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Rita Ora Opera
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Vous avez sélectionné:
Rita Ora Opera
Partitions à imprimer
33 partitions trouvées
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26
Three Operatic Highlights
Three Operatic Highlights
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Chorale SATB
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Russell L
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Three Operatic Highlights
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Heritage Music Press
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SheetMusicPlus
SATB choir, Solo voice, Piano - SKU: LX.15-3777H Arranged by Russell L. Robinson. General. Octavo. 16 pages. Heritage Music Press #e15/3777H. Published ...
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SATB choir, Solo voice, Piano - SKU: LX.15-3777H Arranged by Russell L. Robinson. General. Octavo. 16 pages. Heritage Music Press #e15/3777H. Published by Heritage Music Press (LX.15-3777H). ISBN 9780787770266.This stunning medley effectively joins three of the most loved and recognized classic opera excerpts, faithfully drawn from trusted sources, including La Donna è Mobile from Rigoletto, O Mio Babbino Caro from Gianni Schicchi, and Toréador from Carmen. Italian and French lyrics appear throughout, offering a great opportunity for cross-curricular involvement with the foreign language department. Each section begins with a solo and leads into a full-choir response.
$2.75 ≈
¥19.28
VIVALDI Antonio: La pena amara, aria from the opera "La verità in cimento", arranged for Voice and
VIVALDI Antonio: La pena amara, aria from the opera "La verità in cimento", - Voice and
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: La pena amara
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Really Good Music, LLC.
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.869048 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruction...
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Choral Choir (SSA) - Level 4 - SKU: A0.869048 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 6 pages. Really Good Music, LLC. #6444269. Published by Really Good Music, LLC. (A0.869048). La pena amara is a mezzo-soprano aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (E4 – G5) for high voice.
$5.95 ≈
¥41.72
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", arranged for Voice and Pian
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", - Voice and Pian
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Amato ben, ar
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Really Good Music, LLC.
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.868696 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruction...
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Choral Choir (SSA) - Level 4 - SKU: A0.868696 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 7 pages. Really Good Music, LLC. #4403482. Published by Really Good Music, LLC. (A0.868696). Amato ben is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (D#4 – F5) for low voice. .
$5.95 ≈
¥41.72
VIVALDI Antonio: La pena amara, an aria from the opera "La verità in cimento", arranged for Voice a
VIVALDI Antonio: La pena amara, an aria from the opera "La verità in cimento", - Voice a
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: La pena amara
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Really Good Music, LLC.
#
SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.869049 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruction...
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Choral Choir (SSA) - Level 4 - SKU: A0.869049 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 6 pages. Really Good Music, LLC. #6444259. Published by Really Good Music, LLC. (A0.869049). La pena amara is a mezzo-soprano aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F major (D4 – F5) for high voice.
$5.95 ≈
¥41.72
VIVALDI Antonio: Solo quella guancia bella, aria from the opera "La verità in cimento", arranged fo
VIVALDI Antonio: Solo quella guancia bella, aria from the opera "La verità in cimento", arranged fo
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Solo quella g
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Really Good Music, LLC.
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.868686 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruction...
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Choral Choir (SSA) - Level 4 - SKU: A0.868686 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 6 pages. Really Good Music, LLC. #4368206. Published by Really Good Music, LLC. (A0.868686). Solo quella guancia bella is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – F5) for low voice. .
$5.95 ≈
¥41.72
VIVALDI Antonio: Il ciglio arciero, an aria from the opera "La verità in cimento", arranged for Voi
VIVALDI Antonio: Il ciglio arciero, an aria from the opera "La verità in cimento", - Voi
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Il ciglio arc
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Really Good Music, LLC.
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.869035 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruction...
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Choral Choir (SSA) - Level 4 - SKU: A0.869035 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 6 pages. Really Good Music, LLC. #6444131. Published by Really Good Music, LLC. (A0.869035). Il ciglio arciero is a mezzo-soprano aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (Bb3 – Eb5) for low voice and A minor (C4 – F5) for high voice.
$5.95 ≈
¥41.72
Opera Scenes for Women
Opera Scenes for Women
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Philip Seward
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Opera Scenes for Women
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Music Anon
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages....
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Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00 ≈
¥315.50
Capriccio for Piano Forte on the Protestant Chorale from "Les Huguenots"
Capriccio for Piano Forte on the Protestant Chorale from "Les Huguenots"
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Piano, Voix et Guitare
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Adolphe-Charles Adam, Giacomo
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L
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Capriccio for Piano Forte on t
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Müller Publishing company
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.1468215 Composed by Adolphe-Charles Adam, Giacomo Meyerbeer, and Martin Luther. Arranged by L. Müller. 19th Century,...
