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Vous avez sélectionné:
Sax to the Max: Tuba
Partitions à imprimer
67 partitions trouvées
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Sax to the Max: Tuba
Sax to the Max: Tuba
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Tuba (partie séparée)
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Methodes
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Victor Lopez
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Sax to the Max: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0015278_TB1 Tuba. Composed by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC...
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Jazz Ensemble - SKU: AX.00-PC-0015278_TB1 Tuba. Composed by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015278_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015278_TB1). UPC: 038081269467.Sax to the Max is a medium swing showcase for the sax section. This Mike Lewis original is tasty, smooth, and lyrical, and will sound full even if performed with only four saxophone players (optional bari). There are no individual solos but plenty of soli sections. Optional parts are included. This title is available in SmartMusic.
$3.00 ≈
2.77€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
12.00€
Sax to the Max (featuring your Alto Saxophone Section): Tuba
Sax to the Max (featuring your Alto Saxophone Section): Tuba
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Orchestre d'harmonie
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Methodes
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Michael Story
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Sax to the Max
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014661_TB1 Tuba. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC...
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Concert Band - SKU: AX.00-PC-0014661_TB1 Tuba. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014661_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014661_TB1). UPC: 029156933642.Shades of Kenny 'you know who'! The terrors in your alto saxophone section come center stage as you feature their talents for all to hear. When they hear this bright and tuneful melody, each player's proud mom and dad will be beaming from ear to ear, and the rest of the audience will appreciate and enjoy. Saxsational! (1:49)Section Feature.
$3.00 ≈
2.77€
In the Sweet Bye and Bye (for Brass Quintet)
In the Sweet Bye and Bye (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Ivan Brand
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Ivan Brand
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In the Sweet Bye and Bye
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Ivan Brand
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1305017 By Ivan Brand. By Joseph P. Webster. Arranged by Ivan Brand. Christian,Religious,Sa...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1305017 By Ivan Brand. By Joseph P. Webster. Arranged by Ivan Brand. Christian,Religious,Sacred. 20 pages. Ivan Brand #894447. Published by Ivan Brand (A0.1305017). This piece begins by developing the typical emotional feeling of peaceful longing consistent with verse 1 of the original lyrics. It then turns celebratory consistent with verse 2 - We shall sing on that beautiful shore!. The piece climaxes with an emphatic refrain and coda which underscore the forthcoming celebration when We shall meet on that beautiful shore. An optional tambourine can be used effectively to add to this celebratory style. The included alternatie instrumentation consisting of Alto Sax (for F Horn), Tenor Sax (for Trombone), and 5-string Bass Guitar (for Tuba) can creat an exciting and unique musical texture.
$15.00 ≈
13.85€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.23€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.23€
C Jam Blues for Brass Quintet
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99 ≈
12.00€
Leise rieselt der Schnee (The Snow Falls Quietly) for family band
Leise rieselt der Schnee (The Snow Falls Quietly) for family band
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Chorale SATB
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DÉBUTANT
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Eduard Ebel, traditional
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Sophia Transistor
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Leise rieselt der Schnee
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Sophia Transistor
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,Christmas,World. ...
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Choral Choir (SATB) - Level 1 - SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Octavo. 14 pages. Sophia Transistor #6626617. Published by Sophia Transistor (A0.851142). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Leise rieselt der Schnee = The Snow Falls Quietly / Softly falls the snow offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 3 verses- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/LSERuO8KMsUGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Leise rieselt der Schnee beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); 4 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!#LeiseRieseltDerSchnee#Weihnachtsmusic#smppressmusic
$4.99 ≈
4.61€
Dialogue (for Brass and Saxophone Ensemble)
Dialogue (for Brass and Saxophone Ensemble)
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P
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Dialogue
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Pete Strohm Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Horn,Soprano Saxophone,Tenor Saxophone,Tenor Trombone,Tuba - Level 4 - SKU: A0.1036423 C...
