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Vous avez sélectionné:
S.O.S Afro
Partitions à imprimer
13 partitions trouvées
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1
July O'Clock
July O'Clock
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Ensemble Jazz
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Jazz
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Don Bowyer
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July O'Clock
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Dolphin Don's Music School
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.990172 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 20 pages. Dolphin Don's Music School #64...
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Jazz Ensemble Jazz Ensemble - SKU: A0.990172 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 20 pages. Dolphin Don's Music School #6474383. Published by Dolphin Don's Music School (A0.990172). A slow Afro-Cuban composition for three horns and rhythm section, this piece was composed in honor of Dr. Thomas Miles O’Connor on his retirement from the Arkansas State University Department of Music.
$12.99 ≈
11.64€
Samba de Simão, for Alto Saxophone Duet
Samba de Simão, for Alto Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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David McKeown
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Samba de Simão, for Alto Saxo
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet - Advanced Intermediate - Composed by David McKeown. Latin Jazz, World, Latin, South American, Afro- Brazilian. Score. 8 pages. ...
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Alto Saxophone Duet - Advanced Intermediate - Composed by David McKeown. Latin Jazz, World, Latin, South American, Afro- Brazilian. Score. 8 pages. Published by David McKeown
Samba de Simão is an exciting original composition by David McKeown, arranged as a duet for two Alto Saxophones.
This duet is based on the style of Samba. With roots in West African music, modern Samba emerged in Rio de Janiero, Brazil at the beginning of the twentieth century. There are many forms, both sung and instrumental, and the Samba rhythm has found its way around the world into jazz and modern electronic pop and dance music. Samba has become a cultural symbol of Brazil, with Rio?s famous Samba schools producing theatrical and ultra-professional showpieces for the annual carnival.
If you play to an advanced intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, the two underlying strong beats in each bar should always be felt, and following the articulation in the score will help convey the style. Samba de Simão has a performance time of two and a half minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Samba de Simão.
$3.99 ≈
3.58€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio LuÃs de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio LuÃs de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première Å“uvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses Å“uvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là , certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des Å“uvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses Å“uvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'Å“uvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.12€
Santa Bárbara - Guaracha Cubana por Celina González Zamora y Reutilio Domínguez Terrero
Santa Bárbara - Guaracha Cubana por Celina González Zamora y Reutilio Domínguez Terrero
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Piano seul
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Celina González Zamora y Re
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Juan Carlos Cortés A
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Santa Bárbara - Guarach
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - SKU: A0.958725 Composed by Celina González Zamora y Reutilio DomÃÂnguez Terrero. Arranged by Juan Carlos Cortés A. Concert,Latin,St...
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Piano Solo - SKU: A0.958725 Composed by Celina González Zamora y Reutilio DomÃÂnguez Terrero. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional. Score. 3 pages. Juan Carlos Cortés Aguirre #6116409. Published by Juan Carlos Cortés Aguirre (A0.958725). Transcripción musical para piano solo por:JUAN CARLOS CORTÉS A.De la Guaracha cubana Santa Bárbara por Celina González Zamora (Nueva Luisa, Jovellanos, Matanzas 16 de marzo de 1928 - La Habana 4 de febrero de 2015) y Reutilio DomÃÂnguez Terrero (Guantánamo 1921 - 1971) La primera grabación de Celina & Reutilio fue A Santa Bárbara, en la que contaron con el piano del compositor y arreglista Obdulio Morales y el bongó de otro distinguido percusionista habanero conocido como Papá Gofio.En 1948, para su debut habanero Celina y Reutilio compusieron A Santa Bárbara, famosa por su letra y estribillo (que decÃÂa aquello de: Que Viva Changó / Que Viva Changó, señores), que se convirtió en un éxito inmediato en Cuba. Con la composición el dúo