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Vous avez sélectionné:
Sand Dunes
Partitions à imprimer
15 partitions trouvées
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1
Sand Dunes
Sand Dunes
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Marquise Weatherall
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Sand Dunes
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Marquise Weatherall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1048341 Composed by Marquise Weatherall. This edition: Interactive Dow...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1048341 Composed by Marquise Weatherall. This edition: Interactive Download. World. Score and parts. 14 pages. Duration 147. Marquise Weatherall #3VSgPB3hwjXKpYVWg8zIxY. Published by Marquise Weatherall (A0.1048341). Key: C major.It is a Brass Quintet that is environmental. It portrays the hot and dry sand dunes in the desert. This piece is a collaborative type of effort where each instrument blends its colors together to create the image of the Sand dunes and the person that walks on the Sand dunes.
$8.00 ≈
7.17€
Where Sand Dunes meet the Sea Op.180　for piano with left hand only
Where Sand Dunes meet the Sea Op.180　for piano with left hand only
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Piano seul
#
INTERMÉDIAIRE
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Kohei KONDO
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Where Sand Dunes meet the Sea
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Kohei KONDO
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1101906 Composed by Kohei KONDO. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. Score. 7 page...
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Piano Solo - Level 3 - SKU: A0.1101906 Composed by Kohei KONDO. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. Score. 7 pages. Kohei KONDO #705297. Published by Kohei KONDO (A0.1101906). Where Sand Dunes meet the Sea for piano with left hand only for Mako HAYASAKA Op.180 Composed by Japanese composer Kohei KONDO for Japanese young left hand pianist Mako HAYASAKA Premiered on June 25th 2022 by Mako HAYASAKA.
$7.00 ≈
6.27€
Of Water, Sand, and Time (Postcards from the Indiana Dunes)
Of Water, Sand, and Time (Postcards from the Indiana Dunes)
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Jeffrey Hoover
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Of Water, Sand, and Time
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Musicart Publications
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.971665 Composed by Jeffrey Hoover. 20th Century,Concert,Contemporary. 24 pages. Musicart Publications #6382801. Publishe...
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Violin Solo - Level 4 - SKU: A0.971665 Composed by Jeffrey Hoover. 20th Century,Concert,Contemporary. 24 pages. Musicart Publications #6382801. Published by Musicart Publications (A0.971665). Of Water, Sand, and Time (Postcards from the Indiana Dunes) was commissioned by Vanessa Porter, violinist, for National Park Compositions. For solo violin, the work represents the natural beauty of the Indiana Dunes National Park on the shore of Lake Michigan in Northern Indiana. https://nationalparkcompositions.com Each of the seven movements depicts some aspect of the Indiana Dunes. Where Northern Indiana and Lake Michigan come together, the Indiana Dunes is a place where wildlife, geography, and human history amplify each other. While there is an order to the work, the performer is free to rearrange the number and order of movements in performance a given performance, to meet time limitations if necessary. The title of each movement is like a few works written rapidly on the back of a picture postcard and sent to a friend.The score of this edition is formatted to be printed double-sided, with correct page turns.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for his distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart Publications Carlos Rio, DCM - Editormusicart.publications.editor@gmail.com
$18.95 ≈
16.98€
Daphne of the Dunes
Daphne of the Dunes
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Harry Partch
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Daphne of the Dunes
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Schott Music - Digital
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SheetMusicPlus
Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harmonic Canons II and III · Chromelodeon I · Cloude-Chamber Bowls ...
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Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harmonic Canons II and III · Chromelodeon I · Cloude-Chamber Bowls · Spoils of War · Gourd Tree · Diamond Marimba, Boo · Bass Marimba and Pre-recorded Tape ensemble - difficult - SKU: S9.Q46317 Soundtrack for Madeline Tourtelot’s film “Windsongâ€. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q46317. Published by Schott Music - Digital (S9.Q46317). Partch composed and produced the music for the film Windsong by Madeline Tourtelot in 1958. In this film, the ancient legend of Daphne and Apollo was transferred to the dunes of Lake Michigan – as a reference to the sexual ethics of the Puritans in the USA. Later, the film music was turned into the ballet music Daphne of the Dunes. Contrasting tonalities and frequent changes of mood correspond to the fast cuts in the film. The music equally recalls images of nature including sand, water, snakes, and seagulls.
