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Vous avez sélectionné:
Rude Vibraphone
Partitions à imprimer
6 partitions trouvées
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Intermediate Progressive Etudes - Vibraphone Method Book for 2 and 4 Mallets (Learn to Improvise)
Intermediate Progressive Etudes - Vibraphone Method Book for 2 and 4 Mallets (Learn to Improvise)
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Vibraphone
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INTERMÉDIAIRE
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David Kovins
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Intermediate Progressive Etude
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David Kovins
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SheetMusicPlus
Vibraphone Solo - Level 3 - SKU: A0.1127702 By David Kovins. By David Kovins. Contemporary,Instructional,Jazz,Latin,Pop. Individual part. 64 pages. Davi...
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Vibraphone Solo - Level 3 - SKU: A0.1127702 By David Kovins. By David Kovins. Contemporary,Instructional,Jazz,Latin,Pop. Individual part. 64 pages. David Kovins #728305. Published by David Kovins (A0.1127702). Intermediate Progressive Etudes By David Kovins - Vibraphone Method Book for 2 and 4 Mallets The Vibraphone Virtuosity Series features material that will help develop a contemporary vibist's technique and musicianship. The volume includes: -33 multi-stylistic etudes -Chromatic exercises -Whole-tone scales -Studies in perfect fourths Among the techniques covered in the etudes are: -2 mallet playing -4-mallet playing -Mallet dampening -Pedaling -Musical Phrasing Suggested stickings are provided, as well as the author's commentary about each exercise and etude. In addition, selected etudes contain chord symbols to allow for improvisational opportunities. David Kovins founded the School for Musical Performance in Brooklyn, New York in 1980, where he teaches mallet-keyboard percussion, drumset, and piano. He has performed with the Jerome Robbins Dance Company, the Manhattan Percussion Ensemble, cabaret performers Anita Morris and Wayland Flowers., and Keyboardist Jordan Rudess, and Kovins leads his own Vibraphone-based group that records and performs in the New York area.
$17.50 ≈
16.13€
Rude - Vibraphone
Rude - Vibraphone
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Vibraphone
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Pop musique
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MAGIC!
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John Brennan
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Rude - Vibraphone
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By MAGIC!. Arranged by John Brennan. Marching band. For Vibraphone. Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music ...
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By MAGIC!. Arranged by John Brennan. Marching band. For Vibraphone. Pop. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music
$5.99 ≈
5.52€
Key West Sunrise for horn, harp, vibraphone, cello, and bassoon
Key West Sunrise for horn, harp, vibraphone, cello, and bassoon
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Jing Liu
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Key West Sunrise for horn, har
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Jing Liu
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Harp,Horn,Vibraphone - Level 4 - SKU: A0.1010610 Composed by Jing Liu. 20th Century,Contemporary,Jazz. Score and parts. 8 p...
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Large Ensemble Bassoon,Cello,Harp,Horn,Vibraphone - Level 4 - SKU: A0.1010610 Composed by Jing Liu. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Jing Liu #550749. Published by Jing Liu (A0.1010610). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition I heard someone describe Key West as a conglomeration of the weirdest, most eccentric individuals in America. Add in the quirky shops, the feral roosters roaming the streets, the beautiful city beaches, and the relaxed island attitude prevalent in the Keys, and you’ve got something truly special. I’ve been to Key West twice, and decided to write this piece to capture the indescribable aura this place emits. The unconventional instrumentation was chosen to represent a group of random people come together, yet thriving in perfect harmony. Key West Sunrise starts slow and atmospheric, watching the sun peak over the horizon. The horn, cello, and bassoon sustain long notes while the vibraphone and harp provide flourishes of activity, before rooster calls rudely interrupt. And then we’re off-the morning is in full force, with jazzy ostinatos in the vibe, glisses in the harps, and the main theme being passed around. It builds and builds, and ends on a strong note-but with the feeling that there’s more to come. Because in Key West, there always is. JL, August 2014.
$9.99 ≈
9.21€
Bran - O protetor do Bardo e da música / The protector of the Bard and of music
Bran - O protetor do Bardo e da música / The protector of the Bard and of music
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Vibraphone
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Bran - O protetor do Bardo e d
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Vibraphone Solo - Level 3 - SKU: A0.1013243 Composed by Rudesindo Soutelo. Celtic,Contemporary,Irish,Multicultural,Standards,World. Individual part. 8 p...
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Vibraphone Solo - Level 3 - SKU: A0.1013243 Composed by Rudesindo Soutelo. Celtic,Contemporary,Irish,Multicultural,Standards,World. Individual part. 8 pages. Publisher by Rudesindo Soutelo #6477789. Published by Publisher by Rudesindo Soutelo (A0.1013243). To Mizuki AitaRudesindo SouteloBran - O protetor do Bardo e da música / The protector of the Bard, and of music (2021) for Vibraphone [ca. 4' 16].--
$4.00 ≈
3.69€
Sandstorm
Sandstorm
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Pop musique
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Darude
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Kristof Lemiegre
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Sandstorm
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Kristof Lemiegre
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SheetMusicPlus
Percussion Ensemble Bongos,Cymbals,Glockenspiel,Marimba,Snare Drum,Tambourine,Timpani,Tubular Bells,Vibraphone,Xylophone - Level 3 - SKU: A0.1140519 By ...
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Percussion Ensemble Bongos,Cymbals,Glockenspiel,Marimba,Snare Drum,Tambourine,Timpani,Tubular Bells,Vibraphone,Xylophone - Level 3 - SKU: A0.1140519 By Darude. By Jaakko Sakari Salovaara and Ville Virtanen. Arranged by Kristof Lemiegre. Pop. Score and parts. 52 pages. Kristof Lemiegre #740749. Published by Kristof Lemiegre (A0.1140519). Arrangement for large percussion ensemble of the European 2000 dancehit Sandstorm by Darude.
$40.00 ≈
36.86€
Divinum Mysterium
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
69.12€
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Rude Vibraphone
