrip on a Motorway’ is from a personal experience of travelling to Galway from Dundalk to go to Pink Training, a national and life-changing weekend. The original phrase represents the rising hope of what the weekend could become and how exciting it is to be outside of college. This is quickly interrupted as during the journey the car breaks down on the motorway one hour away from Galway city. This is represented by fast, irregular rhythms with counterpoint to represent the disorientation, panic and fear from not knowing where we are or how we are going to get to Galway on time. The return of the original motif symbolises hope coming back to us as a woman stopped on the motorway and offered to drive us to Galway. A sense of panic and disorientation returns in the music as we begin to become stressed about whether we will meet the deadline for registration. The song finally resolves to the original theme, but developed as a nod to the journey that we had while we finally make it to registration on time.
$6.99
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
The Palatka Port March
The Palatka Port March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart...
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Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Hope Prevails
Hope Prevails
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Lim...
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Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
Out of My Deeper Heart (2015)
Out of My Deeper Heart (2015)
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Colin Eatock
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Out of My Deeper Heart
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Colin Eatock Music
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SheetMusicPlus
Cello,Choir - Level 5 - SKU: A0.1245336 Composed by Colin Eatock. 21st Century,Classical,New Age. 36 pages. Colin Eatock Music #840212. Published by Col...
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Cello,Choir - Level 5 - SKU: A0.1245336 Composed by Colin Eatock. 21st Century,Classical,New Age. 36 pages. Colin Eatock Music #840212. Published by Colin Eatock Music (A0.1245336). SATB choir, cello; ca. 6 min.The composer writes: The poem “Out Of My Deeper Heart†is from Kahlil Gibran’s 1920 collection, The Forerunner. In this poem, the author seems to question the capacity of humans to fully understand the universe because we are completely enveloped in the world we inhabit. Only by stepping outside of our world and looking into our “deeper hearts†can we achieve the perspective needed to know what is true and real. I was drawn to this text (which I have abridged for this setting) by the image of the rising bird, represented by the solo cello. The florid cello part is contrasted with a simpler, chorale-like texture in many of the choir’s passages.
$4.99
The Sun Comes Up
The Sun Comes Up
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Piano seul
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DÉBUTANT
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Timothy Brown
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The Sun Comes Up
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Elementary - SKU: F0.W9338 Composed by Timothy Brown. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9338....
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Piano - Elementary - SKU: F0.W9338 Composed by Timothy Brown. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9338. Published by The FJH Music Company - Digital (F0.W9338). UPC: 674398225156.A lyrical elementary level solo that depicts the radiance and joyful feeling of the sun rising and the beginning of a brand new day. The beauty of this piece lies in its simplicityAC/a,!aEUR the melody, harmony and lyrics are sweet and simple, yet very expressive. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.95
If He Walked Into My Life
If He Walked Into My Life
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jerry Herman
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Kevin Riley
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If He Walked Into My Life
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.872302 Composed by Jerry Herman. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts...
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Full Orchestra - Level 4 - SKU: A0.872302 Composed by Jerry Herman. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 31 pages. Kevin Riley #478746. Published by Kevin Riley (A0.872302). Mame is a musical with the book by Jerome Lawrence and Robert Edwin Lee and music and lyrics by Jerry Herman. Originally titled My Best Girl, it is based on the 1955 novel Auntie Mame by Patrick Dennis and a 1956 Broadway play, by Lawrence and Lee. A period piece set in New York City and spanning the Great Depression and World War II, it focuses on eccentric bohemian Mame Dennis, whose famous motto is Life is a banquet and most poor sons of bitches are starving to death. Her fabulous life with her wealthy friends is interrupted when the young son of her late brother arrives to live with her. They cope with the Depression in a series of adventures. In 1958, a film titled Auntie Mame, based on the play, was released by Warner Bros. Pictures, and starring Rosalind Russell who created the stage role. Russell was nominated for an Academy Award and won a Golden Globe for her portrayal. The musical opened on Broadway in 1966, starring Angela Lansbury and Bea Arthur. The production became a hit and spawned a 1974 film with Lucille Ball in the title role and Arthur reprising her supporting role, as well as a London production, a Broadway revival, and a 40th anniversary revival at the Kennedy Center in 2006. This version is for Solo Trombone and light orchestra.
$60.00
Stephen Flaherty: Rising City - Piano/Vocal
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Piano, Voix
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INTERMÉDIAIRE
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Rock
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Stephen Flaherty
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Virtualsheetmusic
Instantly printable sheet music by Stephen Flaherty for Piano/Vocal of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Stephen Flaherty for Piano/Vocal of EASY/MEDIUM skill level. / pop,rock
$6.97
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Rising City
