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Say the Words (Now)
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Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Alto Sax - "And Can It Be
#
Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
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Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Cello - "And Can It Be?&q
#
Dan Cutchen Music
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
(+)
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
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Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
#
Tuba
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Tuba solo - "And Can It B
#
Dan Cutchen Music
#
SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
(+)
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
$8.18
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
$12.26
TICK, NOTHING, NOW AND THE AFTER 4
TICK, NOTHING, NOW AND THE AFTER 4
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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TICK, NOTHING, NOW AND THE AFT
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066524 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 609. THEMIS KOUTRAS #4762749. P...
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Piano - SKU: A0.1066524 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 609. THEMIS KOUTRAS #4762749. Published by THEMIS KOUTRAS (A0.1066524). This song has a few parts to it it predicts accurately the hour and the time of holy bible prophesy like the time we enter new heaven new earth and actually proves it correct that it can not be added by people in any other way as JESUS CHRIST own words say no one knows the hour or time other then the father therefore because people looked down on me and gave me the worlds biggest hard time GOD revealed to me the correct time and hour of the above because he loved me to let all people know he is with me the 2nd part of the song proves GOD CREATED IT ALL in what is sung there by the word the 3rd part of the song proves that the human race is corrupt and the way we are progressing in evil it can come about that we wipe the cosmos of the map it proves we need to repent and become a faithful Christian from now on at least in my thinking all this proves it to me i hope it dose also for everyone else yes we need GOD in our lives way and heart so on
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A Place at the Table
A Place at the Table
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A Place at the Table
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Hope Publishing - Digital
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SheetMusicPlus
(Choral) - SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hop...
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(Choral) - SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
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I Walk Beside Thee
I Walk Beside Thee
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Chorale SATB
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FACILE
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Musique Sacrée
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Brooke Griffin Carpenter
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Brooke Griffin Carpenter
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I Walk Beside Thee
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Brooke Griffin Carpenter
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. C...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Brooke Griffin Carpenter #961065. Published by Brooke Griffin Carpenter (A0.1376536). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the choral version of this composition.
$2.75 ≈
$3.75
I Walk Beside Thee
I Walk Beside Thee
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Piano, Voix
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FACILE
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Musique Sacrée
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Brooke Griffin Carpenter
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Brooke Griffin Carpenter
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I Walk Beside Thee
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Brooke Griffin Carpenter
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Brooke Griffin Carpenter #961290. Published by Brooke Griffin Carpenter (A0.1376743). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the solo version of this composition.
$2.75 ≈
$3.75
The Seed
The Seed
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Chorale 2 parties
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DÉBUTANT
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words and music by Glyn Lehman
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The Seed
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.510167 Composed by words and music by Glyn Lehmann. R & B. Octavo. 7 pages. Glyn Lehmann #3507867. Published by Gl...
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Choral Choir (SA) - Level 1 - SKU: A0.510167 Composed by words and music by Glyn Lehmann. R & B. Octavo. 7 pages. Glyn Lehmann #3507867. Published by Glyn Lehmann (A0.510167). What you plant is what you grow.The old saying says 'what you reap is what you sow'. This song turns it around in a way that makes it more accessible to children.A great way to get young minds thinking about how their words and actions affect the world and the people they encounter.SA - Early Intermediate, unison - Easy/BeginnerMy choir's performance of 'The Seed' at the official Grand Opening of the school where I teach was a resounding success! The children loved the song and learnt it quickly.D Taylor, Ontario, CanadaThe SeedWords and music by Glyn LehmannVerse 1There’s a saying that you might knowWhat you reap is what you sowTurn it around and so it goesWhat you plant is what you growMm (hum)ChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growVerse 2A seed of kindness and friendship sownSoon takes root and finds a homeInto the light now it has grownWhat you plant is what you growMmBridgeMeanness is a feral seedKept unchecked a choking weedShuts out the light from those in needWhat you plant is what you growMmChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growTagGrow, growWhat you plant is what you grow© 2014 Glyn Lehmann. All rights reserved.