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Guitar,Piano,Vocal,Voice - SKU: A0.1468215 Composed by Adolphe-Charles Adam, Giacomo Meyerbeer, and Martin Luther. Arranged by L. Müller. 19th Century,Classical,Historic,Opera,Romantic Period. Score. 22 pages. Müller Publishing company #1046525. Published by Müller Publishing company (A0.1468215). Discover a Classic Masterpiece Reimagined: Capriccio on the Protestant Chorale from Les HuguenotsImmerse yourself in the rich musical heritage of the 19th century with this exquisite digital sheet music edition of Adolphe Adam's Capriccio on the Protestant Chorale from 'Les Huguenots'. This captivating piece for solo piano is based on Martin Luther's iconic hymn Ein feste Burg ist unser Gott and draws its inspiration from Giacomo Meyerbeer's celebrated opera Les Huguenots.Key Features:- **Timeless Composition:** Experience the artistry of Adolphe Adam, a renowned French composer known for his operatic and ballet masterpieces. This capriccio beautifully integrates a Protestant chorale theme within a vibrant, free-form structure.- **Historical Significance:** Delve into a piece that bridges religious and musical traditions, capturing the essence of Martin Luther's hymn in a context inspired by Meyerbeer's dramatic opera.- **Expertly Reedited:** This modern edition has been meticulously reedited by L. Müller, ensuring clarity and accuracy for today's musicians. Every note has been carefully preserved and presented for optimal readability.- **Accessible Format:** Enjoy the convenience of a digital download, allowing you to print the sheet music or view it on your preferred device anytime, anywhere.**Why Choose This Edition?**Whether you're a pianist looking to expand your repertoire, a music historian fascinated by the intersections of faith and art, or simply a lover of beautiful melodies, this reedited score offers a unique and rewarding experience. The piece's dynamic range and expressive depth make it an excellent choice for performances, recitals, and personal enjoyment.**Purchase Your Copy Today**Don't miss the opportunity to add this exceptional work to your collection. Purchase your digital copy of Capriccio on the Protestant Chorale from 'Les Huguenots' reedited by L. Müller, and bring a piece of musical history to life through your piano.Transform your playing with this timeless masterpiece and enjoy the beauty of Adolphe Adam's composition, now accessible to a new generation of musicians.
$1.99 ≈
¥13.95
Where'er You Walk
Where'er You Walk
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Chorale 3 parties
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Russell L
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Where'er You Walk
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Heritage Music Press
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SheetMusicPlus
SAB choir, Piano - SKU: LX.15-3737H Arranged by Russell L. Robinson. General. Octavo. 16 pages. Heritage Music Press #e15/3737H. Published by Heritage M...
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SAB choir, Piano - SKU: LX.15-3737H Arranged by Russell L. Robinson. General. Octavo. 16 pages. Heritage Music Press #e15/3737H. Published by Heritage Music Press (LX.15-3737H). ISBN 9780787768270.Russell Robinson presents a tasteful choral setting of the lovely pastoral themed Da Capo aria from Handel's opera Semele. While the original key has been changed to accommodate vocal ranges, the style remains intact. The vocal parts sing effortlessly off each page and optional solos are included, making this piece an excellent option for smaller or less-experienced mixed ensembles.
$2.75 ≈
¥19.28
For the First Responders
For the First Responders
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Chorale 2 parties
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Mark Burrows
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you lift us when we fall
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For the First Responders
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Heritage Music Press
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SheetMusicPlus
2-part choir, Piano - SKU: LX.15-3709H Composed by Mark Burrows. General. Octavo. 12 pages. Heritage Music Press #e15/3709H. Published by Heritage Music...
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2-part choir, Piano - SKU: LX.15-3709H Composed by Mark Burrows. General. Octavo. 12 pages. Heritage Music Press #e15/3709H. Published by Heritage Music Press (LX.15-3709H). ISBN 9780787768423.Mark Burrows delivers a heartfelt musical salute recognizing those on the front line of every rescue operation--expertly trained and dedicated first responders who are ready to provide aid and comfort in the wake of any adverse situation. With a directly stated vital message and memorable tune, there are no impediments to learning present. This is our song for the first responders; you lift us when we fall. The good, the brave, the lives you save, you answer when we call. You give it all..