rompió la separación que existÃÂa entre la música guajira y el mundo afro, estableciendo una nueva relación en la que la métrica de la décima y el ritmo del punto guajiro se mantenÃÂan, pero se introducÃÂan letras que hablaban de las deidades afrocubanas y sus leyendas. VÃÂdeo You Tube Santa Bárbara - Celina y Reutilio:https://www.youtube.com/watch?v=j5dcAvOT4oATexto de la canción:Santa Bárbara.Guaracha.Por: Celina González Zamora y Reutilio DomÃÂnguez TerreroIntroducción:Santa Bárbara bendita, para ti surge mi lira,Santa Bárbara bendita, para ti surge mi lira,Y con emoción se inspira ante tu imagen bonita.Que viva changó, que viva changó,que viva changó, que viva changó señores.Con voluntad infinita, arranco del corazón,la melodiosa expresión, pidiendo que desde el cielo,nos envÃÂes tu consuelo y tu santa bendición.Que viva changó, que viva changó,que viva changó, que viva changó señores.Virgen venerada y pura, Santa Bárbara bendita,Virgen venerada y pura, Santa Bárbara bendita,Nuestra oración favorita llevamos hasta tu altura.Que viva changó, que viva changó,Que viva changó, que viva changó señores.Con alegrÃÂa y ternura, quiero llevar mi trovada,allá en tu mansión sagrada, donde lo bueno ilumina,junto a tu copa divina y tu santÃÂsima espada.Que viva changó, que viva changó,que viva changó, que viva changó señores.Interludio Orquesta,En nombre de mi nación, Santa Bárbara te pido,En nombre de mi nación, Santa Bárbara te pido,Que riegues con tu fluido tu sagrada bendición.Que viva changó, que viva changó,que viva changó, que viva changó señores.Yo también de corazón, te daré mi murmurio,con orgullo y poderÃÂo, haré que tu nombre suba,y en el nombre de mi Cuba este saludo te envÃÂo.Que viva changó, que viva changó,que viva changó...Que viva changó señores.
$7.99 ≈
7.16€
FON-FON
FON-FON
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Ernesto Nazareth
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Islo Nantes
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FON-FON
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Globrazil Inc
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SheetMusicPlus
Piano Solo - Composed by Ernesto Nazareth (1863-1934). Arranged by Islo Nantes. Romantic Period, World, Latin, Afro-Brazilian. 5 pages. Published by ...
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Piano Solo - Composed by Ernesto Nazareth (1863-1934). Arranged by Islo Nantes. Romantic Period, World, Latin, Afro-Brazilian. 5 pages. Published by Globrazil Inc
Fon-fon !, Brazilian tango published in 1913 by Casa Arthur Napoleão (Sampaio, Araújo & Cia.), Dedicated to "the distinguished friend Mario Baptista Martins Barata". The title refers to the popular magazine Fon-fon !, which circulated between 1907 and 1958 (the design around the first page title in older editions of the score is precisely the logo of the magazine, present in its first editions). It is one of Nazareth's most popular pieces, both in Brazil and abroad. This arrangement is based on the original. Advanced
$5.99 ≈
5.37€
Melodies of the Spirit - Harp I
Melodies of the Spirit - Harp I
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2 Harpes (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Afro-American Songs and George
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Serena O’Meara
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Melodies of the Spirit - Harp
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803906 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803906 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361623. Published by O'Meara Music (A0.803906). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal harps. Dynamics are clearly marked.ÂÂ
$5.00 ≈
4.48€
Melodies of the Spirit - Harp II
Melodies of the Spirit - Harp II
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2 Harpes (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Afro-American Songs and George
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Serena O’Meara
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Melodies of the Spirit - Harp
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803904 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803904 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361625. Published by O'Meara Music (A0.803904). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal Harps. Dynamics are clearly marked.ÂÂ
$5.00 ≈
4.48€
San Lázaro - Guaracha Cubana por Celina González Zamora y Reutilio Domínguez Terrero
San Lázaro - Guaracha Cubana por Celina González Zamora y Reutilio Domínguez Terrero
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Piano seul
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Celina González Zamora y Re
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Juan Carlos Cortés A
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San Lázaro - Guaracha C
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - SKU: A0.958724 Composed by Celina González Zamora y Reutilio DomÃÂnguez Terrero. Arranged by Juan Carlos Cortés A. Concert,Latin,St...