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Lied Ohne Worte (Song Without Words)
Lied Ohne Worte (Song Without Words)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Aaron Sinnett
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Lied Ohne Worte
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Aaron Sinnett
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1084564 Composed by Felix Bartholdy Mendelssohn. Arranged by Aaron Sinnett. Classical,Romantic Period. Score. 11 pa...
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Cello Duet Cello - Level 4 - SKU: A0.1084564 Composed by Felix Bartholdy Mendelssohn. Arranged by Aaron Sinnett. Classical,Romantic Period. Score. 11 pages. Aaron Sinnett #688748. Published by Aaron Sinnett (A0.1084564). This elegant work by Felix Mendelssohn was originally composed for Cello and Piano. My goal was to retain as much of the pianistic elements and interweaving lines as possible while arranging it to give it cellistic playableness. The pleasingness of the Lied Ohne Worte is so compelling that anyone of the same mind will find a way to play my Cello 2 part. Making an arrangement for Cello Duet was not part of my plan until I happened to desire a harmony to play along with. What I noticed was something that nearly arranged itself. I set to work immediately and several revisions later, I am pleased to say there is now a version of this amazing Song Without Words for two cellos. Please visit my YouTube channel to hear the Cello 2 part alone for reference. It would be great to hear anyone else performing it as well.
$5.00 ≈
$6.82
Now the Dove Flies
Now the Dove Flies
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Christian contemporain
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Musique Sacrée
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00 ≈
$10.91
Mighty Lions of War (Saul's Army) from "The Kings" - ACT 1:Song 8
Mighty Lions of War (Saul's Army) from "The Kings" - ACT 1:Song 8
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Piano, Voix
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INTERMÉDIAIRE
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McCorkle, Dennis F
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Mighty Lions of War
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.784821 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 32 pages. DF McCorkle M...
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Piano,Vocal,Voice - Level 3 - SKU: A0.784821 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 32 pages. DF McCorkle Music and eBook Publications #11731. Published by DF McCorkle Music and eBook Publications (A0.784821). ACT ONE: Song 8 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 15:1-3 - And Samuel said unto Saul: Yahweh sent me to anoint you to be king over His people, over Israel; now therefore hearken thou unto the voice of the words of Yahweh. 2 Thus says Yahweh of hosts: ‘I remember that which Amalek did to Israel, how he set himself against him in the way, when he came up out of Egypt. 3 Now go and smite Amalek, and utterly destroy all that they have, and spare them not; but slay both man and woman, infant and suckling, ox and sheep, camel and ass.’] The scene transitions to many years later, on the battlefield with SAUL’S TROOPS and the PHILISTINE STORM TROOPERS in battle [The Mighty Lions of War – Saul’s Troops & Philistine Storm Troopers]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
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$4.08
The Song That Reached My Heart - Julian Jordan arr. GH Farnell (Brass Quartet)
The Song That Reached My Heart - Julian Jordan arr. GH Farnell (Brass Quartet)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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FACILE
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Contemporain
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Julian Jordan
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Geo H Farnell & Peet du Toit
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Co., a publisher in
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The Song That Reached My Heart
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.802635 Composed by Julian Jordan. Arranged by Geo H Farnell & Peet du Toit. Contemporary. Score...