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Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Horn,Soprano Saxophone,Tenor Saxophone,Tenor Trombone,Tuba - Level 4 - SKU: A0.1036423 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Jazz. Score and parts. 108 pages. Pete Strohm Music #641446. Published by Pete Strohm Music (A0.1036423). Dialogue (for Brass and Saxophone Ensemble), from American composer P. F. Strohm, is an up-tempo, jazz-based work written for a unique 10-part ensemble, comprised of a brass quintet (two Trumpets, Horn, Trombone and Tuba), and a saxophone quintet (Soprano, Alto 2 Tenors, Baritone with low A key). It employs two quintet groupings to create straight-ahead, ensemble energy. The two quintets trade off melodic and rhythmic figures throughout the opening. In the mid-section, two trumpets and the soprano sax trade solo lines, then combine in a riveting climax. The two quintets then trade tight, challenging phrases as the piece rockets to a big tutti ending. Dialogue is an exciting work for ensembles with players looking for more modern and demanding parts. If you already have a big band and want to give the horns their own showpiece without the rhythm players, this would be ideal (if you have the Horn and Tuba available)! Medium-Advanced level of difficulty. Performance time is 4:00. Member, ASCAP.
$12.99 ≈
12.00€
Maxwell's Silver Hammer
Maxwell's Silver Hammer
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Rock
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The Beatles
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Andrew Will
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Maxwell's Silver Hammer
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Andrew Will
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.1153315 By The Beatles. By John Lennon and Paul McCartney. Arranged by Andrew Will. 20th Century. Score and parts. 28...
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Large Ensemble - Level 4 - SKU: A0.1153315 By The Beatles. By John Lennon and Paul McCartney. Arranged by Andrew Will. 20th Century. Score and parts. 28 pages. Andrew Will #753565. Published by Andrew Will (A0.1153315). Maxwell’s Silver Hammer by the Beatles was originally arranged for a large-scale production for Vocal and rhythm section Keyboard 1 (Synthesizer), Keyboard 2 (Piano), Guitar, Bass Guitar and Drum Kit. This arrangement has the addition of a brass front line (Alto Saxophone, Tenor Saxophone, Trumpet and Trombone). This is a great piece that your audience would love to listen too. A must for your next show band event. You can listen to the rhythm section version on YouTuba https://www.youtube.com/watch?v=KJ_eBwRYrEA (1:30:00 sec.). Enjoy! The Willscore Publishing Team.
$35.00 ≈
32.32€
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
44.28€
Adaptable Duets for the Young Band Musician Volume One - Bb Transposition
Adaptable Duets for the Young Band Musician Volume One - Bb Transposition
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Small Ensemble Clarinet,Euphonium,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 1 - SKU: A0.778244 Composed by John McAllister. Instructional. Score...
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Small Ensemble Clarinet,Euphonium,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 1 - SKU: A0.778244 Composed by John McAllister. Instructional. Score and parts. 6 pages. John McAllister #6735719. Published by John McAllister (A0.778244). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00 ≈
1.85€
Adaptable Duets for the Young Band Musician Volume One - Eb Transposition
Adaptable Duets for the Young Band Musician Volume One - Eb Transposition
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 1 - SKU: A0.778245 Composed by John McAllister. Instructional. 6 pages. John McAllister #673...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 1 - SKU: A0.778245 Composed by John McAllister. Instructional. 6 pages. John McAllister #6735721. Published by John McAllister (A0.778245). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00 ≈
1.85€
Adaptable Duets for the Young Band Musician Volume One - F Transposition
Adaptable Duets for the Young Band Musician Volume One - F Transposition
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Orchestre d'harmonie
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FACILE
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - SKU: A0.778247 Composed by John McAllister. Instructional,Standards. Score and parts. 12 pages. John McAllister #6736043...
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Brass Ensemble Horn - Level 2 - SKU: A0.778247 Composed by John McAllister. Instructional,Standards. Score and parts. 12 pages. John McAllister #6736043. Published by John McAllister (A0.778247). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00 ≈
1.85€
Adaptable Duets for the Young Band Musician Volume One - Bass Clef
Adaptable Duets for the Young Band Musician Volume One - Bass Clef
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Orchestre d'harmonie
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DÉBUTANT
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Small Ensemble Bassoon,Euphonium,Trombone - Level 1 - SKU: A0.778246 Composed by John McAllister. Instructional,Standards. Score and parts. 6 pages. Joh...