$2.50 ≈
¥17.53
Britannia - An Allegorical Ouverture
Britannia - An Allegorical Ouverture
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Piano seul
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Daniel Steibelt
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Britannia - An Allegorical Ouv
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Bisel Classics - Digital
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SheetMusicPlus
Piano solo - SKU: BQ.979-0-50179-064-7 Composed by Daniel Steibelt. Edited by Jenni Pinnock. This edition: softcover. Bisel Classics. Score. With Text L...
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Piano solo - SKU: BQ.979-0-50179-064-7 Composed by Daniel Steibelt. Edited by Jenni Pinnock. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 36 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-064-7). ISBN 9790501790647.Daniel Steibelt wrote an enormous number of works throughout his life, and while his operatic works are perhaps the best well known, he also wrote extensively for the piano. Britannia. An Allegorical Ouverture is a piece commemorating the successes of the British naval fleet in 1797, and is a classical work full of drama, detail and musicality.
$13.95 ≈
¥97.81
Art Thou Troubled?
Art Thou Troubled?
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Chorale 2 parties
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Sherri Porterfield
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Art Thou Troubled?
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Heritage Music Press
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SheetMusicPlus
2-part choir - SKU: LX.15-1437H From Rodelinda. Arranged by Sherri Porterfield. New Horizons Series. Educational. Octavo. 8 pages. Heritage Music...
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2-part choir - SKU: LX.15-1437H From Rodelinda. Arranged by Sherri Porterfield. New Horizons Series. Educational. Octavo. 8 pages. Heritage Music Press #e15/1437H. Published by Heritage Music Press (LX.15-1437H). UPC: 000308044607.This familiar aria for the opera Rodelinda is a fine choice for developing choirs. With lyrics expressing the calming, healing, and joyous powers of music, it can be performed for a variety of occasions. A supportive accompaniment enhances this accessible work.
$2.40 ≈
¥16.83
Spirit of Praise - Caribbean Inspired Worship Anthem for SATB and Piano
Spirit of Praise - Caribbean Inspired Worship Anthem for SATB and Piano
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Chorale SATB
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INTERMÉDIAIRE
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Sabrina Pena Young
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Spirit of Praise - Caribbean I
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Sabrina Peña Young
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.976942 Composed by Sabrina Pena Young. Christian,Latin,Praise & Worship,World. 4 pages. Sabrina Peña Y...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.976942 Composed by Sabrina Pena Young. Christian,Latin,Praise & Worship,World. 4 pages. Sabrina Peña Young #3432621. Published by Sabrina Peña Young (A0.976942). A fun rhythmic praise song SATB inspired by music from the Caribbean. Ideal for the high school choir, amateur church choir, professional singers, and for Sunday morning service, Black History Month, Hispanic Heritage Month, or world music days. Choir directors are encouraged to add percussion instruments like maracas, congas, or bongos to live performance. A fun tune that will make your choir smile! Great for praise and worship!Award-winning Cuban-American Composer S. Peña Young https://sabrinapenayoung.wordpress.com/ Contact Young directly at Facebook FACEBOOK: https://www.facebook.com/newmusiccomposer Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99 ≈
¥63.03
Restaurador "Alfonso de Arcos alcayde de Tarifa y primer alcayde de Gibraltar"
Restaurador "Alfonso de Arcos alcayde de Tarifa y primer alcayde de Gibraltar"
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Chorale SATB
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INTERMÉDIAIRE
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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Restaurador "Alfonso de A
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Alicia Dominguez
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1366086 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃ...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1366086 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. A Cappella,Classical,Film/TV,Multicultural,Opera,World. 20 pages. Alicia Dominguez #950447. Published by Alicia Dominguez (A0.1366086). Restaurador is a historical opera about the time in which it was restored (in the 19th century it would be called reconquistar, while in the 15th century it was called restoration), taking advantage of the strong internal crises of the Muslim world in the South of Spain. Alfonso de Arcos was part of the restoration of Jimena de la Frontera (Cádiz), the town of Estepona (Málaga), helping many situations in North Africa, Alcazarseguer (Morocco), being mayor of Tarifa and who treasured the idea of situation and who will take Gibraltar, being its first mayor. In his last years he settled in Seville in the Monastery of Santa Maria de las Cuevas in La Cartuja, where he died. In which everything received in this historical period testamentally, his inheritance, was not given to the family, but to all the needy people of Tarifa and Gibraltar, and whoever needed it via the Cartuja monastery itself. This was the case with his entire inheritance for 200 years. Of which the family is very proud.Today Alicia Dominguez Arcos is from the Arcos family, the generational wave of Alfonso de Arcos. And today she is the first of this family branch who by chance was born in the area. Since the familiar roads are found in other Spanish cities.This Restorer for “Ibero-America is sung in choir†with SATBB voices in Spanish and English, with moments and words in both Latin and medieval Castilian. They are fragments of the fourth act of the opera, in which Alfonso de Arcos is already in his last moments, already being mayor of Tarifa, and being the first mayor of Gibraltar, circumstances of the will, situations with the friars in the monastery of the Cartuja as with the trance of his death.Being an important time in the southern area of Spain, specifically in the Campo of the Gibraltar.