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Piano Solo - SKU: A0.958724 Composed by Celina González Zamora y Reutilio DomÃÂnguez Terrero. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional. Score. 5 pages. Juan Carlos Cortés Aguirre #6116393. Published by Juan Carlos Cortés Aguirre (A0.958724). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.De la Guaracha San Lázaro compuesta e interpretada por Celina González Zamora (Nueva Luisa, Jovellanos, Matanzas 16 de marzo de 1928 - La Habana 4 de febrero de 2015) y Reutilio DomÃÂnguez Terrero (Guantánamo 1921 - 1971)Celina y Reutilio rompen con una vieja separación que existÃÂa entre la música guajira y la música afro, establecen una nueva fusión donde la métrica, o sea, la décima hispánica y el estilo del punto guajiro, se mantienen, pero la letra se refiere a temas del patrimonio cultural del continente negro. La acogida del público se debe no solo a lo novedoso de la tonada sino quizá a varias otras razones. El dúo combinaba la restallante voz de Celina, como se la ha llamado, con el sonido producido por Reutilio, que parecÃÂa provenir no de una sino de dos o más guitarras. Vale la pena ahondar un poco sobre esto último. En los tradicionales dúos y trÃÂos de punto cubano y son montuno generalmente se utilizaban dos guitarras, o una guitarra y otro instrumento de cuerdas. Un músico tocaba la llamada guitarra prima, o sea, los tonos agudos, como es el caso de Miguel Matamoros en su trÃÂo, mientras que un segundo guitarrista ‘bordoneaba’, es decir, marcaba los tonos bajos, como hacÃÂa Rafael Cueto con sus famosos ‘tumbaos’ en el TrÃÂo Matamoros. Reutilio DomÃÂnguez reunÃÂa una desarrollada técnica, asàcomo dedos, muñeca y antebrazo supremamente flexibles que le permitÃÂan tocar la prima y bordonear al mismo tiempo, de manera que el dúo de Celina y Reutilio sonaba como un trÃÂo.VÃÂdeo You Tube Celina y Reutilio:https://www.youtube.com/watch?v=-mS0nW8HTzkTexto:San LázaroGuarancha por: Celina González Zamora y Reutilio DomÃÂnguez Terrero.Introducción:Babalú ayé mi mozo,babalú ayé ecua.Que Babalú ayé mi mozo,babalú aye ecua.Guaracha:Eh,eh, ecua,babalú ayé, ekua,Ecua, papa ecua,babalú ayé, ecua,Ecua, viejo ecua,babalú ayé, ecua,Ecua, papa ecua,babalú ayé, ecua,Que yo va subày usted va bajá,con los zapato de chango te.De Chango te,mi chango ta,chango taito y obatalá.Ay, Babalú ayé,padre mÃÂo San Lazaro.Ay, padre mio aeh,padre mÃÂo San Lázaro.Ayudanos en nombre de Dios,padre mÃÂo San Lázaro.Ay, pero que sea de corazón,padre mÃÂo San Lázaro.Piano: Recitado:Ekua babalu aye,sacuapa asoñi,asujana papá,Eh...Son troni carará,Afilapa, osuo no pequeña toto.Piano: Guaracha:Chango te,de chango ta,chango taito y obatalá.Ay, babalú ayé,padre mÃÂo San Lázaro.Que yo quiero ser y un senserico,padre mÃÂo San Lázaro...Ay, pero que sea de corazónpadre mÃÂo San Lázaro...Que yo va subày usted va bajá,con los zapato de chango te.De Chango te,de chango ta,chango taito de obatalá.
$7.99 ≈
7.16€
Fear Is Not My Future
Fear Is Not My Future
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Instruments en Do
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FACILE
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Musique Sacrée
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Brandon Lake
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Jhonata Lino
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Fear Is Not My Future
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Jhonata Lino
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1189909 By Brandon Lake. By Brandon Lake, Hannah Shackelford, Jonathan Jay, and Nicole Hannel. Arranged by Jhonata Lino...