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.802635 Composed by Julian Jordan. Arranged by Geo H Farnell & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6072419. Published by Peet du Toit (A0.802635). Julian Jordan (November 10, 1850 – October 13, 1929) was an American composer, vocal instructor and singer. He worked with Willis Woodward & Co., a publisher in New York City's Tin Pan Alley. In 1887, he wrote his most successful composition, The Song That Reached My Heart.The Song That Reached My HeartMr. Jordan tells the following story of how he came to write The Song that Reached My Heart. Mr. Sayres, manager of the minstrel company, chanced to hear at one of the New York theaters a song entitled The Song for Me, which introduced Home! Sweet Home! as a finish. The following day Mr. Sayres and I met. He spoke of the song he had heard and said that he would like to have me get it for use in this minstrel company. Naturally I objected to taking the composition of another man, being a song writer myself, and so I told Mr. Sayres that if he was desirous of having a song which would introducethe melody of Home, Sweet Home I believed that I could compose one which would be as effective as theone he wished me to obtain. The idea was favorable to him, and Mr. Sayres at once suggested as a title for the song that I was to compose, The Song That Reached My Heart. Take that for a title and go home and see what you can make of it are the words Mr. Sayres used. I went home and the possessors of 100,000 copies of the song today know what I made of it. Willis Woodward, the song'spublisher, regarded the piece to be one of the most lasting and profitable hits in his long career.[Julian's twin brother, Jules Jordan, was also a composer and singer.Here's my contribution with a transcription of this beautiful composition for a brass quartet.
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$17.72
"The Angel Gabriel" choral anthem
"The Angel Gabriel" choral anthem
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Chorale SATB
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INTERMÉDIAIRE
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Traditional, Mary Rose Jensen
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Mary Rose Jensen
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"The Angel Gabriel"
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Garden Rose Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.874146 Composed by Traditional, Mary Rose Jensen. Arranged by Mary Rose Jensen. Christian,Christmas,Contemporary...
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Choral Choir (SATB) - Level 3 - SKU: A0.874146 Composed by Traditional, Mary Rose Jensen. Arranged by Mary Rose Jensen. Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 10 pages. Garden Rose Music #3859657. Published by Garden Rose Music (A0.874146). 2018 Holiday Contest EntryChoir anthem for Advent or Christmas, SATB with organ accompaniment. 3 30The Angel Gabriel is especially useful for Lessons and Carols and Christmas Eve church services.The main tune is the traditional Basque carol, GABRIEL'S MESSAGE. Music of verse 3 is newly composed.The words have been almost completely rewritten to follow more closely the scripture passage, Luke 1:26-38, the account of the Annunciation.Lyrics:The angel Gabriel was sent by GodTo Mary in a town in Galilee.He greeted her and said, The Lord is with you now.You are the highly favored one. Gloria! But Mary wondered what his words could mean.The angel told her Do not be afraid.You will conceive and bear a son named Jesus.You are the highly favored one. Gloria! He will be great and will be called the Son of God most high And sit on David’s throne. And sit on David’s throne.His rule of Jacob’s house and kingdom will not end.His kingdom will not end. His kingdom will not end.Gloria, gloria, gloria. Gloria, gloria, gloria.Gloria, gloria, gloria. Gloria, gloria, gloria. Then Mary, as a virgin, wondered, How?He said, All things are possible with GodAs God the Holy Spirit overshadows youYou are the highly favored one. Gloria! Then Mary said, Behold, I serve the Lord.So let it be according to your word.The angel then departed and we say with him,You are the highly favored one. Gloria!
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$2.71
The First Nowell the Angel Did Say (THE FIRST NOWELL)
The First Nowell the Angel Did Say (THE FIRST NOWELL)
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Musique Sacrée
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Traditional English Melody
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Richard Giszczak
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The First Nowell the Angel Did
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.823597 Composed by Traditional English Melody. Arranged by Richard Giszczak. Christmas,Praise & Worship,S...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.823597 Composed by Traditional English Melody. Arranged by Richard Giszczak. Christmas,Praise & Worship,Sacred. Individual part. 2 pages. Singing Winds Music Company #4756125. Published by Singing Winds Music Company (A0.823597). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 2 variations, and a D.S al Fine. The hymn tune name is THE FIRST NOWELL. It was published in 1833. The words The First Nowell the Angel Did Say are associated with Christmas.