$15.99 ≈
14.32€
Dunes - a set of Arabian-style piano pieces
Dunes - a set of Arabian-style piano pieces
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jenny Walker
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Dunes - a set of Arabian-style
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J Walker
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.923358 Composed by Jenny Walker. Contemporary,World. Score. 19 pages. J Walker #3473249. Published by J Walker (A0.923358...
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Piano Solo - Level 4 - SKU: A0.923358 Composed by Jenny Walker. Contemporary,World. Score. 19 pages. J Walker #3473249. Published by J Walker (A0.923358). If you want something different for the piano, this collection is perfect! It uses the 'double harmonic' scale to give an Arabian feel and provide an exotic sound to the Western ear. The pieces are great for late intermediate level pianists of all ages and would be ideal for projects correlating music with middle Eastern culture. The main theme is the isolation of the desert, represented by 'Nothingness', 'Noon Sun' and 'Oasis'. The Opening 'Golden Sands' and 'Caravan' depict the gently rolling landscape and the presence of camel trains. 'Beledi', 'Scorpion Dance' and 'Gecko Strut' are livelier and dance-like. The use of octaves and unexpected running passages gives a sense of surprise.
$6.00 ≈
5.37€
Sand Dunes
Sand Dunes
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Mike Dale
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Sand Dunes
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Forton Music - Digital
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SheetMusicPlus
Fl. Ob. Cl. Hn. Bsn. - Advanced - SKU: F2.FM705 Composed by Mike Dale. A tranquil piece for wind quintet. Score and Parts. 20 pages. Forton Music - Digi...
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Fl. Ob. Cl. Hn. Bsn. - Advanced - SKU: F2.FM705 Composed by Mike Dale. A tranquil piece for wind quintet. Score and Parts. 20 pages. Forton Music - Digital #FM705. Published by Forton Music - Digital (F2.FM705). ISBN 9790570486045.
$12.95 ≈
11.60€
In Seaspray, Barefoot (violin & piano)
In Seaspray, Barefoot (violin & piano)
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Contemporain
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Greg Bartholomew
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In Seaspray, Barefoot
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Burke & Bagley
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SheetMusicPlus
Small Ensemble Violin - Level 4 - SKU: A0.787199 Composed by Greg Bartholomew. 20th Century,Contemporary. Score and parts. 14 pages. Burke & Bagley #455...
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Small Ensemble Violin - Level 4 - SKU: A0.787199 Composed by Greg Bartholomew. 20th Century,Contemporary. Score and parts. 14 pages. Burke & Bagley #45581. Published by Burke & Bagley (A0.787199). A fun and exciting bagatelle. In Seapray, Barefoot imagines a young person running down from sand dunes into the ocean and being chased by the waves back up into the dunes, in a playful dance. Composed in March 2012, the piece was premiered September 9, 2012, by Denise Stillwell, violin, and Yumi Suehiro, piano, on the Composer's Voice concert series at the Jan Hus Church, New York City. Originally composed for violin & piano, alternate arrangements for flute, clarinet, tuba or flugelhorn with piano, and for violin, flute or clarinet with guitar. Duration 2'45Download free piano accompaniment track: Â http://www.gregbartholomew.com/piano/
$9.00 ≈
8.06€
In Seaspray, Barefoot for clarinet & guitar
In Seaspray, Barefoot for clarinet & guitar
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Clarinette, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Greg Bartholomew
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Rodrigo Baggio
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In Seaspray, Barefoot for clar
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Burke & Bagley
#
SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 4 - SKU: A0.787283 Composed by Greg Bartholomew. Arranged by Rodrigo Baggio. 20th Century,Co...