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C Instrument - Level 2 - SKU: A0.1189909 By Brandon Lake. By Brandon Lake, Hannah Shackelford, Jonathan Jay, and Nicole Hannel. Arranged by Jhonata Lino. Praise & Worship,Religious,Sacred,Spiritual,Wedding. Lead Sheet / Fake Book. 4 pages. Jhonata Lino #789514. Published by Jhonata Lino (A0.1189909). Em 17 de junho de 2015, nove homens e mulheres afro-americanos perderam a vida em um único ato de ódio durante um estudo bÃÂblico semanal na Madre Emanuel AMEC em Charleston, SC. Sete anos após a tragédia, Fear Is Not My Future foi gravado em abril de 2022 para comemorar e honrar as vidas perdidas durante o tiroteio de Charleston. Este cântico é uma declaração de esperança em meio às nossas provações e tribulações. O coração por trás deste projeto é não apenas expandir a ideia de como é o Reino de Deus, mas também compartilhar e espalhar música e uma mensagem que explora um amor inspirador e não filtrado por todas as pessoas. Fear is Not My Future foi escrito por Brandon Lake, Jonathan Jay, Hannah Shackleford e Nicole Hannel. É do álbum de colaboração da Maverick City Music com Kirk Franklin intitulado Kingdom Book One
$5.99 ≈
5.37€
The Best Hymns of All Time (for Wind Instruments) Book 3
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99 ≈
28.67€
Go, Tell It on the Mountain [piano solo]
Go, Tell It on the Mountain [piano solo]
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Piano seul
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Juan MarÃÂa Solare
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Juan Maria Solare
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Go, Tell It on the Mountain [p
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Juan Maria Solare
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SheetMusicPlus
Small Ensemble Piano Solo - Level 2 - SKU: A0.596626 By Juan MarÃÂa Solare. By afro american traditional USA. Arranged by Juan Maria Solare. Christmas...
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Small Ensemble Piano Solo - Level 2 - SKU: A0.596626 By Juan MarÃÂa Solare. By afro american traditional USA. Arranged by Juan Maria Solare. Christmas,Classical,Contemporary,Praise & Worship,Traditional. Score. 4 pages. Juan Maria Solare #6486845. Published by Juan Maria Solare (A0.596626). 'Go Tell It on the Mountain': this song is one of my earliest memories: it was sung at church (in Spanish!) when I was a little child. Much later I learned that the original melody was a world famous African-American Spiritual and that it was also used as a protest song in the USA in the 50es-60es. Therefore, 'Go Tell it on the Mountain' is a Christmas carol that celebrates the Nativity of Jesus, but sometimes refers implicitly to the civil rights struggle. This piano arrangement was made by Juan MarÃÂa Solare, Argentinean pianist and composer, recorded and released on Spotify an all other streaming platforms. Go Tell It on the Mountain (piano) on all platforms Go Tell It on the Mountain (piano) directly in Spotify Go Tell It on the Mountain (piano) on YouTube 'Go Tell It on the Mountain': esta canción es uno de mis primeros recuerdos: se cantaba en la iglesia (¡en español!) cuando yo era un niño. Mucho más tarde me enteré de que la melodÃÂa original era un Spiritual y que incluso se utilizó como canción de protesta en los Estados Unidos en los años 50 y 60. Go tell it on the mountain es un villancico que celebra la Natividad de Jesús, pero que a veces se refiere implÃÂcitamente a la lucha por los derechos civiles. Este arreglo para piano fue realizado por Juan MarÃÂa Solare, pianista y compositor argentino, grabado y lanzado en Spotify y demás platformas de streaming. Go Tell It on the Mountain (piano) en todas las plataformas Go Tell It on the Mountain (piano) directamente en Spotify Go Tell It on the Mountain (piano) en YouTube
$2.22 ≈
1.99€
The Best Hymns of All Time (for Strings) Book 3
The Best Hymns of All Time (for Strings) Book 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Vario...
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String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 65 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time
Arranged for Strings by Colin Kirkpatrick
Book 3
We?re really excited to present the third and last book of our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The bass part is also optional because it doubles the cello part an octave lower. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.
These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you?ll ever need. The scores and all the parts of Book 2 are contained in a single 65-page PDF file.
Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus? Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George?s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre).
The audio samples include (1) All things Bright and Beautiful, (2) How Firm a Foundation, (3) Kum Ba Yah and (4) Morning has Broken. The music has been set in string-friendly keys so they are not compatible with the brass collection of the same name.
$25.99 ≈
23.29€
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