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$2.73
25B. The First Nowell the Angel Did Say (THE FIRST NOWELL)
25B. The First Nowell the Angel Did Say (THE FIRST NOWELL)
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional English Melody, pu
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Richard Giszczak
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25B. The First Nowell the Ange
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.823849 Composed by Traditional English Melody, pub. 1833. Arranged by Richard Giszczak. Christmas,Praise ...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.823849 Composed by Traditional English Melody, pub. 1833. Arranged by Richard Giszczak. Christmas,Praise & Worship,Sacred,Traditional. Individual part. 2 pages. Singing Winds Music Company #6658113. Published by Singing Winds Music Company (A0.823849). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 2 variations, and a D.S. al Fine.The hymn tune name is THE FIRST NOWELL. The words The First Nowell the Angel Did Say are associated with Christmas.
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$2.73
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
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Laugh and the World Will Laugh With You
Laugh and the World Will Laugh With You
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Piano, Voix
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Henry J
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Laugh and the World Will Laugh
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4850 Composed by Henry J. Sayers. Fathers & children, Advice, Optimism. Lester S. Levy Collection. 4 pages. Published by Johns...
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Piano and voice - SKU: LV.4850 Composed by Henry J. Sayers. Fathers & children, Advice, Optimism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4850). Laugh and the World Will Laugh With You. Song From the Musical Comedy Up to the Times. Words and Music by Henry J. Sayers. Published 1889 by Willis Woodward & Co., 842 & 844 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fathers & children, Advice, Optimism. First line reads A picture of my childhoods home is one I now recall.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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He Lives - advanced piano - in the style of Chopin
He Lives - advanced piano - in the style of Chopin
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Piano seul
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AVANCÉ
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Alfred H
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Heather Knezevich
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He Lives - advanced piano - in
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914312 Composed by Alfred H. Ackley. Arranged by Heather Knezevich. Christian,Easter,Gospel,Romantic Period,Sacred. Score...
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Piano Solo - Level 5 - SKU: A0.914312 Composed by Alfred H. Ackley. Arranged by Heather Knezevich. Christian,Easter,Gospel,Romantic Period,Sacred. Score. 4 pages. Songs of Praise #6041333. Published by Songs of Praise (A0.914312). This advanced piano arrangement takes inspiration from Chopin's Scherzo in B-flat minor, Op. 31, No. 2. It begins with bold chords, then changes to a thoughtful middle section. It ends triumphantly, in a similar style to the opening. The arrangement reflects on the words of this well-known hymn, I serve a risen Savior; He's in the world today. I know that He is living, whatever men may say...
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FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
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The Daedalus and Icarus Journey
The Daedalus and Icarus Journey
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Apostolos Paraskevas
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The Daedalus and Icarus Journe
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
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Lift Up Your Hearts - A musical setting of words ascribed to St Gregory [2-part piece for choir]
Lift Up Your Hearts - A musical setting of words ascribed to St Gregory [2-part piece for choir]
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Judy Lane
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Lift Up Your Hearts - A musica
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Judy Lane Music
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.915890 Composed by Judy Lane. Praise & Worship,Sacred. Octavo. 13 pages. Judy Lane Music #2917893. Published b...
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Choral Choir (2-Part) - Level 2 - SKU: A0.915890 Composed by Judy Lane. Praise & Worship,Sacred. Octavo. 13 pages. Judy Lane Music #2917893. Published by Judy Lane Music (A0.915890). Lift Up Your Hearts - This 2-part choral piece, composed by Judy Lane, is a musical setting of words ascribed to St Gregory.Father we praise thee now the night is over.Active and watchful we stand all before youThe sun in the east slowly climbs in the skyShimmering, shimmering through the trees, through the trees.Thine is the glory, gleaming and resounding through all creation, through all creationFather we praise thee now the night is over.Singing, we offer prayer and meditation.Monarch of all things, fit us for thy mansions.Father we praise thee now the night is over.Bring us to heaven where saints stand united.Banish our weakness, health and wholeness sending.Thine is the glory, gleaming, resounding through all creation.Critics say about multi award winning composer Judy Lane - Judy exhibits a flair for setting words to singable melodies and for inventing appropriate moods
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Say the Words (Now)