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Small Ensemble Bassoon,Euphonium,Trombone - Level 1 - SKU: A0.778246 Composed by John McAllister. Instructional,Standards. Score and parts. 6 pages. John McAllister #6736039. Published by John McAllister (A0.778246). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00 ≈
1.85€
Adaptable Duets for the Young Band Musician Volume One - C Treble Transposition
Adaptable Duets for the Young Band Musician Volume One - C Treble Transposition
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Orchestre d'harmonie
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Methodes
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - SKU: A0.778243 Composed by John McAllister. Instructional. Score and parts. 6 pages. John McAll...
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Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - SKU: A0.778243 Composed by John McAllister. Instructional. Score and parts. 6 pages. John McAllister #6735717. Published by John McAllister (A0.778243). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00 ≈
1.85€
Amazing Grace - for adaptable wind trio (SAB)
Amazing Grace - for adaptable wind trio (SAB)
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John Newton
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John McAllister
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Amazing Grace - for adaptable
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John McAllister
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SheetMusicPlus
Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - SKU: A0.11437...
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Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - SKU: A0.1143721 Composed by John Newton. Arranged by John McAllister. Folk,Multicultural,Religious,Spiritual,Traditional,World. 21 pages. John McAllister #744044. Published by John McAllister (A0.1143721). This is an arrangement of the famous folk tune Amazing Grace. It is for adaptable trio and can be played with varying instrumentation that includes a soprano, alto, and bass voice. Some options might include: brass trio (trumpet, horn, trombone or tuba), saxophone trio (alto sax, tenor sax, Bari sax), clarinet trio (two Bb clarinets and a bass), mixed woodwind trio (flute, clarinet, bass clarinet or Bari sax). There are many possibilities allowing max-compatibility for performing musicians. This trio and others might be good in specific settings: solo & ensemble festivals, street musicians and buskers, gigs at events and dinners (as background OR foreground music), small groups on concerts, pre-concert chamber music. Music educators and band directors might find these particularly useful when developing a chamber ensembles program. Because of the adaptable nature, various combinations can be utilized. They can also be taught to the full ensemble, then individuals can perform in small groups.
$5.00 ≈
4.62€
Can Can - for adaptable wind trio (SAB)
Can Can - for adaptable wind trio (SAB)
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Jaques Offenbach
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John McAllister
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Can Can - for adaptable wind t
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John McAllister
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SheetMusicPlus
Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level ...
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Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - SKU: A0.1143719 Composed by Jaques Offenbach. Arranged by John McAllister. 19th Century,Classical,Historic,Instructional,Opera. 39 pages. John McAllister #744042. Published by John McAllister (A0.1143719). This is an arrangement of the famous Can Can by Offenbach. It is for adaptable trio and can be played with varying instrumentation that includes a soprano, alto, and bass voice. Some options might include: brass trio (trumpet, horn, trombone or tuba), saxophone trio (alto sax, tenor sax, Bari sax), clarinet trio (two Bb clarinets and a bass), mixed woodwind trio (flute, clarinet, bass clarinet or Bari sax). There are many possibilities allowing max-compatibility for performing musicians. This trio and others might be good in specific settings: solo & ensemble festivals, street musicians and buskers, gigs at events and dinners (as background OR foreground music), small groups on concerts, pre-concert chamber music. Music educators and band directors might find these particularly useful when developing a chamber ensembles program. Because of the adaptable nature, various combinations can be utilized. They can also be taught to the full ensemble, then individuals can perform in small groups.
$5.00 ≈
4.62€
The Middle
The Middle
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Contemporain
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Zedd, Maren Morris & Grey
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Seth Almond
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The Middle
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Seth Almond
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1019878 By Zedd, Maren Morris ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1019878 By Zedd, Maren Morris & Grey. By Anton Zaslavski, Jordan Johnson, Kyle Trewartha, Marcus Lomax, Michael Trewartha, Sarah Aarons, and Stefan Johnson. Arranged by Seth Almond. Contemporary. Score and parts. 39 pages. Seth Almond #6688901. Published by Seth Almond (A0.1019878). The Middle by Zedd, Maren Morris & Grey will be a great addition to your setlist! This piece is well suited for Intermediate to Intermediate Advance ability levels. The piece is approximately 3:30 in duration.