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 4 - SKU: A0.787283 Composed by Greg Bartholomew. Arranged by Rodrigo Baggio. 20th Century,Concert,Contemporary. Score and parts. 12 pages. Burke & Bagley #45583. Published by Burke & Bagley (A0.787283). A fun and exciting bagatelle, IN SEASPRAY, BAREFOOT, imagines a young person running down from sand dunes into the ocean and being chased by the waves back up into the dunes, in a playful dance. Composed originally for violin & piano in March 2012, the piece was premiered September 9, 2012, by Denise Stillwell, violin, and Yumi Suehiro, piano, on the Composer's Voice concert series in New York City. The clarinet & guitar arrangement was premiered in October 2013 in Amsterdam. Originally composed for violin & piano, alternate arrangements for flute, clarinet, tuba or flugelhorn with piano, and for violin, flute or clarinet with guitar. Duration 2'45.
$9.00 ≈
8.06€
In Seaspray, Barefoot for violin & guitar
In Seaspray, Barefoot for violin & guitar
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Violon, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Greg Bartholomew
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Rodrigo Baggio
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In Seaspray, Barefoot for viol
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Burke & Bagley
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.787284 Composed by Greg Bartholomew. Arranged by Rodrigo Baggio. 20th Century,Conc...
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.787284 Composed by Greg Bartholomew. Arranged by Rodrigo Baggio. 20th Century,Concert,Contemporary. Score and parts. 10 pages. Burke & Bagley #45585. Published by Burke & Bagley (A0.787284). A fun and exciting bagatelle, IN SEASPRAY, BAREFOOT, imagines a young person running down from sand dunes into the ocean and being chased by the waves back up into the dunes, in a playful dance. Composed originally for violin & piano in March 2012, the piece was premiered September 9, 2012, by Denise Stillwell, violin, and Yumi Suehiro, piano, on the Composer's Voice concert series in New York City. The clarinet & guitar arrangement was premiered in October 2013 in Amsterdam. Originally composed for violin & piano, alternate arrangements for flute, clarinet, tuba or flugelhorn with piano, and for violin, flute or clarinet with guitar. Duration 2'45
$9.00 ≈
8.06€
In Seaspray, Barefoot, for Wind Ensemble
In Seaspray, Barefoot, for Wind Ensemble
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Orchestre d'harmonie
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Contemporain
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Greg Bartholomew
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In Seaspray, Barefoot, for Win
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Burke & Bagley
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SheetMusicPlus
Concert Band - SKU: A0.787335 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and parts. 45 pages. Burke & Bagley #2160383. Publi...
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Concert Band - SKU: A0.787335 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and parts. 45 pages. Burke & Bagley #2160383. Published by Burke & Bagley (A0.787335). In Seaspray, Barefoot imagines a young person running down from sand dunes into the ocean and being chased by the waves back up into the dunes, in a playful dance. The wind ensemble arrangement is scored for Piccolo, Flute 1 & 2, Oboe, Clarinet in Eb, Clarinets in Bb 1, 2 & 3, Bass Clarinet in Bb, Bassoon 1 & 2, Alto Sax 1 & 2, Tenor Sax, Bari Sax, Horn in F 1 & 2, Trumpet in Bb 1 & 2, Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Double Bass and 2 Percussion (Snare + Cymbals; and Bass Drum). Originally composed for violin & piano, alternate arrangements are available for tuba & piano, clarinet & piano, euphonium & piano, flugelhorn & piano and flute & piano. A guitar accompaniment is also available for violin, clarinet or alto flute in an arrangement by Rodrigo Baggio. The piece was premiered September 9, 2012, by Denise Stillwell, violin, and Yumi Suehiro, piano, on the Composer's Voice concert series at the Jan Hus Church, New York City.