$10.00 ≈
¥70.11
Shosholoza (South African)
Shosholoza (South African)
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Chorale SATB
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DÉBUTANT
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Public Domain
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Noemi Bretas
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Shosholoza
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Marcelo Borba
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1273068 By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,Traditional. Oct...
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Choral Choir (SATB) - Level 1 - SKU: A0.1273068 By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,Traditional. Octavo. 15 pages. Marcelo Borba #865257. Published by Marcelo Borba (A0.1273068). Arrangement for 4 voices choir. Shosholoza is a popular South African folk song that has a rich history and cultural significance. The origins of the song can be traced back to the late 1800s and early 1900s, during the time of the South African gold and diamond mining boom.The word Shosholoza is believed to have been derived from the Ndebele and Zulu languages and translates roughly to go forward or make way for the next person. It was initially a call used by train drivers and mine workers to synchronize their movements while pushing and pulling railway cars or working in the mines.The song's lyrics and melody evolved over time through oral tradition, passed down among the workers as a form of communication, motivation, and solidarity. The rhythm and repetitive chanting helped the workers maintain a sense of unity and cooperation during physically demanding and often harsh conditions.During the era of racial segregation and oppression in South Africa, Shosholoza became an anthem of resilience and hope for the black South African population. It symbolized their spirit of endurance and unity in the face of adversity, and it came to be associated with the struggle against apartheid.With time, Shosholoza gained popularity beyond the confines of the mines and railway yards. It became a well-known folk song, performed by choirs, musicians, and cultural groups across South Africa and around the world. It embodies the spirit of ubuntu (the belief in the interconnectedness of all humanity) and has been used as a symbol of South African identity and pride.In modern times, Shosholoza continues to be celebrated as a cherished piece of South African musical heritage. It is often performed during sporting events, cultural festivals, and gatherings as a way to celebrate unity, strength, and resilience.Overall, Shosholoza remains a powerful reminder of South Africa's history, the struggles its people endured, and the enduring spirit of hope and solidarity that transcends adversity.
$1.99 ≈
¥13.95
Thinking Händel for Baroque Horn Quartet
Thinking Händel for Baroque Horn Quartet
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Alessandro Macrì
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Thinking Händel for Baroq
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 p...
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Brass Ensemble Horn - Level 2 - SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'università di Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una società musicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00 ≈
¥21.03
AMADEUS suite - 5. Ecco la marcia from Act 3 of LE NOZZE DI FIGARO
AMADEUS suite - 5. Ecco la marcia from Act 3 of LE NOZZE DI FIGARO
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Alessandro Macrì
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Coro)
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AMADEUS suite - 5. Ecco la mar
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931212 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931212 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical. Score and parts. 13 pages. Music Macri Editions #3687655. Published by Music Macri Editions (A0.931212). Le nozze di Figaro, ovvero la folle giornata (K 492) è un'opera lirica di Wolfgang Amadeus Mozart. È la prima delle tre opere italiane scritte dal compositore salisburghese su libretto di Lorenzo Da Ponte.Musicato da Mozart all'età di ventinove anni, il testo dapontiano fu tratto dalla commedia Le nozze di Figaro di Beaumarchais (autore della trilogia di Figaro : Il barbiere di Siviglia , Il matrimonio di Figaro e La madre colpevole ).Dal Terzo Atto - Finale Ecco la marcia, andiamo (Susanna, La Contessa, Il Conte, Figaro; Coro).Le Nozze di Figaro è una delle più famose opere di Mozart e dell'intero teatro musicale, ed è la prima di una serie di felici collaborazioni tra Mozart e Da Ponte, che ha portato anche alla creazione del Don Giovanni e di Così fan tutte .Fu Mozart stesso a portare una copia della commedia di Beaumarchais a Da Ponte, che la tradusse in lingua italiana (tuttora la lingua ufficiale dell'opera lirica) e che (d'accordo con Mozart) rimosse tutti gli elementi di satira politica dalla storia. L'opera fu scritta da Mozart in gran