$24.99 ≈
23.08€
Smoke and Mirrors: Tuba
Smoke and Mirrors: Tuba
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Orchestre d'harmonie
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Methodes
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Robert Buckley
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Smoke and Mirrors: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015365_TB1 Tuba. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-P...
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Concert Band - SKU: AX.00-PC-0015365_TB1 Tuba. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015365_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015365_TB1). UPC: 038081431383.Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, Smoke and Mirrors is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. (5:00)Concert/Contest.
$3.00 ≈
2.77€
Smoke and Mirrors: 2nd E-flat Alto Saxophone
Smoke and Mirrors: 2nd E-flat Alto Saxophone
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Orchestre d'harmonie
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Methodes
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Robert Buckley
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Smoke and Mirrors: 2nd E-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015365_AX2 2nd E-flat Alto Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digi...
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Concert Band - SKU: AX.00-PC-0015365_AX2 2nd E-flat Alto Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015365_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015365_AX2). UPC: 038081431383.Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, Smoke and Mirrors is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. (5:00)Concert/Contest.
$3.00 ≈
2.77€
Smoke and Mirrors: E-flat Alto Saxophone
Smoke and Mirrors: E-flat Alto Saxophone
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Orchestre d'harmonie
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Methodes
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Robert Buckley
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Smoke and Mirrors: E-flat Alto
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015365_AX1 E-flat Alto Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital ...
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Concert Band - SKU: AX.00-PC-0015365_AX1 E-flat Alto Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015365_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015365_AX1). UPC: 038081431383.Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, Smoke and Mirrors is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. (5:00)Concert/Contest.
$3.00 ≈
2.77€
Smoke and Mirrors: E-flat Baritone Saxophone
Smoke and Mirrors: E-flat Baritone Saxophone
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Orchestre d'harmonie
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Methodes
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Robert Buckley
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Smoke and Mirrors: E-flat Bari
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015365_BTX E-flat Baritone Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digi...
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Concert Band - SKU: AX.00-PC-0015365_BTX E-flat Baritone Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015365_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015365_BTX). UPC: 038081431383.Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, Smoke and Mirrors is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. (5:00)Concert/Contest.
$3.00 ≈
2.77€
Smoke and Mirrors: B-flat Tenor Saxophone
Smoke and Mirrors: B-flat Tenor Saxophone
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Orchestre d'harmonie
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Methodes
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Robert Buckley
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Smoke and Mirrors: B-flat Teno
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015365_TX1 B-flat Tenor Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital...
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Concert Band - SKU: AX.00-PC-0015365_TX1 B-flat Tenor Saxophone. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015365_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015365_TX1). UPC: 038081431383.Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, Smoke and Mirrors is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. (5:00)Concert/Contest.
$3.00 ≈
2.77€
What I Did For Love
What I Did For Love
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Edward Kleban and Marvin Hamli
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Terry Vosbein
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What I Did For Love
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Max Frank Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1396334 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Terry Vosbein. Broadway,Jazz,Musical/...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1396334 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Terry Vosbein. Broadway,Jazz,Musical/Show. 48 pages. Max Frank Music #979709. Published by Max Frank Music (A0.1396334). Experience â??What I Did For Loveâ? like never before with this new big band arrangement inspired by the legendary Stan Kenton. This slow ballad from the classic musical â??A Chorus Lineâ? takes on new life with the rich textures and dynamic energy of a full big band.The arrangement opens with a haunting piano introduction, setting the mood for a heartfelt performance. As the arrangement slowly builds, the alto saxophone takes center stage with a soulful improvised solo, adding a personal touch to the familiar melody. As it reaches its climax, the band explodes with big fat and loud chords that soar to new heights.With its blend of traditional big band elements and emotional harmonic content, this arrangement of â??What I Did For Loveâ? is sure to captivate audiences and leave a lasting impression. Donâ??t miss the opportunity to experience this timeless classic in a whole new way.Instrumentation: 5 saxes (AATTB), 5 trumpets, 4 trombones, tuba, piano, guitar, bass, drums.
$49.99 ≈
46.17€
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Sax to the Max: Tuba
