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Vous avez sélectionné:
Rush: 3rd Violin
Partitions à imprimer
8 partitions trouvées
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1
Symphony No. 17 in G Major, K. 129: 3rd Violin (Viola [TC])
Symphony No. 17 in G Major, K. 129: 3rd Violin (Viola [TC])
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Orchestre à Cordes
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Classique
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Wolfgang Amadeus Mozart
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Steven J
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Symphony No. 17 in G Major, K.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017311_VN3 3rd Violin (Viola [TC]). Composed by Wolfgang Amadeus Mozart. Arranged by Steven J. Campbell. Master...
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String Orchestra - SKU: AX.00-PC-0017311_VN3 3rd Violin (Viola [TC]). Composed by Wolfgang Amadeus Mozart. Arranged by Steven J. Campbell. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017311_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017311_VN3). UPC: 038081517230.This wonderful arrangement of the second movement from Mozart's Symphony No. 17 is an excellent piece for developing ensembles to learn about the stylistic nuances of Mozart. Arranged by Steven Campbell in G major and set in common time, younger musicians will find the setting very accessible. This is a great way to introduce varied bowing techniques like staccato, legato, spiccato, and brushed strokes that often accompany the lighter Classical style. (4:10).
$5.99 ≈
5.44€
Pizzicato Rush! for String Orchestra
Pizzicato Rush! for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alison Harbottle
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2ndviolins, and some 4th 
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Pizzicato Rush! for String Orc
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Martini Strings
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.873905 Composed by Alison Harbottle. Contemporary. Score and parts. 15 pages. Martini Strings #4332665. Published b...
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String Orchestra - Level 4 - SKU: A0.873905 Composed by Alison Harbottle. Contemporary. Score and parts. 15 pages. Martini Strings #4332665. Published by Martini Strings (A0.873905). Great as a little encore piece, Pizzicato Rush! is exciting and joyful, exploring the keys of A major and F# minor. The 1st violins carry most of the melody, while the other parts interject with fun fragments here and there. Some 2nd and 3rd position is required by 1st & 2ndviolins, and some 4th position by cellos. Have fun!Score & parts, 17 pages.
$45.00 ≈
40.87€
Rush: 3rd Violin (Viola [TC])
Rush: 3rd Violin (Viola [TC])
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Orchestre à Cordes
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Rush: 3rd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0019083_VN3 Instructional. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0019083_VN3. Published by Alfred Music - ...
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String Orchestra - SKU: AX.00-PC-0019083_VN3 Instructional. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0019083_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0019083_VN3). UPC: 038081579184.
$3.00 ≈
2.72€
Do-re-mi
Do-re-mi
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Violon et Piano
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FACILE
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Various Artists
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Kristin Coleman Campbell
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Do-re-mi
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Horsehair Music
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1163413 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Kristin Coleman Campbell. Broadway,In...
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Piano,Violin - Level 2 - SKU: A0.1163413 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Kristin Coleman Campbell. Broadway,Instructional,Musical/Show. 9 pages. Horsehair Music #763754. Published by Horsehair Music (A0.1163413). This arrangement of Do-Re-Mi is for violin solo with piano accompaniment. It is set in the key of D and is arranged for a level 3 violinist. Reinforce techincal concepts with this famous Broadway tune. It begins in first position. The reprise of the chorus is then played entirely in 3rd position. The piano then takes the melody for the 3rd reprise of the chorus and the violin plays an obbligato. 1 octave scales in both 1st and 3rd position challenge the student to play scales using sixteenth notes. There is minimal shifting from 1st to 3rd position. Alternate fingering is included for one passage using a 4th finger extension on the E string.Most of the bow strokes used are legato detache. There is one measure of up-bow staccato on a D major scale. And one measure of brushed off the string bowing for a D major scale.This arrangement of Do-Re-Mi will help students improve and reinforce technique while playing a song they love.
$4.99 ≈
4.53€
The Solid Rock
The Solid Rock
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2 Violons (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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William B
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Kristin Coleman Campbell
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The Solid Rock
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Horsehair Music
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1087986 Composed by William B. Bradbury. Arranged by Kristin Coleman Campbell. Praise & Worship,Sacred. 10 pages....
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Violin Duet Violin - Level 3 - SKU: A0.1087986 Composed by William B. Bradbury. Arranged by Kristin Coleman Campbell. Praise & Worship,Sacred. 10 pages. Horsehair Music #692218. Published by Horsehair Music (A0.1087986). A lively arrangement for 2 violins with piano accompaniment of the gospel song The Solid Rock by William Bradbury. This arrangement begins in F Major. Then it modulates into G minor. It concludes in G Major with the 2 violins playing sixteenths in horn fifths while the piano has the melody. Both violins are equal in difficulty and are in 1st, 2nd and 3rd position. The first violin uses 4th finger extension for E-flat. Both violins play runs of the D Major scale. Bowing techniques are legato as well as spiccato brush stroke.
$4.99 ≈
4.53€
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
23.57€
Mini Concerto For Alex (Cello and Piano Arrangement)
Mini Concerto For Alex (Cello and Piano Arrangement)
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldin...
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Cello,Piano - Level 4 - SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldine (Denny) Green at Oakmountmusic #887912. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298011). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra.Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$9.00 ≈
8.17€
Mini Concerto For Alex (School Orchestra Arrangement)
Mini Concerto For Alex (School Orchestra Arrangement)
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Orchestre
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INTERMÉDIAIRE
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (D...
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Full Orchestra - Level 3 - SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00 ≈
36.33€
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