segreto (la commedia era stata vietata dall'imperatore Giuseppe II, poiché attica l'odio tra le varie classi sociali). Questo è un periodo in cui è stato scritto. Eppure è solo dopo aver convinto l'imperatore della rottura delle scene politicamente più discusse che hanno visto il permesso di rappresentare l'opera.Inoltre, la scena finale del terzo atto, che comprendeva un balletto e una pantomima, si dovette scontrare con un divieto imperiale di rappresentare balli in scena. Racconta Da Ponte, nelle sue memorie , che lui e Mozart, non intendono rinunciare al finale come l'avevo concepito, invitarono l'imperatore ad assistere a una prova, dove si sono giocati quel pezzo muto. L'imperatore subito ordinò che la musica fosse reinserita.Così Le Nozze di Figaro , finita di comporre il 29 aprile, fu messa in scena al Burgtheater di Vienna, il 1º maggio 1786 con Nancy Storace (Susanna), Francesco Benucci (Figaro) e Michael Kelly (tenore) (Basilio e Don Curzio) , diretta dal compositore nelle prime due rappresentazioni e da Joseph Weigl nelle repliche. Ottenne un successo strepitoso, al punto che l'Imperatore, dopo la terza recita, dovette emanare un decreto per limitare le richieste di bis, in modo che le repliche non durassero troppo. Ancor più grande fu il successo al Teatro Nazionale di Praga (dal 17 gennaio 1787), colomba (una detta di Mozart): «Qui non sta che che del Figaro, non si suona, non si strombetta, non si canta, non si fischia che il Figaro, non si va a sentire altra opera che il Figaro. Eternamente Figaro! ».L'opera è in quattro atti e ruota attorno alle trame del Conte d'Almaviva, invaghito della cameriera della Contessa, Susanna, alla quale cerca di imporre lo ius primae noctis. La vicenda si svolge in un intreccio serrato e folle, in cui donne e uomini si contrappongono nel corso di una giornata di passione travolgente, piena sia di eventi drammatici che comici, e nella quale alla fine i servi si dimostrano più signori e intelligenti dei loro padroni. L'opera è per Mozart (e prima di lui per Beaumarchais) un pretesto per prendersi gioco delle classi sociali dell'epoca che da lì a poco saranno travolte dai fatti con la Rivoluzione francese. L'intera vicenda può anche essere letta come una metafora delle diverse fasi dell'amore: Cherubino e Barbarina rappresentano l'amore acerbo, Susanna e Figaro l'amore che sboccia, il Conte e la Contessa l'amore logorato e senza più alcuna passione, Marcellina e don Bartolo l'amore maturo.
$6.00 ≈
¥42.07
Overture for Strings No. 3 - Score Only
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
¥70.04
Overture for Strings No. 5 - Score Only
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
¥70.04
Overture for Strings No. 6 - Score Only
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
¥70.04
Overture for Strings No. 4 - Score Only
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
¥70.04
Overture for Strings No. 2 - Score Only
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
¥70.04
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
¥90.79
William Tell Overture
William Tell Overture
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Gioachino Rossini
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Alessandro Macrì
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William Tell Overture
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 1 - SKU: A0.1038577 Composed by Gioachino Rossini. Arranged by Alessandro Macrì. Classical,Film/TV,Romantic Period. Score...
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Brass Ensemble Horn - Level 1 - SKU: A0.1038577 Composed by Gioachino Rossini. Arranged by Alessandro Macrì. Classical,Film/TV,Romantic Period. Score and parts. 8 pages. Music Macri Editions #643187. Published by Music Macri Editions (A0.1038577). L'ouverture del Guglielmo Tell (titolo originale francese Guillaume Tell), è il brano orchestrale introduttivo dell'opera composta da Gioachino Rossini. L'opera debuttò nel 1829 ed è stata l'ultima delle 39 opere composte da Rossini, dopo la quale si ritirò dal panorama melodrammatico, continuando a comporre cantate, musica sacra e musica vocale profana. L'Ouverture è in quattro parti, ciascuna collegata musicalmente all'altra senza pause. All'interno della storia della musica colta, della cinematografia e dei media c'è stato un uso ponderoso del brano (e talvolta della parodia) o di parti di esso. Divenne famoso nel mondo popolare come tema musicale per Lone Ranger in radio, televisione e cinema. Due parti differenti sono stati utilizzate anche come tema musicale per la serie televisiva britannica Le avventure di Guglielmo Tell, la quarta parte (popolarmente identificata negli Stati Uniti con The Lone Ranger) nel Regno Unito, e la terza parte, riarrangiata come una marcia, negli Stati Uniti.
$7.00 ≈
¥49.08
Dance of the Tumblers (Dance of the Clowns)
Dance of the Tumblers (Dance of the Clowns)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Perio...
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Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95 ≈
¥104.82
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