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Salvation Is Created Score Only
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Vous avez sélectionné:
Salvation Is Created Score Only
Partitions à imprimer
8 partitions trouvées
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1
Salvation Is Created - Score Only
Salvation Is Created - Score Only
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Ensemble de cuivres
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INTERMÉDIAIRE
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Pavel Grigorievich Chesnokov
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Caleb Gomes
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Salvation Is Created - Score O
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With Schmaltz Music Publishing
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1204573 Composed by Pavel Grigorievich Chesnokov. Arranged by Caleb Gomes. Chamber,Early Music,Religious,Sacred,Tradi...
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Brass Ensemble - Level 3 - SKU: A0.1204573 Composed by Pavel Grigorievich Chesnokov. Arranged by Caleb Gomes. Chamber,Early Music,Religious,Sacred,Traditional. 3 pages. With Schmaltz Music Publishing #803039. Published by With Schmaltz Music Publishing (A0.1204573). Salvation Is Created was conceived as a six-voice choral work in 1912. It is an arrangement of a Kievan chant, originally set in Church Slavonic, a slavic liturgical language still in use in some Orthodox denominations. The form is very simple, consisting of two nearly identical verses that differ only in their final cadences. This arrangement slightly pares down the traditional choral work into a five part horn choir piece. Approachable by nearly every experience level, this arrangement is a wonderful addition to a horn choir line-up. Horn parts and optional organ part are available - email caleb.gomes.music@gmail.com.
$10.00 ≈
9.21€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.83€
A Mighty Fortress is Our God
A Mighty Fortress is Our God
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Stephen R Dalrymple
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A Mighty Fortress is Our God
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 p...
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Piano Solo - Level 4 - SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 pages. Stephen R Dalrymple #3070993. Published by Stephen R Dalrymple (A0.818222). A Mighty Fortress is Our God ♫ piano solo arrangement by Stephen R Dalrymple ♫ Martin Luther wrote Ein Feste Burg sometime between 1527 and 1529. (Luther published the Ninety-five Theses in 1517 and was excommunicated in 1521.) Ein Feste Burg was translated into English by Miles Coverdale in 1539 with the title, Oure God is a defence and towre. The English text most familiar to me was translated by Francis Hedge in 1853. ♫ Luther believed in the power of music. In 1558 in the Forward to Georg Rhau's Symphoniae he wrote “I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. … next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits.... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God.†♫ In his lifetime, Luther made 3 major contributions to the Church: the doctrine of salvation by faith alone, the belief that Scripture should be translated into the people's language (producing a translation of the Bible into German), and the birth of congregational singing. In Roman Catholic churches of his day, only the cantor and a chorus sang the mass in Latin. He was determined to restore congregational singing in German to the church. ♫ In the slides, I have featured the Citadelle Laferrière, a fortress in Northern Haiti, commissioned in 1805 by Henri Christophe and completed in 1820, following Haiti’s independence from France in 1804. ♫ music © 2010 (copyright registered in 'Rejoice Ye Pure In Heart’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50 ≈
4.14€
Humility
Humility
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jonathan S
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Humility
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Jonathan S. Laflamme
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.971613 Composed by Jonathan S. Laflamme. 20th Century,Christmas,Renaissance. Score and parts. 114 pages. Jonathan S. La...
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Concert Band - Level 3 - SKU: A0.971613 Composed by Jonathan S. Laflamme. 20th Century,Christmas,Renaissance. Score and parts. 114 pages. Jonathan S. Laflamme #2018099. Published by Jonathan S. Laflamme (A0.971613). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ The piece concludes with the same chord it started with-a bright C major! This is done in the beginning to show the intention of a beautiful creation story without death and in the end as kind of a, this is just the beginning, sentiment by way of a half cadence. After all, in regards to this composition, Christmas day is just the beginning of the purpose of the Word made flesh. While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$50.00 ≈
46.04€
Humility, The People Walking in Darkness Have Seen a Great Light!
Humility, The People Walking in Darkness Have Seen a Great Light!
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jonathan S
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Humility, The People Walking i
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Jonathan S. Laflamme
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.971618 Composed by Jonathan S. Laflamme. Christian,Christmas,Contemporary,Sacred,Standards. Score and parts. 114 pages....
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Concert Band - Level 3 - SKU: A0.971618 Composed by Jonathan S. Laflamme. Christian,Christmas,Contemporary,Sacred,Standards. Score and parts. 114 pages. Jonathan S. Laflamme #515247. Published by Jonathan S. Laflamme (A0.971618). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$39.99 ≈
36.82€
Near to Your Heart Medley
Near to Your Heart Medley
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Piano, Voix
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INTERMÉDIAIRE
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Celtique/Irlandais
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Cheryl Prazak
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Jon Burr
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Near to Your Heart Medley
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon Burr. Christian,...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885159. Published by Cheryl Prazak (A0.1294833). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Near to Your Heart MedleyThe world was black as black as sin would always be.From the pit of hell I’m a refugee. I grasped the loving hand You reached down to me.I opened my heart’s door, You set me free. Only You could feel this aching of my heart.And only You could melt this heart of stone.Only You could mend again a life torn ‘part. Salvation comes, salvation comes, from You alone.Near to your heart, that’s where I always want to be,Take me in, draw me closer, Lord, to Thee. I want to be where joy and peace are calling me,I want to be where Jesus lives in me.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.It’s You and only You who is my Savior.And only You who changed my destiny.It’s only You whose mercy will not waver.It’s only You who sets my spirit free.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.
$4.99 ≈
4.59€
On That Cross
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00 ≈
2.76€
On That Cross (choir pack + piano part + licence)
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00 ≈
14.73€
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Salvation Is Created Score Only