$24.99 ≈
22.39€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.57€
Iced Nights(Original Version)
Iced Nights(Original Version)
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Marquise Weatherall
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Iced Nights(Original Version)
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Marquise Weatherall
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,English Horn,Oboe,Piccolo - Level 3 - Interactive Download SKU: A0.1073219 Composed by Marquise Weatherall. This edition:...
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Small Ensemble Bassoon,Clarinet,English Horn,Oboe,Piccolo - Level 3 - Interactive Download SKU: A0.1073219 Composed by Marquise Weatherall. This edition: Interactive Download. World. Score and parts. 18 pages. Duration 98. Marquise Weatherall #49twdyjDdYIQPeIiJ2VSIH. Published by Marquise Weatherall (A0.1073219). Key: F major.It is a version of Sand Dunes but with a twist and turn of environmental music, making it iced nights. With the cold but yet serene sounds of the woodwinds making it a masterpiece.
$8.00 ≈
7.17€
Carson Cooman: Coatue Dreaming (2002) for solo trumpet
Carson Cooman: Coatue Dreaming (2002) for solo trumpet
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Trompette (partie séparée)
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AVANCÉ
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Carson Cooman
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Carson Cooman: Coatue Dreaming
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.533623 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publishi...
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Trumpet Solo - Level 5 - SKU: A0.533623 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publishing #3033379. Published by Musik Fabrik Music Publishing (A0.533623). Coatue Dreaming (2002) for solo trumpet was commissioned by Richard Mason. The work was written for and is dedicated to trumpeter John Wallace. The title refers to Coatue, a “land spit†(quasi-peninsula) on Nantucket Island, Massachusetts separating Nantucket Harbor from Nantucket Sound. It is conceived as “open-air†music, “imagining†the trumpeter performing on the sand dunes of Coatue at night with the music echoing across Nantucket Harbor to the town on the other side. The work explores ideas of transformative and developing melody. It has a rhapsodic and rhythmically fluid feeling throughout. 
$9.10 ≈
8.15€
HISS
HISS
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Tsoof Baras
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HISS
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Tsoof Baras
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SheetMusicPlus
Mixed Percussion - Level 5 - SKU: A0.1122891 By Tsoof Baras. By Tsoof Baras. Chamber,Classical,Contemporary,Multicultural,World. 44 pages. Tsoof Baras #...
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Mixed Percussion - Level 5 - SKU: A0.1122891 By Tsoof Baras. By Tsoof Baras. Chamber,Classical,Contemporary,Multicultural,World. 44 pages. Tsoof Baras #723854. Published by Tsoof Baras (A0.1122891). Hear the desert hiss. The sun on skin. The sand on the dunes. The wind. The wildlife. HISS is a composition for shakers, blocks and bass drums. An exploration of limb independence for percussion with a tasty groove. Written for percussion Quintet, each player must balance playing shaker and blocks, weaving melodies between parts and creating a sonic landscape of mystery.
$45.00 ≈
40.31€
11. Inyoka the Snake
11. Inyoka the Snake
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Louise du Toit
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Louise du Toit
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11. Inyoka the Snake
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1138616 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #7...
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Piano Solo - Level 4 - SKU: A0.1138616 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #738964. Published by Louise du Toit (A0.1138616). Inyoka the Snake is the eleventh in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Inyoka the snake lurks behind a heap of stones in the dry Kalahari Desert. It is a few moments before sunrise, and he is aware of a small ground squirrel running around in the distance. He starts to move forward slowly, but soon his beautiful, patterned body sways left and right with exquisite elasticity as it rapidly glides over the dunes through the patches of dry yellow grass towards his devastated victim. Frantically trying to escape, the squirrel disappears into a tiny hole in the sand and after a few efforts to reach his prey, Inyoka decides to let go of it, not willing to get stuck in a narrow tunnel for his breakfast. Enjoying the early sunrays on his body, he glides lazily towards a dry riverbed, soon drifting off into a deep sleep..
$4.99 ≈
4.47€
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Sand Dunes
